General Information

AUNE Jasper In-Ear Monitors​


  • Multi Gradation Diaphragm
  • Ultra-Linear Magnet System
  • Ultra-Low Distortion
  • Best Materials precise Tuning
  • Pure-Fidelity IEMs


  • PRODUCT FEATURES​

    Present to You With Honor Our Philosophy of Acoustics​

    The strictly selected diaphragm, the ultra-low distortion core, the carefully designed chamber... All those efforts were made to present the musicians' feelings and expressions, as they are..

    The Chamber Matters​

    The carefully designed chamber heps scatter the internal sound waves end to expand the soundstage with accurate and clear imaging. Don't be shocked if you feel like sitting in a concert hall..

    Ultra-linear Symmetric Magnet System​

    The combination of the specially-designed ultra-linear symmetric magnet system and the multigradation diaphragm (MGD) builds the dynamic core with ultra-low distortion, providing the Jasper with constant power.

    The Unique Diaphragm (MGD)-like No Other​

    The MGD - multi-gradation diaphragm, with the materials to die for, has the qualities of high damping, high speed and good rigidity. The unique diaphragm makes it possible to vividly reproduce all kinds of music, even a whisper.

    Precise, More Than Precise​

    Starting with the goal of a real-deal reproduction of the original music recording/live scene, the aune acoustics team spent three years on the in-ear monitors' R&D strictly based on the standard acoustics design principles. From the unit's magnet system, suspension, diaphragm, to the very precise chamber, each step is carefully done with the heart and respect to the standard. All those make the Jasper more than just another pair of an in-ear monitor . lt' s like a whole concert hall hidden in your ear..

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    Linsoul Audio is the authorized distributor. All products are authentic and genuine.
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    We are located in china but send our products worldwide for free.
    Warranty

    1 Year Warranty​

    We provide 1 year warranty for the all products except the cables*.
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Latest reviews

notaris

Head-Fier
Aune Jasper-T: Top notch
Pros: Beautifully balanced and very nicely sounding; the right amount of well controlled bass, great mids, and very extended highs; extremely transparent, with very high resolution; very good soundstage; very precise image; very broad dynamics; a truly all-rounder of top class.
Cons: Maybe an impression of a bit forward mids at times; not the biggest soundstage in height.
Introduction

Aune, or Wuhan Ao Lai Er Technology Co., Ltd., as is the official name of the Company, is a brand dedicated to developedesktop and portable audio products, such as DACs, digital transports, music players, headphone amplifiers, etc.

It is not as young of a Company, as people might think. In fact, this year it celebrates its 20th anniversary since its foundation in 2004. Among the Company’s six co-founders, there are experts in various audio related fields, such as hardware design, electro-acoustics design, programming, speaker design and tuning. This combined with extensive research and development, during the past 20 years, has resulted in products that have been very well received globally.

Since I first met with an Aune product, I was wondering about the Company’s logo, which was inspired by the concept of Yin-Yang - the Chinese philosophy of balance. The rounded design of the letters conveys a message of peace and gentleness, while the openings on four sides indicate inclusiveness.

During the past 20 years, Aune became well-known for high quality desktop devices, primarily DACs and amplifiers, which provided great sound and nice user experience. Recently, Aune diversified in IEMs, headphones and mobile DACs. This review is for their first IEM model, the Jasper-T.


Description

The Aune acoustics team spent three years for designing the Jasper-T. The first thing they had to decide was the kind of driver the IEM would have: Dynamic driver, multiple balanced armature drivers or a hybrid system. A lot of tests were conducted, including listening tests by professional listeners, and finally the solution chosen was that of a single dynamic driver. The latter is known for its unsurpassed dynamic performance, while most of its shortcomings of the past have been overcome by recent research.

Emanating from the standard acoustics design principles and combining Finite Elements Analysis (FEA) optimization and listening tests, Aune engineers were able to refine every part of Jasper-T - the diaphragm, the transducer's magnet system, the suspension, and the chamber.

Transducer exploded.png


First, Aune decided to use a new diaphragm for the driver, which goes by the name of “MGD diaphragm” and all we know is that it is a kind of a composite membrane. This means that MGD is composed of different layers. To bring the MGD membrane from laboratory into production and guarantee that its design is reflected into superior sound quality, the composing of the different layers must be carefully controlled. One important property of a diaphragm material is high stiffness and another one is high damping. A high-damping diaphragm can effectively reduce resonance, which is the main cause of affecting the natural reverberation of sound. The MGD diaphragm has all the desired characteristics: High damping, low mass, high speed, and excellent stiffness-to-mass ratio. To be more specific, according to experimental analysis, the MGD has the same stiffness (Young's modulus) as the mainstream metal materials, yet its mass (density) is the lowest. In the meanwhile, the MGD has excellent damping, which is very close to Polypropylene (PP) and higher than common classic materials (see the following diagrams).

MGD  diagrams.png


The MGD, due to its low mass, high damping, and high stiffness, became the number one choice for Jasper-T.

MGD  diaphragm.png


The next thing that had to be taken care of was the magnet system. The latter is the power core of a transducer, and it is indispensable that it matches well the diaphragm's quality. Instead of pursuing the magnetic field intensity, Aune engineers optimized the performance of the whole magnet system. First, the Jasper-T 's magnet system adopts a symmetric design, which reduces dynamic compression. Furthermore, the soft magnet quality was improved, which restrained the modulation distortion and brought the listening clarity to another level. The unique diaphragm and the improved magnet system makes it possible to vividly reproduce all kinds of music, ranging from a whisper to orchestras.

Transducer.png


Distortion graph.png


If the transducer is the first important thing of an IEM, the chamber is the other, and it must be designed very carefully in accordance to the principles of acoustics. The chamber can influence the earphone's frequency response, balance, soundstage and of course distortion. For example, if the chamber is too narrow and carelessly designed, then unwanted resonance could be created, which would harm the sound quality; not to mention that such a chamber could have an influence on distortion.

Chamber.png


Another weak point of IEMs is the soundstage, which usually is not as good as that of open headphones. There are mainly two reasons for this: First, as the sound coming out of the IEM and travelling, via the eartips, through the ear canal cannot extract the appropriate information from parts of the ear, like the concha and the pinna; second, most IEMs fully seal the ear canal, which, although contributing to sound isolation, causes the sound pressure to change, thus influencing the soundstage.

For solving both of the above problems, Aune engineers did a lot of simulations involving ear molds which correspond to different kind of populations around the globe. The result of meticulous optimization was a housing with a chamber that not only did not lose information coming out of the concha and the pinna, but also kept a balance in the sound pressure. This effectively protected hearing and reduced fatigue, thus making the Jasper-T great for long listening sessions; in addition, it improved soundstage, which is known to contribute to the naturalness of sound.

FEA simulation chamber.png


All the above show a truly meticulous design, but how all this translates into sound performance in practice? Let’s find out!


The sound

With IEMs, I always do the usual burn-in of about 50 hours; it’s not that without this the IEMs do not sound right, but rather that the burn-in helps them to reach their full potential. Now, much more important than the technical burn-in, I consider the so-called phycological burn-in, which helps the listener to get acquainted with the IEM; in that sense, the phycological burn-in does not actually have a limit, and the more you listen to an IEM the better you get to know it. With Jasper-T, I exceeded 100 hours of burn-in and probably I almost reached 150; why? Simply because I liked it so much.

I shall start by saying right and clear that Jasper-T is probably the best IEM that I have tried so far among all Chinese manufacturers (and they are quite a few), and one of the best among all manufacturers around the world. It seems to do almost everything “by the book”, at least “my book”.

Jasper-T is very well balanced, and it has a very relaxed tonality. Its presentation is quite linear; however, it is not clinical or sterile, but rather engaging and very enjoyable. Initially, one might think that the presentation is a bit mid-forward, but the more I listened to it, the more I realized that this is not the case; at the end, I thought that this is rather the problem of just a few songs rather than the IEM itself. The fact that the presentation is balanced is also depicted in Crinacle’s frequency response curve.

The bass is in the right quantity, precisely what I consider sufficient; nothing rumbling, but rather mid-bass, very taut and well-controlled, and, most of all, very clean and never muddy.

The mids is very engaging, and both male and particularly female vocals are conveyed in a very precise and alive way. As I mentioned, when I first listened to Jasper-T, I had myself the impression that in some songs there is some forward mids. However, this impression did not stay long with me; I am not sure whether it was eliminated after the extended burn-in period, but whatever the reason was it does not exist anymore, except maybe very rarely.

The tremble is very extended, yet polite, so never harsh or piercing, so, enough crispiness and never anything annoying.

Overall, the sound is very detailed, and Jasper-T is as much analytical as one would like to; in fact, high resolution is one of Jasper-T’s merit. The presentation is very transparent, with a great soundstage width wise, and if I was nitpicking I would say that the soundstage is not as tall or deep, but nonetheless more than adequate. However, the image is very precise. The dynamics is top notch, and so is the separation.

The cable has MMCX connectors, and it is of high quality, although no further information is given on it. However, it is sturdy, well insulated and does not tangle, which, with the IEM cables that I have encountered, it is not to be taken for granted.

During the past several months, Jasper-T accompanies me pretty much every day at home, work and outdoors, and I listened to it through my iMac, MacBook Air and iPhone. I tried it in a variety of songs, from jazz music by Diana Krall, to country music by Allison Krauss, to rock ballads by Mark Knopfler, to the particular music by Hiromi (Uehara), or to Symphonic music by Mark O’Connor. I am talking about musical pieces that I heard so many times, by so many other IEMs, so I am quite familiar with them. In all of them Jasper-T was simply outstanding. For example, in “Fanfare for the Volunteer” by Mark O’Connor, from the album with the same name, Sony Classical, where other IEMs presented, at some parts of this beautiful and very demanding symphonic piece, a clear distortion of the sound, the Jasper-T was always perfectly smooth; impressive! I can say with confidence that Jasper-T is a truly all-rounder.


Selected Comparison


I compared Jasper-T to Final Audio A5000. Final does not need an introduction; it is one of the best IEMs and headphones makers, and my personal favorite, paying meticulous care to each and every detail of a new product independently of its retail price. The result is IEMs and headphones of unsurpassed audio quality.

A5000 is Final’s new addition in its A line of IEMs; it has a single dynamic driver, with ABS resin housing and an all new 8-core silver-coated OFC transparent cable specifically designed for this model. A5000 has a sensitivity of 100 dB/mW and an impedance of 18 Ω. It is a really great IEM and one of my reference sets.

Soundwise Jasper-T has slightly less bass than A5000, very extended tremble, so a very crispy presentation, and in some musical pieces a pleasant emphasis on mids. Overall, A5000 gives you a few more low octaves and Jasper-T a bit more resolution.

A5000 has great dynamics, big soundstage, among the biggest I have heard, both in width and depth, beautiful image and separation. Jasper-T is close to A5000, except that its presentation is more linear, so the soundstage is not as holographic lacking some depth.

Overall, both sets are top notch and great all-rounders.


Accessories and fit

The exterior box of Jasper-T is very nicely minimal and in it the user will find, besides the IEM and cable:
  • Several sets of eartips. Aune has given particular attention to the eartips in the new Jasper-T compared to the old Jasper model, so it is not difficult for the user to find the proper set providing sufficient insulation.
  • A cleaning tool.
  • A cleaning cloth.
  • A luxurious leather case appropriate for storing Jasper-T.
Jasper case.jpeg


Jasper-T is lightweight and, with the shape described above, it has the minimal required contact with the ear; that way it achieves a sense of fit without any feeling of oppression. So, assuming that you found the right size of eartips, Jasper-Tfits in your eardrum very nicely, while its beautiful sound makes you forget that you have it in your ears.

Furthermore, the eartips provide a high level of sound isolation, so ambient noise was never a problem.

Finally, the cable, is not susceptible to microphonics, and it does not have the usual “tangling problem”.


In conclusion

Jasper-T is one of the very best IEMs that I have tried the past several years. It is beautifully balanced and very pleasant sounding; the bass is in the right amount and very well controlled, the mids are mellow and only rarely appear to be a bit forward, and the tremble is very extended without ever been harsh. Jasper-T is extremely transparent, with very high resolution, very good soundstage, great image and very broad dynamics.

If you are looking for a new IEM set, you must put it in your very short list and definitely try it out; I think you would be very thankful.

Most well done and highly recommended.


Specifications

Jasper-T
Housing: Metal
Driver: Aune MGD Dynamic driver
Frequency response: 5-40 kHz
Sensitivity: 102 dB/mW
Impedance: 32 Ω
Connector: MMCX
Cord length: 1.2m
Price: $299.00

http://www.auneaudio.com

Reviewer’s note:
The reviewer is grateful to Shelly Chen of Aune Audio for sending him a sample of Jasper-T.

tenedosian

100+ Head-Fier
A Great First Step For Aune
Pros: Pleasing & well-adjusted tonality
Smooth and clear sounding
Even sound balance
Build quality
Sturdy carrying box
Cons: Unimpressive accessory package for the price
Soundstage depth
Hello Head-fiers!

In this review, I will share my long-term impressions of Aune’s first attempt on In-Ear-Monitors :

The Jasper.

Head-fi 1.jpg


I would like to thank Aune for providing me a free sample, and giving me so much time for this review.

Let's start right away.

Aune (Wuhan AO LAI ER Technology Co. Ltd) is a company that has been making a name for itself in the industry for years after its establishment in 2004. They are especially known for their designs that are consistently above a certain quality, relatively few and elaborate.

However, Aune is widely known for its desktop DACs and amps rather than headphones. They have also produced portable players in the past (such as the M1 and M2 series), but they preferred to focus on the desktop by not continuing the line. Jasper, the product I will be reviewing in this article, is the company's first attempt at IEMs.

Readers who have been following IEM market for a while, probably know that we left behind a period in the past when IEM manufacturers tried to put as many balanced armature drivers as possible in their products, which in turn almost became a marketing tool and created a perception like "the more drivers, the better the sound". At the peak of this period, which we may call as "armature wars", the number of the balanced armature drivers placed in tiny IEM capsules by different manufacturers reached almost fifteen.

While this “race” was going on, meanwhile, companies like Sennheiser, Hifiman, JVC etc. continued designing flagship models with proprietary single dynamic drivers.

In line with the fashion of the last few years, as IEMs with single dynamic drivers (produced with different technologies and materials) have been on the rise again, it is quite understandable that Aune joins with this new trend.

Jasper is the company’s first shot at the highly crowded In-Ear-Monitors market with it’s proprietary 10 mm dynamic drivers.

Build Quality & Accessories

Jasper has a very good build quality with it’s price tag of $300, leaving a premium-like impression in hands.

Coming in two colour options, black and shiny metallic grey, Jasper feels like a luxury headset when you pick it up. The housings are heavier than that of average IEMs.

The cable that comes with Jasper is thick, feels sturdy and has no obvious microphonic noise due to friction. It connects to the metal housings with MMCX connectors. These connectors are neither too tight, too loose, nor too sensitive ; in this sense, I did not encounter any problems in plugging and unplugging.

2.jpg


However, the sad thing is that the phones only come with a simple / standard 3.5 mm cable and no balanced cable (or adapter) is included in the box. At this price level, it is a minus point for Aune.

A rough guess would be that the Jasper was designed compatible for on-the-go use. And right now as of the second half of 2022, regardless of their price, most of the digital audio players we have in the market come with balanced outputs for stronger amplification, and better sound.

Accordingly, the lack of balanced cable for a $300 IEM is a thing to be noted. I would have very much liked to see a 4.4 mm cable coming out of Jasper’s box.

In addition to the phones, the box contents consist of a very stylish and sturdy leather box with the Aune logo, 6 different sized ear tips, a soft microfibre cloth and a small brush for cleaning.

The accessories - especially the leather box - are of high quality, but the richness is less impressive than the overall quality of the phones and the $300 price etiquette. Many other brands in this price range offer richer accessory packs with their products.

Otherwise, Jasper fits well in the ear and provides good passive isolation when the appropriate tips are selected. It may be useful to try different tips other than the one provided in the package; as it is possible to further improve passive isolation by trying different brands of tips that can better adapt to your ear canal structure.

Sources Used For Review

For reviewing Jasper, I used sources of varying quality and sound character to reach an average concerning Jasper's overall performance, including two smartphones (Xiaomi and Samsung), the Aune M1S as an entry-level player, the Sony WM1A as a mid/mid-high-end player, and the JDS Labs OL DAC + Objective2 combo as a desktop source.

Besides, as recordings, I used a variety of different musics from different genres with different formates, ranging from old vinyl recordings to recent digital ones, from high quality DSD to highly compressed 128 kbps mp3 files.

Sound Signature

The Jasper has a sound character that is not exactly reference or neutral, yet it is quite balanced. The bass is slightly above what can be called as neutral, adding a slight warmth to the sound, but the Jasper is by no means a bass-head IEM.

During casual listening, no frequencies in the music recording jumps at you like "HEY I’M HERE", and the bass-mid-treble balance in Jasper’s presentation is very neatly balanced with no apparent sharp edges.

Accordingly with that, it is possible to listen to Jasper for some long periods of time without getting a headache, thanks to it’s relative smoothness in sound.

Jasper has a clear, slightly warm, and a forward sound in a balanced way.

On the other hand, although Jasper can resolve a good level of detail in recordings for its price range, it does not have a sterile and detail-oriented presentation that we can call analytical, and as far as I can see, Aune engineers primarily aimed to design a "balanced" headphone that presents instruments with realistic texture and timbre as well as satisfactory resolution rather than a headphone that focuses on very high technical prowess.

And for a first attempt of the company at IEMs, I should say that the tonality of Jasper is an apparent success.

Kudos to Aune on that.

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Bass

As I mentioned, the bass intensity of the Jasper is slightly above neutral and this intensity is more pronounced as mid-bass. However, this slight bass emphasis does not cause any leaking into the mids, and is free from muddying them.

The 10 mm Multi-Gradation Diaphragm dynamic driver used in Jasper has a good bass extension, you can hear the sub-bass in the recordings; but Jasper does not have a sub-bass emphasis that you can see in some recent IEMs (such as Fiio FH5 or Sony IER-Z1R) that have become increasingly popular recently.

(On a personal note, I find a slight bass emphasis positive, sometimes even necessary, for many portable and easy-to-drive headphones for a reason :

Among the frequencies transmitted to our ears by the phones we use outside, the biggest loss in sensitivity due to external noise takes place at low frequencies. This is why, for example, when we use headphones (without active noise cancelling circuits) in public transport, we generally end up hearing a sound that is often shy on bass, consisting only of mids and treble. With a slight bass emphasis on the other hand, it is possible to get a slightly more balanced sound, even with the existence of some external noise).


Jasper's bass has the body you'd expect from a 10 mm diameter dynamic driver. For example, bass drums sound quite powerful and deep. But unfortunately, the bass detail and texture are on average levels. This is also due to Jasper’s bass signature being closer to a full / blooming bass rather than a fast one in general terms.

Midrange

Jasper's mids have a pleasing tonality, are clear and slightly warm, blending in well with it’s overall sound character. However, this clarity is not in your face like some IEMs with balanced armature drivers and analytical presentation.

Resolution and detail level are again good for its price range.

Since the stage is positioned at the front and has limited depth, instruments play close to you like a Grado-like presentation ; and although Jasper has a balanced frequency response, more often than not, this intimate positioning of instruments put the midrange at the center of the show.

In my personal opinion, Jasper's most prominent prowess also lies in these frequencies, as the instrument timbre sounds natural and organic with Jasper, punching above it’s class.

Pianos are clear and natural; guitars have good texture and dynamics. Vocals are generally good for both male and female vocals.

Only on some tracks (and partly at high volume), depending on the recording, there can occur a slight shoutiness in the vocals. Apart from this partial problem, Jasper's midrange performance is very good.

Treble

Jasper's performance at these frequencies is also good for its class.

Treble is revealing, dynamic and at the same time smooth, not splashy, dull or too aggressive, clean and with good detail for it’s price point. Since Jasper doesn’t have a detail-oriented analytical presentation, the flaws on mediocre quality recordings or lossy compression formats (e.g. mp3) are not directly presented in your face.

Jasper offers a certain sonic dynamism in the upper frequencies, but they are not fatiguing. Aune has again done a good job here in tuning.

In addition, unlike many single-dynamic driver IEMs, there is no apparent treble roll-off here. However, Jasper's treble does not have the general extension potential of hybrid IEMs or ones with balanced armature drivers.

As a shortcoming, the slight drop in the upper treble is reflected in the reduced airiness of the highs, so Jasper is not the best IEM in the world at projecting the space between instruments in a studio recording, for example; its ability to resolve ambient detail is limited.

Apart from that, I didn't notice any obvious deficiency in the high frequencies that I can say "actually, this could’ve been better", the company had obviously put a lot of effort to produce a balanced, consistent sound with Jasper that can appeal to many listeners.

A Friendly reminder : Burn-In Needed

I must say that I was a bit disappointed with Jasper on the first listen, especially in the high frequencies, as it sounded dull / overly smoothened, therefore lacking in detail and dynamism. The cymbals and distorted electric guitars in rock songs sounded off.

Afterwards, I left it to burn-in at intervals over a long period of time without listening (in order not to get used to its sound), and I started observing the sound being opened up, gaining dynamism and “bite” in high frequencies finally finding it’s tone.

In this sense, I’d like to make a reminder to those wishing to buy Jasper to lay them in burn-in, as it seems to need it to show it’s potential.

Soundstaging and Instrument Placement

This is one area where the Jasper is without a strong claim.

In fact, Jasper has an average IEM soundstage. It is quite wide, but due to the close placement of the stage, the depth is not spectacular, and does not extend much further back.

The placement of the instruments is good, Jasper clearly communicates the positional cues to the listener, which allows us to easily perceive the location of the instruments.

On the other hand, the relatively limited treble extension capability of Jasper creates an average airiness in the stage. In short, creating sense of space is not Jasper's forte.

Therefore, Jasper has a presentation that neither offers a gigantic stage nor compresses the instruments into a narrow space making you feel claustrophobic. In this respect, while it is ideal for pop / rock or jazz music (and to some extent concert recordings), it is not the best choice for orchestral classical music recordings that already challenge many IEMs in terms of staging.

It is not by any means a flaw, but rather a point for further improvement in Aune’s possible future high-end IEM models.

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Driveability / Source Matching

Jasper has a conventional impedance of 32 ohms and a sensitivity of 102 decibels. These two numbers tell us that the current generated by any source, including smartphones, will be sufficient to drive these phones.

However, I should point out that although Jasper is not an IEM with analytical sound character, it responds well to the quality of the source you use with the level of resolution it offers.

In order to observe this, I connected Jasper to different sources (as I mentioned above) and saw that Jasper easily reflects the difference in sound performance between these devices. In this sense, although Jasper is an IEM that can produce satisfactory sound in many respects even from a mobile phone, it might be better to pair it with a good source to get more of it’s potential.

In terms of synergy, Jasper is an IEM that can match well with both analytical and warm sounding players / systems, especially thanks to its balanced frequency response that avoids extremes.

However, considering the fact that Jasper has forward mids, it might be better to match it with a source that has a little laid-back mids to gain a bit more depth in staging.

So who is the Aune Jasper For?

Firstly, Jasper is not an IEM for those looking for an analytical presentation or a soundstage larger than average IEM stage.

On the other hand, Jasper will also not satisfy those looking for a bass-head IEM.

In addition, Jasper only comes with a 3.5 mm cable, which will leave those who want to use the balanced output of their player / amp in search of a balanced cable.

For the majority of listeners other than these situations, Jasper can be a good choice with its high build quality with it’s detail level that can be considered successful for its class, balanced frequency performance and very pleasing tonality.

It can be said that Jasper is a great first shot at the IEM market, and hope Aune will continue to improve it even further in the future with new designs.
Last edited:

killeraxemannic

100+ Head-Fier
Decent neutral sounding IEM
Pros: Great build, Quality feel, Decent sound for the price
Cons: Mids are a bit sibilant, Lacks soundstage, Cable is hefty.
Build etc

Good packaging and carry case.
Cable is manageable but slightly stiffer and larger diameter than I would prefer for IEMs
IEMs feel hefty and solid. Very well built.
Outside picks up fingerprints pretty easily.
Included tips fit well. no issues with them falling out if cable wrapped around ears. I believe they intended the cable to hook around your ears.

Sound notes:

Highs:

rolled off and smooth on the high end. Nothing offensive in the high register but they don't quite resolve all the detail.

Mids:
Slight sibilance in the upper mids, Better for male vocals. Female vocals tend to sit in the sibilant spot along with some stringed instruments. Male vocals are very detailed with lots of layers. Has the potential to get nasty with a mid biased amplifier.

Sounds mid focused. Mids are the most forward with the most clarity. Highs and lows have good clarity but not as much as the mids.

Bass:
Bass is present and tight punchy/ not overbearing or boomy. Definitely not for bass heads.
Soundstage:
Recessed fairly narrow sound soundstage sits right behind your ears. Good for hearing everything and picking out individual instruments but not very accurate.

Overall:
Seems very neutral balanced. Not warm or cold. Not quite warm enough to be an all the time listen for me. They can get fatiguing after a while due to their more neutral nature.


Other Notes:
Seems like they are pretty amp dependent and really pick up the bias of the amplifier. I wouldn't pair these with an amp that has forward mids because that's where most of the sound issues with these can be heard. They tame out fine on a neutral amp but any amp with a slight mid bias might make the upper mids do some nasty stuff.

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