Dvorak 9th, 4th movement, Youth Orchestra of the Americas, Jean-Pascal Hamelin
I had previously not rated this recording all that well, because I thought it sounded relatively “closed” and flat. This would not have been one of the first tracks I listened to, except for the fact I was looking for big orchestral pieces on DSD as test tracks, and I didn’t have many of those.
Within the first few bars, my jaw was on the proverbial floor. This is so NOT a “closed” recording. That “closedness” is actually the transients of notes lingering in the air before dissipating; the longer and louder the music built up, the more reverberating and enveloping it is. What I had previously heard and mistook for a distant, flat recording was actually a very life like representation of the acoustics of a live recording in a music hall.
And the amount of nuance, as opposed to just detail, contained in the recording! Even very low volume passages, say one or two strings being plucked, have life and emotion of their own. I am hearing inflections of tone and timbre that I have never heard in this piece – not just this performance, I am talking about this symphony altogether, period.
At the end of the performance there was some applause. I was literally startled as there was a particularly loud clap to the left that sounded very life-like. The applause feels enveloping, has texture but not piercing or metallic in any way, and was definitely on a different “plane” than where the music was.
To nitpick and in an attempt to be balanced, I do feel that some of the most complex passages felt more labored than what I had previously heard. I will need to properly A/B this on tracks I am more familiar with to confirm my findings. Nonetheless, even if this really were the case, it’s a trade-off I would gladly live with. Between relatively flatter sound flowing smoothly, vs. music chugging along with all the instruments along for the ride in their proper place, with their individual timbre preserved, as well as wave after wave of tone and emotion gushing out … I would take the latter.
This was supposed to be brief impressions, but the more I reflected on what I heard, the more I ended up having to say. So I now have no time left for now to talk about all the other music I listened to last evening. To sum up my listening experience with this one piece as an example, the Lampi delivered music – music, not sound – in a natural and organic way that I think is very hard to match. And the most impressive thing to me is, I am not forced to choose between euphonics and “hifi”, as if the two were mutually exclusive. They aren’t and shouldn’t be. I think the key is for the “hifi” end of the bargain not to be in the form of overly embellished detail, but instead a lifelike presentation that allows one to hear more of the emotion. And this the Lampi delivers in spades.
More detailed sharing to come in due course.