There are no IEMs which have no flaws. It's just that some flaws may be worse than others, and even then it's very much dependent upon personal tastes. For example, James444 has stated that he prefers the dynamic bass driver implementation and that he does not note any substantial coherence issues. That's fine. I totally understand where he is coming from because I also feel that dynamic drivers produce more finely textured bass which sounds more "real" for lack of a better term.
To me, the downsides of combining rather different sounding dynamic and BA drivers for the bass and mid/treble respectively was too much of a trade-off for better bass quality. From personal sensitivity and ear-training from over 25 years of DIY speaker building, I have come to strongly value driver coherence - that a transducer system act as one. I would very much prefer maintaining very good blending between the drivers rather than trade that for gains elsewhere. It's a balancing act where compromises must be made.
I would refer back to the assertion I made about the K3003 driver integration being similar to the Martin Logan speakers (electrostatic panels mated to poor quality bass drivers). Some folks absolutely love the ML's and don't hear the integration issues. Many others hate them (at the THE SHOW in 2012, I saw the ML reps taking the subwoofers offline from their TOTL panels after a few listeners complained.) In the end, it's my opinion according to my sensitivities that the K3003's driver blending is one of the worst I've ever heard from a commercial transducer - reminding my very much of the ML Aerius speaker circa 1994. We all know many of you disagree, and that's fine.
Secondly, I can't quite fathom why AKG couldn't dial-in a smoother (that is non-peaky) response in the upper mids / lower treble. Even some advocates of the K3003 have acknowledged this irregularity. I think one even stated that he applied EQ, and another stated that while it was there, it was well tolerable. Again, this is where personal sensitivities and preferences may differ. I found the treble peak an enhancement with recordings of acoustic / natural instruments (orchestral works, chamber music); yet found it beyond my tolerance levels for modern adult contemporary or popular records. While I don't necessarily have an issue with purposely tuned elevated treble, I find treble peaks, i.e. non-smooth response, very objectionable and quite unfathomable for any transducer, TOTL or not.
So hopefully, this explains why I find the K3003
highly flawed. It happens to hit on two pet peeves of mine (driver coherency and response smoothness). I can't say how its weaknesses are going to affect others, if others will even perceive them as such. It's there for me, but it may not be for others. Heck, maybe we can all take a vote on it.
P.S. I'll name a few IEMs which I do not consider to have serious flaws with driver coherency and response smoothness (although they all have other flaws):
- Spiral Ear SE-5 Way
- ER-4S
- Shure E2C
- UERM
- DBA-02