Pros: Great set of adapters
Solid build quality
Noticeable improvement in sound quality
Reasonable price
Cons: none
MEE audio Universal MMCX Balanced Audio Cable with Adapter Set; The “Swiss Army Knife” in the World of IEM cables.
Disclaimer: First of all, I want to thank MEE audio for providing me this MEE audio Universal MMCX Balanced Audio Cable with Adapter Set. I am not affiliated with MEE audio beyond this review and these words reflect my true, unaltered, opinion about the product.
About MEE audio:
MEE Audio is established in the USA and is crafting headphones, earphone and audio accessories, etc. since 2005.
The Price:
The manufacturer's suggested retail price (in short MSRP) of the MEE audio Universal MMCX Balanced Audio Cable with Adapter Set is 99,99 USD.
Purchase Link I will describe the Universal MMCX Balanced Audio Cable with Adapter Set in short as “BalancedUpgrade Cable” during this review.
What’s in the package?
The MEE audio balanced upgrade cable comes in a rectangular card box with a transparent plastic window that shows the following items inside the box;
1 Pcs of Silver-plated Copper (SPC) Cable with MMCX connector and 2.5mm Balanced Headphone Jack
1 Pcs of 4.4mm Balanced (Pentaconn) Adaptor
1 Pcs of 3.5mm Balanced (TRRS) Adaptor
1 Pcs of 3.5mm Single Ended (SE) Adaptor
Some technical details about the adapters;
Additional information’s about this upgrade cable;
The MEE Audio Balanced Upgrade Cable is made of a Silver Plated Copper (SPC) wire with %99.99 purity that has MMCX (Micro-Miniature Coaxial) connectors, compatible with MEE audio products and other earphones that are using MMCX connectors.
This Upgrade Cable has a fully balanced design with a 4-core construction that has two isolated conductors per channel, which is braided for strength and a tangle-resistance.
The build quality of this cable looks rock solid and the gunmetal colored plastic isolation have no micro-phonic effects.
About the Sound;
I will compare the Balanced Upgrade Cable with the Stock cable of the Pinnacle P2 and have burn-in this cable for at least 100 Hours.
The first thing I have noticed is that the balanced upgrade cable adds additional body to the sound and bass better bass extension than the stock cable.
As for speed, smoothness, depth and controllability, I found the upgrade cable a bit more mature sounding then the stock cable.
The two cables are also successful in vocals. The upgrade cable sounds warmer and more emotional with female vocals than the stock one.
Both cables are successful by presenting instruments, but the upgrade cable wins when it comes to clarity and instrument accentuation / emphasis.
The stock cable sounds a bit aggressive in upper midrange, while the upgrade cable has some aggressiveness it changes the game with its better control over the upper midrange.
The two cables have a nearly similar performance in the treble region. The main difference is in the treble extension where the upgrade cable shows a better performance. It has also better control over the upper treble region and has also more micro details.
There are also some differences for soundstage presentation. The increasing of depth and width while using the upgrade cable over the stock cable is noticeable. Also the instrument placement benefits from the upgrade cable.
Conclusion: The MEE audio Universal MMCX Balanced Audio Cable with Adapter Setis a great cable package for a reasonable price. It has a solid build; it improves the sound quality and has a great adapter set that makes it to a “Swiss Army Knife” in the world of IEM cables.
Pros: Built Quality
Great Fit and Comfort
Good Amount of Detail and Balanced Sound Signature
Nice Stock Cable
Cons: Missing some sort of silicone & foam eartips
HiFi BOY, the New BOY in the Town
Disclaimer:
My special thanks to Penon Audio and HiFi BOY.
The HiFi BOY OS V3 IEM was provided to me for free of charge by Penon Audio as a review sample. I am not affiliated with Penon Audio or HiFi BOY beyond this review and these words reflect my true, unaltered, but subjective (I am a Human) opinions about the product.
About HiFi BOY:
HiFi BOY is a high-end Hi-Fi audio brand launched by China Chengdu Fallante Technology Co., Ltd. This is an integrated research, development, production and sales technology company. It is mainly engaged in manufacturing, sales and development of Hi-Fi headphones, multimedia speakers and bluetooth audio equipments.
Brand CEO, Mr.Chen combined with a number of acoustic engineers a team to make HiFi BOY to a cost-effective HiFi brand.
The HiFi BOY OS V3 comes in a black chard box that has the silver HiFi BOY logo printed at the top of this box. The box contains the following accessories;
● 1 pair of HiFi BOY OS V3 In Ear Monitors
● 4 braided Silver Plated Copper (SPC) cable with MMCX connectors
● 3 pairs of silicone ear tips (small, medium, large)
● 3.5mm Female to 6.5mm Male Adapter
● Flight adapter
● 1 pcs. of HiFi BOY branded carrying case
The HiFi BOY branded carrying case is bigger then regular zipper cases and can store all in the package included accessories.
Cable:
My HiFi BOY OS V3 came with a 4 braided Silver Plated Copper (SPC) cable that has MMCX connector, but HiFi BOY made an update and the OS V3 will now be sold only with 2 pin connectors.
The cable is transparent and looks pretty good. The cables is right angled and has a rhodium plated 3.5mm SE jack that looks and feels sturdy.
The cable itself has no microphonics and the memory wire is made of a transparent shrink tube coating that is comfy.
Design and Build Quality:
The HiFi BOY OSV3 is an In Ear Monitor (IEM) that is made of a resin based shell. My unit is in black color and has a beautiful shiny appearance. HiFi BOY offers the OS V3 also in Blue and Red colors. The OS V3 is handmade but it has a great build quality without any noticeable flaws (burrs etc.) and looks rock solid.
It has to bores on the nozzle, one for the dynamic driver (bass) and the other for the 2 balanced drivers (mid & treble).
It has also one bass vent on each monitor at the sides.
Fit, Comfort and Isolation:
The HiFi BOY OS V3 has a custom like molding that can be called semicustom like the StageDiver Series of the German company InEar Monitoring. The OS V3 has a very good fit and seal due this semicustom like housing and I had no comfort issues while wearing it for many hours (with pausing every 20min. I don’t expect a Custom IEM (CIEM) like isolation form the OS V3, but I think that it has a very good isolation for a Universal IEM (UIEM).
Technical Specifications:
Drivers: 2 Balanced Armature + 1 Dynamic Driver (Ultra-high frequency Balanced Armature + high frequency Balanced Armature + 7mm strong magnetic composite diaphragm Dynamic Driver)
Impedance: 19 Ohm
Sensitivity: 109 Db
Frequency response: 20Hz-20KHz
Cable Length: 1.2 m
Plug: 3.5mm rhodium-plated
Wire: 5N single crystal copper silver-plated cable
Drivability (Impedance):
The HiFi BOY OS V3 is easy to drive and a quite sensitive IEM with an impedance of 19 Ohm. The OS V3 is ideal for all type of portable Digital Audio Players (DAP’s) and even my Samsung Galaxy S8 and IPad Air 2 could push the HiFi BOY to very high volumes without any noticeable struggling.
This HiFi BOY OS V3 review is written by me after an intensive burn-in process of 100 hours. I have used the stock provided silicone ear tips due this review.
Sound Signature and Tonality:
HiFi BOY OS V3 can be classified as an IEM with a V-shaped sound signature. The lows and the treble frequencies have more weight in comparison to the slightly but not too much recessed midrange. The OS V3 sounds warmer than neutral in almost every track I have listened with it so far.
This frequency range can show some variations depending on the paired up source. For example; the HiFi BOY OS V3 sounds softer, warmer and more musical with sources like the Chord Mojo or the IPad Air 2. The Aune M2 Pro in the other hand sounded more balanced and effortless while the Zishan Z2 had a thinner and brighter presentation.
Lows (Sub Bass and Bass):
The low end presentation of the HiFi BOY OS V3 has this typical character of a hybrid IEM with deep impact and nice rumble that is produced by a relative small 7mm diameter dynamic driver.
The sub bass quantity is well done, has great texture and is not overpowered in its general sound presentation. You can feel the sense of power that comes from this region, but as mentioned before, the sub bass quantity that is reproduced from the single dynamic driver (the 2 BA drivers are for treble and mid presentation) is not on a bass-head level. The sub bass representation of instruments like kick/bass drums, bass guitars and electronic synthesizers are great.
For example the song of “Twenty One Pilots – Fairly Local”; the sub bass right at the beginning of the track has a nice wow effect, the impact and rumble is quite impressive.
The bass notes have more presence than the sub bass in the lower frequency region. The bass reproduction of the HiFi BOY OS V3 is giving a nice solid layer to the sound with good rumble. The good thing about the OS V3 bass presentation is, that there's not too much bass emphasis to be found unless the track is asking for.
For Example the legendary song of the group “The Police - Every Breath You Take” is one of my favorites when it comes to analyze a bass guitar presentation. The HiFi BOY OS V3 excels very well in this area by presenting a smooth and tasty bass rhythm.
The company HiFi BOY did a good job by tuning the lows of OS V3 relative balanced and not too dominant. Thanks to this choice, the HiFi BOY OS V3 didn’t sounded boomy or muffled while listening to some bass intensive and complex tracks.
The HiFi BOY OS V3 is not a mid forward IEM and has a V shaped midrange.
First of all, nice to hear that the bass doesn’t bleed in to the lower midrange, that could otherwise result a hollow and muffled presentation. The lower midrange of the HiFi BOY OS V3 is adding only a touch of warmth to the mids that is a welcome for some lower-stringed instruments like acoustic or electro guitars etc.
Acoustic guitar passages in “Otto Liebert & Luna Negra’s” song “The River” sounds lifelike and delightful.
The midrange provides a nice engaging and balanced sound that is not too analytical or warm for my taste. Both male and female vocals sounding relative realistic and emotional, but I think that female voices sounded more delightful to me. The voice of Diana Krall in her song “So Wonderful” sounds lush and emotional.
The HiFi BOY OS V3 is maybe not the most detailed IEM in my collection, but I can easily say that the detail retrieval of the midrange is quite impressive for a 200 USD IEM.
There is a small roll-off in the upper midrange area that is not to overdone. This is a good thing to avoid sibilance & harshness and is a good tuning, if you are listening music for long hours like me. This tuning also avoids an upper midrange stress that is normally common for hybrid IEM’s and it reminds me to this of the AZLA-01R; very relaxed.
Highs (Treble – Upper treble):
The treble presentation of the HiFi BOY OS V3 is coherent and very balanced. The clarity level and definition around 5K is great. The treble of the OS V3 is in general not too upfront, but that doesn’t mean that its sounds grainy or too dry, in contrast; it sounds natural and relaxing.
Instruments like Cymbal, Piano or Violin sounding quite realistic and have a nice sparkle.
For example; the big cymbals in Megadeth’s legendary song “Sweating Bullets; seconds 0:11, 0:14 and 0:21; the bells sounding realistic and have great transition without loosing any control, that’s a really great capability for this price point.
The top ends of the HiFi BOY OS V3 has enough air & brilliance, and is luckily not over boosted that would accentuate hiss or cause ear fatigue after long listening periods.
For example; the upper treble extension of the OS V3 in Emmanuel Pahud’s (Claude Debussy) – Syrinx side flute (transverse flute) performance is satisfying and quite realistic.
The treble presentation of the HiFi BOY OS V3 has impressed me due the review and I think that it is a great performer for a 200 USD priced IEM.
Soundstage and Imaging:
The soundstage of the HiFi BOY OS V3 is not monstrous or claustrophobic it sounds quite realistic. It has more depth than width and there is enough space and air between the instruments that makes it possible to locate each ones position, even in complex passages.
Some Comparisons:
Vs. Whizzer A15 Pro (125 USD):
The Whizzer is a fantastic IEM for its price, especially the build quality accessories and detail level it provides makes it to a no brainer.
The first comparison comes to the fit. The HiFi BOY OS V3 has the better fit and ergonomics due the semicustom design. The OS V3 is also lighter than the A15 Pro that makes it a better choice if you are listening music for long hours. The build quality on both is great, but the Whizzer A15 Pro has a metal shell vs. the resin based shell of the OS V3. The package and accessories that comes with the Whizzer is a lot more an on a higher level compared to the prices that they ask for.
When we compare it for the sound, I can say that these two IEMs have not too much together. The A15Pro sounds more analytical and bright in comparison to the OS V3, which has an overall warmer sound signature. The detail level of both is in a similar level, the OS V3 has a little more micro detail then the A15 Pro.
The Vocal presentation of both is great for the price they are asking for. The bass response of the OS V3 especially at the bass and lower midrange is better tuned and has more presence. The Whizzer A15 Pro is missing some bass that makes it not to a real all-rounder. When it comes to soundstage and imaging, both are quite capable in its own way. The A15 Pro has a wider soundstage while the OS V3 wins in the depth.
The OS V3 is a good all-rounder with perfect fit, while the Whizzer A15 Pro is more suitable for those who prefer a brighter and more analytical presentation.
The MEE audio Pinnacle P1 is a very capable IEM for the price. It has a very good accessory package, great build quality and a great looking stock cable. The fit of the Pinnacle P1 is great as the OS V3 and but the OS V3 is bit more comfortable. The isolation of the OS V3 is better due the semicustom design. The sound signature of the Pinnacle P1 is very similar to the Whizzer A15 Pro that I have mentioned above, but it has more bass weight that makes it more balanced. The P1 sounds brighter, thinner and has more sparkle at the top end. The OS V3 on the other hand has a more balanced coherent sound signature than the P1. The P1 sounds a bit thin and dry at the midrange and there is also missing some bass weight and warmth that is not suitable for male vocals and instruments that needs thicker notes. The Pinnacle P1 sound a bit more airy and spacious. Both IEM’s have similar good soundstage presentations. The OS V3 has a deeper stage while the P1 has a slightly wider presentation.
Both IEMs are great performers in the 200 USD price categories, but the HiFi BOY OS V3 is the better all-rounder for me.
The Rose Cappuccino MK2 is one of my favorites IEM compared to the price. It has a wonderful stylish and comfy housing with two sound signature options, ON for a more reference and balanced sound and OFF for more bass emphasis, ideal for genres like Pop, Edm etc.
I will compare it with the HiFi BOY OS V3 in switch ON position cause for the more reference type song.
Both are small, handmade and nice looking IEM’s, the MK2 has the upper hand for customization, because you have a wide variety of color and faceplate design options. Both are comfy hand have a good seal. The Rose Cappuccino MK2’s build quality is good, but the HiFi BOY OS V3 looks more solid and better crafted in direct comparison. The Rose Cappuccino MK2 has also a V shaped sound signature but with even more prominent top end lower end. The bass of the MK2 goes lower has more rumble and has a better definition. The HiFi BOY on the other hand has a more balanced reference like bass tuning that is one of the best in the 200 USD price league. The midrange of the HiFi BOY is more in foreground and the vocal presentation feels more intimate as those of the MK2. The Rose Cappuccino has more boosts in the treble range, has more sparkle and sounds vivid, while HiFi Boy decided to make an IEM with a more overall balance. Both have an airy presentation and similarities for soundstage. The soundstage of the MK2 sounds similar in the width while the OS V3 has little more depth.
Both IEM’s sounding great in its own way regardless of the price. If you pay attention to price and for a more balanced sound go for the Hifi BOY OS V3, but if you have more money to spend and want two different sound signatures the Rose Cappuccino MK2 could be a good choice.
The HiFi BOY OS V3 is a nice looking semicustom like IEM with great built quality, nice stock cable and a great sound performance for the price. Nice to see new brands like HiFi BOY that makes such great products for a relative reasonable price.
Pros and Cons:
+ Built Quality
+ Great Fit and Comfort
+ Good Amount of Detail and Balanced Sound Signature
+ Nice Stock Cable
- Would prefer some more sort of silicone/foam eartips
Pros: Engaging sound
Good detail level
Great price to performance ratio
Perfect fit for long listening periods
Detachable cable = upgrade option
Cons: Plastic (ABS) housing vs. Zinc Alloy on Pinnacle P1
Stock cable
Hi-fi sound for an affordable price
The MEE audio Pinnacle P2 In Ear Monitor (in short IEM) that I’m reviewing was provided to me free of charge as a review sample. I am not affiliated with MEE audio beyond this review and these words reflect my true, unaltered, opinion about the product.
About MEE audio:
MEE Audio is established in the USA and is crafting headphones and earphones since 2005.
The manufacturer's suggested retail price (in short MSRP) of the MEE audio Pinnacle P2 is $ 99,99.
Package and Accessories:
The Mee audio Pinnacle P2 comes inside a small card box and this card box includes the following contents;
Pinnacle P2 Audiophile In-Ear Headphones
OFC audio cable with inline microphone and remote
Comply T-200 memory foam ear tips
Silicone ear tips (6 pairs)
Zippered carrying case
Shirt clip
User manual
Stock Cable:
The 3.5mm gold plated SE (Single Ended) stock cable of the Pinnacle P2 has a MMCX connector interface that is seen more and more often as standard connector in new IEM models. The cable of the P2 is made of a rubber material that is quite thick and feels sturdy in my hand.
It doesn’t looks as sexy as the stock cable of the Pinnacle P1 but it has a build in microphone, which I have tested with my Samsung Galaxy S8+ that is quite sensitive and has enough clarity for a comfortable phone conversation.
Design and Build Quality:
The Pinnacle P2 has the same shell shape as the Pinnacle P1; the main difference is the material that MEE audio decided to use.
The Pinnacle P2 has the same design as the Pinnacle P1 that I found also very nice looking. The main difference between the two models is the material that MEE audio have used on the new P2. The Pinnacle P2 housing is made of ABS that is a sort of plastic, with a piano black finish. The Pinnacle P1 on the other hand is a hand polished die-cast zinc alloy material, which looks and feels more premium in my opinion. But don’t to forget, that the P1 is more expensive due the use of more expensive materials.
Fit, Comfort and Isolation:
The Pinnacle P2 is in my opinion; one of most comfortable Universal IEM’s in the market, together with my old Westone’s and the Ibasso IT03. You can wear it for hours without to fatiguing your ears. It has a compact design that should fit to almost every ear type.
Technical Specifications:
Driver : 11mm Ø moving coil (dynamic) with copper-clad aluminum voice coil Sensitivity : 100±3 dB (1mW at 1 kHz) Impedance : 16 Ohm @ 1K Frequency Resp. : 17 Hz to 20 kHz Weight : 4gr (without Cable), 21gr (with Cable) Plug : 3.5 mm right angle plug
Cable length : 1.3m Connector Type : MMCX connector Microphone Specs : Omnidirectional mic, freq. resp. 100 Hz to 5 kHz, sensitivity -40dB± 3dB
Drivability (Impedance):
The Pinnacle P2 is an easy to drive IEM with an impedance of 16 Ohm @ 1K. The Pinnacle P1 on the other hand with its 50 Ohm impedance @ 1K was not a very easy to drive IEM. MEE audios target with the new P1 are Smartphone users and Digital Audio Players (in short DAP) that have less juice. My Samsung Galaxy S8 and IPad Air 2 could push the Pinnacle P2 to very high volumes without any noticeable struggling.
Sources:
Albums & tracks used for this review:
Megadeth – Sweating Bullets (Flac 16bit/44kHz)
Lazarus A.D. – The Onslaught (ALAC)
Opeth – Damnation (Tidal Hi-Fi)
Metallica - The Black Album (Flac 24bit/96Hz)
Pink Floyd - Money (Flac 24bit/96Hz)
Otto Liebert & Luna Negra – Up Close “Album” (DSF) – Binaural Recording
Max Richter – Recomposed by Max Richter : Vivaldi and The four Seasons (Tidal Hi-Fi)
Diana Krall - So Wonderful (DSF)
GoGo Pengin – Fanfares (ALAC)
Alboran Trio’s – Cinque Lunghissimi Minuti (Tidal Hi-Fi)
Yosi Horikawa – Bubbles (Flac 16bit/44kHz)
Melody Gardot – Who Will Comfort Me (Flac 16bit/44kHz)
Aretha Franklin – I Say a Little Prayer (Apple Music)
Daft Punk – Get Lucky (Flac 24bit/192kHz)
Hans Zimmer & James Newton Howard – A Watchful Guardian (Flac 16bit/44kHz)
Michael Jackson - Billie Jean (DSF)
In Ear Monitor : MEE audio Pinnacle P2
DAP/DAC : Echobox Explorer, Aune M2 Pro, Yin Lu Mei D200+, Chord Mojo, Zishan Z2, Ipad Air2, Samsung Galaxy S8 Plus
Sound Analysis and Comparisons:
This review is written after an intensive burn-in process of 100 hours. I have used the stock provided double flange silicone ear tips due this review.
I will compare the Pinnacle P2 in many situations with the predecessor, the Pinnacle P1.
Tonality:
The tonality of the Pinnacle P2 is relative warmer compared to older brother the Pinnacle P1. The additional warmth comes from the mid bass region. Anyway, great to hear that MEE audio didn’t overpower the warmth to much that would otherwise destroy the balance that they have archived with the tonality of the P2.
Lows (Sub Bass and Bass):
One of the first differences I have noticed on the Pinnacle P2 over the P1 is the sub bass quantity. The Pinnacle P2 has more sub bas quantity then the Pinnacle P1. It sounds also tight and has good definition, especially for a $ 100 IEM.
Some sub bass tones created with bass guitars, kick drums or organs sounds live like and organic.
For example; the amazing fast kick drum performance in Lazarus A.D. – Last Breath sounds quite amazing with its great control. In short, the sub bass of the P2 is by no way overwhelming and is only there when it’s needed and I think that this is a good ability in for a IEM in this price range.
The Pinnacle P2 has also a noticeable difference over the P1 around the 100 – 200 Hz bass range. The bass has more presence and adds additional warmth to the P2 that is missing on the P1. The bass of the Pinnacle P2 is quite impressive for a sub $ 250 priced IEM and the right amount of warmth that comes from the 150 Hz range gives it a more organic presentation over similar priced IEM’s like The Fiio F9 or the TFZ Series 4.
The P2 should satisfy most Rock, Jazz, Pop or even R&B music lovers in this aspect, but is by no way a bass-head IEM for House music freaks.
The Pinnacle P2 has a slightly V shaped sound tuning while the Pinnacle P1 had also a V shaped presentation but with a slightly more forward midrange presentation.
Here again, at the upper midrange are some differences between the Pinnacle P1 and the P2. The P1 has more midrange clarity in direct comparison to the dryer sounding P2. The Pinnacle P2 has also a warmer and more organic sound tuning that gives both male and female vocals a fuller presentation. Female and Male vocal sounds rich and full and have a good detail level.
The resolution of the between 1 – 2 kHz is great, especially female vocals benefits form this tuning. My favorite female Vocals like Diana Krall or Melody Gardot voices sounding emotional and the detail retrieval is top notch in this price range. And again the Pinnacle P1’s vocal presentation is clearer and crisper with a bit more micro detail. I think it comes to personal preferences regarding the sound tuning.
One of the good parts of the frequency range is the upper midrange presentation of the Pinnacle P2. The upper midrange of the P2 around the 3 kHz barrier is a little bit rolled off, that makes the overall sound presentation more pleasant for log listening periods. For example; Female voices like Aretha Franklin or Céline Dion sounding delightful and intimate without being harsh or ear piercing, even in higher volumes. Another example for upper midrange control is Alboran Trio’s – Cinque Lunghissimi Minuti, the piano pulse between 14 – 15 seconds sounds soft, is relative good controlled and spreads very well for a $ 100 IEM.
The Pinnacle is thanks to this tuning not stricken from sibilance like similar priced IEM’s like my old friend the Vsonic Gr07BE or newer models like the newly released hybrid model of Fiio, the F9 that has a different driver combination but is in the same price range.
Highs (Treble – Upper treble):
The treble quantity of the Pinnacle P2 is nearly identical with those of the Pinnacle P1, but due the warmer tuning and a small roll-of on the top around 5 kHz, makes it doesn’t sound as bright as the P1. The slightly boost in the 5 kHz range gives the Pinnacle P1 additional clarity in comparison to the more distant and transparent sounding new Pinnacle P2.
The great thing about the Pinnacle P2 is that the treble section is present but never being harsh. This tuning allows the listener a comfortable sound experience without any ear fatiguing. Instruments like cymbals sound relative natural and makes the P2 a great pair for Metal Music listeners. For example, the treble extension on Megadeth’s – Sweating bullets and the cymbal strike ton in Opeth’s – Damnation is quit impressive for an IEM in this price league.
The upper treble tuning between 6 kHz - 20 kHz (20 kHz is the max. frequency that the P2 can represent) makes the Pinnacle P2 a relative airy sounding IEM. It has not as much sparkle as the P1, but the Pinnacle P2 sounds more engaging in many situations due this new tuning.
Please don't get me wrong the Pinnacle P2 sounds in no way dull like the TFZ Series 4, but it has not as much upper treble presence as the predecessor P1 and exactly this new tuning gives Pinnacle P1 additional clarity and detail.
Soundstage and Imaging:
The soundstage of the Pinnacle P2 is above average; it is not as wide as the Pinnacle P1 but the depth is nearly the same. I have to say that the soundstage presentation is not the strength of the Pinnacle P2.
The instrument separation and imagine in GoGo Pengin’s – Fanfares was relative accurate, but there is missing some sense of space that was better with my old Pinnacle P1. Live recordings have a better sense of imagine than bass heavy modern genres.
Conclusion:
The Pinnacle P2 is a very good option in the $ 100 USD category. It has a different tuning (warmer) to these of the Pinnacle P1 (brighter) that sounds more mature.
It is a matter of preference; if you want an easier to drive and cost efficient Pinnacle with a warmer sound and punchier bass, go for the P2. But if you do critical listening and can spend additional 100 Bucks, you can get the Pinnacle P1 with more detailed sound, better stock cable and a premium housing.
Pros and Cons:
+ Engaging sound
+ Good detail level
+ Great price to performance ratio
+ Perfect fit for long listening periods
+ Detachable cable = upgrade option
- Plastic (ABS) housing vs. Zinc Alloy on Pinnacle P1
- Stock cable
great review @Moonstar I was thinking to buy the p1 because I have read they are really good for metal, rock and prog but they are not available while the p2 is and at a good price. I might spend 115 for the p1 if you tell me it is worth the difference against the 80 i can spend for p2. interesting to me was the ability to reproduce satisfying distorted guitars in the p1, thanks
Pros: Beautiful and Modern design
Solid Build Quality
Nice and useful Case made by Dignis
Great Stock Cable
Amazing Bass Response
Great Detail Level
Smooth Highs
Cons: Only 3 Pairs of Ear Tips
Little bit recessed upper midrange
AZLA 01R: A PIECE OF BLUE SKY…
Disclaimer:
This unit was provided to my by AZLA. I am not affiliated with AZLA beyond this review and these words reflect my true, unaltered, opinion about the product.
About AZLA:
AZLA is a new generation of earphone maker founded in South Korea in 2017. BTW, AZLA 01R is the first IEM of this company.
Price:
The AZLA 01R is for now only in Japan, Hong Kong and Taiwan available. Other countries - includes South Korea - will be launched in the near future.
The retrial price of the AZLA 01R is around 450 USD.
The Meaning of AZLA:
**PS: This is a quotation from the official webiste
For creating new sound, be existed in the world before, AZLA is motivated from 'meteorite', a small fallen piece from the universe, it is composite word using Azur, 'sky' by French and Lapis, 'stone' by Latin.
Significance of AZLA: A PIECE OF BLUE SKY
Package and Accessories:
The AZLA comes inside a small and compact card box. This is the first time a saw such a small box with such a big and stylish case inside.
This card box includes the following contents;
1 pair of AZLA 01R In Ear Monitor
1 pcs. of Case with zipper (Made by Dignis)
1 bag with 3 sets of silicone ear tips
1 pcs. of Labkable’s SilverGalaxyMix MK2 cable
Cable:
The cable provided in the box is called SilverGalaxyMix MK2 and has a 2 pin interface and is made exclusive for AZLA by Labkable. According to official information, from Labkable, SilverGalaxy Mix MKII (4w) is made by 2 wire silver plated OCC copper + 2 wire 7N OCC copper to enables the best sound transmission.
SilverGalaxyMix MK2 is also treated by a special HQT30 process “that takes 24 hours” for each cable and is a unique treatment process by Labkable.
BTW, I didn’t notice any annoying microphonic effects due this review.
Case:
The case that comes inside the box is a nice looking special made case for AZLA by the company Dignis.
There is also Velcro separator that can be removed or folded to carry different items at the same time.
If you I remove the separator, the case volume will big enough to put my Chord Mojo and the AZLA 01R at the same time inside this case.
Design and Build Quality:
Design:
The AZLA 01R has two color options; one in gray color that is called Meteor Gray and one in silver that is called Lunatic Silver, what I am using now for this review.
The company did a great job by using a sophisticated metal housing to protect the BED™ (Bull Eye Driver) in combination of a transparent polycarbonate chassis that looks different and eye-catching.
The first thing that I have thought about this IEM when I saw it for the first time was, that it looks like a piece of modern art, simple but glamorous.
Build Quality:
The outer housing is made of a special type of polycarbonate material that has a UV coating. This housing has a solid build quality without any noticeable burrs or gaps.
The core of the AZLA 01R is made of a single piece of high purity aluminum block material, in order to suppress unnecessary resonance and realize further Hi-fi sound.
The 2 pin connector interface looks also solid and should last for a long time.
Fit, Comfort and Isolation:
The AZLA 01R is not a small IEM like the Sennheiser IE800 or MEE Audio Pinnacle, but don’t worry it is smaller then the Oriolus MK2 or Rhapsodio Solar (UIEM Shell). It sits good in my ears and it is also comfortable. The Isolation with the stock ear tips is very good, not as good as semi custom IEM like InEar Stage Diver lineup or the Ibasso IT03, but good enough to isolate you on the go.
Technical Specifications:
Driver Unit BED ™ : 1 pcs. Dynamic Driver (11mm Ø ) + 1 pcs. of Full Range Balanced Driver Sensitivity : 104 dB ± 3 dB @ 1 kHz, 1 mW (0.155 V) THD : Less than 1 % max @ 1 kHz, 1 mW Rated Input : 4 mW (0.31 V) Max Input : 100 mW - 1.55 V (Short Term) Impedance : 24 Ohm ± 15 % Frequency Response : Refer to the following data, Input 1 mW (0.155 V) Sine Wave Frequency Range : 5 Hz - 40 kHz Weight : 25gr (with Cable) Plug : 3.5 mm Stereo gold plated
Infinity Sound and BED™ Driver Technology:
PS: The following contents are quotations from the official Website:
Infinity Sound Technology
The method is normal stationary speakers’ enclosure style, open two sound vents in integrated metal body which covers BED™, and use closed housing as for acoustic suspension role.
Especially top-tier grade poly carbonate as an enclosure is specially designed for sound, finally finished by various challenges for the best sound.
Unique bass and space, also designated for enjoying bright and clear sound.
The BED™(Bulls Eye Driver)
BED™ driver to AZLA is unique hybrid style which integrates dynamic driver and wide band B/A, Particularly tuned for perfect balancing with Infinity Sound Technology.
Especially, significantly minimized reflected wave and phase difference issues from normal hybrid type earphones and multi BA system, and maximize features by linear metal body design.
Drivability (Impedance):
The AZLA an easy to drive IEM with an impedance of 24 Ohm. Even my Smartphones was able to drive the AZLA to very loud volumes.
Sources:
Albums & tracks used for this review:
Pink Floyd - Money (Flac 24bit/96Hz)
Megadeth – Sweating Bullets (Flac 16bit/44kHz)
Opeth – Heritage Album (Tidal Hi-Fi)
Otto Liebert & Luna Negra – Up Close “Album” (DSF) – Binaural Recording
Max Richter – The Blue Notbooks (Flac 16bit/44kHz)
Max Richter – Recomposed by Max Richter : Vivaldi and The four Seasons (Tidal Hi-Fi)
Michael Jackson - Billie Jean (DSF)
Diana Krall - So Wonderful (DSF)
Metallica - The Black Album (Flac 24bit/96Hz)
Yosi Horikawa – Bubbles (Flac 16bit/44kHz)
Melody Gardot – Who Will Comfort Me (Flac 16bit/44kHz)
Daft Punk – Get Lucky (Flac 24bit/192kHz)
Hans Zimmer & James Newton Howard – A Watchful Guardian (Flac 16bit/44kHz)
Dr. Chesky’s Binaural Album (Flac 24bit/192kHz)
In Ear Monitor : AZLA 01R DAP/DAC : Aune M2 Pro, Chord Mojo, Smart Player (Yin Lu Mei) D200+, Zishan Z2, Ipad Air2, Samsung Galaxy S8 Plus
The Sound:
This review is written after an intensive burn-in process of 100 hours. I have used the stock provided silicone ear tips due this review.
Tonality:
The AZLA 01R has a warm and liquid tonality. It reminds me a bit to analog sources.
Lows (Sub Bass and Bass):
One of the first things I have noticed on the AZLA was the bass region. It sounds like it would come from a full-sized loud speaker and I think that the two sound vents that are integrated in to the metal body are responsible for this effect, exactly as advertised by AZLA.
The Sub Bass area of the AZLA between 20-50 Hz provides a full bodied presentation where bass guitars really shine. For Example; the AZLA sounds beautiful with Pink Floyd’s – Money where you can here and feel the emotion of the legendary rhythm of the bass guitar.
The Bass of the AZLA 01R is punchy, powerful and dynamic with a very organic decay. This IEM is capable “If Called” to reproduce big and tight bass impulses. Both, the quality and the impact around the 80 – 200 Hz area are simply amazing for this price point.
I must say I am very impressed how good AZLA has tuned the midrange of the 01R. It is well controlled and reflects good amount of detail. The lower midrange around 250 – 400 Hz frequency band gives the bass of the AZLA 01R some extra clarity. Good that AZLA gave the right amount of boost around 500 Hz, because to much boost could make the 01R sounding too warm and muffled in the Lower midrange.
Again, the midrange sounds warm, a tad bold and there is plenty of detail. I don’t know how AZLA did this happen, but this is the first time I hear a midrange with this type of warmth without loosing clarity and definition. The instrument and vocal presentation in the midrange is a touch warmer then normal. But it doesn’t sound muffled or unnatural to my ears.
My only complain could be come around the 2 kHz range, I would prefer a bit more prominence in this area too add some extra clarity, but otherwise great tuning and definition, especially for this price point.
My ears are very sensitive to the upper midrange brightness, that’s why I prefer a good tuning in this region when I buy a new IEM. Some IEM that I have try or use in the past had problems to handle Female voices with strong presence in the upper midrange like Diana Krall, Céline Dion, Aretha Franklin or Melody Gardot. The upper midrange of the AZLA 01R is well balanced and controlled. The AZLA 01R passed some of my test tracks of Diana Krall (So Wonderful) or Melody Gardot (Who Will Comfort Me) fatigue-free.
Instruments like Cymbals in tracks of Megadeth (for example Sweating Bullets) are well defined and controlled. BTW, I didn’t experience any noticeable stress in the upper midrange due this review.
Highs (Treble – Upper treble):
The treble range of the AZLA 01R is transparent and well controlled, but doesn’t sound too distant. Good that AZLA doesn’t Over-boosted the 5 kHz range that could otherwise cause to an irritating, harsh sound. The tuning and amount of the treble gives the AZLA 01R clarity and definition without being ear piercing.
Instruments like Piano, Drum or Violin sound natural and pleasurable, especially for a sub 500 USD IEM. For example; you can feel the emotion that comes form the violins in Max Richter’s epic song “On the Nature of Daylight” what really impressed me.
The upper treble sounds gentle and delicate. The 10 kHz range is well tuned and gives the overall sound presentation enough sparkle and air. The slightly boost around 11 – 13 kHz adds an impressive resolution that makes the AZLA 01R to a good bang for the buck.
There BED driver with its Hybrid driver configuration doesn’t sound metallic or digital like some other IEM’s with Hybrid divers.
Soundstage:
The soundstage of the AZLA 01R is maybe not as huge or expansive like these of the Sennheiser IE800, but gives you in any case a great instrument separation and good amount of space between the instruments. The instrument separation of the AZLA 01R gives you a great impression of 3D staging.
Comparison:
Now, I will compare the AZLA 01R with the Rose Cappuccino MK2 and Oriolus Forsteni that have nearly the same price and using a hybrid driver configuration.
Vs. Rose Cappuccino MK2 :
The bass of the AZLA has nearly the same quantity as the Rose Cappuccino MK2, but with slightly better texture and control. The bass of the 01R sounds also more organic.
The midrange of the Cappuccino MK2 is more forward and the upper midrange is brighter and a bit digital sounding so that you can fell that the sound comes form a Balanced Armature Driver. The AZLA in the other hand sounds warmer and intimate.
The treble of the Rose Cappucciono MK2 is brighter with more presence and has a boost around 2.5 kHz barrier, so that it sound more vivid and crisp in direct comparison with the AZLA 01R. Both have better Upper treble control than the Oriolus Forsteni that I will also compare with the AZLA 01R.
The AZLA 01R has a slightly bigger soundstage (both in width and depth) than the Cappucciono MK2.
Vs. Oriolus Forsteni :
The bass of the AZLA has more presence then those of the Oriolus Forsteni with better overall texture. The bass of Oriolus is more midbass oriented, while AZLA 01R is present on top and bottom.
The Oriolus has a more natural midrange presentation than booth AZLA and Rose. It is slightly more forward and sounds airier then AZLA 01R but with same amount of midrange detail. The AZLA has a fuller and warmer midrange that gives recordings a more analog like emotion. The upper midrange of the AZLA is also more controlled and has no sibilance in caparison to the Forsteni.
The Forsteni has more presence in the treble section and the boost around 10 kHz gives the Forsteni an airier presentation. The upper treble of the Oriolus Forsteni has some stress that is noticeable with instruments like piano and violin, while the AZLA is not affected form such issues.
The Orious Forsteni has a slightly wider soundstage while the AZLA is better in depth.
Conclusion:
The AZLA 01R is the sort of IEM, which is a great all-rounder with excellent detail level and suitable for almost every type of music genres, packed in a beautiful housing with amazing build quality. This IEM is to too good for the price to criticize it about some of its minor flaws.
Pros and Cons:
+ Beautiful and Modern design
+ Solid Build Quality
+ Nice and useful Case made by Dignis
+ Great Stock Cable
+ Amazing Bass Response
+ Great Detail Level
+ Smooth Highs
- Only 3 Pairs of Ear Tips
- Little bit recessed upper midrange
Thanks for the review - I was just listening to them and the Oriolus side by side. Had the XBA-Z5 in mind but these 2 that had me very interested. It's hard when you first listen to something different because your ears look for something you like, but are excited by something different - after a while that different might not be a good thing in the long run, so when you read some else's opinion it helps clarify what you heard
Your review is great. One small thing though. Lapis in latin means "Stone". Azur Lapis is probably better translated into "Blue Stone" not in the sense of "fallen from the sky" but rather "Lapis Lazuli", which is a gem
Pros: Great Fit,
Beautiful cable and solid build quality,
Good bass response,
Highly detailed for a sub 100 USD earbud,
Soundstage
Cons: Hard to drive (300 ohm),
Recessed midrange
The TY Hi-Z F300M
Great sound in a small package...
Disclaimer:
This unit was provided to me free of charge for review purposes. I am not affiliated with Penon Audio beyond this review. These words reflect my true, unaltered, opinion about the product.
The TY Hi-Z F300M is the latest High impedance earbud of the TY Hi-Z family.
Package and Accessories:
The TY Hi-Z F300M comes in a black card box with a removable transparent plastic cover.
This card box includes the following contents;
1 pcs TY Hi-Z F300M
1 pcs. of hard case
1 bag with various sets of foam tips
1 pcs. of shirt clips
1 pcs of Penon Velcro Strap
Design, Fit and Build Quality:
The housing of the TY Hi-Z F300M is made of aluminum and is painted in a brown color. The build quality of the housing looks premium and feels much better than regular erabuds with plastic housings. There is a grill on the top of the F300M that looks like a vent, but seems not to affect the sound, so that I think that it is made only for esthetical purposes.
The cable on the F300M is hand twisted and the wire material is SPC (Silver Plated Copper). The coating of this cable is made of a nice rubber material that seems solid and has a soft feeling. Btw, I didn’t notice any microphonics due this review.
What I like about TY Hi-Z and K’s products is the plug quality. The gold plated 3.5mm TRS SE (single ended) plug looks amazing. The carbon fiber effect is eye-catching and is made of a solid feeling material (I think aluminum) that should last for a long time.
The big left and right markings are a big welcome for me, good job TY Hi-Z.
Technical Specifications:
Driver Diameter: 15.4mm
Impedance: ≈300ohm
Sensitivity: 115 ± 5 dB
Frequency range: 16-24000 kHz
Plug: 3.5mm TRS (Single Ended)
Cable length : 1.3M
Cable Material: SPC (Silver Plated Copper)
Drivability:
The F300M is a hard to drive high impedance earbud (300 ohm), that’s why it needs a powerful DAP, AMP or DAC/AMP like the Chord Mojo to show us it's true potential. People who plan to use this with an Smartphone or Tablet should look for another product.
Albums & tracks used for this review:
Ophet – Heritage Album (Flac 16bit/44kHz)
Otto Liebert & Luna Negra – Up Close “Album” (DSF) – Binaural Recording
Max Richter – From Sleep Album (Flac 16bit/44kHz)
Michael Jackson - Billie Jean (DSF)
Diana Krall - So Wonderful (DSF)
Metallica - The Black Album (Flac 24bit/96Hz)
Yosi Horikawa – Bubbles (Flac 16bit/44kHz)
Melody Gardot – Who Will Comfort Me (Flac 16bit/44kHz)
Daft Punk – Get Lucky (Flac 24bit/192kHz)
Hans Zimmer & James Newton Howard – A Watchful Guardian (Flac 16bit/44kHz)
Dr. Chesky’s Binaural Album (Flac 24bit/192kHz)
Sources used for this review:
Erabud : TY Hi-Z F300M DAP/DAC : Chord Mojo, Aune M2 Pro, Smart Player (aka Yin Lu Mei) D200+, Zishan Z2, Ipad Air2
The Sound:
This review is written after an intensive burn-in process of 100 hours. I have used the stock provided donut foams due this review.
Tonality:
The TY Hi-Z F300M has a small amount of coloration that comes from the bottom, the bass, that gives this earbud a relative warm tonality that reminds me to the HD600.
Bass:
The bass of this earbud is one of its highlights. It has one of the fastest bass responses I have ever heard from an earbud in this price category. The bass is quick, has great rumble without loosening definition. The best thing about the bass is the control, so it doesn’t bleeds in to the midrange.
The warmth that comes from the 250Hz band gives the F300M a warm and musical sound experience.
The bass quality and quantity is good enough to give instruments like bass guitars and drums a realistic presentation that is a welcome for earbuds that have in general problems with the presentation in this region. I have found a good example in the song of Pamafunk of Dr. Chesky’s Binaural Recordings Album.
Mids:
The midrange of the TY Hi-Z F300M is detailed and transparent in its presentation. It has good amount of clarity and the level of detail is above this price tag. The midrange of F300M is a bit leaned back due the V shaped sound signature.
The 2 – 3 Khz band on this earbud is adding a good presence and resolution to the sound, but I wouldn’t recommend to use the F300M with sources that have a bright and thin sounding presentation that would otherwise cause to sibilance.
The upper treble region has a bit of stress that could be solved by using some sort of double foaming.
Treble:
As I mentioned before, the F300M is a relative bright sounding earbud with crispy and vivid highs.
The treble presentation of the F300M gives a good amount of air to the overall presentation. This factor is a welcome for instrument intensive genres like jazz, classic and blues, which is a pleasure to listen with the F300M.
Soundstage:
The Soundstage and the openness of this earbud are really impressive and the first thing you will notice, right after the bass quality. I love to listen to live and binaural recordings with this earbud due the great presentation. The width and depth is better than I have expected form a sub 100 USD earbud.
Recoding of Dr. Chesky and Otto Liebert (Up Close Album) are good test tracks and examples how good the F300M excels.
Comparisons:
Now, I will compare some higher priced erabuds with lower (16 ohm) and same (320ohm) empedance. Those earbuds are the Rose Masya and the VE Zen 2.0.
Rose Masya vs TY-Hi-Z F300M :
The Rose Masya is one of my favorite earbud since the beginning of my earbud journey.
First of all, the F300M has a much better fit and feels more comfortable than the Rose Masya with its bigger housing. The Masya on the other hand is easier to drive due the lower impedance of 12 ohm vs. the monstrous 300ohm of the F300M.
When it comes to sound; The subbass of the Masya is great while the midbass of the F300M has better rumble and definition.
The Midrange of the Masya is who it excels; it has a more natural and organic tuning, but the F300M has the upper hand in resolution.
The Masya and the F300M have many similarities in the treble region, because both earbuds have a crisp and vivid treble presentation. It looks like that the F300M is a HD600 and the Rose Masya the HD650 in the world of earbuds.
Both earbuds share a fantastic soundstage with an out of the head presentation.
VE Zen V2.0 vs TY-Hi-Z F300M :
The TY Hi-Z F300M has again the upper hand when it comes to fit and comfort. The F300M looks as it has a bigger housing, but it sits better in my ears then the V2.0.
When it comes to the sound, we all know that the V2.0 is a monster Both are high impedance earbuds, 320 Ohm for Zen V2.0 vs 300ohm for the F300M, but the similarities ends in the sound department.
The Zen V2.0 has a fuller and warmer sound that gives us a pleasure for the first 10 minutes. Bu after you chance to the F300M you will notice that the bass of the Zen is to overpowered end slow in comparison. The bass, especially the midbass department bleeds sometimes in to the midrange, so that that vocals can sound muffed in some bad recorded tracks.
The bass of the F300M has more control and sounds more organic in direct comparison to the V2.0.
The midrange of the Zen sounds warmer, fuller and more intimate then the more recessed tuning of the F300M. Bu this doesn’t mean that the F300M is not good for vocals. I love the Zen V2.0 more in this department but don’t forget that this is my personal choice and that there is a high price difference between these two erabuds.
The treble presentation of the F300M has better definition and presence than those of the Zen V2.0, as result; the F300M sounds more detailed and airier then the Zen 2.0. Both earbuds have a good soundstage presentation, the Zen V2.0 wins in depth while the TY Hi-Z F300M has the upper hand in width.
Conclusion:
TY Hi-Z did a good job by making the F300M one of the best high impedance erbuds of the sub 100 USD price rang. I can easily say that the bass, the great fit and the good amount of detail of this earbud worth every penny!
Pros and Cons:
+ Great Fit
+ Nice cable and solid build quality
+ Good bass response
+ High detail for a sub 100 USD earbud
+ Soundstage
Pros: Clear, Crisp and balanced sound
Good build quality
Great fit
Cons: Missing some fullness and warmth
The BS1, a Gentleman in the World of Earbuds
Disclaimer:
First of all, I would like to thank Penon Audio for sending me this pair of Penon Audio BS1 Experience Version as gift with some other purchased items.
I found this earbud so good that I have decided to write a review and share it with my honest opinion.
Introduction:
Penon Audio is well known in the Audiophile World as retailer of various Hi-Fi equipments, and this is the first earbud of this company. The Penon BS1 that I will review is not the final product; it is the experience version of the upcoming Official Version that will be the flagship of this company.
I will mention the Penon BS1 Experience Version in my review in short Penon BS1 or BS1.
PS: Penon Audio indents to deduct this 39,00 USD to the one who bought already the Experience Version and would like to buy the BS1 Official Version.
Package and Accessories:
The Penon BS1 comes in a small blue card box.
This card box includes the following contents;
1 pcs Penon BS1
1 pcs. of hard case
2 bags with various sets of foam tips
1 pair of ear hook
1 pcs. of shirt clips
1 pcs of Penon Velcro Strap
The case provided has some storage bags for your earbud foams that I find very useful!
Design, Fit and Build Quality:
The Peonon BS1 comes in a mat black color with a different design than regular Chi-Fi earbud. It doesn’t looks impressive like my Rose Masya or the Ourart Ti7 but has a minimalistic nice curved design.
The build quality looks and feels good and it should last longer then regular budget earbuds. The cable of the BS1 is one of the best I have ever seen in this price category. The silver plated OFC (oxygen free cooper) copper cable is protected with a transparent PVC coating that has nice finish and feel.
The Y-Splitter and straight styled 3.5mm plug is made of metal (looks like aluminum) and has a black finish. The 3.5mm headphone plug is an SE (single ended) TRS plug that has a gold plated finish.
The fit of the Penon BS1 is pretty good. I like the way it holds in my ears; quit comfortable and ideal for long listening periods. I prefer the BS1 design over the outdated shell of the classic Sennheiser MX500. The BS1 is also a good option for people who listen to music while sleeping
I did notice only a very low amount of microphonics due this review that should not be a big issue.
Technical Specifications:
Driver Config: Single Dynamic Driver
Driver Diameter: 15.4mm Ø
Frequency response: 15Hz - 25KHz
Impedance: 32Ω
Sensitivity: 114dB
Cable length: 1.2m
Plug: 3.5mm
Drivability:
The Penon BS1 has an impedance of 32 ohm, so that it is easy to drive from almost any source (phone, ipod etc.)
Albums & tracks used for this review:
Otto Liebert & Luna Negra – Up Close “Album” (DSF) – Binaural Recording
Dire Straits – Money For Nothing (DSF)
Michael Jackson - Billie Jean (DSF)
Diana Krall - So Wonderful (DSF)
Norah Johns – Sunrise (DSF)
Dr. Chesky’s Binaural Album (Flac 24bit/192kHz)
Metallica - The Black Album (Flac 24bit/96Hz)
Yosi Horikawa – Bubbles (Flac 16bit/44kHz)
Melody Gardot – Who Will Comfort Me (Flac 16bit/44kHz)
Daft Punk – Get Lucky (Flac 24bit/192kHz)
Hans Zimmer & James Newton Howard – A Watchful Guardian (Flac 16bit/44kHz)
Céline Dion – The Power of Love (Flac 16bit/44kHz)
Sources used for this review:
Erabud : Penon BS1 Expirence Version DAP/DAC : Chord Mojo, Aune M2 ProSmart Player (aka Yin Lu Mei) D200+, Zishan Z2, Ipad Air2
The Sound:
This review is written after an intensive burn-in process of +120 hours. I have used the stock provided full foams due this review.
Tonality:
The Penon BS1 is a relative bright sounding earbud. It sounds clear, crisp and balanced. The Penon BS1 is one of the most engaging earbuds in my collection.
Bass:
First of all please note that the BS1 is not a bass oriented earbud. It’s not bass light but the tuning is not very ideal for bass demanding genres like Electronic, Hip-Hop etc. But it has the right amount for genres like Classic, Jazz, Blues and Rock music. I loved the way guitar sounds in Otto Liebert and Luna Negra’s song “The River”. My only complain could come to the bass extension that is not really bad for this price point.
I would only wish that the BS1 had more bass presence around the 250Hz band to add more warmth to the music that would also not affect the overall definition.
Because of this I would recommend to use warm sources like the Chor Mojo and Aune M2 Pro that can add the missing warmth to this earbud.
PS: Penon Audio has informed me that they will solve the missing fullness and warmth in the bass section, especially around the 250 Hz region.
Mids:
One of the best parts of the BS1 is the mid section. It sounds clean, clear and detailed and has also a nice texture. Male vocals sound superb, but the Penon BS1 truly shines with female vocals like Melody Gardot or Diana Krall, especially while pairing with my new favorite DAP the Aune M2 Pro.
The Penon BS1 has a decent instrument separation that I highly regard. I didn’t hear any noticeable interference problems, even in very complex passages with lots of instruments like classical music.
There is a small amount of stress in the upper mid region (2 – 4 kHz) that is in a tolerable level. I would advice again to pair the BS1 with a full bodied and warm source to hear its true potential.
Treble:
As mentioned before, the BS1 is a relative bright sounding earbud with an airy and detailed presentation. The treble region is well controlled and doesn’t sound aggressive or ear-piercing. I didn’t hear any noticeable sibilance while listening to one of my favorite female voices Céline Dion on the track “The Power of Love”.
The upper treble has a slightly boost (around 4 kHz) that gives the BS1 an overall clarity and a good definition.
The upper treble region (around 8 – 12 kHz) gives the Penon BS1 a really nice Hi-Fi sound signature.
In short; the BS1 is a fatiguing free earbud with a smooth treble presence for that I would always recommend to use a warm source due its slightly bright presentation.
Soundstage:
The Penon BS1 has a really good soundstage. It is expansive; especially the width of the soundstage is one of the best I have heard from an earbud in this price category. The depth of the soundstage is also good but not as impressive like the width that I mentioned before.
Final thoughts:
The Penon BS1 Experience Version gives us a good idea for the upcoming final product. It is a very promising earbud for the price and I think that the Penon BS1 “Final Version” will be a great bang for the buck.
Pros and Cons:
+ Clear, Crisp and balanced sound
+ Good build quality
+ Great fit
- Missing some fullness and warmth in the 250 HZ region
The K’S 300 Samsara Version is the new released flagship model of the K’S earbud line. The K’S Earbud’s are known for high impedance models those benefits from a good source, especially amping.
Package and Accessories:
The K’S 300 Samsara Version comes in a stylish wooden box that looks and feels nice in your hand. Every earbud in the premium line (K’S 500, K’S 300 Samsra etc.) has a unique serial number that is written on the box. The unit I have purchased came in a small typical card box.
K'S 300 Samsara Version and the Wooden Box
The card box includes the following contents;
1 pcs K'S 300 Samsara Version
1 pcs. of leather cable strap
8 Various sets of foam tips
1 pcs. of Wooden Box
Design, Fit and Build Quality:
The K’S 300 Samsara Version comes in classical / typical (Sennheiser) MX500 housing. The housing has a piano black glossy finish that looks and feels nice in your hand. The L and R markings are printed in white color that is easy to notice and a welcome for me, I know that is quite subjective but after so much irritation with so many earbuds, this is now a important point for me.
The Cable of the Samsara has a wonderful coating with a beautiful braided finish. The Cable is thick, feels quality and looks eye catching. They are to metal beads on this cable that gives a fashion style look.
A closer look to the cable and fashion style metal bead
The plug is made of aluminum alloy and the housing has a carbon fiber finish. BTW, I did notice only a very low amount of microphonics due this review.
The 3.5mm earphone plug
Earphone plugs in order Masya (left) - Zen V2.0 (center) - Samsara (right)
Specifications:
The K'S 300 Samsara Version is a single dynamic driver earbud with an impedance of 300 ohm. There is no information about the driver diameter or driver material, but it looks like a 15 – 15.4mm diameter PET driver.
The cable material is silver plated cooper (SPC).
Technical Details:
Driver Type : Single Dynamic Driver (unknow diameter)
Sensitivity : 108dB / mW
Impedance : 300 ohm
Freq. response : 15-40000Hz
Plug/Plating : 3.5mm / Flat / Aluminum Alloy
Cable length : 1.2m +/-5cm
Weight : 15gr
Albums & tracks used for this review:
Dire Straits – Money For Nothing (DSF)
Michael Jackson - Billie Jean (DSF)
Diana Krall - So Wonderful (DSF)
Norah Johns – Sunrise (DSF)
Dr. Chesky’s Binaural Album (Flac 24bit/192kHz)
Otto Liebert & Luna Negra – Up Close “Album” (DSF) – Binaural Recording
Metallica - The Black Album (Flac 24bit/96Hz)
Yosi Horikawa – Bubbles (Flac 16bit/44kHz)
Melody Gardot – Who Will Comfort Me (Flac 16bit/44kHz)
Daft Punk – Get Lucky (Flac 24bit/192kHz)
Hans Zimmer & James Newton Howard – A Watchful Guardian (Flac 16bit/44kHz)
Céline Dion – The Power of Love (Flac 16bit/44kHz)
Sources used for this review:
Erabud : K’S 300 Samsara Version, Rose Masya, Zen V2.0 DAP/DAC : Chord Mojo, Aune M2 Pro, Smart Player (aka Yin Lu Mei) D200+, Zishan Z2
A closer look to the housing of the K'S 300 Samsara Version
The Sound:
This review is written after an intensive burn-in process of +100 hours. Foam selection is stock Donut Foam.
Tonality:
The Samsara is a well balanced Earbud with a slightly warm tonality that has a non-fatiguing tuning that is ideal for long listening periods.
Lows (Subbass and Bass):
The first thing I noticed with the Samsara was the smoothness and accuracy of the lows. They are well controlled from subbass (20-60Hz range) to the bass (60-250Hz). It never sounded overpowered or thin.
The 250Hz region gives the bass of the Samsara a touch of warmth without the loss of definition and the subbas around 60 Hz gives the Guitar strings in Otto Liebert’s – The River a wonderful taste.
The mid range of the K’S 300 Samsra Version is “Crystal-clear”. The clarity and transparency of the mids is a real highlight of this 300 Ohm beast. Vocals and instrument benefits from this wonderful transparency. The 300 Hz region sounds slightly boasted, that could be the reason why the lower midrange is sounding so clear!
The upper midrange (2 – 4 kHz) were the Vocals is most prominent is clean, but i think that there is a tolerable amount of stress. I tested Céline Dion’s “The Power of Love” and didn’t noticed any fatigue to my ears when she said “Cause I am your Lady”
All in all, I am enjoying both, female and male vocals with my Samsara.
Highs (Treble – upper treble):
As mentioned before, the Samsara is a very clear sounding Earbud. The clarity and definition that comes from the lower treble (around 4 kHz – 6 kHz) is outstanding. There is no over-boosting that could be too harsh for some genres, especially for bad recorded studio albums.
The upper treble presentation of the Samsara, especially around 13 kHz bracket gives it an airy presentation with lots of detail that is a real welcome for live recordings.
The Soundstage and Imagine:
One of my favorite tracks for soundstage and imagine is Yosi Horikawa’s "Bubbles" and Ottmar Liebert’s "Three Days Without You".
Liebert’s binaural track that is recorded with a "Special Dummy Head" shows me the "depth of the soundstage" that is really great.
The width of the soundstage presentation is good especially for this price point. I have no problems to imagine the stage and the position of each instrument. The bouncing balls in Horikawa’s track are easy to choose in the scene!
Comparison with other Earbuds:
I have test out some of my Earbuds in the same price league and here are some comparisons.
Rose Masya (left) - K'S 300 Samsara Version (center) - VE Zen V2.0 (right)
K’s 300 Samsara Version vs. Rose Masya:
The Rose Masya is a mid-centric earbud that is a great choice for vocal lovers. K’S 300 Samsara Version is also o good option with but with more detail.
The Samsara has more midbass impact than the Masya, while the second is more focused on the subbass region. The Masya is easy to drive while the Samsara needs a good source to shine. The Masya has a wider soundstage while the Samsara is the winner when it comes to depth.
Zishan Z2 & Rose Masya (left) - Yin Lu Mei D200+ & Zen V.2.0 (center) - Mojo & K'S 300 Samsara Version(right)
K’S 300 Samsara Version vs. VE ZEN 2.0:
The VE Zen 2.0 has this special WOW effect that makes you smile for the first 10 minutes. It has this warm, powerful presentation that many peoples like in the "World of Earbuds". But when you switch to the Samsara, everything chances; the Zen V2.0 starts to sound hollow and bass heavy in comparison to the Samsara. Yes, it has this bold and wounderful warm vocal presentation with powerful bass, but the K’S is so clear, balanced and transparent that is really effortless!
By the end; The Samara is more detailed balanced and has also the better imagine and soundstage.
PS: The Zen V2.0 is also very sensitive to different sources. It match’s good with the Chord Mojo, but sounds terrible with the Yin Lu Mei D200+, Zishan Z2 and Aune M2 Pro.
Pairing:
The K’S 300 Samsara Version is a power hungry earbud. It needs a good source to shine.
Best pairing: Chord Mojo > Yin Lu Mei D200+ = Aune M2 Pro > Zishan Z2
Zishan Z2:
The Zishan Z2 is great player with good amount of power. Yes it sound well but you can feel that the K’S wants more juice to show its real potential. So if you have a Z2, don’t worry its sounds good, but at the end you will miss a lot of potential.
The Rose Masya and Zishan Z2
Aune M2Pro and the Yin Lu Mei D200+ :
The Aune M2Pro and Yin Lu Mei D200+ have a lot of power due the Class A amplifier section. I love the AKM449X line sound signature that is great for eabuds. Both devices share the same sound signature and have many similarities, but the D200+ is a touch more warm and bold in the lower mid region.
They sound so close that I would choose the D200+ only because of the extra power.
VE Zen 2.0 and Yin Lu Mei (aka Smart Player) D200+
K'S 300 Samsara and Aune M2Pro
Chord Mojo:
The Chord Mojo is a little wonder to my ears. This litte gear has a lot of power and a great amaound of space and detail that makes it one of the best portable choices for power hungry earbuds like the K’S 500, K’S 300 Samsara Version and ZEN V2.0 etc.
The Mojo is the best pairing in my collection and I love the amount of detail that I can hear while listening to my Samsara.
The Mojo sound more transparent, vivid and airy with the K’S then all the other mentioned sources. When I start to pair the Zen V2.0 with my Mojo and crank the volume to the limits, I can feel that it starts to struggle, but the Samara on the other hand is very controlled, even in very high volumes.
K'S 300 Samsara Version and Chord Mojo
Conclusion:
Overall, the Samsara is the perfect choice in many aspects that needs a good source. The detail level and overall balance is the strength of this great earbud and I can only recommend it to any audiophile that loves earbuds and looks for a new pair of TOTL earphone.
Summary (plus and minus):
+ High amount of detail + Great balance + Beautiful cable + Good Fit
Pros: Great look and fit
Replaceable cable option
Good price to performance ratio
Non fatiguing sound tuning with a good amount of detail
Well controlled bass and treble region
Cons: Midrange sounds a bit recessed
Soundstage could be a bit wider (depth is ok)
Hard case is missing
TFZ Series 4; Graphene the Hi-Fi material of the future?!
I would like to thank Penon Audio and TFZ for this review unit. This product was provided free of charge for review purposes in exchange for my honest opinion.
Introduction:
The company TFZ (The Fragrant Zither) is located in mainland China in the province Shenzhen and is a manufacturer for high-end audio and video products that we know since the last two years with it’s popular IEM (in-ear monitor) line, the TFZ Series 1/3/5 and the Balance 2/2M.
After the success of this IEM’s, the company have released the TFZ Series 1s/3s/5s and a new DD (double dynamic) driver model The King.
The latest line up is now the Exclusive 1/3/5 series and at least a target model for female consumers that are called My Love.
The TFZ Series 4 that I will now review for you is a special release of the TFZ Series.
Package and Accessories:
The Series 4 comes in a relative small rectangular black card box.
The box includes the following contents;
1 pair TFZ SERIES 4 IEM
1 pcs. of cable with 0,78mm 2 pin connection
1 pair of ear hook
1 pair of foam ear tips
3 pairs of silicone ear tips with wide-bore
4 pairs of silicone ear tips with regular-bore (1 pair is comes pre-installed)
1 pcs. of Collar Clip
1 pcs. of Soft carrying pouch
The first thing that I find out is that TFZ has not provided any hard or semi hard case in the box.
I know, it’s not a deal breaker especially for this price but it would be better to provide a hard case instead this good looking soft pouch. I think that this is the only downside in terms of accessories.
The eartips inside the box are soft and comfortable, 3 pairs of those have a wide-bore and 4 pairs of this have a small bore 1 pair is comes pre-installed). There is also a pair of soft foam tips that are very comfy.
The good thing of the ne TFZ Series is the detachable cable option. The cable that comes with the Series 4 has a 0,78mm 2 pin interface and feels sturdy and without any microphonics.
This cable has a Y- Splitter with a TFZ logo that has a nice look. The only downside of the cable is, that it is prone to interlace. Earhooks and the collar clips are nice extras that I didn’t use.
Specifications:
Inside the Series 4 is a 12mm diameter Dual Magnetic Circuit Graphene Driver. But what is Graphene?
Graphene is a thin layer of pure carbon. It is a ultra thin and strong material. Some scientists call it the material of the future. So in short the driver inside the TFZ 4 is a graphene coated driver that is ultra flexible and strong. But it doesn’t make any sense if this has no positive effect to the sound, but this will be mentioned later.
The TFZ 4 is an easy to drive IEM (16 ohm) and you don’t need any amplification to go loud. This IEM works great with a Smartphone but benefits from a good source like a DAP (Digital Audio Player).
Technical Details:
IEM Type : Universal In-Ear Monitor
Driver Type : 12.0MM Dual Magnetic Circuit Graphene Driver
Sensitivity : 108dB / mW
Impedance : 16 ohm
Freq. response : 5-40kHz
Connectors : 2-pin 0.78mm
Lowest power : 8MW
Plug : 3.5mm
Cable length : 1.2m
Design, Fit and Build Quality:
The TFZ Series 4 looks and feels very premium, especially for the retail price of 99 USD.
It has a plastic shell with a glossy metal faceplate. It feels sturdy and is well crafted. The fit and size of the monitor is one of the best in its price range.
I have worn it for more that 3 hours a day without any discomfort. The seal is above average but I didn’t expected more for this price J
Albums & tracks used for this review:
Dire Straits – Money For Nothing (DSF)
Stevie Wonder - Rocket Love (DSF)
Michael Jackson - Billie Jean (DSF)
Diana Krall - So Wonderful (DSF)
Dr. Chesky’s Binaural Album (Flac 24bit/192Hz)
Otto Liebert & Luna Negra - The River (DSF)
Metallica - The Black Album (Flac 24bit/96Hz)
Aretha Franklin – Ain’t No Way (Flac 16bit/44kHz)
Michael Jackson - Bad Album (Flac 24bit/96Hz)
Mile Davis - So What (DSF)
Daft Punk - Random Access Memories Album (Flac 24bit/192Hz)
Kraddy - Be A Light Album (MP3 320Kbps)
Sources used for this review:
IEM : Rose Cappuccino MK2, Vivo XE800
DAP : Fiio X5 MK3, Smart Player (YinLVMei) D200+, Zishan Z2, Ipaid Air 2
The Sound:
I wrote this review after 150 hours of burn-in with my DUNU double flange ear tips (not in the box included)
As I mentioned before, the TFZ Series 4 has a Dual Circuit Graphene driver under the hood. This is my second earphone in my collection that has a Graphene coated driver and I know that this driver benefits from an intensive burn-in period. My DIY MX760 Graphene earbud sounded horrible at the first hours of listening. But after 100 hours it started to shine.
The TFZ 4 sounded already good out of the box, but this IEM sounds better and better after 100 hours. I think that Graphene and Titanium coated drivers benefits more form burn-in than traditional PET or PEK diaphragm drivers.
a) Tonality:
The TFZ Series 4 is a quite warm sounding (comes from the 100 Hz range) IEM with a V shaped sound signature. It has a non-fatiguing tuning that is ideal for long listening periods.
b) The Bass (Subbass and Bass):
The bass is where the TFZ really shines. It is well controlled punchy and fun sounding. There is a good amount of space between bass and lower midrange. I didn’t expect such a good tuning for an IEM that cost 99 USD. The subbass (20 – 60 Hz range) is well presented.
Bass heavy instruments like bass guitar don’t struggle that much (a big plus point). The texture and layering is good, much better than my old Vsonic GR07 BE. The resolution is above its price range and the result will make many people happy.
c) The Mids (Lower midrange – Midrange – Upper midrange):
The TFZ Series 4 is not a mid centric IEM, but that doesn’t mean that Vocals sound bad, they are a bit recessed for my taste but not too much that it sound unnatural.
The clarity of vocals and instruments is above average with a small amount of stress that comes from the lower midrange, especially form the 450 – 500 Hz range that can cause to a muddy presentation in some bass intensive tracks. But I think that this is in an acceptable level especially for this price. The upper midrange (2 Hz to 4 kHz) is the best part of the mid section.
There is no stress or irritation that comes from the 3 kHz range. As a result, female vocals sound great and male vocals sound good. The Vsonic GR07 BE sounded a bit more musical and realistic.
d) The Highs (treble – upper treble):
The treble section of the TFZ 4 is well controlled. The clarity and definition pretty good. Since the treble is not overpowered, most tracks that I tested out didn’t sounded harsh or ear piercing like the Vsonic GR07/GR07 BE
The overall presentation is fairly transparent and not too distant. The resolution is above average and much better than my old GR07 BE.
The upper treble (5 khz - 18 khz) is well presented and gives a good amount of sparkle and a airy presentation. It is not as airy like my Rose Cappuccino MK2 that is one of the best in my collection, but this wouldn’t be a fair comparison. The Vsonic GR07 at the other hand sounded too harsh for my taste and didn’t have enough control over the upper end.
e) Soundstage and Imagine:
The TFZ Series 4 has a good soundstage and a fairly ok imagine. The soundstage is not as huge or expansive as some more expensive multi BA/Hibrit IEM’s like the Rose Cappuccino or the Oriolus Fosteni, but that doesn’t mean that the Series 4 is a claustrophobic sounding IEM.
Instruments are well placed and there is enough space for each instrument and vocal so that you can imagine the atmosphere in a live recorded track.
Conclusion:
The TFZ Series 4 is a well build IEM with a good price to performance ratio. This thing looks sexy and you have the option to change the cable to enhance the overall performs to another level.
I had a brief listening experience with the Magaosi K3 Pro and think that The TFZ Series 4 is a good alternative in this price range and significant improvement over my old Vsonic GR07 BE.
Summary (plus and minus):
+ Great look and fit
+ Replaceable cable option
+ Good price to performance ratio
+ Non fatiguing sound tuning with a good amount of detail
+ Well controlled bass and treble region
- Midrange sounds a bit recessed
- Soundstage could be a bit wider (depth is ok)
- Hard case is missing
DAP: Yin Lu Mei D200+, Fiio X5 MK3, Zishan Z2
IEM: LZ Big Dipper, Rose Cappuccino MK2, Oriolus Fosteni
EARBUD: Shozy BK, Rose Masya, NiceHCK Graphene, KS500
HEAPHONE: Audio-Technica ATH50M, Sennheiser HD650
2. Albums and track used for this review:
Michael Jackson - Bad Album (Flac 24bit/96Hz)
Michael Jackson - Billie Jean (DSF)
Diana Krall - So Wonderful (DSF)
Dr. Chesky’s Binaural Album (Flac 24bit/192Hz)
Otto Liebert & Luna Negra - The River (DSF)
Metallica - The Black Album (Flac 24bit/96Hz)
Mile Davis - So What (DSF)
Daft Punk - Random Access Memories Album (Flac 24bit/192Hz)
Kraddy - Be A Light Album (MP3 320Kbps)
Stevie Wonder - Rocket Love (DSF)
3. Inside the Box:
The device comes in a simple white box.
The box contains the following contents;
Micro USB cable
AC Adaptor
USB to Micro SD converter
Some manuals in Chinese language
Inside the Box
The device comes without any protection case or cable (coax/optical etc.). The good thing is the display comes with a pre-installed screen protector.
4. Design and Built quality:
In one word, a TANK!
The D200+ looks and feels like a tank. This device has a solid build quality with a mix of retro and industrial look.
The material used for D200+ is CNC engraved aluminum. This thing is well made no complains.
The design reminds me to the Hm901s, but the build quality of the D200+ is more robust.
The 2.2” TFT screen is located together with 5 physical buttons on the front of the device.
The screen has a resolution of 240*320 and the quality is average, in short nothing special!
Screen and buttons
The 5 physical buttons are dedicated for navigation. Up and down for next/previous song and navigate between de menus. The left button reacts as back button, the right for fast forward and the center button is for play/pause or confirmation.
The bottom with all connections
On the top of the device is the power button, the 3.5mm headphone out, the 3.5mm Line-out and the volume wheel. Quite interesting is the 3.5mm Headphone out, it can react as regular SE (Single Ended) and also as Balanced out that can be selected via a switch that is located at the bottom of the device.
The volume wheel is quite responsive and sensitive, it is also well protected, but the protection style is a con, because it is hard to navigate.
3.5mm SE/Balanced Out, power button, line out and volume wheel
On the bottom of the device is one Micro SD card slot, the Micro Usb port for charging, the optical out, a reset button and a switch to choose between SE and Balanced output for the dedicated 3.5mm Headphone Out that is located on the top o the device.
The backcover
On the back of the D200+ is a back plate that is hold by four screws. The crews can easily disassemble to reach inside the device. Devices like the Fiio X7, Ibasso DX200 and the Hifiman HM901s have swappable amp cards. The D200+ on the other hand reacts more like a DIY device. You have the option to change the op-amps when you remove this cover and put some other model. This is a quite funny thing for peoples who like to play with the sound and output power of such devices.
5. Specifications:
Model No.: D200+ DAC: AK4495SEQ Op-Amp: 2 pcs x OPA2134P SNR: 105dB Voltage: ±10.5V Outputs: 3.5mm SE + Balanced (one jack for both connection types), Optical out, 3.5mm Line Out Battery: 3.7V 3800mah Dimensions: 107*67*27mm Weight: 260gr
6. Hardware:
The D200+ has no internal memory so you need to put a Micro SD card in to the device.
I have disassembled the device to look inside the device and I think it’s well made. The welding points on the PCB are quite good and it doesn’t look like cheap manufacturing.
a) DAC:
The D200+ has an AKM4495SEQ DAC under the hood, which is a brand of Akai Kasei Microdevices Corporation.
The AKM449x series is the flagship line of this company. It has found its way to many devices, especially in the last two years. Best examples are inexpensive devices like the Zishan Z2 (AKM4490), up to TOTL DAP’s like Astell&Kern’s AK380 (AKM4490).
The AKM4495SEQ is the best DAC right after the AKM4497 that can be found inside the D200+ Limited Edition that is in a stylish Red color, but sold only in China over Taobao.
The D200+ has no USB DAC function at the moment.
The Heart of the D200+
b) AMP:
The D200+ has two Burr-Brown OPA2134P op-amps a brand of TI Texas Instruments under the hood. They are quite powerful and have low noise reproduction. I didn’t notice any noise or interference, while using some of my sensitive IEM’s due this review.
One of the main reasons I bought the D200+ is, that I love to use Class A amplifications. The second reason is the ability to change the op-amps. You have the option to change the op-amps and put any type of 8pin op-amps to chance the sound characteristics and play with the output voltage = output power.
As I said before, the D200+ is a powerful device but it can handle both sensitive IEM’s and power hungry Headphones. There is no his or background noises while using some Sensitive IEM’s like the LZ Big Dipper, Rose Cappuccino MK2 or Oriolus Fosteni.
A closer look inside the D200+
7. Software and Interface:
The D200+ has a very simple Linux based in-house software. The GUI is very simple, but it is also easy to use. The only thing you can see on the screen while playing music is the Hi-Res Logo and the animated EQ bars, yeah quite simple and primitive
This device is for people who want a pure music experience. You have no online streaming options like other devices with Android operating system like the Fiio X5 MK3, Ibasso DX200, Sony ZX1 ZX2 etc. This is a pure music powerhorse!
GUI of the D200+
The device has no EQ option, but has some of the AKM DAC filters you can select over the setup menu.
The software of the D200+ plus is very fast, it took only 30 second to read all my music files that are on a 128Gb Mico Sd card.
Firmware updates are also possible, the only thing you need is to download a zip file and unzip it to your Mico Sd card.
8. Battery Life:
The main disadvantage of a Class A powered DAP is the battery life. The battery inside the D200+ has 3 hour of juice if you listen DSD (.dff and .dsf) files, 3.5 Hours for regular Flac’s and 4 Hours when you listen to 320 Kbps MP3 files. That sounds quite bad, but this is the side effect of a power hungry Class A powered device.
9. Audio Formats Supported:
APE, FLAC,WAV, WMA, AAC, ALAC, AIFF, OGG, MP3, 32bit/768 kHz Bit for Bit. Native DSD Support (DFF, DSF, DXD) 32bit/768 kHz
D200+, Lotoo Paw Gold with and without case and The LZ Big Dipper
10. The Sound:
PS: I have burn-in the device for approx. 200 hours before I wrote this review!
The first thing you will notice is the power and authority of this device. The D200+ can handle any type of genre and push the phones to its limits. This Chinese company did a great job with choosing the AKM4495 instead a Sabre DAC. It is on the warmer side of the sound spectrum but not too warm!
Bass:
D200+ has a full bodied sound tuning. The Bass region is well defined and goes never out of control.
It is always there but doesn’t bleed in to the mids and to the highs. The warmth of the bass on this device gives the listener an analog like sound with bold notes. But keep in mind; this is not the type of analog sound that is too overdone. It has the right doze for my taste and I think that many people that are familiar with devices that uses AKM DAC’s will love it.
The subbass goes low and gives a good rumble. You can feel the power of this device in any song. The Rose Cappuccino MK2 is a good example to hear how well controlled and deep can go the bass with an IEM on this device.
BTW, the midbass have a nice impact that never goes out of control and what I love of this device is the authority, it is always there and keeps every sound spectrum in control.
The best matches are IEM’s that have not a big midbass hump and I think that neutral phones will benefit most from this sound characteristic. I loved how the D200+ handeled hard to drive earbud like the KS500 and in opposite the easy to drive Rose Masya.
If I compared the D200+ with the Fiio X5 MK3 that has the same AKM449X series DAC chip, I can easily say that the D200+ has better control and resolution in both sub- and midbass department. The X5 MK3 holds well against the D200+ but losses the control when it comes to speed.
D200+ and Rose Cappuccino MK2
Mid:
The midrange of this device is extremely revealing and clean sounding and it’s also engaging and never painful or annoying. I love its presentation, especially in acoustic tracks, because it sounds so emotional and analog like.
The warmth that comes from the midbass gives the vocal and guitar strings a touch of body but in a good way. There is also no stress in the upper mids, that is a big welcome and a great well done!
The best parings with the D200+ were the Rose Masya and the Oriolus Fosteni, both male and female vocals sounded really good and emotional.
There is also enough space between the instruments so that you can hear each instrument flawlessly.
It is really hard to find a lack of this device because the resolution of the mids is the best I ever heard in this price range and I think that the D200+ is a hard to beat device due its effortless presentation.
If I compare it directly to the new Fiio X5 MK3, I can easily say that Fiio did a great job by choosing the AKM4490 chip and I think also that the X5 MK3 is a milestone for this company.
But why I say that? Because, I think that the X5 MK3 is the first device that doesn’t sound digital or harsh in the midrange. But again, the D200+ has the upper hand when it comes to micro details.
D200+ & Zishan Z2 and the Fiio X5 MK3
Highs:
The detail level of the D200+ is great and I didn’t hear any stress and sibilance in the highs. What I find interesting is that the top of the highs is rounded to prevent harshness but it is well tuned, so that you don’t loose too much of detail.
The D200+ has one of the most beautiful and sparkly upper areas in a portable player that I've ever heard, it is really a joke to hear such a sound form a device in this price range.
For example, the Oriolus Fosteni is a little bit harsh in the upper treble region, but the D200+ has such a good authority over the song that it magically tamed this IEM.
Again, this device is not the ultimate detail monster, but it has such a good performance for its price point that is hard to complain. It can easily outperform many devices that cost twice as much!
If we compare it directly against the Fiio X5 MK3, I can hear the same level of detail. The main difference between the D200+ and the X5 MK3 is the quantity. The X5 MK3 has slightly more treble presence. Quality wise both DAP’s sounding great.
D200+ and NiceHCK Graphen Earbud
Soundstage:
The soundstage of the D200+ is not the largest when compared to devices like Ibasso DX200 or the Hifiman HM901 that I have used before. But it is quite good especially for its price.
The imaging is accurate and all the instruments are having a nice separation with enough air.
The soundstage is wider then its deepness and the right and left channel separation is also quit good for its price point!
Compared to the Fiio X5 MK3 the D200+ has the same level of wideness, but the depth of the X5 is a little bit more, so that the X5 has a airy presentation.
D200+ & Rose Masya vs Zishan Z2 & NiceHCK Graphen
11. Conclusion:
The D200+ is for music lovers that want a pure music experience, lot of power and a bit DIY for a great price!
The Ultimate DAP collection on a small Audiophile Meeting in Istanbul
Amber Rubarth - Sessions from the 17Th Ward Album (Tidal HIFI)
Amber Rubarth - Scribbled Folk Synphonies Album (Tidal HIFI)
Dr. Chesky’s Binaural Album (Flac 24bit/192Hz)
Metallica - The Black Album (Flac 24bit/96Hz)
Céline Dion - The Very Best of Céline Dion Album (Tidal HIFI)
Daft Punk - Random Access Memories Album (Tidal HIFI)
Kraddy - Be A Light Album (Tidal HIFI)
Nina Simone - I Put A Spell On You Album (Tidal HIFI)
Thomas Zwijsen - Nylon Maiden Album (Tidal HIFI)
Opeth - Pale Communion Album (Apple Music)
London Grammar - If you Wait Album (Flac 24bit/44.1Hz)
Twenty One Pilots - Fairly Local (Tidal HIFI)
Two Steps From Hell - Battlecry Album (Flac 16bit/44.1Hz)
3. Box Contents:
The device comes with a stylish box and a nice presentation.
Some images of the box
The box contains the following contents;
· Ibasso DX200
· USB Type-C to USB
· Coax cable
· Burn-in Cable
· Leather case
· Warranty and product identification card
Accessories
The USB cable is covered with a fabric material and has a good quality. This cable uses a new generation USB Type-C connector. Coax and burn-in cables are also familiar to us from other Ibasso models.
The leather case feels good and is fully compatible with the device.
Leather Case
By the way, there was no screen protector in the box, but later I noticed that Ibasso already put it on the screen. I'm glad I will not struggle with sticking
4. Material Quality and Workmanship:
The DX200 is made of CNC engraved aircraft type Aluminyum.
I didn’t found any quality issues or defects on the device.
The only criticism will come to the physical keys, because they look a little small. For example, the Sony ZX2 has larger keys in a similar position, making it easier to use it in your pocket.
The volume pot on the DX200 is sensitive and feels more robust and precise than all Astell&Kern devices I've used before. However, the bad thing about the volume wheel is that it is too sensitive. To turn it to loud volumes takes to much time and too much turns
Personally, I think that the Lotoo Paw Gold is the most successful device in this regard.
Buttons of the DX200
5. Hardware:
a) Display:
The device has 4.2” IPS display with a resolution of 768 * 1280 pixels. It is a bright and good looking screen with vibrant color reproduction.
The Screen of the DX200
b) Processor, Ram, Xmos:
Inside the DX200 is an 8-core Rockchip RK3368 processor. It would be nice to see a Snapdragon inside, but the RK3368 has enough processing power for a DAP in this segment.
The DX200 features the XMOS XU208 Chip, with a 2GB LPDDR3 type of Ram (unluckily an old type of ram). The internal storage type is eMMC with 64GB capacity and it uses a Thesycon USB Audio Driver for the USB DAC function.
The DX200 has only one Micro SD Card slot. That means you have a max storage capacity of 64 + 256 = 320 GB. Competitors like the Sony WM1A or even the cheaper Fiio X5 3GEN have two slots or have more build in memory like the Sony NWZ ZX2.
c) Wireless Connectivity:
The device has a build in Wi-fi antenna that supports speeds up to 5GHz and has also Bluetooth 4.0 connection. I found out that old routers with only 2.5GHz speed capability can cause to noise/interferences while listening or downloading tracks form online services like Tidal, Spotify etc. and I think that’s a little bit annoying.
d) Amplifier Card:
The standard AMP1 amplifier card, which comes pre-assembled with two screws, has 3 analogue audio outputs. These are Line Out, 3.5mm Phone out and a 2.5mm TRRS Balanced out.
Outputs of the AMP1
AMP (Amplifier) cards with different features, power and sound characteristics will released in the near future.
The AMP amplifier card
There is also the new released AMP2 amplifier Card, which has a four channel architecture. I didn't had the chance to test it out, so for more information please visit this link.
The AMP2 Amplifier Card
E) Digital Outputs:
At the top of the unit, apart from the analog audio outputs on the AMP1 card, we have a digital audio output, called SPDIF. This Audio output slot supports Coax and Mini Optical interfaces at the same time.
Digital Outputs
F) Heart of the DX200, the DAC:
I would like to give some more details about the DAC, which we can call the heart of the device. Ibasso used two ESS Saber branded 32bit ES9028PRO’s as DAC.
ES9028Pro & small brother ES9026Pro
DX200 has 16 DAC cores in total, with 8 channels per DAC (2 DAC’s x 8 DAC cores).
This DAC is donated with a technology that is called HyperStreamDAC. With this feature, the device has a Dynamic Range (DNR) of 135dB.
Sabre ES9028Pro Block Diagram
The DX200 has also an external USB DAC feature that uses the Thesycon USB Audio Driver technology that is promoted to be the best external DAC feature released on a DAP ever.
Unfortunately, I can not comment on the USB DAC feature for now because my PC at home is death at the moment
6. Software and Interface:
The DX200 comes with Android Marshmallow 6.0.1 pre installed. The user has the option to switch between Android and Mango OS which is pure music software. The Mango OS Grafical User Interface = GUI, looks familiar to the Linux-based operating systems on the DX50, DX80 and DX90.
a) Mango OS:
The pure music player interface we call Mango OS is very simple and has a useful structure. It looks very similar to these I saw on the DX80. The only difference is that the DX200 has a digital filters option in its menu. Some users have said that the sound is more refined when using Mango OS. Yes, there are some small differences, but don’t expect a night and day difference.
A short GUI Demo:
My biggest complain comes to the software of the DX200. I think that Ibasso has shipped this device to the market with a beta stage software that has/had a lot of "Bugs"
The first things I noticed where some software related freezing and disconnection issues.
But don’t worry, because Ibasso is a company that is constantly releasing new software updates that fixes such problems.
The device is now much faster and stable than before after I did some software updates in the past months. With new upcoming updates I guess that all problems will completely disappear.
b) Android
Of course, one of the greatest benefits of the Android operating system is that we can use "Online Streaming" applications like Tidal, Spotify, Apple Music, just like in popular devices for example Fiio X7 and X5 3Gen, Onkyo DP-X1 etc.
BTW, it will be possible to download Google Playstore to the DX200.
What did I said possible!!! Yes, because the device does not come with Google Playstore pre-installed. Of course, not having Playstore doesn’t mean you can’t install apps!
All you need to do is to download the application's .apk file (it's like an .exe file in Windows) over internet and install it via a file browser to the device.
BTW, the DX200 has a web browser, calendar and even a calculator
I mostly use Tidal and Apple Music. It’s a great thing to have the possibility to stream or download your favorite music tracks, playlists or albums to your device over online service.
USB Audio Pro can be installed for those who want to use a Parametric EQ.
Updates can be made either by downloading the .zip file from Ibasso's own site or directly to your device or via an OTA update (Over the Air) just like on a Smartphone. It's good to have OTA support like Astell&Kern devices, but I am warning you, Chinese servers are very slow J
7. Mango Player:
The Mango Player is Ibasso's own Player application, which is found in the Android interface and has the same look and feel like the Pure Mango OS. I am very surprised that this application is very fast, even faster than the Mango OS interface. Oh, and it's also very handy!
8. Battery Life:
The DX200 has a lithium polymer battery with a capacity of 4400mAh / 3.8V. The device is charging fast in approx. 2 - 2.5 hours.
Battery life is about 6 hours when online services like Tidal, Soptify etc. are used. But if you listen to regular flac or mp3 files the battery life will increase up to 7 - 8 hours.
In short, nobody should expect the legendary Sony battery life from such a powerful device!
Times New Roman";mso-ansi-language:EN-US"> Battery life is based on High Gain and and sound level is 110.
9. Spesifications:
2.5mm Balanced Output: Output voltage 6Vrms Frequency Response: 20Hz-20KHz -0.16dB Signal to Noise Ratio: 125dB Crosstalk: -122dB THD+N: < 0.0002%, -114dB (64Ω@3Vrms)
3.5mm HP Output: Output voltage 3Vrms Frequency Response: 20Hz-20KHz -0.16dB Signal to Noise Ratio: 122dB Crosstalk: -118dB THD+N: < 0.00032%,-110dB (32Ω@1.8Vrms)
Lineout: Output voltage 3Vrms Frequency Response: 20Hz-20KHz -0.16dB Signal to Noise Ratio: 122dB THD+N: < 0.00025%,-112dB
Screen Size: 4.2inch 768*1280 Battery Capacity: 4400mAh Dimension: 5.1L x 2.7W x 0.77H (inch) 128.5L x 69W x 19.5H (mm) Weight: 240gr or 8.5oz
The DX200 supports a wide range of music formats. It supports almost all of the current and traditional high-resolution files.
All of the formats listed below are also supported when the device is used as an external USB DAC.
APE, FLAC,WAV, WMA, AAC, ALAC, AIFF, OGG, MP3, 32bit/384 kHz Bit for Bit.
Native DSD Support up to 512x (DFF, DSF, DXD)
M3U Playlist and CUE sheets supported
The Sound:
Now,
I have burn-in the device for approx. 230 -240 hours before I wrote this review!
All comments related to the sound are my personal and subjective opinions made after intensive listening with the stock AMP1 amplifier card and the firmware version V2.2.110.
a) The Timbre:
The DX200 uses a Saber DAC just like its predecessor the DX100. Because of this fact the device faced a number of prejudices before it was released and I think it's not hard to understand why so many critics made for this device. Saber DAC’s have generally a bright and clear tonality.
Luckily Ibasso misled me and gave the Sabre DAC inside the DX200 a warmer and more natural sounding tuning that is ideal for long listening periods.
I think Ibasso is the second company after Hifiman that has made a good job by adding warmth to a Saber DAC, congratulation Hifiman and Ibasso!
b) The Bass:
The Bass response of the DX200 is close to natural not as tight as the Paw Gold or the Hifiman HM901s but well controlled and well textured, exactly what a TOTL DAP should be.
The bass region gives the sound a slightly warmth that is welcome for me, but what we don’t except form a player with a Sabre DAC under the hood
The bass is fast and gives the overall sound spectrum enough body, so that you can listen to a wide variety of genres.
Overall, I think that the DX200 is not a bass shy nor a bass heavy DAP that has enough power and juice to stratify its owner.
I am using the Noble K10UA and the ATH M50 to test out the mid- and sub-bass capability of the device:
I loved the pairing with both earphones. The sub-bass goes really low and the mid-bass hit’s hard enough to vibrate my ears
Nice to see that the bass is not attaching the rest of the frequencies, that would otherwise ruin the clearness of the sound and the wonderful vocal and instrument presentation of this device.
c) The Mids:
WOW, the Dx200 is ear-catching with its natural, transparent and organic sounding mids. It has a Top of the Line sound that is welcome when we think again that this device is two or three times cheaper than its competitors.
My reference album for vocal and instrument separation is the “Sessions from the 17Th Ward by Amber Rubarth”. She has a wonderful voice! This album is also well recorded and includes lots of instruments and is a perfect album to make my critical listening.
Now, the DX200 is a dry sounding DAP, it is not warm or bold sounding like the Hm901s or thin and bright like the old DX100. The resolution of the mids is perfect for its price tag, the instrument separation is great, the vocal are neither forward nor recessed, its somewhere in the middle.
I have noticed some stress in the upper mid region at the first listening periods, but after an intensive burn in the device sounded more controlled. Finally, after the 200 hour barrier the device sounds more mature and the stress is now only barely noticeable.
d) The Highs:
Sabre , what did they done to you…
First thing I notice is that the highs are smooth clear and engaging. It is detailed, nonaggressive and well controlled. I think that the Ibasso team did a great job by teaming the highs of a Sabre chip.
BTW, the DX200 is something between the Lotoo PG and the HM901s. It is not a detail monster like the Lotoo PG that is sometimes to aggressive for my taste and is not too soft like the warmer sounding Hifiman HM901s.
After intensive compression with the HM901s I found out that the DX200 is only a little bit more transparent and clean sounding than the slightly warmer tuned HM901S.
The DX200 did a great job by handling Celine Dion’s powerful voice. I didn’t notice noticeable or at least a annoying sibilance while listening it with the Rhapsodio Solar over the 2.5mm balanced headphone jack and Noble Wizard K10 with the regular 3.5 phone out.
Only in bad recorded albums like "Metallica’s - The Black" album is some sibilance noticeable.
Rhapsodio Solar & DX200
e) The Soundstage:
This device has a massive soundstage; it is wider than the Lotoo PG and Hifiman HM901s.
When it comes to deepness, the Lotoo PG is the clear winner, followed by the DX200 and the HM901s.
The instrument separation and positioning is very good due the silent background. It has the ability to give you a good 3D like soundstage with the right gear.
The soundstage benefits from the 2.5mm balanced out. It has an even wider and deeper presentation, but don’t get me wrong, it’s not a night and day difference, but noticeable.
The Ibasso DX200 & Hifiman HM901s side by side
f) Background Noise:
Over the 3.5mm unbalanced out, the device sounds clean, noiseless and has a dark background. However, with the Noble K10 and Rhapsodio Solar, I have noticed only a small amount of noise in loud volume listening.
The 2.5mm Balanced out is “Dead Silent”. It’s very impressive for the standard AMP1 amplifier card.
When I started using the device for the first time, there was a slight intermittent noise with sensitive IEM’s while using the Wifi connection to stream or download music over online services. But this issue was gone after the latest software update.
When compared next to devices in the same price range like the AK300, AK100II, Sony WM1A etc. its very hard to find a negative point for this device.
The DX200 is clearly in the Champions League of portable Digital Audio Players. At this price point you can’t go wrong. The only negative results seems to be software related and can be fixed with future FW updates, that will released official and/or from developers just like lurker0.
The company Rose Technology is founded by University students in China and is specialized in IEM and Earbuds.
The Rose Cappuccino MKII is the Secondary flagship of the Company.
The motto of the company Rose is “Create difference”.
The main differences of First Cappuccino and MK2:
The first released version of the Cappuccino (aka MKI) had some minor issues with its 2 pin configuration.
After these issues, the company decided to use the new MMCX interface instead of the old 2 pin configuration for the new batch’s of the first Cappuccino and now for the new released MKII.
The biggest differences between the old Cappuccino and the new MK2 are the bass switch option.
The MK2 has a bass switch that lets you configure the bass amount.
The second improvement over the old Cappuccino is the re-designed and improved housing that gives a better wearing experience.
The third and last difference is the new Knowles 31736 balanced armature driver, which gives the MK2 a less distorted high frequency range.
Package and Accessories:
I think the company DUNU is the champion when it comes to accessories in the package.
The company Rose in the other hand gives us a small but useful accessory box.
So, what’s inside the box?
Cable with MMXC interface: 1 piece
Silicone eartips (blue color) : 4 pairs
Silicone eartips (in transparent white) : 1 pair
Double flansh eartips : 1 pair
Foam eartips : 1 pair
Hard Case : 1 piece
Soft pouch : 1 piece
3.5mm to 6.5mm female adaptor: 1 piece
Clips: 1 piece
inside the box
The provided Hard case is small and handy, it looks like a pelican case but I don’t think that it is water resistant.
The eartips inside the box are soft and comfortable, but can’t compete with Sony and Spinfit silicone tips.
The soft case is made of a silk like material that feels good in your hands.
BTW, it is nice to see a 3.5mm to 6.5mm female adaptor inside the box.
About the cable;
The cable that came in the box with my Rose Cappuccino MK2 is made of a soft material. It feels good in your hand and has no microphonic effects. The connection type is MMCX.
Specification:
The Rose Cappuccino MK2 has a 2BA (Knowles type 31736 ) + 2 DD (Panasonic 13.5mm) driver configuration.
As mentioned before, the MK2 has two switch options;
OFF is suitable for genres like pop, electronic, RnB etc. and the switch position ON is for genres like classical and jazz music’s with focus of instrument presentation.
The MK2 that I have ordered and shown in my pictures below is called Van Gogh Blue.
This color pattern is inspired by the well known painting Starry Night by Vincent Van Gogh.
Starry Night by Vincent Van Gogh
The MK2’s shell is built with a 3D painting technology and is made of plastic. The build quality of the unit is well done.
The 13.5mm diameter Dual Dynamic Driver made by Panasonic occupies the largest area in MK2’s shell. The two Knowles type 31736 Balanced Armature drivers are really small compared next to the Panasonic DD drivers. The BA drivers are located inside the Nozzle.
The BA drivers are located inside the Nozzle
Fit and Isolation:
The MK2 is a relative small monitor for a 2BA + 2DD configuration that sits very comfortable in my ears. I think that the MK2 is one of the most comfortable Universal IEM’s that I have used to date.
The Earsonics Velvet and the Ibasso IT03 are good examples for comfort. But the MK2 is a step above this two.
The worst comfort I ever had with a UIEM was the InEar Stage Diver (not the S).
The isolation of the MK2 is better than my old Velvet and IT03, but the real champion in this category is the Stagediver SD3.
One example of the fit on my ear
Tracks and sources that I have use for this review:
a) Tracks:
Massive Attack – Angel (Tidal HiFi)
Celine Dion – The Power of Love (Apple Music)
Opeth – Windowpane (Tidal HiFi)
Metallica – Sad but True (Flac 24bit 192khz)
Meshuggah – Nostrum (Tidal HiFi)
Vaults – Mend This Love (Apple Music)
Jehan Barbur – Seni Seviyorum (WAV 16bit 44khz)
Bang La Decks – Aide (320kbps)
Dr. Chesky’s – Pamafunck (Flac 24bit 192khz)
Lorde – Royals (Flac 24bit 48khz)
Mabel Matiz – Gel (320kbps)
Amber Rubarth – In the Creases (Tidal HiFi)
Max Richter - On the Nature of Daylight (Flac 24bit 48khz)
Arnesen: MAGNIFICAT 4. Et misericordia (DSD 128 5.6448Mbit/s)
Yosi Horikawa – Bubbles (Tidal HiFi)
b) Sources:
IFI Micro IDSD, Shanling M2S, Walnut V2s, Ipad Air 2, Rose Cappuccino MKII
The Sound:
Note: Please note, I wrote this review after a burn-in process of 150 hours.
First of all, I think that the MK2 has a relative good price to performance ratio when compared to some higher priced IEM with the same configuration.
The MK2 is my first IEM that has a slightly L-shaped sound signature. The Bass is the most present frequency, followed form the highs and the mids. But don’t misunderstand me, the bass of the MK2 didn’t ruin the sound of this IEM and is in no way overpowering the sound when the switch is in reference mod.
Note: Please note, I wrote this review after a burn-in process of 150 hours.
Tonality:
The MK2 is not a cold or too warm sounding IEM. When the bass switch is on reference mod, the MK2 sound fairly natural. It has a small amount of warmth that is coming form the bass especially form the midbass section.
The Bass:
The MK2 has two dynamic drivers inside the shell. Only one of the dynamic drivers is active while the switch is in reference, so in on position.
In off position, the bass of the MK2 is well present but not overpowering. It is tight and has great dynamics, which gives a well bodied music presentation.
The subbass on the other hand gives a good rumble especial in pop and electronic music genres. The midbass kick is relative quick and responsive.
The best part of the bass presentation is, that it is not beading in to the mid section that would otherwise ruin the vocals and instrument presentation.
So, where is now the Beast?
Switching to bass mod:
The MK2 has an enormous bass kick capability when we switch it to the bass mod.
It has a deep and punchy “bass ability” that is also physical noticeable J
If you are a Basshead, the MK2 with its “bass mod” will provide you more than enough bass kick and rumble without ruining the whole music and sounding hollow.
The MK2 reminds me to my old Inear Stagediver SD3, but only quantity wise. When it comes to quality, the MK2 has the upper hand in every respect.
It is more controlled, detailed and has a better layering compared to the SD3 with is BA configuration.
BTW, the Bass quantity of the MK2 is not of my taste when the “bass mod” is on
“ Oh my God, I thing I am ageing ”.
The Mid (Vocal, Instruments etc.):
The vocal presentation of the MK2 is relative neutral. The vocals are by no way recessed, due the L-shaped sound signature.
Both, female and male vocals sound realistic and have enough emotion to bring you in the middle of the stage. It is well defined and has a good layering with great detail that is welcome in this price range.
Nice to hear, that the midbass are not bleeding in to the mids, so that the vocals sound clean and not hollow.
Drums, guitars and flutes are sounding not to colored as I have expected form a dynamic + balanced driver combination. The instrument separation is above its price range.
Both vocals and instruments have a relative small amount of thickness when compared to the natural sound. This is not a big deal because it gives the mid presentation a slightly warmer presentation that is welcome for me.
The only negative side of the mid section is the upper mid presentation. There is a small amount of stress that is sometimes present, especially in bad recorded tracks like Metallica’s - Sad but True.
BTW, I think, that the MK2 is not only suitable for genres like pop, rock, electronic, RnB etc. It is also capable to make more critical listening with genres like classic and jazz music (for example Amber Rubarth).
Switching to bass mod:
If you listen to genres like classic, rock or metal music, I wouldn’t advise you to switch to the bass mod. The bass presence is not suitable for genres with to many instruments.
This mode is made more for electronic music fans that won’t compromise details in the music without loosing deep bass J and the MK2 does its job well!
The Highs:
One of the strong sides of the MK2 is the treble region. The overall treble presentation and detail level is surprisingly good for this price point.
The MK2 benefits from its L-shaped sound signature and doesn’t overpowering the rest of the frequency cart.
Complex passages with instruments like “cymbals” in my new favorite track “Meshuggah –Nostrum” sound well controlled and with good separation.
Male and female voices sounding vivid and clear and there is lot of detail.
One negative aspect of the MK2 is the upper treble. Some records with female voices sounds a bit harsh, especially tracks of Celine Dion (my favorite one is “The Power of Love”) could be more controlled.
I don’t know the specification of the stock cable, but a good upgrade cable could solve this problem.
The Soundstage:
The MK2 has a relative forward vocal presentation and there is also a good amount of air around each instrument with good stereo separation.
The soundstage is not gigantic like these of the Sennheiser ie800 or not expansive and airy like these of the Earsonics Velvet. But this two examples should be to unfair due the higher price tag.
The soundstage is a bit wider and deeper than the Ibasso IT03 and quite bigger and much airier than those of the Inear Stagediver SD3. The SD3 was a really claustrophobic IEM in this aspect!
Conclusion:
Rose Technology is a relative young company that has released many different earphones for all types of consumers. Rose Cappuccino MK2 is a good example how good Chi-Fi gears can sound.
The best description for the Rose Cappuccino MK2 is that it is a “good all-rounder”.
A beauty and a Beast!
Thank you for reading my second review, oh and sorry for my bad English
The Rose Cappuccino MK2 and Rose Masya side by side
Summary (plus and minus):
+ Great look and fit
+ Customizable tuning
+ Non fatiguing sound tuning with lots of detail
+ Well controlled bass
- Upper treble sounds harsh with bad recorded tracks
Not: This is my first review in another language, so sorry for my bad English.
Introduction:
The company Rose Technology is founded by University students in China and is specialized in IEM and Earbuds.
The name Rose:
The company name Rose has actually nothing to do with the rose flower, the name spells in Chinese - '弱水‘, which actually means a mythical river (thanks to @ClieOS for this information).
Tracks and sources that I have use for this review:
a) Tracks:
Massive Attack – Angel (Tidal Hifi)
Celine Dion – The Power of Love (Apple Music)
Jehan Barbur – Seni Seviyorum (WAV 16bit 44khz)
Bang La Decks – Aide (Tidal Hifi)
Dr. Chesky’s – Pamafunck (Flac 24bit 192khz)
Lorde – Royals (24bit 48khz)
Mabel Matiz – Gel (320kbps)
Amber Rubarth – In the Creases (Tidal Hifi)
Yosi Horikawa – Bubbles
b) Sources:
Digital Sources: Chord Hugo, Shanling M2S, Walnut V2s, Ipad Air 2, Earbuds: Rose Masya, Auglamour RX1
The Masya comes in a relative small and compact card box with a magnetic cover. The box contains a small carrying bag with the ROSE logo, a 2pin – 3,5mm TRS cable, a small plastic box with 3 pairs of soft foam cushions and a gold plated 3.5mm Female to 6.5mm Male adaptor.
BTW, on the front of the box is the motto of the company “Create difference” written.
Design and Build Quality:
As mentioned in previous reviews, the Masya’s outer shell is made of plastic using a complex 3D Printing Technology.
The Masya has a Retro look and is on the bigger side of earbuds. The quality of the shell is good and it looks really sexy.
BTW, it’s not a big deal but you can see some small imperfections on the sides and corners of the outer shell. It’s easily to understand that this earphone is not an industrial mass production unit and is more like a handmade boutique earbud with a special design.
The Masya has an 1.2cm long interchangeable, oxygen-free copper cable with 0,75mm diameter 2-pin connection that is thick, soft and without microphonic effects.
The bad thing about this cable is that the 0,75mm diameter is not a common like the 0,78mm 2-pin connection variant.
Compared to my other favorite erabud, the Auglamour RX1;
The RX1 has a more robust metal finish with a more modern looking design. It’s up to your personal taste but I love both. The RX1 is well made and looks more solid compared to the Masya, but I don’t think that the Masya is made of cheap plastic and it would surely survive a long period of usage.
The Masya has two dynamic drivers, same as the more expensive Mojito. The difference is that the Rose masya has 16mm & 10mm dynamic drivers and the Rose Mojito has 15.4mm & 10mm dynamic driver.
The Fit:
The RX1 has the upper hand when it comes to seal, comfort and insertion.
The earpiece of the Rose Masya is a bit bigger because the front driver has a diameter of 16mm, while the RX1 has only one driver with 15,4mm diameter.
Compared to the RX1 the insertion depth and holding position on your ears could a bit problematic for smaller sized ears.
But I think with the right foam cushions, especially the donuts, can provide a relative good seal.
The Sound:
I have burn-in the Masya for at least 80 Hours.
First of all, I am the sort of people that prefer in ear monitors (IEM’s), but after I listened to the RX1, I changed my mind. The sound of it was so spacious and detailed that I have started to search for Higher End erabuds.
The Rose Masya has a very expansive en effortless sound. It sound so out of my head that I was shocked at the first listening. So, I think the wow factor of this earbud is very high!
Tonality:
The Masya is a relative neutral earbud with a tad of warmth that comes from the midrange. It reminds me a little bit to the well known and one of my favorite open back headphone, the Sennheiser HD650.
The RX1 by the other side is in direct compassion more on the warm side of the sound spectrum.
The Bass:
The Bass is more on the Sub-bass side and without a good seal the Mid-bass region is a bit rolled off.
a) Sub-bass:
Track: Massive Attack – Angel
One of the strengths of the Masya vs. the RX1 is the sub-bass range, its reaches deeper has more definition and is also smoother when compared to the RX1. This region gives the Masya an immense body that is always welcome for an earbud.
b) Mid-Bass:
Tracks: Bang La Decks – Aide, Lorde – Royal, Dr. Chesky’s - Pamafunck
The mid-bass of the Masya have not the quantity of the RX1, it hits very well for an earbud, but the RX1 has the upper hand when it comes to quantity.
But, the game changes when it comes to quality.
The issue with the mid-bass of the RX1 is that it bleeds in to the midrange and the texture of the RX1 is not at the same level of the Masya. When compared next to the Masya, the RX1 sound hollow and muddy.
The Mid and Vocals:
Tracks: Mabel Matiz – Gel, Amber Rubarth – In the Creases,
This is where the Masya really shines. The midrange of the Masya is maybe the strongest and most impressive region and the rally highlight of this earbud.
The resolution and clarity of the mids is very good. It’s so emotional and musical that both, male and female vocals sounding crystal clear and emotional.
Also the instruments like piano, guitar or flutes don’t sound overly bold or thin. It a little colored in nature but it’s not annoying.
The RX1 on the other hand has the big problem with its mid-bass bleed. Vocals and instruments are sounding to warm, muddy and unnatural. I am not saying that the RX1 has a bad midrange, it sound very good for its price, but it can’t keep up with the glory of the Rose Masya.
Highs:
Tracks: Celine Dion – The Power of Love, Jehan Barbur – Seni Seviyorum
Highs have a nice resolution. There is no sibilance, it’s also non-fatiguing and is ideal for long listening periods.
The highs give the Masya a vivid and smooth presentation. With a good seal you can’t go wrong, because it sounds not harsh or overly aggressive like other earbuds with poor seal.
Soundstage:
Tracks: Track - Yosi Horikawa – Bubbles
The soundstage is very wide and has a holographic presentation that gives you the impression that you listen from a full-sized open back headphone. That’s a great wow factor and among the best of many earbud. When it comes to depth think it is also above average.
Conclusion:
The Masya is a wonderful sounding earbud that have many thing common with its full-sized brothers.
The only drawback of the Masya is the diameter of the earpiece.
Peoples with small ears should use donut foam cushions for a better seal.
By the end, I think that both Rose Masya and the Auglamour RX1 is one of the best sounding earphones in its price range.
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Both are high impedance earbuds, 320 Ohm for Zen V2.0 vs 300ohm for the F300M, but the similarities ends in the sound department.
