KiiBOOM Allure - Single Full-range Dynamic Driver Universal IEM

This is a summary of my full review posted here.



The Kiiboom Allure is a surprising gem from a newcomer in the world of IEMs, priced at a modest $99. It features a metal body with a single dynamic driver using a Beryllium-plated diaphragm. The diaphragm is layered with "diamond-like carbon" (DLC) polymer, which results in a light and high-quality sound. The housing is meticulously designed to minimize resonances.

The Allure impresses with its warm and detailed sound, excellent bass, detailed midrange and exquisite treble. It also has a quite wide soundstage. It excels with various music genres, from jazz to electronic.

Comparing it to other IEMs like the Kiwi Ears Quartet, Letshuoer x GIZAudio Galileo, S12 Pro, Sennheiser IE200, and Moondrop Kato, the Allure holds its own, often outperforming its peers.

In terms of amplification, I used the Allure mostly with the Monolith THX AAA 887 which sounded terrific. However, the Allure works well with portable setups too. It provides great sound quality with various dongles, such as Dragonfly Black and Red, as well as the THX Onyx.

In conclusion, the Kiiboom Allure is a fantastic IEM, offering great sound quality, build, and comfort at an affordable price. It competes favorably with more expensive IEMs, making it a compelling choice for audiophiles.

Kiiboom sent me the review unit for the purpose of this review.

You can read my full review here:
Kiiboom Allure Review
Kiiboom's official website

A modern iem is needed to me as a 100% dollar iem is a lot for many of us. A 100 dollar is 5 budget sets and the cost of some amps or dacs. The hobby is one of luxury and beauty to me, not one of just being there. You need to wow me at 100 dollars, and I have expectations. (I have rewritten my review of this item, and found it much better after some tip swapping. I tried all the stock tips.)

I bought this iem with my own money, my thoughts and opinions are mine.

Product Features

Driver Information Single Beryllium Plated Diaphragm Dynamic Driver
Impedance 18ohm
Sensitivity 112db
Cable Connector 0.78mm 2PIN
Frequency Response 20-40kHz

Song Choice: Tidal list here:
I listen to a wide variety of music. I pick the songs because of various reasons. But I picture myself locked away like Andy Dufresne from Shawshank blasting music and shut off from the world. It’s a blissful image.
The Marriage of Figaro -The opera song from Shawshank Redemption, terrible recording but fun and gets me in the mood to listen to music.
O mio Babino caro -This is a modern less operatic version but a song with great female vocals.
Video Rigoletto - “La donna e mobile” Sung by one of the three Tenors, great song for high-performing male vocals. Pavarotti is the greatest classic singer maybe ever. Fight me!
Iron man - The sound at the beginning is hard to make sound great, great drums, and cymbals, and if done right it feels like an old-school band.
I Will Survive (1981 recording, I like her voice, and the old vocals, the drums, and various natural instruments really make this a favorite for me.
There is a light That never goes out - Smiths ( A classic, I just love it. It’s mellow, and I can tell a lot of the tuning if this song is done right.)
Jump (I like how the sound effects are in this!)
Star Child Someone recommended this song to me, and I like how funky it sounds and has nice vocals and a mix of music and things going on.
Dicke Titten Ramstein The beginning is amazing and the bass hits hard. Great song. I love rock and metal. The German language fascinates me
Master of Puppets: Very fast song. Helps me determine if the driver can keep up.

Overall my music sounds a tiny bit warm on it, but very enjoyable. I prepared myself by listening to other sets that are around this price to prepare myself for this item.


Shell - This is by far the best part of the set. The shell is awesome and very unique. It's like Jewelry and is pretty and smooth. I can get a good fit with it.



Case- They know this is a small iem right with only 3 sets of tips included right? The Legato case is here for comparison. The Legato case makes this one look tiny. It's a solid case but a bit too big for my liking. I do appreciate the quality of this case, but I think they could save money and get a case that is slightly smaller than the Legato case. It's just extra.

Cable- The cable is beautiful, but my set came tangled. I had to spend too much time untangling it and making it free. This start got me off on the wrong foot in the get-go with this item, and frustrated me immediately, as I feel this is a bit silly for a hundred dollar iem not to have a little bread tie or zip tie to keep it neat. It was just lazily put in the case. Imagine this but worse. I had 5 knots in it! Good thing I was a sailor and a boy scout. I got the skills to bring you this review!






Tip Selection - The tip selection is poor for a 100-dollar iem. It has 3 sets. It feels very basic.




Quick-Fire Comparisons

In this section, I'll quickly compare the KiiBoom Allure to other relevant IEMs in its price bracket

KiiBoom Allure VS. Truthear Hexa
Overall Tuning: Truthear Hexa
Details: KiiBoom Allure

KiiBoom Allure VS. Truthear Zero
Overall Tuning: KiiBoom Allure
Details: KiiBoom Allure

KiiBoom Allure VS. Dunu Kima
Overall Tuning: Tied
Details: KiiBoom Allure

KiiBoom Allure VS. SeeAudioYume 2
Overall Tuning: SeeAudioYume 2
Details: Sligh Edge to SeeAudioYume 2

Value: I find this a strong set, and value it sonically for the current price it is at. The presentation is acceptable for the price, but when 20 dollar iems have 10 sets of tips it feels a bit off. I also couldn't get a good sound out of the stock tips and had to use some other tips to make this iem work well for me.

Graph:


Bass

The KiiBoom Allure has a strong base and feels good. It hit all the points that I would want it to hit. It has good note weight and sounds really fun and enjoyable. The details come across well in the base.


Midrange

The midrange for me in this iem is fantastic and podcasts sound great. It is very natural sounding, but the base being a little lean for me seems a bit off to me. Yet this is an enjoyable set for podcasts. The vocals are fantastic on this set. It's really a joy to hear music on it.


Treble

The treble is a little harsh around the 2kHz for me. But it is lively and one of the better parts of this set. It sounds alive in the music that I want to sound good in.

Recommended EQ: I recommend adding a base shelf of 5 DB at 32HZ, 64 Hz, and 125 Hz and lowering the 2kHz hump down 3 DB. I find this iem takes EQ well, which is a joy! With this EQ I find this item much better and pleasant, without it, it is still very good and enjoyable, but just a tiny bit harsh.


Gifting/who is it for: I'm not sure as it is a sonic iem, not a gifting iem. It would be for collectors, or those that like green. It's a beautiful shell, and I think it looks nice for those who want this aesthetic. It has a unique sound, but the packaging is less than desired. I would gift it to friends who love a fun punchy iem, not one who wants something boring.

Pairing: I used a Quidelix 5k and a Topping DX1 dac through a SMSL SH-8s AMP. I don’t find the pairing to matter too much, but it certainly can.

Summary- For the price I can recommend it for sound, the packaging is a little average. I find it a very strong set, with a unique sound similar to the Simgot EA500 but much better. I didn't rate this iem very highly and was very excited about it, after some time I changed my mind and my review. Not because of pressure, but I want to be honest and give this review an appropriate try with some minor things changed it blew me away for the price.

Overall I am giving this iem an A for tuning, and a B for technicality. It's strong and a great value. For sound, I'd give it a great score but am not a huge fan of the packaging. I think sonically it punches at the same class as iems more expensive and extremely comfortable to wear. This iem deserves a relisten. It's not linear or perfect, but it's delightful and fun. For its price I'd give it a high recommendation for those not looking for a linear sound quality, but something enjoyable and fun.



Thanks for reading. Any feedback is welcome. I’ll be posting my preference list of dacs, and headphones soon. It’s in process. I find myself keep wanting to do written reviews of iems!

Introduction

As stated on the WEB itself and I quote: “KiiBOOM is a collective of hobby enthusiasts from all around the world, with passions ranging from mechanical keyboards, high-fidelity audio, art toys (designer toys), garage kits, fountain pens, knives, watches, and fashion. Each member brings a unique set of R&D, marketing, and manufacturing skill sets from their respective fields, and allows an extremely diversified and comprehensive pool of knowledge on how to improve their hobbies.” On the other hand, the global team spans from the USA, Germany, Mexico, the UK, Singapore and Korea. It is clear that they are not just a headset brand, but also specialists in mechanical keyboards and parts.
In the IEMS section, they have two models, the KiiBOOM Evoke, a hybrid 1DDD+2BA model, with a resin capsule and a semi-custom shape. Its price is around 169$. But the model I am going to review at the moment is the KiiBOOM Allure, a Single Driver Dynamic for 99$. It has a Beryllium-plated diaphragm, known for its strength and light weight. A diamond-like carbon polymer (DLC) diaphragm has been used and three separate layers of beryllium have been applied to stiffen and reinforce the diaphragm. The acoustic cavity of the housing material was also generated using a proprietary software algorithm and CNC machined precisely to avoid any parallel surfaces.
Beyond the brand's own introduction, the KiiBOOM Allure is an IEMS that I liked right from the start. Their frequency response is pleasing, with good bass, full mids and a remarkable level of clarity, transparency and detail. The sense of fullness is almost as wide as that displayed by the trendy planar IEMS. All of which makes for a lot of enjoyment during this review. Let's take a closer look at why I was so pleased.



Specifications

• Driver Type: Dynamic driver with Beryllium-plated diaphragm.
• Frequency Response: 20Hz-40kHz.
• Sensitivity: 112dB.
• Impedance: 18Ω.
• Jack Connector: Gold plated SE 3.5mm.
• Cartridge Connection Type: 2Pin 0.78mm.
• Housing Material: CNC machined aluminium alloy.

Packaging

The KiiBOOM Allure comes in a large box, sized 189x147x86mm. Their colours move in the range of greens, turquoises and blues. On the main side is the design of the capsules, in their white line profile. The name of the brand and model is highlighted in large, also in white, at the top. There is a small description of the contents on a green background label in the lower left corner. The back of the case features what could be the brand's mascot, an owl with headphones on a skateboard/keyboard. A brief specification and other branding can also be read. The box is made of thick cardboard that opens like a chest. Inside is a huge zippered case, protected with foam. It has metal brand lettering on the bottom. Inside are the IEMS and the silicone tips. The box is very large and the interior layout is not usable for storing the IEMS with a DAP or something similar. I think the internal shape makes the case not very useful. The contents are minimal:

• The two KiiBOOM Allure capsules.
• A 4-strand cable covered in textile, in green and black.
• Three pairs of silicone tips, sizes SxMxL.
• A huge zippered case.

The cable is not bad at all, I repeat that the case is not very useful due to its large size and interior design. And only one set of silicone tips is not enough.



Construction and Design

The Allure capsules are made of aluminium alloy and the outer plate looks like stabilised wood in shades of green and black, but coated with some kind of hardening varnish. It could be another material, I don't know. This plate is recessed and is highlighted by a metal rim. The shape of the outer face is almost semicircular, while the shape of the inner face is semi-custom, with very rounded edges and a subtle, very unobtrusive side bulge. The 2PIN 0.78mm connection is on a hard plastic plate embedded in the flat edge. Nearby, there is a hole. There is another one at the base of the projection towards the mouthpiece. On the inside face are two black ink dots indicating the channel. The mouthpiece appears to be of the same material and has two diameters: the smaller 5.1mm and the larger, outermost 5.8mm. The length of the mouthpiece is about 4mm. It has a perforated metal filter for protection. The brand name can be read on the rim of the capsules in dark grey ink.
The cable is curious, it follows the same green and black colour pattern as the outside of the capsule. It consists of 4 strands covered with textile fibre. The sleeve of the gold-plated 3.5mm SE plug is metallic and hexagonal. It has an indentation in the first third and a grub screw to secure the cable inside. The brand name can be read on one side. The splitter piece is similar, but smaller. The pin is an unthreaded nut, which slides more than usual. It has guides on the ear and the 2Pin connectors are metal cylinders, with a ring as an indentation. The 2Pins are external and come out of a black rectangular piece of plastic.
The capsule is attractive, light and very comfortable. Very good design. The cable also has a good design, which attracts attention. The problem is that it coils up too much and the pin is not very effective.



Adjustment and Ergonomics

Both the size and shape make it easy for the capsules to rest on the ears in a very comfortable, pleasant and comfortable way. It hardly touches any part of the outer ear and can be worn for hours without any warning of discomfort. The only comment is that the nozzles could be a bit longer, so that the insertion is a bit deeper. But I have found no problems in getting the best sound, using my home-made foam-filled tips. With them, the fit is full, the isolation high, the fit high and durable, very suitable for daily use, for public transport, walking, even running. Excellent.



Sound

Profile

To call the sound in V, albeit very mildly, is perhaps a way of disparaging the Allure's profile. The frequency response moves within a maximum 10dB difference, between 20Hz and 10kHz, which attests to its balance. Without being clearly emphasised at the sub-bass end, its peak is above 40Hz and its upper range counterpart, above 2.3kHz. It is true that the upper-midrange emphasis is greater than in the bass, but only by a small margin. The first half of the midrange does not feel hollow and the treble has a slight dip, within a sweet and quiet exposure, which progresses in a controlled manner towards the audible end. Overall, the bass plays a good role, with a clear and decided weight, but without reaching bass-heads levels, but offering a great component of fun, thanks to a noticeable punch and quality. The sound has a tendency towards warmth, counterbalanced by the brightness and controlled transparency of the upper mids and the first treble, as if they wanted to balance the whole profile, but a mutual respect whose beneficiary is the sound of the Allure.



Bass

The bass of the KiiBOOM Allure is characterised by a rather large spatial volume. Their size is almost three-dimensional in this respect and makes the sound wide and round. It is deep, there is weight, excitement and power in its reproduction. It doesn't rely on an emphasis on the extreme sub-bass, but it does focus around 40Hz, on that threshold between physicality and sensory capability. This slight feeling towards the mid-bass gives it a point of appealing rubberiness, though it slows its progression. The hit is hard, powerful, lingers and is felt. It is agile, though not the fastest, as it takes time to generate the space that the bass takes up. Despite this, the beryllium-plated DLC driver does its job very well in this respect. The bass is not thick, has good resolution and the ability to generate well-drawn, clear and crisp bass lines. It is adept at recreating layers and conjuring up a complex mix of sub-bass, bass drums and distinct lines. It's not easy for the Allure to collapse or muddy the bass, even at a good volume. They are able to withstand heavy loads without distortion. The result is that the driver is very capable of delivering complicated, overdriven, polyrhythmic and unfiltered bass. All this makes it a great candidate for electronic music. Also, because they are really lush, unctuous and a lot of fun in this respect. The low end is full-bodied and perhaps a bit invasive. But the stiffness properties of the diaphragm ensure that even so, the bass is contained, despite the volume, and even achieves a good level of dryness and good recovery.
The surface has good roughness, it feels descriptive, although it is not a very abrupt or remarkable texture. The technical ability, combined with the power that gives it that mix of sensations, makes the texture lean towards the soft side, less wild or pronounced.
In the pure tone test, the 20Hz and 30Hz frequencies are perceived as lighter. But it is at 40Hz that the true power of the Allure is felt. The sonority is quite good and realistic, it would have been deeper if the excitation was more inclined towards the lower LFOs, but the timbre is certainly natural and adequate.



Mids

Thanks to the very tight bass, its three-dimensional volume does not overshoot into the mids. The coexistence of a powerful sub-bass line and a female voice is a testament to the skill of this driver: the voice is never overshadowed, but rather sounds above it, with enough clarity and unique presence that its image is clear and never mixed up. And the big bass body will seem to want to take over the midrange space, but it will be like a fight that will always be evenly matched. This is where I've driven the Allure and this is where it excels, offering the best of both worlds that I look for: mids and lows present and in harmony. It's the second pillar towards a big, full sound. And that means that both the male vocals and the instrumentation will also show up with good prominence, but not predominantly, but in that right consonance to create a wide, flowing and light enough sound front. Yes, just enough, this is something that adds a certain warmth to the sound, because the whole is not bright, nor luminous, just balanced, organic, euphonic and natural, with a certain analogue flavour.
This is not an analytical sound, it maintains an expressive smoothness with a remarkable level of detail, enough to offer a good range of the minute part and minute nuances, but without being completely explicit. It's a balance between power, technique, exposure and a juicier presentation, without losing sight of the fun factor. It can't be compared to other detail monsters, but its musicality will always be a cut above, as well as offering a physicality that is not easy to find in all soundtracks. In this way, the Allure delivers a powerful, punchy midrange that is held at a good distance so as not to sound intimate, offering depth and encompassing a wide, oval space in the scene, as well as a fairly accurate and easily located image. Undoubtedly, the result is a balance achieved for an uncompromising enjoyment, which engages from the first listen and which ends up imposing itself thanks to its technical skill and sonorous exuberance.



Treble

The treble tuning is soft in presence, but has an extended sonority. Unlike many other IEMS that have a pronounced control zone, here, the treble roll-off is not very noticeable and while it is true that the descent is gradual, the extension is not minimised. Thus, a very adequate timbre is maintained, which is never bright, but does not feel omitted. Thus, the brightness is controlled, not prolonged, not excessive, the treble does not crunch with vigour. It is a restrained, confident spark that does not burn, nor does it excite in a sharp way. Power is limited, but easily perceived. The extension is quite good all the way to the air zone, resulting in a consistent representation, with a fairly constant presence throughout this range. The result gives the sound an accurate and polite realism, lacking in flaws or omissions, being a range with its own personality and ability to add to the sound the remarkable dose of harmonics, sparkle, detail and light needed to complement the presence of the lower ranges.



Soundstage, Separation

The sensation of such a full sound can present a somewhat more compact, less expansive scene. The slight lack of air may also influence this. However, the sound is wide and has remarkable depth and laterality. One could say that the image is oval, with a very good sense of volume, thanks to the physicality and body of the bass, something that is also repeated in the mids. But this is not a volatile or gaseous scene, and the sense of dispersion feels bounded. Everything is in a wide, but collected space, without the sound coming out of the head, very well ordered, offering a consistent, effective, distinguishable and realistic image.
Separation is good, as is the level of transparency. The sound does not feel opaque, but neither is a dark background visible, providing a more obvious distance between notes. As mentioned, detail is soft, but the system has sufficient resolution and definition to recreate a remarkable level of micro nuance, enough to generate a sound of good ornamental richness. But its best assets remain its strength, sonic power, musicality and ample bass and midrange presence, without losing sight of the expressiveness of the treble.



Comparisons

Dunu Kima

The toughest battle between IEMS in the same segment is on. The Dunu Kima is one of the best IEMS I have tested in this price range. To say the best would be a lie, for several reasons. First, because I haven't heard all the IEMS in this price range. Second, categorical statements in the audio world are meaningless, based on the assumption that reviewers are biased, as we review based on our tastes, experiences and the desire to persist in this hobby.
In terms of packaging, the Kima is very difficult to beat, I prefer its cable and accessories. The Allure's giant box, its limited repertoire of tips and its good but improveable cable make it inferior to the Dunu. When it comes to the design of the capsules, it's even closer. Although the greenish wooden outer plates of the KiiBOOM are very attractive, I find the multi-flat face of the Kima more striking. In fit/ergonomics I prefer the Allure.
To choose between one or the other IEMS, as far as sound quality is concerned, one has to be very clear about one's tastes. And here I cannot be neutral. My little Bass-Head heart goes for the KiiBOOM Allure even if they are not the most transparent IEMS on the market. But they do have something that I can't overlook and that goes straight to the root of my musical preferences: that low end, the relationship to the mids and the fullness of their sound. The bass is faster and more technical on the Kima, but it doesn't have the punch and presence of the Allure. This may be too much for some, but the Kima will be there to solve the problem. If, on the other hand, you prefer pure fun, the Allure will be the choice. The bass is fatter, more sensory, darker, wider, more noticeable, more powerful and resounding in the KiiBOOMs. On the Dunu everything is thinner and more precise, less textured, but also more neutral and permissive, without the ability to fill out the sound as the Allure does. Sure, this ability can be intrusive, but it's the difference between those who are looking for that feel and not others. The wall of sound starts there, and the Dunu's are thinner and less physical.
In the midrange, the Allure's bass space is noticeable and, comparatively, the Kima's feel freer and cleaner. The KiiBOOMs sound denser, darker and warmer, but also more opaque. There is more light and sense of detail on the Kima, at least, that brighter feel is more prominent than on the Allure. Male vocals are more physical, dense and dark on the KiiBOOMs, while the Kima presents them as thinner, more delicate and vivid. The same is true of the female vocals. In general, the voices are fuller and closer on the Allure, while the Kima are brighter and take some distance. In terms of detail, the unctuous sound of the KiiBOOMs tones them down smoothly and they become more explicit on the Kima. There is a little more resolution in the Dunu in the clarity of these technical aspects.
The treble has a similar tuning. While the Dunu's are a little thinner and more expressive in their first phase, the Allure's gain in extension, sounding a little smoother, but fuller. But both are smooth. If a little more liveliness is desired, the Kima would be the choice.
In some situations, the Allure's breadth and bass space provide a wider, more three-dimensional soundstage, comparatively speaking, relative to the Kima's, which feel a little flatter. That extra volume is the big difference between the two models. I see more light and separation in the Dunu.



Conclusion

Testing the KiiBOOM Allure over and over again I can't be biased. I know that they are not the best IEMS in some technical aspects, they are warmer and darker, not as detailed and have a big and voluminous bass. But that voluptuousness is so appealing to me that it prevents me from being neutral in this case. And so I must begin this conclusion by warning readers of this incorrectness in my analysis. The Allure is perhaps one of the IEMS I have enjoyed the most from the first impression. From the bass to the mids, from its powerful and voluminous low end, from its wall of sound, from its organic and unctuous sound, from the smoothness and expressiveness of the treble, from the comfort of its capsules, to the design of its external faceplate. All these details have captivated me from the first sight, from the first listen. So it's no wonder that I have succumbed to the charms of the KiiBOOM Allure and rate them higher overall than the sum of their parts. And that's because of the fun/satisfaction factor I've found with them. In this case, this model has hit the nail on the head of my non-rational preferences and that deserves 5 stars, not justifiable on a logical level, but on an emotional level.



Sources Used During the Analysis

• Aune Flamingo.
• Earmen Angel.
• TempoTec Variations V6.
• Hidizs AP80 PRO-X Red Copper Limited Edition.
• ACMEE MF02s.
• xDuoo XD05 BAL.
• TempoTec Serenade X + iFi Zen Can.
• Burson Audio Playmate.

Ratings

• Construction and Design: 82
• Adjustment/Ergonomics: 90
• Accessories: 60
• Bass: 90
• Mids: 90
• Treble: 80
• Separation: 82
• Soundstage: 89
• Quality/Price: 95

Purchase Link



You can read the full review in Spanish here