Hey thanks gregdee...
I see he didn't get a chance to do a direct side by side with the L5 and the Big 7. That's all good though. I'm not interested in DSD at all, so it will be all PCM for me. The fact the DirectStream converts all data to DSD is interesting. So comparing PCM of the DirectStream to the L5 (non-DSD) is more of what I'm looking for.
"The PS Audio Direct Stream is a great DAC. Please don't allow my comments to lead you to think I don't like it. I do. I own and enjoy it too. It was a great buy at the introduced price of $6000. But now it's an incredible deal at $3500 new through dealers on the Internet. As good as it is don't be fooled into thinking its a Lampi beater. A friend commented, "The DS sounds like a great DAC. But the Lampi Big 7 sounds like music!" (And I could easily claim the same for any Lampi DAC I've heard including the Amber. Lukasz Lampizator just gets music right.) And really that's about the best way to put it. The Big 7 with its huge pair of EML 45s sticking from the top is certainly not inexpensive at about $9500 but when compared price wise to top DACs from MBL and DCS it is at least 1/3 of the price. Now I don't own either the MBL or DCS, but I have friends whose ears I trust who do/did own these DACs and claim the Big 7 easily is their rival.
What do I think of the Big 7 and how it compares to DACs I have owned? Let's compare the Big 7 to my Level 5.
I didn't really think the L5 could be bested. It was the best DAC I've owned. The bass of the L5 was always rock solid, got the beat of the music correct, and never lacked detail. The Big 7 is just better in every way, clarity, rock steady, bass only there when needed, and then look out for thunder. The midrange of the two DACs was very similar. The patented Lampizator sound: open, clear, fast, the Big7 did everything the L5 does but just better. An audiophile owning a Level 4 or 5 could easily believe that the midrange could not be beaten. The DS certainly can't. It didn't take me long to realize that the Big 7 takes the midrange up another notch or 2, 3, 4 . . . You get the picture. The L5 and the treble? The treble of the Big 7 possesses a clarity that might be compared to the L5 like this. The L5 was like looking through slightly tinted glass while the Big 7 is like looking out the window with no glass at all on a clear day. Not in the polluted air of China though. The result? Cymbals that shimmer with just the right amount of sparkle and decay. Voices even when grouped resonate in their own separate space."
I guess this is him comparing the L5 to the DS in a round about way..