Reviews by ShabtabQ
Introduction
Introducing TangZu Audio, the wildcard entry of this brand in the audio world with their Wan’er. Their latest and greatest creation, the TangZu Xuanwu Gate has 1 Dynamic Driver, 4 Balanced Armature and 2 Sonion Est Drivers. Constructed with Aerospace-Grade Aluminium Alloy CNC, feels incredibly premium in hand, and even looks like it is something, there is Terraced Field Line Design all over the IEM. I recieved this IEM as a part of a review tour held locally, desipite I would like to mention at first that by no means this review is being influenced in any way.
Build and Comfort
The TangZu Xuanwu Gate is a pair of headphones that truly showcases the brand's dedication to quality craftsmanship and user comfort. Made with a sturdy aerospace-grade aluminium alloy shell, the Gate feels durable and expensive in hand; it exudes a sense of sophistication. The intricate terraced outlines inspired by rice terrace fields add a touch of elegance to its design, showing the attention to detail put into its creation. However, the large shell size may be a bit of a challenge for users with smaller ears. Once adjusted properly, the Gate sits securely in place, reducing the problem of slippage during long listening sessions. The modular cable allows for easy interchangeability between single-ended and balanced outputs, adding to its versatility. The luxurious PU-leather carrying case ensures that the Gate remains protected during transport, keeping it in pristine condition when not in use. Overall, while there may be some initial adjustments needed, the Gate's thoughtful design and premium materials make for a comfortable and enjoyable listening experience, making it a great companion for extended use. The cable that comes with these IEM’s are excellent, looks like the Effect Audio - Cadmus, comes with quality plugs, also modular, basically there is no need to replace the cable of these, the stock is an excellent cable in my opinion.
Sound
Let's start with the lows. The bass response of the Gate is precise and controlled, striking a fine balance between impact and texture. The sub-bass presence is notable, providing a deep and rumbly foundation without overpowering other frequencies. Instruments like bass guitars and kick drums sound fantastic, with a satisfying resonance and articulation that adds richness to the overall sound. However, if you're someone who loves a pronounced bass slam, you might find the Gate falling slightly short compared to other bass-centric IEMs.
Moving on to the midrange, the Gate truly shines. The midrange is characterised by clarity, coherence, and natural tonality. Vocals are rendered with exceptional detail and accuracy, allowing the nuances in the singer's performance to shine through. Whether it's male or female vocals, each note is delivered with precision and warmth. Instruments like guitars and pianos sound lifelike, with a captivating presence that enhances the listening experience across different genres.
Now, let's talk about the highs. The treble response of the Gate is smooth and shimmering. The treble remains articulate and well-defined; the details are best in this price range competing with the likes of mk2. Cymbals have a sparkling clarity, and string instruments possess a delicate yet lively presence. The transition between the midrange and treble is seamless, creating a cohesive and engaging soundstage that is free from any harshness or fatigue.
Overall sound characteristic of Gate is neutral with slight more yet controlled bass, the midrange is on the baseline and treble feels a bit more sparkly, it has tons of air and feels very incisive, it's more of an analytical listening, so not very smooth or musical, it will sound excellent with good tracks and with poor recordings it will not forgive. Otherwise this IEM is very enjoyable.
Soundstage
The TangZu Xuanwu Gate presents a commendable soundstage, It gives an immersive and expansive auditory experience. Despite its in-ear form factor, the Gate manages to create a sense of spatial depth and dimensionality that belies its compact size. The soundstage of the Gate is wide although not in the realm of mk2, with instruments and vocals positioned across a broad lateral expanse. This width allows for a sense of openness and airiness in the presentation, enabling individual elements of the music to occupy distinct spatial locations within the listener's perceptual field. Additionally, the Gate demonstrates impressive depth in its soundstage, with instruments and vocals projected forward and backward along the depth axis. This depth adds a layer of realism to the listening experience, creating a sense of distance and proximity between the listener and the performers. Moreover, the Gate excels in imaging accuracy, with precise placement and localization of sound sources within the soundstage. Instruments are rendered with clarity and precision, allowing listeners to discern subtle nuances in instrument separation and layering.
Comparison with Monarch Mk2
Comparing it with the renowned mk2, it is more similar that it is different, the Gate is already up to the the marks and hanging there with the big boys, it can even go head to head with the mk2, overall if talking about the differences, the build is there, Tangzu being metal and the other being resin. Tangzu feels more premium tbh, anyways coming to the sound experience the Gate sounds more balanced in the mid range, the bass of both of these IEM are on the same page but gate bass sounds to have more quality and control over the mk2, the treble section I would say the gate has more sharpness, but the details on both of these IEM are on par. Soundstage is the one difference that is noticeable, Gate even though it has an ample amount of soundstage the mk2 has a better sense of space, feels wider.
Comparison with Performer 8
An unfair comparison as performer 8 costs half the price of gate. Coming off to the build quality it's again the same story resin and metal difference, the size is a huge difference, the gate is almost twice as big as P8 (not really twice). The sound quality, starting off with the lows, the gate has a bit more punch and better authority. Basically the quality of the bass is slightly better than P8, quantity wise also the gate feels a tad more. The mids section on both IEM’s are great but again gate feels more natural where P8 at times could feel artificial, and lastly the treble both IEMs are again similar P8 Being slightly more sharper, it lacks the finesse of the EST drivers, although the P8 has excellent treble for the price, it competes with the likes of Gate and Mk2, but then yes obviously the EST drivers can do treble a lot more smoother than BA that is lacking on the P8. Basically P8 is a great IEM, but if you have the funds for Gate, it is an excellent choice.
Rating Scores:
Sound Quality:
Low Frequency (Bass):
(4.5/5)
Mid Frequency: (5/5)
High Frequency (Treble): (4.5/5)
Comfort:
Fit and Ergonomics: (4/5)
Prolonged Wear Comfort: (5/5)
Soundstage and Imaging:
Soundstage Width: (4/5)
Soundstage Depth: (4/5)
Imaging Accuracy: (5/5)
Overall Rating: (4.5/5)
Gallery:
Introducing TangZu Audio, the wildcard entry of this brand in the audio world with their Wan’er. Their latest and greatest creation, the TangZu Xuanwu Gate has 1 Dynamic Driver, 4 Balanced Armature and 2 Sonion Est Drivers. Constructed with Aerospace-Grade Aluminium Alloy CNC, feels incredibly premium in hand, and even looks like it is something, there is Terraced Field Line Design all over the IEM. I recieved this IEM as a part of a review tour held locally, desipite I would like to mention at first that by no means this review is being influenced in any way.
Build and Comfort
The TangZu Xuanwu Gate is a pair of headphones that truly showcases the brand's dedication to quality craftsmanship and user comfort. Made with a sturdy aerospace-grade aluminium alloy shell, the Gate feels durable and expensive in hand; it exudes a sense of sophistication. The intricate terraced outlines inspired by rice terrace fields add a touch of elegance to its design, showing the attention to detail put into its creation. However, the large shell size may be a bit of a challenge for users with smaller ears. Once adjusted properly, the Gate sits securely in place, reducing the problem of slippage during long listening sessions. The modular cable allows for easy interchangeability between single-ended and balanced outputs, adding to its versatility. The luxurious PU-leather carrying case ensures that the Gate remains protected during transport, keeping it in pristine condition when not in use. Overall, while there may be some initial adjustments needed, the Gate's thoughtful design and premium materials make for a comfortable and enjoyable listening experience, making it a great companion for extended use. The cable that comes with these IEM’s are excellent, looks like the Effect Audio - Cadmus, comes with quality plugs, also modular, basically there is no need to replace the cable of these, the stock is an excellent cable in my opinion.
Sound
Let's start with the lows. The bass response of the Gate is precise and controlled, striking a fine balance between impact and texture. The sub-bass presence is notable, providing a deep and rumbly foundation without overpowering other frequencies. Instruments like bass guitars and kick drums sound fantastic, with a satisfying resonance and articulation that adds richness to the overall sound. However, if you're someone who loves a pronounced bass slam, you might find the Gate falling slightly short compared to other bass-centric IEMs.
Moving on to the midrange, the Gate truly shines. The midrange is characterised by clarity, coherence, and natural tonality. Vocals are rendered with exceptional detail and accuracy, allowing the nuances in the singer's performance to shine through. Whether it's male or female vocals, each note is delivered with precision and warmth. Instruments like guitars and pianos sound lifelike, with a captivating presence that enhances the listening experience across different genres.
Now, let's talk about the highs. The treble response of the Gate is smooth and shimmering. The treble remains articulate and well-defined; the details are best in this price range competing with the likes of mk2. Cymbals have a sparkling clarity, and string instruments possess a delicate yet lively presence. The transition between the midrange and treble is seamless, creating a cohesive and engaging soundstage that is free from any harshness or fatigue.
Overall sound characteristic of Gate is neutral with slight more yet controlled bass, the midrange is on the baseline and treble feels a bit more sparkly, it has tons of air and feels very incisive, it's more of an analytical listening, so not very smooth or musical, it will sound excellent with good tracks and with poor recordings it will not forgive. Otherwise this IEM is very enjoyable.
Soundstage
The TangZu Xuanwu Gate presents a commendable soundstage, It gives an immersive and expansive auditory experience. Despite its in-ear form factor, the Gate manages to create a sense of spatial depth and dimensionality that belies its compact size. The soundstage of the Gate is wide although not in the realm of mk2, with instruments and vocals positioned across a broad lateral expanse. This width allows for a sense of openness and airiness in the presentation, enabling individual elements of the music to occupy distinct spatial locations within the listener's perceptual field. Additionally, the Gate demonstrates impressive depth in its soundstage, with instruments and vocals projected forward and backward along the depth axis. This depth adds a layer of realism to the listening experience, creating a sense of distance and proximity between the listener and the performers. Moreover, the Gate excels in imaging accuracy, with precise placement and localization of sound sources within the soundstage. Instruments are rendered with clarity and precision, allowing listeners to discern subtle nuances in instrument separation and layering.
Comparison with Monarch Mk2
Comparing it with the renowned mk2, it is more similar that it is different, the Gate is already up to the the marks and hanging there with the big boys, it can even go head to head with the mk2, overall if talking about the differences, the build is there, Tangzu being metal and the other being resin. Tangzu feels more premium tbh, anyways coming to the sound experience the Gate sounds more balanced in the mid range, the bass of both of these IEM are on the same page but gate bass sounds to have more quality and control over the mk2, the treble section I would say the gate has more sharpness, but the details on both of these IEM are on par. Soundstage is the one difference that is noticeable, Gate even though it has an ample amount of soundstage the mk2 has a better sense of space, feels wider.
Comparison with Performer 8
An unfair comparison as performer 8 costs half the price of gate. Coming off to the build quality it's again the same story resin and metal difference, the size is a huge difference, the gate is almost twice as big as P8 (not really twice). The sound quality, starting off with the lows, the gate has a bit more punch and better authority. Basically the quality of the bass is slightly better than P8, quantity wise also the gate feels a tad more. The mids section on both IEM’s are great but again gate feels more natural where P8 at times could feel artificial, and lastly the treble both IEMs are again similar P8 Being slightly more sharper, it lacks the finesse of the EST drivers, although the P8 has excellent treble for the price, it competes with the likes of Gate and Mk2, but then yes obviously the EST drivers can do treble a lot more smoother than BA that is lacking on the P8. Basically P8 is a great IEM, but if you have the funds for Gate, it is an excellent choice.
Rating Scores:
Sound Quality:
Low Frequency (Bass):
(4.5/5)Mid Frequency:
(5/5)High Frequency (Treble):
(4.5/5)Comfort:
Fit and Ergonomics:
(4/5)Prolonged Wear Comfort:
(5/5)Soundstage and Imaging:
Soundstage Width:
(4/5)Soundstage Depth:
(4/5)Imaging Accuracy:
(5/5)Overall Rating:
(4.5/5)Gallery:
Introduction
Starting off with the brand, Aful is a not a very old brand, but it sure has been making huge strides in the Chi-fi market. It all started with the Aful Performer 5 which was a hit in its price segment, then came the Performer 8 which is my personal favourite Aful IEM, and on its latest lineup are the MagicOne which again is an IEM that I praise a lot. Now coming up to the first DAC release of Aful and that is the SnowyNight. Lets start with sound first...
Sound
The SnowyNight in one sentence sounds to me like the perfect balance in between the Questyle M15 and the FC6. The overall sound signature can be defined as balanced yet refined, detailed yet natural.
So what I mean here is that if you take the M15, it has immense technicalities and dynamics, so much so that it can sound unnatural in some IEM’s take the Performer 8 itself (on some music). Then on the other end of the Spectrum is the FC6, which again is highly dynamic but the technicalities on it present yet not as incisive as the M15. Now here comes the SnowyNight, what this device brings to the table is the mixture of the M15 and FC6. Although not as dynamic, it has great technicalities, yet controlled to the point it does not sound unnatural, and again, it has enough warmth and timbre that it sounds good, but does not overdo it. It is a lot similar to the FC6 than it is to the M15. So what you eventually get is a very smooth musical sound signature, without sacrificing too much on the technicalities, it pairs so well with the Performer 8 and the MagicOne that I feel Aful has probably tuned their source focusing on their own IEM’s. Because of this nature, the SnowyNight paired perfectly with the Simgots as well, the 500LM and EA1000.
Coming to the soundstage, I did feel that the SnowyNight projected better than average soundstage, it is slightly better than the FC6 and slightly less than the M15, again this is why I call this the better balance between these two. Again it sounds close to FC6 than to the M15, its like the baby FC6, or should I say Delta-Sigma version of FC6 with Balanced out, well not so much of a baby now.
Build Quality
This Dongle DAC is pretty cool to touch, what I mean to say is that it is made out of a metal shell, which is great for its nicely done build, although some sharp edges irritated me but not that of a concern. The cable that comes with it is also super high quality with metal connectors, apparently I got the lighting version, but having all Type-C devices I was not able to test that out, although it should not influence the sound, a nice cable really does enhance the overall look and feel of the device.
Specifications
SnowyNight is using the renowned CS43198 DAC Chip in a dual configuration, a lot of dongle DAC’s at this price range and even above is using this chip.
It supports resolution of up to 32bit PCM and DSD256, this is also pretty common on most dongle DACs at this price.
It comes with dual output as well, 3.5mm single ended and 4.4 Bal Output, apparently this for me is a very important feature even though it is common, with the FC6 as my daily driver, I can see the importance even more.
Driving power is good here, can drive any IEM, and some HP’s with Balanced out.
Overall, consider SnowyNight to be a Dongle-DAC that is neutral, more like balanced as it does add some slight note weight and the highs are not as airy as the M15, but then it makes it sound natural, and the best part is that it pairs perfectly with Aful’s own lineup. In one line, it is a well refined, well tuned, natural sounding DongleDac that pairs beautifully with slightly brighter IEM’s. Not that it sounds bad with the warm ones.
Would I recommend it? Yes definitely, you can and should consider this if you are looking for a Dongle-DAC at this price point. But I would not call it a massive upgrade over Dongle’s like the DawnPro 2, Tanchjim Space.
Starting off with the brand, Aful is a not a very old brand, but it sure has been making huge strides in the Chi-fi market. It all started with the Aful Performer 5 which was a hit in its price segment, then came the Performer 8 which is my personal favourite Aful IEM, and on its latest lineup are the MagicOne which again is an IEM that I praise a lot. Now coming up to the first DAC release of Aful and that is the SnowyNight. Lets start with sound first...
Sound
The SnowyNight in one sentence sounds to me like the perfect balance in between the Questyle M15 and the FC6. The overall sound signature can be defined as balanced yet refined, detailed yet natural.
So what I mean here is that if you take the M15, it has immense technicalities and dynamics, so much so that it can sound unnatural in some IEM’s take the Performer 8 itself (on some music). Then on the other end of the Spectrum is the FC6, which again is highly dynamic but the technicalities on it present yet not as incisive as the M15. Now here comes the SnowyNight, what this device brings to the table is the mixture of the M15 and FC6. Although not as dynamic, it has great technicalities, yet controlled to the point it does not sound unnatural, and again, it has enough warmth and timbre that it sounds good, but does not overdo it. It is a lot similar to the FC6 than it is to the M15. So what you eventually get is a very smooth musical sound signature, without sacrificing too much on the technicalities, it pairs so well with the Performer 8 and the MagicOne that I feel Aful has probably tuned their source focusing on their own IEM’s. Because of this nature, the SnowyNight paired perfectly with the Simgots as well, the 500LM and EA1000.
Coming to the soundstage, I did feel that the SnowyNight projected better than average soundstage, it is slightly better than the FC6 and slightly less than the M15, again this is why I call this the better balance between these two. Again it sounds close to FC6 than to the M15, its like the baby FC6, or should I say Delta-Sigma version of FC6 with Balanced out, well not so much of a baby now.
Build Quality
This Dongle DAC is pretty cool to touch, what I mean to say is that it is made out of a metal shell, which is great for its nicely done build, although some sharp edges irritated me but not that of a concern. The cable that comes with it is also super high quality with metal connectors, apparently I got the lighting version, but having all Type-C devices I was not able to test that out, although it should not influence the sound, a nice cable really does enhance the overall look and feel of the device.
Specifications
SnowyNight is using the renowned CS43198 DAC Chip in a dual configuration, a lot of dongle DAC’s at this price range and even above is using this chip.
It supports resolution of up to 32bit PCM and DSD256, this is also pretty common on most dongle DACs at this price.
It comes with dual output as well, 3.5mm single ended and 4.4 Bal Output, apparently this for me is a very important feature even though it is common, with the FC6 as my daily driver, I can see the importance even more.
Driving power is good here, can drive any IEM, and some HP’s with Balanced out.
Overall, consider SnowyNight to be a Dongle-DAC that is neutral, more like balanced as it does add some slight note weight and the highs are not as airy as the M15, but then it makes it sound natural, and the best part is that it pairs perfectly with Aful’s own lineup. In one line, it is a well refined, well tuned, natural sounding DongleDac that pairs beautifully with slightly brighter IEM’s. Not that it sounds bad with the warm ones.
Would I recommend it? Yes definitely, you can and should consider this if you are looking for a Dongle-DAC at this price point. But I would not call it a massive upgrade over Dongle’s like the DawnPro 2, Tanchjim Space.
Introduction
AFUL MagicOne, a single balanced armature (BA) in-ear monitor (IEM) priced at $139.99, aiming to redefine audio fidelity with its resonator chamber technology. As part of AFUL's innovative lineup, known for previous successes like the Performer 8 and Performer 5, the MagicOne stands out with its single BA setup.
Special thanks to HiFiGo for graciously providing the MagicOne for review, which can be found here.
Disclaimer: By no means is this review biased or influenced by anyone, the impressions are solely based on person experience.
Build
The MagicOne is a solidly built IEM with a durable resin shell that is both functional and visually appealing. One interesting feature is the integration of resonator technology, aimed at enhancing the sound signature. While this innovation may vary in its impact for individual users, it shows AFUL's willingness to explore unconventional avenues in audio design.
The accompanying cable is also of excellent quality, with a soft and durable texture that adds to the IEM's overall aesthetic appeal. Its flexibility and sturdiness contribute to the user's day-to-day experience, aligning with expectations for a product in this price range. Overall, the MagicOne demonstrates the brand's attention to both form and function in their design philosophy.
Comfort
MagicOne offers a fantastic fit with its compact shell design, making it perfect for users with smaller ears. Compared to similar styles like the Blessing 2, the MagicOne's smaller shell fits like a glove and should accommodate most people easily. The resonator chamber gives off a vented vibe, but some users might find it feels more closed, potentially leading to a sensation of pressure for sensitive individuals. However, the IEM has a very nice small nozzle diameter that enhances overall comfort, making it wearable for a broader audience.
Sound
Overview
The MagicOne offers an analytical taste, that sounds very pleasing and soothing to the ears, it surely will not offend a lot of people and will mostly be liked by most of the people, except the bassheads for sure...
In other words, the MagicOne is like that friend who always brings the perfect amount of snacks to a movie night. It may not have the biggest bag of chips, but it knows how to deliver the right amount of crunch and flavour. So if you're looking for a smooth and controlled audio experience with just the right touch of warmth, the MagicOne might just be your snacking soulmate. Just don't expect it to bring the party-sized bag of bass!
Drivability
So, it turns out the MagicOne are like the divas of in-ear monitors they require ample amount of power to drive, 80% volume on Questyle M15 on single ended cable.They're like, "Oh no, we need high-quality audio sources and powerful amplifiers to really show off our potential." I mean, I get it, everyone wants to feel special, but come on, MagicOne, don't be so demanding! Maybe they just need a little extra love and attention to really shine.
Ratings
Sound Quality:
Low (Bass): 3/5
Mid (Vocals): 4/5
High (Treble): 3/5
Comfort:
Fit and Ergonomics: 5/5 (Sweet and small shell design fits me perfectly)
Prolonged Wear Comfort: 4/5 (Due to the pressure buildup that people experience)
Overall Rating: 4/5
AFUL MagicOne, a single balanced armature (BA) in-ear monitor (IEM) priced at $139.99, aiming to redefine audio fidelity with its resonator chamber technology. As part of AFUL's innovative lineup, known for previous successes like the Performer 8 and Performer 5, the MagicOne stands out with its single BA setup.
Special thanks to HiFiGo for graciously providing the MagicOne for review, which can be found here.
Disclaimer: By no means is this review biased or influenced by anyone, the impressions are solely based on person experience.
Build
The MagicOne is a solidly built IEM with a durable resin shell that is both functional and visually appealing. One interesting feature is the integration of resonator technology, aimed at enhancing the sound signature. While this innovation may vary in its impact for individual users, it shows AFUL's willingness to explore unconventional avenues in audio design.
The accompanying cable is also of excellent quality, with a soft and durable texture that adds to the IEM's overall aesthetic appeal. Its flexibility and sturdiness contribute to the user's day-to-day experience, aligning with expectations for a product in this price range. Overall, the MagicOne demonstrates the brand's attention to both form and function in their design philosophy.
Comfort
MagicOne offers a fantastic fit with its compact shell design, making it perfect for users with smaller ears. Compared to similar styles like the Blessing 2, the MagicOne's smaller shell fits like a glove and should accommodate most people easily. The resonator chamber gives off a vented vibe, but some users might find it feels more closed, potentially leading to a sensation of pressure for sensitive individuals. However, the IEM has a very nice small nozzle diameter that enhances overall comfort, making it wearable for a broader audience.
Sound
| Lows | Mids | Highs |
| The MagicOne offer impressive precision and control in their bass quality. However, I find them lacking in the dynamic sub-bass punch and impact. The bass here is the right amount of bass, not less not more, would, similar to that of Blessing 2 but with less impact proabably due to BA bass. Nevertheless, those who prefer a more controlled and articulate bass response will appreciate the MagicOne's restrained approach. | The MagicOne truly shines here with its very good presentation. The midrange is characterised by its cleanliness and analytical clarity, with a subtle warmth that adds a layer of richness to the timbre, resulting in a compelling and engaging midrange that is well-suited for a variety of genres. Vocal texture, in particular, is noteworthy and contributes to an overall pleasant listening experience. | The MagicOne doesn't quite reach the level of multi-BA drivers, but it excels in presenting a smooth and clean treble. While the highs might not boast the same sparkle and brilliance, they offer good resolution without any issues of sibilance or excessive brightness. The treble is characterised by its smoothness, contributing to an overall enjoyable listening experience. |
Overview
The MagicOne offers an analytical taste, that sounds very pleasing and soothing to the ears, it surely will not offend a lot of people and will mostly be liked by most of the people, except the bassheads for sure...
In other words, the MagicOne is like that friend who always brings the perfect amount of snacks to a movie night. It may not have the biggest bag of chips, but it knows how to deliver the right amount of crunch and flavour. So if you're looking for a smooth and controlled audio experience with just the right touch of warmth, the MagicOne might just be your snacking soulmate. Just don't expect it to bring the party-sized bag of bass!
Drivability
So, it turns out the MagicOne are like the divas of in-ear monitors they require ample amount of power to drive, 80% volume on Questyle M15 on single ended cable.They're like, "Oh no, we need high-quality audio sources and powerful amplifiers to really show off our potential." I mean, I get it, everyone wants to feel special, but come on, MagicOne, don't be so demanding! Maybe they just need a little extra love and attention to really shine.
Ratings
Sound Quality:
Low (Bass): 3/5
Mid (Vocals): 4/5
High (Treble): 3/5
Comfort:
Fit and Ergonomics: 5/5 (Sweet and small shell design fits me perfectly)
Prolonged Wear Comfort: 4/5 (Due to the pressure buildup that people experience)
Overall Rating: 4/5
Attachments
Introduction
I recently had the pleasure of trying out the Aful Performer 8 (Thanks to Hifigo and @gadgetgod), and I must say, these in-ear monitors (IEMs) have exceeded my expectations in every aspect. Aful has truly crafted a masterpiece with the Performer 8, catering to the discerning audiophile and professional musician alike. I wish to state clearly at first that, as a participant in this, I was not persuaded to have any sort of biases towards the review, therefore, all opinions are solely my own.
Setup:
Hiby RS2 (Warm Source): The Hiby RS2, whose warm tone is renowned, may alter how the Aful Performer 8 presents sound in general. Combining the IEMs with a warm source like the RS2 boosts the lower frequencies, giving the music additional warmth and body since the IEMs already have a balanced sound profile. This combination may be quite attractive for individuals who prefer a more relaxed and seamless listening experience. Vocals and instruments sound more full-bodied due to the additional richness the midrange may acquire.
E1DA 9038D (Lean Source): In comparison, the E1DA 9038D might offer some contrasting qualities to the Aful Performer 8 due to its lean sound signature. The leaner source highlights greater clarity and detail in the middle and treble frequencies since the IEMs already have a balanced sound. This might provide a clearer, more analytical sound that is perfect for audiophiles who value precision and clarity in their listening experiences. A tighter and more regulated bass response may arise from the lows not being as prominent.
Overall the impact from these two sources was minor, without any major change in sound characteristics, and one may not even notice if not A/B'd instantly.
Build and Comfort:
Starting with the build quality, the Aful Performer 8 impresses with its sturdy construction and attention to detail. The IEMs feel premium in hand and have a reliable, tangle-free cable. The ergonomic design fits comfortably in the ears, providing an excellent seal that isolates outside noise effectively. Even during prolonged listening sessions, I experienced no discomfort or fatigue, making them perfect for extended use, Although I would like if there were different faceplate options, maybe full blackout.
Sound:
The real magic of the Aful Performer 8 lies in its sound signature. The eight-driver configuration delivers an astonishingly clear, detailed, and balanced sound that delights the senses.
Lows: are tight and punchy, providing a solid foundation to the music without overpowering other frequencies, the sub-bass has good rumble, and the bass is overall great and perfect for my taste
Mids: are wonderfully warm and rich, offering an engaging experience for vocals and instruments; this is where this IEM shines the most.
Highs: are well-extended, adding brilliance without harshness or sibilance. Still, I would add that the IEM lacks some airiness and the incisiveness of fast instruments; overall, I would not say that the IEM lacks details. Still, details are overall smoother; nonetheless, this type of tuning allows the IEM to be enjoyable for a long period of time without any fatigue.
Soundstage:
Although the Aful Performer 8's soundstage is among the biggest compared to the the IEM's that I currently have (Blessing 2, Softears RSV) even compared some others that I have tried like (Simgot EA1000, EA500LM), I would say it it on the realm of Monarch Mkii. Even yet, the imagery is precise, enabling us to recognise various instruments and their positioning within the aural environment.
Versatility:
The Aful Performer 8 excels in various musical genres, giving it a flexible choice for artists and audiophiles alike. Regardless of your musical preferences—rock, jazz, classical, electronic, hip-hop, instrumental, vocals, or pop—these IEMs provide a satisfying and well-balanced listening experience. Basically, this IEM is an all-rounder, a perfect IEM for daily usage.
My listening tracks were mainly Yosi Horikawa, Soweto (Don Toliver), Flowers (Miley Cyrus), People (Libianca), HipHop by Akon, Eminem and Divine. Bili Eilish (Happier than Ever album), and a few Bollywood tracks like Masakali, Kehna hi kya etc...
Comparison:
Blessing 2: A relatively very old IEM, yet still one of the best I have ever heard. So in quick comparison, the primary difference lies in the Bass and Treble region; while the mids are somewhat similar, the B2 mids are spacious, and the soundstage in comparison is quite wide. P8 vocals are more in the face kind of, and B2 places the vocals at a distance, however, both of them have equally impressive texture on mids so one can go with either and not get disappointed. Bass is very different on both of these; B2 bass is mostly concentrated on its upper register while it lacks a good sub-bass rumble and mid-bass thump I would consider it more of a studio-like bass, in comparison the P8 has similar amount of bass but more evened out, thus it sounds more enjoyable. Coming to the highs, I would say that I am more impressed with the treble coming from B2 only because of that airiness and openness, the separation feels more clear and the instruments are more incisive, However P8 by no means has bad treble it is equally good as B2, but with a different taste, they both share an equal amount of detail and technical definition, P8 being more smoothed out thus making it more enjoyable for longer and comfortable listening.
Conclusion:
The Aful Performer 8 is an impressive pair of IEMs with remarkable sound quality and comfort. While the soundstage might not be as expansive as some competitors, it compensates with its well-balanced sound signature and accurate imaging. The Performer 8 is definitely worth considering. Its premium build, comfort, and overall sound performance make it a solid choice for those seeking a high-quality audio experience without breaking the bank.
Rating Scores:
Sound Quality:
Low Frequency (Bass): (4/5)
Mid Frequency: (4/5)
High Frequency (Treble): (5/5)
Comfort:
Fit and Ergonomics: (5/5)
Prolonged Wear Comfort: (5/5)
Soundstage and Imaging:
Soundstage Width: (5/5)
Soundstage Depth: (5/5)
Imaging Accuracy: (5/5) (An excellent choice for gamers, I did some testing in Valorant and BGMI, and it had pinpoint accuracy)
Overall Rating: (5/5)
Gallery
I recently had the pleasure of trying out the Aful Performer 8 (Thanks to Hifigo and @gadgetgod), and I must say, these in-ear monitors (IEMs) have exceeded my expectations in every aspect. Aful has truly crafted a masterpiece with the Performer 8, catering to the discerning audiophile and professional musician alike. I wish to state clearly at first that, as a participant in this, I was not persuaded to have any sort of biases towards the review, therefore, all opinions are solely my own.
Setup:
Hiby RS2 (Warm Source): The Hiby RS2, whose warm tone is renowned, may alter how the Aful Performer 8 presents sound in general. Combining the IEMs with a warm source like the RS2 boosts the lower frequencies, giving the music additional warmth and body since the IEMs already have a balanced sound profile. This combination may be quite attractive for individuals who prefer a more relaxed and seamless listening experience. Vocals and instruments sound more full-bodied due to the additional richness the midrange may acquire.
E1DA 9038D (Lean Source): In comparison, the E1DA 9038D might offer some contrasting qualities to the Aful Performer 8 due to its lean sound signature. The leaner source highlights greater clarity and detail in the middle and treble frequencies since the IEMs already have a balanced sound. This might provide a clearer, more analytical sound that is perfect for audiophiles who value precision and clarity in their listening experiences. A tighter and more regulated bass response may arise from the lows not being as prominent.
Overall the impact from these two sources was minor, without any major change in sound characteristics, and one may not even notice if not A/B'd instantly.
Build and Comfort:
Starting with the build quality, the Aful Performer 8 impresses with its sturdy construction and attention to detail. The IEMs feel premium in hand and have a reliable, tangle-free cable. The ergonomic design fits comfortably in the ears, providing an excellent seal that isolates outside noise effectively. Even during prolonged listening sessions, I experienced no discomfort or fatigue, making them perfect for extended use, Although I would like if there were different faceplate options, maybe full blackout.
Sound:
The real magic of the Aful Performer 8 lies in its sound signature. The eight-driver configuration delivers an astonishingly clear, detailed, and balanced sound that delights the senses.
Lows: are tight and punchy, providing a solid foundation to the music without overpowering other frequencies, the sub-bass has good rumble, and the bass is overall great and perfect for my taste
Mids: are wonderfully warm and rich, offering an engaging experience for vocals and instruments; this is where this IEM shines the most.
Highs: are well-extended, adding brilliance without harshness or sibilance. Still, I would add that the IEM lacks some airiness and the incisiveness of fast instruments; overall, I would not say that the IEM lacks details. Still, details are overall smoother; nonetheless, this type of tuning allows the IEM to be enjoyable for a long period of time without any fatigue.
Soundstage:
Although the Aful Performer 8's soundstage is among the biggest compared to the the IEM's that I currently have (Blessing 2, Softears RSV) even compared some others that I have tried like (Simgot EA1000, EA500LM), I would say it it on the realm of Monarch Mkii. Even yet, the imagery is precise, enabling us to recognise various instruments and their positioning within the aural environment.
Versatility:
The Aful Performer 8 excels in various musical genres, giving it a flexible choice for artists and audiophiles alike. Regardless of your musical preferences—rock, jazz, classical, electronic, hip-hop, instrumental, vocals, or pop—these IEMs provide a satisfying and well-balanced listening experience. Basically, this IEM is an all-rounder, a perfect IEM for daily usage.
My listening tracks were mainly Yosi Horikawa, Soweto (Don Toliver), Flowers (Miley Cyrus), People (Libianca), HipHop by Akon, Eminem and Divine. Bili Eilish (Happier than Ever album), and a few Bollywood tracks like Masakali, Kehna hi kya etc...
Comparison:
Blessing 2: A relatively very old IEM, yet still one of the best I have ever heard. So in quick comparison, the primary difference lies in the Bass and Treble region; while the mids are somewhat similar, the B2 mids are spacious, and the soundstage in comparison is quite wide. P8 vocals are more in the face kind of, and B2 places the vocals at a distance, however, both of them have equally impressive texture on mids so one can go with either and not get disappointed. Bass is very different on both of these; B2 bass is mostly concentrated on its upper register while it lacks a good sub-bass rumble and mid-bass thump I would consider it more of a studio-like bass, in comparison the P8 has similar amount of bass but more evened out, thus it sounds more enjoyable. Coming to the highs, I would say that I am more impressed with the treble coming from B2 only because of that airiness and openness, the separation feels more clear and the instruments are more incisive, However P8 by no means has bad treble it is equally good as B2, but with a different taste, they both share an equal amount of detail and technical definition, P8 being more smoothed out thus making it more enjoyable for longer and comfortable listening.
Conclusion:
The Aful Performer 8 is an impressive pair of IEMs with remarkable sound quality and comfort. While the soundstage might not be as expansive as some competitors, it compensates with its well-balanced sound signature and accurate imaging. The Performer 8 is definitely worth considering. Its premium build, comfort, and overall sound performance make it a solid choice for those seeking a high-quality audio experience without breaking the bank.
Rating Scores:
Sound Quality:
Low Frequency (Bass):
(4/5)Mid Frequency:
(4/5)High Frequency (Treble):
(5/5)Comfort:
Fit and Ergonomics:
(5/5)Prolonged Wear Comfort:
(5/5)Soundstage and Imaging:
Soundstage Width:
(5/5)Soundstage Depth:
(5/5)Imaging Accuracy:
(5/5) (An excellent choice for gamers, I did some testing in Valorant and BGMI, and it had pinpoint accuracy)Overall Rating:
(5/5)Gallery
hokagoteatimereviews
Great review! brief and good!
