Reviews by asifur
Tanchjim OLA : A Neutral Welcome!
Summary & Objective:
Tanchjim OLA comes in the very affordable range of below $50 range with stunning new look and detachable cable. It promises great sonic performance while inclusion of microphone makes it ideal for gamers also.
Introduction:
The Tanchjim OLA is the latest release by Tanchjim Audio in the below $50 price range and promises to deliver great quality sound. It comes with DMT4 architecture dynamic loudspeaker independently developed by Tanchjim. It is very lightweight with aerospace grade aluminum alloy based outer shells and transparent plastic inner shell - giving it a premium look & feel and also making it very lightweight and ideal for longer music or gaming sessions.
The TANCHJIM OLA is priced at $39.99.
Disclaimer:
This unit was sent by @shenzhenaudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Specifications:
The Tanchjim OLA comes with $39.99 price tag and the specifications are as below:
https://shenzhenaudio.com/products/...ear-earphones-with-detachable-cable-dmt4-iems
Product information | INFORMATION
Brand | TANCHJIM
Model | OLA
Origin | Dongguan, China
Color | Silver
Sensitivity | 126dB/Vrms
Impedance | 160± 10%
Frequency range | 7-45kHz
THD | < 0.3%
Driver | 10mm dynamic driver
Cable | 1.25M 3.5- 0.78PIN
Technology | DMT 4
Cable Material | Litz crystal copper silver-plating
Diaphragm material | polymer graphene
Cable structure | Litz oxygen-free copper composite coaxial
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: Cayin RU6 R2R Dongle
DAP/Source : @Shanling M3X, Cayin N6 Mk2 with R01 motherboard
Streaming Source: QOBUZ
Ear Tips:
I have tried OLA with many different ear-tips and had found the @SpinFit Eartip CP100+ and FINAL E series Transparent ear-tips to be the most comfortable fit in my case.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
TANCHJIM OLA Sound Impressions in Short:
The BASS:
The Bass on the OLA is rather lacking and flat. It lacks details from sub-bass region and doesn't come with enough depth in the mid-bass … specially the thump & slams seem rather non-engaging. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can really feel the the lack in bass response in the sub & mid bass regions.
The MIDS:
What it lacks in the bass, it more than makes up in the midrange. The OLA comes with a very clear and open midrange with texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like OLA can beat the competition. The staging has good width, height and depth and just felt great in most tracks. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Separation however seemed average.
Imaging & Timbre:
The OLA also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Any review of budget range IEMs call for mandatory comparisons. The IEMs in the scene here are Tanchjim Tanya and MOONDROP Quarks. All 3 of them being single Dynamic driver based IEMs with microphones and ranges in below $50 price category.
TANCHJIM OLA vs TANCHJIM TANYA vs MOONDROP QUARKS :
Build & Comfort: Though all 3 of the IEMs are very lightweight and comfortable - I would give my dibs to the OLA for being the best looking one. OLA is also the only IEM amongst the 3, that comes with detachable cables.
Bass: Bass is where the Tanchjim Tanya gets an easy win over the other 2 IEMs. both Quarks & OLA have very flat bass performance
Mids: The midrange is where the OLA scores a clear win over the other 2 IEM for being the most detailed and textured and open sounding. the Quarks comes as a #2.
Treble: The Treble performance seemed non-peaky and good in all 3 IEMs. Not much to complain about really.
Soundstage & Separation: While all 3 IEMs seemed to have pretty decent staging & separation the OLA would be ever so marginally better than the others.
Conclusion :
The TANCHJIM OLA is a great performer given the price range specially for people who appreciate Neutral sound signature. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range. Highly recommended for Gamers.
Summary & Objective:
Tanchjim OLA comes in the very affordable range of below $50 range with stunning new look and detachable cable. It promises great sonic performance while inclusion of microphone makes it ideal for gamers also.
Introduction:
The Tanchjim OLA is the latest release by Tanchjim Audio in the below $50 price range and promises to deliver great quality sound. It comes with DMT4 architecture dynamic loudspeaker independently developed by Tanchjim. It is very lightweight with aerospace grade aluminum alloy based outer shells and transparent plastic inner shell - giving it a premium look & feel and also making it very lightweight and ideal for longer music or gaming sessions.
The TANCHJIM OLA is priced at $39.99.
Disclaimer:
This unit was sent by @shenzhenaudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Specifications:
The Tanchjim OLA comes with $39.99 price tag and the specifications are as below:
https://shenzhenaudio.com/products/...ear-earphones-with-detachable-cable-dmt4-iems
Product information | INFORMATION
Brand | TANCHJIM
Model | OLA
Origin | Dongguan, China
Color | Silver
Sensitivity | 126dB/Vrms
Impedance | 160± 10%
Frequency range | 7-45kHz
THD | < 0.3%
Driver | 10mm dynamic driver
Cable | 1.25M 3.5- 0.78PIN
Technology | DMT 4
Cable Material | Litz crystal copper silver-plating
Diaphragm material | polymer graphene
Cable structure | Litz oxygen-free copper composite coaxial
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: Cayin RU6 R2R Dongle
DAP/Source : @Shanling M3X, Cayin N6 Mk2 with R01 motherboard
Streaming Source: QOBUZ
Ear Tips:
I have tried OLA with many different ear-tips and had found the @SpinFit Eartip CP100+ and FINAL E series Transparent ear-tips to be the most comfortable fit in my case.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
TANCHJIM OLA Sound Impressions in Short:
The BASS:
The Bass on the OLA is rather lacking and flat. It lacks details from sub-bass region and doesn't come with enough depth in the mid-bass … specially the thump & slams seem rather non-engaging. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can really feel the the lack in bass response in the sub & mid bass regions.
The MIDS:
What it lacks in the bass, it more than makes up in the midrange. The OLA comes with a very clear and open midrange with texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like OLA can beat the competition. The staging has good width, height and depth and just felt great in most tracks. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Separation however seemed average.
Imaging & Timbre:
The OLA also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Any review of budget range IEMs call for mandatory comparisons. The IEMs in the scene here are Tanchjim Tanya and MOONDROP Quarks. All 3 of them being single Dynamic driver based IEMs with microphones and ranges in below $50 price category.
TANCHJIM OLA vs TANCHJIM TANYA vs MOONDROP QUARKS :
Build & Comfort: Though all 3 of the IEMs are very lightweight and comfortable - I would give my dibs to the OLA for being the best looking one. OLA is also the only IEM amongst the 3, that comes with detachable cables.
Bass: Bass is where the Tanchjim Tanya gets an easy win over the other 2 IEMs. both Quarks & OLA have very flat bass performance
Mids: The midrange is where the OLA scores a clear win over the other 2 IEM for being the most detailed and textured and open sounding. the Quarks comes as a #2.
Treble: The Treble performance seemed non-peaky and good in all 3 IEMs. Not much to complain about really.
Soundstage & Separation: While all 3 IEMs seemed to have pretty decent staging & separation the OLA would be ever so marginally better than the others.
Conclusion :
The TANCHJIM OLA is a great performer given the price range specially for people who appreciate Neutral sound signature. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range. Highly recommended for Gamers.
Attachments
Shanling M6 PRO (21) - Breaking Barriers
Summary & Objective:
The @Shanling M6 Pro (21) is the newest release of the Shanling M6 Pro line in July 2021. This time on it addresses some of the limitations of the previous generation players and also comes with a plethora of connectivity options. More importantly, this is the 1st Shanling coming with Dual ESS Sabre ES9068AS DAC chips shifting away from the AKM chips. Obviously, like all newer generation releases it promises better sound performance.
Introduction:
The Shanling M6 Pro (21) comes with a single aluminium frame with glass panels on both sides - giving it a lush & premium look. It is the first ever Shanling player to feature the new ESS Sable ES9068AS DAc chip - the same chip found in much pricier DAPs of A&K such as - Kann Alpha.
The Shanling M6 Pro (21) is priced at $799.
Disclaimer:
This unit was bought by myself from @Shanling and they were good enough to give me a reviewer's discount.
Hence, all impressions mentioned here are my own honest opinions and I have not received any payments from anyone for this.
Design, Build & Features:
I wouldn't want to make this a very long review by describing each feature but for people who want to know here are some extracts from the Shanling website.
Specifications:
The Shanling M6 PRo (21) comes with $799 price tag and the specifications are as below:
https://en.shanling.com/product/404
OR
https://audio46.com/products/shanli...uetooth-portable-lossless-hi-res-music-player
3 Available filters:
Linear Phase Fast Roll-off
Minimum Phase Slow Roll-off
Hybrid Fast Roll-Off
3.5mm Single-Ended
2.5mm Balanced
4.4mm Balanced
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
IEMs:
Kinera NORN, @MOONDROP Aria, @CampfireAudio Dorado 2020, Holocene, Honeydew, @UniqueMelody MEST MKII, CCZ Plume
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Shanling M6 PRO (21) Sound Impressions in Short:
The BASS:
The Bass sounds just great. has enough details and is able to produce enough attack in the mid base region as well. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The thumps and slams are very enjoyable.
The MIDS:
The Midrange really just excels in terms of every single element. It is able to produce an good creamy smooth and textured midrange that is soothing to the ears while having enough details in it. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Though some people may complain the ESS DAC chip being a bit bright signature specially in the Treble region - this implementation is just great and seemed quite the reference grade. Hence, the treble just sounded nice and full and without any unwanted peaky-ness.
STAGING & RESOLUTION:
The staging and resolution is just great and just the amount the track requires. Nothing artificial here. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Resolution however seemed very average and was not a strong trait.
Pairing:
The best pairing experiences I have found are with slightly warmer or reference grade IEMs. Unlike some other ESS DAC implementations, this doesn't have the tendency to increase peaky-ness when paired with bright IEMs.
Combinations:
Apart from the usual pairing with IEMs and headphones, 1 pairing that had stood out for me and I have loved a lot is it's pairing with the @iFi audio Micro iDSD Signature DAC/AMP. when paired with this portable DAC/AMP - it enables a lot more power than the Shanling M6 pro (21) can usually drive and hence makes it a .great combination for driving power hungry IEMs and Headphones.
Comparisons:
Though I do not have any other player in similar price range - I though it would be best to compare it against cayin N3 pro priced at $480 which is slightly lower price range and the cayin doesn't support streaming.
Shanling M6 Pro (21) vs Cayin N3 pro:
Build quality: Both DAPs come in great build quality and has premium looks.
OS & Streaming capabilities: While Shanling M6 Pro (21) comes with Android OS and supports streaming apps, the caying N3 pro runs it's own proprietary OS and doesn't support streaming
Features & Amplification: The Cayin N3 pro comes with the unique feature of Dual Timbre through tubes which is not present in the Shanling M6 pro (21). However, the M6 Pro (21) has a plethora of connectivity features and ports that include all 3 popular ports of 2.5mm, 3.5mm and &44.mm are supported whereas the N3 pro supports only 3.5mm & 4.4mm and for tubes only 3.5mm
Sound performance: The N3 Pro comes with single AKM DAC chip, whereas the M6 pro (21) comes with DUAL ESS DAC chips. apart from that the M6 pro (21) has neutral reference grade tuning whereas the N3 pro comes with slightly warmer sound. both are perfect based on the preferences and pairings on different occasions. The M6 pro (21) outclasses the N3 pro in terms of amplification and power output capabilities.
Conclusion :
The superb performance of the Shanling M6 Pro (21) makes it an easy recommendation to anyone who is looking for a Streaming Android player below $800 range.
Summary & Objective:
The @Shanling M6 Pro (21) is the newest release of the Shanling M6 Pro line in July 2021. This time on it addresses some of the limitations of the previous generation players and also comes with a plethora of connectivity options. More importantly, this is the 1st Shanling coming with Dual ESS Sabre ES9068AS DAC chips shifting away from the AKM chips. Obviously, like all newer generation releases it promises better sound performance.
Introduction:
The Shanling M6 Pro (21) comes with a single aluminium frame with glass panels on both sides - giving it a lush & premium look. It is the first ever Shanling player to feature the new ESS Sable ES9068AS DAc chip - the same chip found in much pricier DAPs of A&K such as - Kann Alpha.
The Shanling M6 Pro (21) is priced at $799.
Disclaimer:
This unit was bought by myself from @Shanling and they were good enough to give me a reviewer's discount.
Hence, all impressions mentioned here are my own honest opinions and I have not received any payments from anyone for this.
Design, Build & Features:
I wouldn't want to make this a very long review by describing each feature but for people who want to know here are some extracts from the Shanling website.
Specifications:
The Shanling M6 PRo (21) comes with $799 price tag and the specifications are as below:
https://en.shanling.com/product/404
OR
https://audio46.com/products/shanli...uetooth-portable-lossless-hi-res-music-player
UPDATE FROM M6 PRO
- Dual ESS Sabre ES9068AS DAC
- Amplifier circuit now using OPA2211, up to 760 mW@32ohm (Original OPA1662 and 600mw)
- Improved battery, up to 16 hours (Original 13 hours)
- 64 GB Rom (Original 32GB)
- MQA Support
SELLING POINT
- Snapdragon 430 CPU
- Android OS
- 4G RAM + 64G ROM
- ESS ES9068AS X 2
- Two-Way Bluetooth
- 32/384 & DSD256
- Balanced 4.4mm+2.5mm
- QC3.0 Fast Charging
- 4.7 Inch Screen
- 4000mAh Battery
- Up to 16 hours battery
- Android Global Lossless Output
- Adjustable Gain
- Dual DAC
- MQA
FPGA CODING TECHNOLOGY BY SHANLING
Improved algorithm for an adaptive clock precision sampling provides a better clock signal accuracy and an enhance performance, for both PCM and DSD Playback.EXTRA POWER & LOW NOISE
With three gain settings, M6 Pro (21) can work beautifully with a wide range of headphones and earphones. Offering up to 760mW@32ohm for the most demanding headphones, while adopting a low-dropout regulator for a hiss free output, ideal for sensitive earphones.FULL MQA SUPPORT
ESS DACs in the M6 Pro (21) are designed with a native support of the MQA playback, supporting up to 16x MQA. To enjoy your Tidal streaming at its maximum potential.EQ AND DIGITAL FILTERS
To adjust the sound exactly to the listener's preferences, M6 Pro (21) offers a digital filter setting with 3 different filters and also a software EQ available in the Shanling Music App.3 Available filters:
Linear Phase Fast Roll-off
Minimum Phase Slow Roll-off
Hybrid Fast Roll-Off
CONNECTORS
With 3 different output options, M6 Pro (21) can be connected to a much wider range headphones and earphones without any need for an additional adapter.3.5mm Single-Ended
2.5mm Balanced
4.4mm Balanced
SPECIFICATIONS
- Size 71*17.5*133.5 mm
- Display 4.7inch 720*1280 IPS Screen
- Weigh 244 g
- System Android 7.1
- Audio formats DSF / DFF / ISO / DXD / APE / FLAC / WAV / AIFF / AIF / DTS/ MP3 / WMA / ACC / OGG / ALAC / MP2 / M4A / AC3 / M3U / M3U8
- Hi-Res support 32 bit / 768 kHz DSD256
- Gain setting Low, Medium, High
- Memory 4GB RAM + 64 GB ROM + MicroSD card
- D/A Converter ESS ES9068AS x 2
- Digital filters 3 preset filters
- WiFi 2.4G/5G, OTA Firmware update
- Battery Life 16H (SE, Single DAC), 13H (Balanced), 36 H (Bluetooth)
- Battery capacity 4000 mAh
SINGLE-ENDED OUTPUT
- Output power
- Low gain: 0.79V @32 Ohm (20mW)
- Medium gain: 1.38V @32 Ohm (60mW)
- High Gain: 2.76V @32 Ohm (240mW)
- Signal-to-noise ratio 124 dB
- Channel separation 75 dB @32 Ohm
- Dynamic range 125 dB
- THD+N 0.0005%
- Output impedance <0.3 Ohm
BALANCED OUTPUT
- Output power
- Low gain: 1.38V @32 Ohm (60mW)
- Medium gain: 2.76V @32 Ohm (240mW)
- High Gain: 4.93V @32 Ohm (760mW)
- Signal-to-noise ratio 126 dB
- Channel separation 110 dB @32 Ohm
- Dynamic range 124 dB
- THD+N 0.0005%
- Output impedance < 0.6 Ohm
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
IEMs:
Kinera NORN, @MOONDROP Aria, @CampfireAudio Dorado 2020, Holocene, Honeydew, @UniqueMelody MEST MKII, CCZ Plume
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Shanling M6 PRO (21) Sound Impressions in Short:
The BASS:
The Bass sounds just great. has enough details and is able to produce enough attack in the mid base region as well. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The thumps and slams are very enjoyable.
The MIDS:
The Midrange really just excels in terms of every single element. It is able to produce an good creamy smooth and textured midrange that is soothing to the ears while having enough details in it. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Though some people may complain the ESS DAC chip being a bit bright signature specially in the Treble region - this implementation is just great and seemed quite the reference grade. Hence, the treble just sounded nice and full and without any unwanted peaky-ness.
STAGING & RESOLUTION:
The staging and resolution is just great and just the amount the track requires. Nothing artificial here. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Resolution however seemed very average and was not a strong trait.
Pairing:
The best pairing experiences I have found are with slightly warmer or reference grade IEMs. Unlike some other ESS DAC implementations, this doesn't have the tendency to increase peaky-ness when paired with bright IEMs.
Combinations:
Apart from the usual pairing with IEMs and headphones, 1 pairing that had stood out for me and I have loved a lot is it's pairing with the @iFi audio Micro iDSD Signature DAC/AMP. when paired with this portable DAC/AMP - it enables a lot more power than the Shanling M6 pro (21) can usually drive and hence makes it a .great combination for driving power hungry IEMs and Headphones.
Comparisons:
Though I do not have any other player in similar price range - I though it would be best to compare it against cayin N3 pro priced at $480 which is slightly lower price range and the cayin doesn't support streaming.
Shanling M6 Pro (21) vs Cayin N3 pro:
Build quality: Both DAPs come in great build quality and has premium looks.
OS & Streaming capabilities: While Shanling M6 Pro (21) comes with Android OS and supports streaming apps, the caying N3 pro runs it's own proprietary OS and doesn't support streaming
Features & Amplification: The Cayin N3 pro comes with the unique feature of Dual Timbre through tubes which is not present in the Shanling M6 pro (21). However, the M6 Pro (21) has a plethora of connectivity features and ports that include all 3 popular ports of 2.5mm, 3.5mm and &44.mm are supported whereas the N3 pro supports only 3.5mm & 4.4mm and for tubes only 3.5mm
Sound performance: The N3 Pro comes with single AKM DAC chip, whereas the M6 pro (21) comes with DUAL ESS DAC chips. apart from that the M6 pro (21) has neutral reference grade tuning whereas the N3 pro comes with slightly warmer sound. both are perfect based on the preferences and pairings on different occasions. The M6 pro (21) outclasses the N3 pro in terms of amplification and power output capabilities.
Conclusion :
The superb performance of the Shanling M6 Pro (21) makes it an easy recommendation to anyone who is looking for a Streaming Android player below $800 range.
BQEYZ AUTUMN : The New King of $200!
Summary & Objective:
BQEYZ AUTUMN comes with great build and premium looks and also comes with great sonic capabilities and performances of a single Dynamic Driver in the $200 range. It comes with 3 different magnetic tuning discs that provide different type of sound appropriate for different genres and addresses some of the sound preference differences amongst the audiophile crowd. The Sound performance is amongst the best so far from any BQEYZ IEM till date.
Introduction:
BQEYZ AUTUMN is the latest release of BQEYZ in the $200 price range with a promise to deliver great quality sound with 3 different tuning options. It comes with a great premium build and comes with good cable and accessories.
The BQEYZ AUTUMN is priced at $199.00.
Disclaimer:
This unit was sent by @Ellezhou of BQEYZ for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Features:
This time around the BQEYZ Autumn comes with a great premium looks and and the shell is indeed very lightweight and very comfortable for longer listening durations. I could use it throughout the day without any sort of irritation.
Magnetic Tuning :
AUTUMN comes with 3 interchangeable magnetic tuning discs: Bass, Normal, Treble.
These discs can easily be replaced through a magnetic stick also included in the box.
One of the biggest feature of BQEYZ Autumn earphone is the replaceable tuners, came with three different filters accordingly. Three colors of Gray/Gold/Silver represent BASS/NORMAL/TREBLE mode. Easy switch between different modes to fit a various styles of music without any worries. Moreover, magnetic force of the tuner makes dynamic driver get double magnetic force to enhance the transverse soundstage of the earphone
Design & Build Quality:
BQEYZ AUTUMN uses a 13mm dynamic driver with dual cavity acoustics and high dynamic range and ensure a wider staging performance. Follwing are the key features according to BQEYZ...
BQEYZ Autumn earphone is designed with a 13mm dynamic driver complemented with dual cavities. With this structure, it can effectively control the air pressure, increase amplitude of diaphragm and improve the longitudinal soundstage by more than 50%
Specifications:
The BQEYZ AUTUMN comes with $199.00 price tag and the specifications are as below:
https://www.aliexpress.com/item/1005003532634040.html?spm=a2g0o.store_pc_home.slider_45727651.0
OR
https://www.linsoul.com/products/bqeyz-autumn
Specification:
1. Item：Autumn
2. Dynamic Driver: 13mm
3. Impedance: 46 Ω
4. Sensitivity: 110 dB
5. Frequency: 7-40KHz
6. Cable Length: 1.2m
7. Pin Type: 0.78mm-2 Pin
8. Plug Type: 2.5mm/3.5mm/4.4mm
9. Driver units: 13mm dynamic driver
10. Contents: Autumn earphone*1 pair, Cable*1pc, Tuner*3 set, Magnetic Tuner Pole*1, Tuner Holder*1, Eartips*6 set(S/M/L), Carrying Case*1, Brush*1
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, Cayin RU6 R2R Dongle, Cayin IHA-6 Amplifier
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Ear Tips:
I have found @SpinFit Eartip CP500 to suit my preferences the best and have used it throughout the review period.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
BQEYZ AUTUMN Sound Impressions in Short:
The BASS:
The Bass on the AUTUMN comes with good amount of details from sub-bass region and good amount of attack and slam in the mid-bass. The overall bass has some great muscle & texture and good amount of details for the price range - The slam of the mid-bass seemed just about the right amount. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the attack of the different instruments with enough details and enjoyable attack & slams.
The MIDS:
Despite the slight V shaped tuning of the AUTUMN - the midrange feels very enjoyable. It is smooth & musical & comes with good texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like AUTUMN excels quite a bit over other IEMS of similar price range. It had above average width with a good height and depth making the overall staging performance very comprehensive and outstanding. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Instrument separation is also where this IEM seems to take lead over others like MOONDROP KATO and DUNU Falcon Pro.
Imaging & Timbre:
The AUTUMN also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Quite a few IEMs had been launched recently by different brands having inter-changeable nozzle/tuning systems and new Dynamic Driver systems. Apart from the BQEYZ AUTUMN, there is @MOONDROP KATO and DUNU Falcon PRO. Though the prices are ever so slightly different - the KATO MRP being $189 and BQEYZ AUTUMN being $199, DUNU Falcon PRO being $219 - it just felt necessary to compare as they come with similar tech architectures.
BQEYZ AUTUMN vs MOONDROP KATO vs DUNU FALCON PRO:
Bass: While both the KATO & Falcon PRO had more good amount of details in the bass, the AUTUMN just seemed to have better Bass performance both in terms of sub-bass & mid-bass. Hence for the Bass I would have the following preference.... AUTUMN>Falcon PRO > KATO.
Mids: As all of the 3 IEMs had slight V shaped tuning - Midrange is amongst the stronger traits of the KATO specially. Despite that - I found the the AUTUMN was not lagging in midrange either and could join the KATO head-to-head. However, the Falcon Pro seemed the least impressive in this department due to some mid-bass bleed into the midrange in some cases.
Treble: The Treble performance seemed non-peaky and good in all 3 of the IEMs. While all 3 IEMs shine in this area, I quite liked the AUTUMN performance here.
Soundstage & Separation: Both Falcon PRO & AUTUMN have very good staging and KATO felt slightly lagging behind. in terms of separation though all 3 of them are good for the price range - I would personally prefer the AUTUMN due to much better separation than the other 2 IEMs.
Conclusion :
The BQEYZ AUTUMN is a great performer in the $200 price range and based on it's super performance in the price range it can almost be considered as the new KING of the 4200 range and it just raises the bar a bit higher for others to catch up. The price to performance ratio is quite high for this IEm which maskes it very easily recommendable for all.
Summary & Objective:
BQEYZ AUTUMN comes with great build and premium looks and also comes with great sonic capabilities and performances of a single Dynamic Driver in the $200 range. It comes with 3 different magnetic tuning discs that provide different type of sound appropriate for different genres and addresses some of the sound preference differences amongst the audiophile crowd. The Sound performance is amongst the best so far from any BQEYZ IEM till date.
Introduction:
BQEYZ AUTUMN is the latest release of BQEYZ in the $200 price range with a promise to deliver great quality sound with 3 different tuning options. It comes with a great premium build and comes with good cable and accessories.
The BQEYZ AUTUMN is priced at $199.00.
Disclaimer:
This unit was sent by @Ellezhou of BQEYZ for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Features:
This time around the BQEYZ Autumn comes with a great premium looks and and the shell is indeed very lightweight and very comfortable for longer listening durations. I could use it throughout the day without any sort of irritation.
Magnetic Tuning :
AUTUMN comes with 3 interchangeable magnetic tuning discs: Bass, Normal, Treble.
These discs can easily be replaced through a magnetic stick also included in the box.
One of the biggest feature of BQEYZ Autumn earphone is the replaceable tuners, came with three different filters accordingly. Three colors of Gray/Gold/Silver represent BASS/NORMAL/TREBLE mode. Easy switch between different modes to fit a various styles of music without any worries. Moreover, magnetic force of the tuner makes dynamic driver get double magnetic force to enhance the transverse soundstage of the earphone
Design & Build Quality:
BQEYZ AUTUMN uses a 13mm dynamic driver with dual cavity acoustics and high dynamic range and ensure a wider staging performance. Follwing are the key features according to BQEYZ...
BQEYZ Autumn earphone is designed with a 13mm dynamic driver complemented with dual cavities. With this structure, it can effectively control the air pressure, increase amplitude of diaphragm and improve the longitudinal soundstage by more than 50%
Specifications:
The BQEYZ AUTUMN comes with $199.00 price tag and the specifications are as below:
https://www.aliexpress.com/item/1005003532634040.html?spm=a2g0o.store_pc_home.slider_45727651.0
OR
https://www.linsoul.com/products/bqeyz-autumn
Specification:
1. Item：Autumn
2. Dynamic Driver: 13mm
3. Impedance: 46 Ω
4. Sensitivity: 110 dB
5. Frequency: 7-40KHz
6. Cable Length: 1.2m
7. Pin Type: 0.78mm-2 Pin
8. Plug Type: 2.5mm/3.5mm/4.4mm
9. Driver units: 13mm dynamic driver
10. Contents: Autumn earphone*1 pair, Cable*1pc, Tuner*3 set, Magnetic Tuner Pole*1, Tuner Holder*1, Eartips*6 set(S/M/L), Carrying Case*1, Brush*1
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, Cayin RU6 R2R Dongle, Cayin IHA-6 Amplifier
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Ear Tips:
I have found @SpinFit Eartip CP500 to suit my preferences the best and have used it throughout the review period.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
BQEYZ AUTUMN Sound Impressions in Short:
The BASS:
The Bass on the AUTUMN comes with good amount of details from sub-bass region and good amount of attack and slam in the mid-bass. The overall bass has some great muscle & texture and good amount of details for the price range - The slam of the mid-bass seemed just about the right amount. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the attack of the different instruments with enough details and enjoyable attack & slams.
The MIDS:
Despite the slight V shaped tuning of the AUTUMN - the midrange feels very enjoyable. It is smooth & musical & comes with good texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like AUTUMN excels quite a bit over other IEMS of similar price range. It had above average width with a good height and depth making the overall staging performance very comprehensive and outstanding. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Instrument separation is also where this IEM seems to take lead over others like MOONDROP KATO and DUNU Falcon Pro.
Imaging & Timbre:
The AUTUMN also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Quite a few IEMs had been launched recently by different brands having inter-changeable nozzle/tuning systems and new Dynamic Driver systems. Apart from the BQEYZ AUTUMN, there is @MOONDROP KATO and DUNU Falcon PRO. Though the prices are ever so slightly different - the KATO MRP being $189 and BQEYZ AUTUMN being $199, DUNU Falcon PRO being $219 - it just felt necessary to compare as they come with similar tech architectures.
BQEYZ AUTUMN vs MOONDROP KATO vs DUNU FALCON PRO:
Bass: While both the KATO & Falcon PRO had more good amount of details in the bass, the AUTUMN just seemed to have better Bass performance both in terms of sub-bass & mid-bass. Hence for the Bass I would have the following preference.... AUTUMN>Falcon PRO > KATO.
Mids: As all of the 3 IEMs had slight V shaped tuning - Midrange is amongst the stronger traits of the KATO specially. Despite that - I found the the AUTUMN was not lagging in midrange either and could join the KATO head-to-head. However, the Falcon Pro seemed the least impressive in this department due to some mid-bass bleed into the midrange in some cases.
Treble: The Treble performance seemed non-peaky and good in all 3 of the IEMs. While all 3 IEMs shine in this area, I quite liked the AUTUMN performance here.
Soundstage & Separation: Both Falcon PRO & AUTUMN have very good staging and KATO felt slightly lagging behind. in terms of separation though all 3 of them are good for the price range - I would personally prefer the AUTUMN due to much better separation than the other 2 IEMs.
Conclusion :
The BQEYZ AUTUMN is a great performer in the $200 price range and based on it's super performance in the price range it can almost be considered as the new KING of the 4200 range and it just raises the bar a bit higher for others to catch up. The price to performance ratio is quite high for this IEm which maskes it very easily recommendable for all.
Cayin RU6 : Arguably Best Dongle with R2R capabilities in $250 range
Summary & Objective:
The Cayin RU6 is the first ever dongle to feature R2R in such a portable size. It comes with great build quality and some great sound performances. It has support for balanced output and comes with nifty features like NOS & High Precision Resistor Array Volume Control and is powerful enough for most IEMs.
Introduction:
The Cayin RU6 comes with great build quality and outstanding sound performance within the price bracket. It is the first ever dongle to feature Discrete 24 bit R2R capabilities and have some very nifty new features built-into it.
The Cayin RU6 is priced at $249.99.
Design, Build & Features:
I wouldn't want to make this a very long review by describing each feature but for people who want to know, here are some extracts from the Cayin website.
Specifications:
The Cayin RU6 comes with $249.99 price tag and the specifications are as below:
https://en.cayin.cn/products_info?itemid=140
OR
https://shop.musicteck.com/collecti...r-usb-c-dac-amp-dongle?variant=39638791618622
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
IEMs:
IEMs of different ranges:
$200-300: BQEYZ AUTUMN, @DUNU-Topsound Falcon PRO, @CampfireAudio Honeydew
$500-700: Campfire Audio Holocene, TINHIFI P2 Plus
$800 - 1200: @DUNU-Topsound ZEN PRO, @CampfireAudio Dorado 2020
$1500 - 2000: @UniqueMelody MEST MKII
$3000: @Vision Ears EXT
Well these are the ones I have with me presently... and have used for the review.
Source : iPad Pro, iPad Mini 6, iPhone 13 Pro max
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
CAYIN RU6 Sound Impressions in Short:
Tonality:
The Analogue Discrete R2R tonality is something I have grown very fond of. The Cayin Ru6 delivers the R2R performance within a very portable size and the tonality is comparable to any R2R DAP. It has the warmth of any R2R typical tuning and can no way be considered bright.
The BASS:
The Bass sounds just Superb. Bass has details in the sub-bass region and is thick and creamy with enough muscle in the mid-bass to make the instrument attacks sound very natural and realistic. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The thumps and slams are very enjoyable.
The MIDS:
The Midrange is just great in terms of every single element. It is able to produce an good creamy smooth and textured midrange that is soothing to the ears while having enough details in it. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural and I love the analogue tonality and the sound seems very real. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
The Treble is very natural with enough extension & air as the track commands. It has enough details and despite being very natural it doesn't come with any harsh peaks in the treble region.
STAGING & RESOLUTION:
The staging and resolution is just great and just the amount the track requires. Nothing artificial here. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Resolution is amongst the best in the price bracket and can rival many full-sized $700-800 range DAPs easily.
Amplification:
The Cayin RU6 comes with good amplification traits and doesn't depend on the source for volume control. It has it's own Volume Control mechanism and is powerful enough to drive any IEM that I've tried so far.
Pairing:
The analogue R2R tonality makes it ideal pair with just about any IEM. It pairs well with most IEMs that I had tried from the various price ranges and various traits.
Comparisons:
I have compared all 4 of the dongles I had in my possession for this review - @iFi audio Go Blue, Qyestyle M12, Luxury precision W2 and the Cayin RU6 dongles. Not because they had many things in common - but mostly because people asked for a dongle shoot-out and so here it is from me.
However, when it comes to sound - it just lacks the iFi signature clean sound and also sounds quite thin when compared to others so far.
While there's a general tendency of ESS Sabre chips to be slightly bright... this one is quite the reference grade with very smooth & creamy music performance specially the midrange & treble.
The bass response is also very good.
While owing to the analog tonality of all R2R tech devices - this may not be the most resolving one but the Oversampling mode somehow takes care of it quite well and the resolution is just great.
While based on the specs mW stats this is slightly less powerful than the W2 - but in real life scenario I found this to be quite powerful and can easily power even power hungry IEMs.
CAYIN RU6 vs Luxury & Precision W2 vs Questyle M12 vs iFi Audio Go Blu:
Build quality: This is a string trait found amongst all 4 dongles. All of them look very premium and come in great build quality. The W2 & Ru6 being amongst the larger ones while the M12 is the smallest sized.
Features & Amplification: BT features of the Go Blu not taken into account as that would be unfair for the others. All of the dongles come with great features and amongst them the W2 and the RU6 are the most powerful ones. Interestingly, while the RU6 has lower max mW power output than the W2, it seemed more powerful to me in most cases due to it's implementation.
Sound performance: While not going very deep into each category as that will make this review very long - I will comment on the overall sound performance here. The RU6 seemed the more musical to me while the W2 is the most resolving. However, the resolution of the RU6 is undeniably good by all means.
Resolution & Staging: While all dongles have equally good staging performance but the W2 and RU6 were better performing than the others. The Go Blu lacked slightly in terms of resolution to my ears while others did just great.
Conclusion :
The superb performance of the Cayin RU6 makes it an easy recommendation to anyone who is looking for a dongle with R2R capabilities. Just like the W2 - the RU6 can rival performances of many full-sized DAPs below $800 range. Such commendable performance in such a portable form is something many audiophiles had been searching for. I would be happy to recommend this to anyone in a heartbeat.
Summary & Objective:
The Cayin RU6 is the first ever dongle to feature R2R in such a portable size. It comes with great build quality and some great sound performances. It has support for balanced output and comes with nifty features like NOS & High Precision Resistor Array Volume Control and is powerful enough for most IEMs.
Introduction:
The Cayin RU6 comes with great build quality and outstanding sound performance within the price bracket. It is the first ever dongle to feature Discrete 24 bit R2R capabilities and have some very nifty new features built-into it.
The Cayin RU6 is priced at $249.99.
Design, Build & Features:
I wouldn't want to make this a very long review by describing each feature but for people who want to know, here are some extracts from the Cayin website.
Specifications:
The Cayin RU6 comes with $249.99 price tag and the specifications are as below:
https://en.cayin.cn/products_info?itemid=140
OR
https://shop.musicteck.com/collecti...r-usb-c-dac-amp-dongle?variant=39638791618622
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
IEMs:
IEMs of different ranges:
$200-300: BQEYZ AUTUMN, @DUNU-Topsound Falcon PRO, @CampfireAudio Honeydew
$500-700: Campfire Audio Holocene, TINHIFI P2 Plus
$800 - 1200: @DUNU-Topsound ZEN PRO, @CampfireAudio Dorado 2020
$1500 - 2000: @UniqueMelody MEST MKII
$3000: @Vision Ears EXT
Well these are the ones I have with me presently... and have used for the review.
Source : iPad Pro, iPad Mini 6, iPhone 13 Pro max
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
CAYIN RU6 Sound Impressions in Short:
Tonality:
The Analogue Discrete R2R tonality is something I have grown very fond of. The Cayin Ru6 delivers the R2R performance within a very portable size and the tonality is comparable to any R2R DAP. It has the warmth of any R2R typical tuning and can no way be considered bright.
The BASS:
The Bass sounds just Superb. Bass has details in the sub-bass region and is thick and creamy with enough muscle in the mid-bass to make the instrument attacks sound very natural and realistic. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The thumps and slams are very enjoyable.
The MIDS:
The Midrange is just great in terms of every single element. It is able to produce an good creamy smooth and textured midrange that is soothing to the ears while having enough details in it. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural and I love the analogue tonality and the sound seems very real. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
The Treble is very natural with enough extension & air as the track commands. It has enough details and despite being very natural it doesn't come with any harsh peaks in the treble region.
STAGING & RESOLUTION:
The staging and resolution is just great and just the amount the track requires. Nothing artificial here. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Resolution is amongst the best in the price bracket and can rival many full-sized $700-800 range DAPs easily.
Amplification:
The Cayin RU6 comes with good amplification traits and doesn't depend on the source for volume control. It has it's own Volume Control mechanism and is powerful enough to drive any IEM that I've tried so far.
Pairing:
The analogue R2R tonality makes it ideal pair with just about any IEM. It pairs well with most IEMs that I had tried from the various price ranges and various traits.
Comparisons:
I have compared all 4 of the dongles I had in my possession for this review - @iFi audio Go Blue, Qyestyle M12, Luxury precision W2 and the Cayin RU6 dongles. Not because they had many things in common - but mostly because people asked for a dongle shoot-out and so here it is from me.
The Jack of All:
That would be the @iFi audio Go Blu. It comes packed with single Cirrus Logic CS43131 DAC chip and good build and some nifty features including BT and the volume dial.However, when it comes to sound - it just lacks the iFi signature clean sound and also sounds quite thin when compared to others so far.
The creamy & buttery:
That would be the @Questyle M12 which comes ES9281AC ESS Sabre DAC chip.While there's a general tendency of ESS Sabre chips to be slightly bright... this one is quite the reference grade with very smooth & creamy music performance specially the midrange & treble.
The bass response is also very good.
The Most Resolving:
That would the the Luxury & Precision W2. Powered by Dual Cirrus Logic CS43131 DAC chips, these are amongst the most resolving and powerful IEMs I've heard so far. Quite powerful and I've seen some reviewers compare them with $700-800 DAPs - while I have no comments regarding that, it is really the most resolving and very powerful with reference grade tuning.
The Musical Bliss:
That would be the Cayin RU6. the worlds ONLY full discrete R2R Dongle DAC/AMP.While owing to the analog tonality of all R2R tech devices - this may not be the most resolving one but the Oversampling mode somehow takes care of it quite well and the resolution is just great.
While based on the specs mW stats this is slightly less powerful than the W2 - but in real life scenario I found this to be quite powerful and can easily power even power hungry IEMs.
CAYIN RU6 vs Luxury & Precision W2 vs Questyle M12 vs iFi Audio Go Blu:
Build quality: This is a string trait found amongst all 4 dongles. All of them look very premium and come in great build quality. The W2 & Ru6 being amongst the larger ones while the M12 is the smallest sized.
Features & Amplification: BT features of the Go Blu not taken into account as that would be unfair for the others. All of the dongles come with great features and amongst them the W2 and the RU6 are the most powerful ones. Interestingly, while the RU6 has lower max mW power output than the W2, it seemed more powerful to me in most cases due to it's implementation.
Sound performance: While not going very deep into each category as that will make this review very long - I will comment on the overall sound performance here. The RU6 seemed the more musical to me while the W2 is the most resolving. However, the resolution of the RU6 is undeniably good by all means.
Resolution & Staging: While all dongles have equally good staging performance but the W2 and RU6 were better performing than the others. The Go Blu lacked slightly in terms of resolution to my ears while others did just great.
Conclusion :
The superb performance of the Cayin RU6 makes it an easy recommendation to anyone who is looking for a dongle with R2R capabilities. Just like the W2 - the RU6 can rival performances of many full-sized DAPs below $800 range. Such commendable performance in such a portable form is something many audiophiles had been searching for. I would be happy to recommend this to anyone in a heartbeat.
searchingtom
Excellent review !
Questyle M12: King of $150 price bracket
Summary & Objective:
The @Questyle M12 is the first ever dongle release by Questyle promising outstanding performance as always. It comes with great build quality and some nifty features like Smart Impedance detection and Current Amplification which makes it a great contender for the price bracket.
Introduction:
The Questyle M12 comes with great machined aluminum build and promises outstanding sound performance for the price bracket. It is the first ever dongle release by Questyle and have some very nifty new features built-into it.
The Questyle M12 is priced at $139.
Disclaimer:
This unit was sent by @Questyle for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the Dongle DAC/AMP.
Design, Build & Features:
I wouldn't want to make this a very long review by describing each feature but for people who want to know here are some extracts from the Questyle website.
Specifications:
The Questyle M12 comes with $139 price tag and the specifications are as below:
https://www.questyle.com/language/en/m12-en/
Material: CNC machined aluminum
Color: Black / Silver
Size: 51[L] X 16.5[W] X 8.1[D] (mm)
Operating System Required:
Android phone and pad: Android 5.0 and above
PC: Win10 1803 and above
Apple cellphone: iOS (You need to buy an OTG cable for Lightning to Type-C.)
Apple computer: Mac OS
DAC Capability of M12:
PCM: 32kHz – 384kHz (16/24/32Bit)
DSD: DSD64(1Bit 2.8MHz) , DSD128(1Bit 5.6MHz), DSD256(1Bit 11.2MHz)
Output Power:
Built-in smart detection circuit will automatically self-adjust the output power to fit different
impedance of headphones.
RL=16Ω，Po=46.11mW;
RL=32Ω，Po=26.71mW;
RL=300Ω，Po=12.26mW;
When the detected impedance is less than 70Ω, M12 will self-adjust to low gain output.
When it is more than 70Ω, M12 will self-adjust to high gain output.
When it is more than 600Ω, M12 will automatically switch to 2Vrms line out.
Frequency Response: ±0.1dB(20Hz-20kHz)
THD+N: 0.0003%
DAC: ESS flagship USB DAC chip ES9281AC
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
IEMs: @Vision Ears EXT, @DUNU-Topsound ZEN PRO, @CampfireAudio Dorado 2020, Holocene, Honeydew, @UniqueMelody MEST MKII, @IkkoAudio OH2, Tinhifi T3 plus, P2 Plus
Source : iPad Pro, iPhone 13 Pro max
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
QUESTYLE M12 Sound Impressions in Short:
The BASS:
The Bass sounds just great. has enough details and is able to produce enough attack in the mid base region as well. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The thumps and slams are very enjoyable.
The MIDS:
The Midrange really just excels in terms of every single element. It is able to produce an good creamy smooth and textured midrange that is soothing to the ears while having enough details in it. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Though some people may complain the ESS DAC chip being a bit bright signature specially in the Treble region - this implementation is just great and seemed quite the reference grade. Hence, the treble just sounded nice and full and without any unwanted peaky-ness.
STAGING & RESOLUTION:
The staging and resolution is just great and just the amount the track requires. Nothing artificial here. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Resolution is amongst the best in the price bracket and better than few others above it's price bracket also.
Impedance & Amplification:
The smart impedance features seemed to work correctly in all cases that I've tested and the dongle was able to power all IEMs with the rare exception of the Tinhifi P2 plus which requires desktop grade amplification and power.
Pairing:
The best pairing experiences I have found are with slightly warmer or reference grade IEMs. Unlike some other ESS DAC implementations, this doesn't have the tendency to increase peaky-ness when paired with bright IEMs
Comparisons:
Though I have compared all 4 of the dongles I had in my possession - @iFi audio Go Blue, Qyestyle M12, Luxury precision W2 and the Cayin RU6 dongles, it wouldn't be fair to compare Questyle M12 with dongles twice it's price. Hence, comparison had been done mainly with the iFI Audio Go Blu which comes at slightly higher price range of $199. Since the Go Blu has BT features also which is not present in M12 - the below comparison is based on wired connection only.BT performance not taken into account here.
Questyle M12 vs iFi Audio Go Blu:
Build quality: Both dongles are of extraordinary build quality and have lush premium looks.
Features & Amplification: While BT features of the Go Blu not taken into account - the smart impedance is a great nifty feature of the M12.the volume dial is a great feature of the Go Blu. both dongles have good amount of power and amplification
Sound performance: This is where the M12 was found significantly better. The midrange on the Go Blue sounded quite thin and was missing enough texture. the treble also was found a bit on the brighter side on the Go Blu. The M12 was surprisingly quieter than the Go Blu also.
Resolution & Staging: both dongles have equally good staging performance but the Go Blu lacked slightly in terms of resolution to my ears.
Conclusion :
The superb performance of the @Questyle M12 makes it an easy recommendation to anyone who is looking for a dongle in the $150-200 price range. There are many dongles below the $150 price ranges including Shanling UA2, etc.. and some at slightly higher range like the Go Blu - but the M12 outperforms them all and can easily be considered the King of $150 range dongles.
Summary & Objective:
The @Questyle M12 is the first ever dongle release by Questyle promising outstanding performance as always. It comes with great build quality and some nifty features like Smart Impedance detection and Current Amplification which makes it a great contender for the price bracket.
Introduction:
The Questyle M12 comes with great machined aluminum build and promises outstanding sound performance for the price bracket. It is the first ever dongle release by Questyle and have some very nifty new features built-into it.
The Questyle M12 is priced at $139.
Disclaimer:
This unit was sent by @Questyle for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the Dongle DAC/AMP.
Design, Build & Features:
I wouldn't want to make this a very long review by describing each feature but for people who want to know here are some extracts from the Questyle website.
Specifications:
The Questyle M12 comes with $139 price tag and the specifications are as below:
https://www.questyle.com/language/en/m12-en/
Material: CNC machined aluminum
Color: Black / Silver
Size: 51[L] X 16.5[W] X 8.1[D] (mm)
Operating System Required:
Android phone and pad: Android 5.0 and above
PC: Win10 1803 and above
Apple cellphone: iOS (You need to buy an OTG cable for Lightning to Type-C.)
Apple computer: Mac OS
DAC Capability of M12:
PCM: 32kHz – 384kHz (16/24/32Bit)
DSD: DSD64(1Bit 2.8MHz) , DSD128(1Bit 5.6MHz), DSD256(1Bit 11.2MHz)
Output Power:
Built-in smart detection circuit will automatically self-adjust the output power to fit different
impedance of headphones.
RL=16Ω，Po=46.11mW;
RL=32Ω，Po=26.71mW;
RL=300Ω，Po=12.26mW;
When the detected impedance is less than 70Ω, M12 will self-adjust to low gain output.
When it is more than 70Ω, M12 will self-adjust to high gain output.
When it is more than 600Ω, M12 will automatically switch to 2Vrms line out.
Frequency Response: ±0.1dB(20Hz-20kHz)
THD+N: 0.0003%
DAC: ESS flagship USB DAC chip ES9281AC
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
IEMs: @Vision Ears EXT, @DUNU-Topsound ZEN PRO, @CampfireAudio Dorado 2020, Holocene, Honeydew, @UniqueMelody MEST MKII, @IkkoAudio OH2, Tinhifi T3 plus, P2 Plus
Source : iPad Pro, iPhone 13 Pro max
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
QUESTYLE M12 Sound Impressions in Short:
The BASS:
The Bass sounds just great. has enough details and is able to produce enough attack in the mid base region as well. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The thumps and slams are very enjoyable.
The MIDS:
The Midrange really just excels in terms of every single element. It is able to produce an good creamy smooth and textured midrange that is soothing to the ears while having enough details in it. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Though some people may complain the ESS DAC chip being a bit bright signature specially in the Treble region - this implementation is just great and seemed quite the reference grade. Hence, the treble just sounded nice and full and without any unwanted peaky-ness.
STAGING & RESOLUTION:
The staging and resolution is just great and just the amount the track requires. Nothing artificial here. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Resolution is amongst the best in the price bracket and better than few others above it's price bracket also.
Impedance & Amplification:
The smart impedance features seemed to work correctly in all cases that I've tested and the dongle was able to power all IEMs with the rare exception of the Tinhifi P2 plus which requires desktop grade amplification and power.
Pairing:
The best pairing experiences I have found are with slightly warmer or reference grade IEMs. Unlike some other ESS DAC implementations, this doesn't have the tendency to increase peaky-ness when paired with bright IEMs
Comparisons:
Though I have compared all 4 of the dongles I had in my possession - @iFi audio Go Blue, Qyestyle M12, Luxury precision W2 and the Cayin RU6 dongles, it wouldn't be fair to compare Questyle M12 with dongles twice it's price. Hence, comparison had been done mainly with the iFI Audio Go Blu which comes at slightly higher price range of $199. Since the Go Blu has BT features also which is not present in M12 - the below comparison is based on wired connection only.BT performance not taken into account here.
Questyle M12 vs iFi Audio Go Blu:
Build quality: Both dongles are of extraordinary build quality and have lush premium looks.
Features & Amplification: While BT features of the Go Blu not taken into account - the smart impedance is a great nifty feature of the M12.the volume dial is a great feature of the Go Blu. both dongles have good amount of power and amplification
Sound performance: This is where the M12 was found significantly better. The midrange on the Go Blue sounded quite thin and was missing enough texture. the treble also was found a bit on the brighter side on the Go Blu. The M12 was surprisingly quieter than the Go Blu also.
Resolution & Staging: both dongles have equally good staging performance but the Go Blu lacked slightly in terms of resolution to my ears.
Conclusion :
The superb performance of the @Questyle M12 makes it an easy recommendation to anyone who is looking for a dongle in the $150-200 price range. There are many dongles below the $150 price ranges including Shanling UA2, etc.. and some at slightly higher range like the Go Blu - but the M12 outperforms them all and can easily be considered the King of $150 range dongles.
Hyde00
@asifur I have RU6 on the way to me, while waiting I was thinking if I should pick up M12 for comparison. Since I only use single ended so having only 3.5 mm jack for me is perfectly fine.
Though based on your comment about price, is it safe to assume I should just keep waiting for my RU6 to arrive?
Or is M12 different enough to be still worth picking up?
My preference is forward female vocal, sparkly guitar/piano/violin and rumbling bass. And generally prefer a bit aggressive sound rather than soft sound. My genre is acoustic / rock / pop, thanks!
Though based on your comment about price, is it safe to assume I should just keep waiting for my RU6 to arrive?
Or is M12 different enough to be still worth picking up?
My preference is forward female vocal, sparkly guitar/piano/violin and rumbling bass. And generally prefer a bit aggressive sound rather than soft sound. My genre is acoustic / rock / pop, thanks!
Hyde00
lol gotcha, I'll keep waiting for my RU6 then......... been 3 weeks.... so slow sighhhh (bought from member)......... ok I'll be patient. I'll pick up a balanced wire once it arrives. Thanks!!! 
Tinhifi T3 Plus : Best of Tinhifi in below $100 range so far!
Summary & Objective:
Tinhifi T3 Plus is the best tuned IEM from Tinhifi after their very successful T2 in the below $100 range. The T3 plus this time around comes in a more comfortable environmental resin shell with great build & comfort and promises great sonic performances.
Introduction:
The Tinhifi T3 Plus is the latest release by Tinhifi and is hyped to be the best tuned IEM from Tinhifi after the original T2 which had been very successful earlier. The T3 plus comes in the below $100 price range with a promise to deliver great quality sound. The T3 plus adopts 3D printing technology using environmental resin and also uses a 10MM dynamic driver with LCP diaphragm, double-cavity design to provide high-precision sound. LCP diaphragm is hard and sensitive, which brings excellent transient response and achieves high-definition sound effects.
The Tinhifi T3 Plus is priced at $69.
Disclaimer:
This unit was sent by Tinhifi for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Comfort:
The Tinhifi T3 Plus comes in 3D printed environmental friendly resin shell in a very ergonomic shape that makes a great fit in the ear.
It is also very lightweight and is very comfortable to wear even throughout long listening sessions. It uses a 10MM dynamic driver with LCP diaphragm, double-cavity design thus reducing noise and providing high-precision sound. LCP diaphragm is hard and sensitive, which brings excellent transient response and achieves high-definition sound effects. According to Tinhifi: "TINHIFI T3 PLUS, a brand-new product of the T series, combines delicate sound quality, exquisite workmanship, high-end accessories, gorgeous appearance, delicate packaging, and appropriate prices".
Specifications:
The Tinhifi T3 Plus comes with $69 price tag and the specifications are as below:
https://www.aliexpress.com/item/1005003564199865.html
or
https://www.tinhifi.com/products/tinhifi-t3-plus
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @Questyle M12, Luxury & Precision W2 Dongle DAC/AMP, Cayin RU6 R2R Dongle, @iFi audio Go Blu Dongle
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Tinhifi T3 Plus Sound Impressions in Short:
The BASS:
The Bass on the T3 plus comes with good details from sub-bass region and with good muscle & texture in the mid-bass … specially the instrument/drums attacks. The overall bass good muscle & texture and good amount of details for the price range with great bass performance. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can really enjoy the attack of the different instruments.
The MIDS:
The midrange is on the T3 plus is a bit recessed, but comes with good texture and muscle. The vocals are natural and both male and female vocals sound very smooth and natural. The midrange offers a quite laid back presentation of the instruments and vocals. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is quite wide on the T3 plus and significantly better than most IEMs in this price range. The staging has good height and depth also. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Separation however is not amongst the stronger traits of the T3 plus.
Imaging & Timbre:
The T3 plus also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
The Tinhifi T3 plus also comes in the same price category as the recently launched IKKO OH2 OPAL and also features a single dynamic driver and comfortable fit and being quite a hype in certain regions. Hence, comparing these 2 ,may help many people decide where to spend their money.
TINHIFI T3 PLUS vs IKKO OH2 OPAL:
Build & Comfort: Both of these IEMs are very lightweight and hence very comfortable and has great fit.
Bass: While both have very good Bass performances, the OH2 seemed better in terms of details retrieval and separation. Also, the depth is better in the OH2 which makes its overall bass performance slightly better. The T3 plus performance remains very commendable & enjoyable also.
Mids: While midrange is recessed for both IEMs, the T3 plus sounds a bit more smoother and fuller in the midrange while the OH2 has better details and bit forward vocal responses. Both IEMs fared some strengths & weaknesses and therefore there can be no clear winners.
Treble: The Treble performance seemed non-peaky and good in both IEMs. Not much to complain about really.
Soundstage & Separation: While the OH2 has more depth in staging the T3 plus has wider staging. However, when it came to separation the OH2 was slightly better than the T3 plus.
Conclusion :
The Tinhifi T3 Plus is a great performer given the price range and is quite worth of the hype. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Summary & Objective:
Tinhifi T3 Plus is the best tuned IEM from Tinhifi after their very successful T2 in the below $100 range. The T3 plus this time around comes in a more comfortable environmental resin shell with great build & comfort and promises great sonic performances.
Introduction:
The Tinhifi T3 Plus is the latest release by Tinhifi and is hyped to be the best tuned IEM from Tinhifi after the original T2 which had been very successful earlier. The T3 plus comes in the below $100 price range with a promise to deliver great quality sound. The T3 plus adopts 3D printing technology using environmental resin and also uses a 10MM dynamic driver with LCP diaphragm, double-cavity design to provide high-precision sound. LCP diaphragm is hard and sensitive, which brings excellent transient response and achieves high-definition sound effects.
The Tinhifi T3 Plus is priced at $69.
Disclaimer:
This unit was sent by Tinhifi for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Comfort:
The Tinhifi T3 Plus comes in 3D printed environmental friendly resin shell in a very ergonomic shape that makes a great fit in the ear.
It is also very lightweight and is very comfortable to wear even throughout long listening sessions. It uses a 10MM dynamic driver with LCP diaphragm, double-cavity design thus reducing noise and providing high-precision sound. LCP diaphragm is hard and sensitive, which brings excellent transient response and achieves high-definition sound effects. According to Tinhifi: "TINHIFI T3 PLUS, a brand-new product of the T series, combines delicate sound quality, exquisite workmanship, high-end accessories, gorgeous appearance, delicate packaging, and appropriate prices".
Specifications:
The Tinhifi T3 Plus comes with $69 price tag and the specifications are as below:
https://www.aliexpress.com/item/1005003564199865.html
or
https://www.tinhifi.com/products/tinhifi-t3-plus
| Driver unit: Ф10mm Liquid crystal polymer vibrator membrane speaker |
| Sensitivity: 105±3dB @1kHz 0.179V |
| Frequency Response: 10-20kHz |
| Impedance: 32Ω±15% |
| Rated Power: 3mW |
| Max Power: 5mW |
| Max Distortion: 1%@1k Hz 0.179V |
| Interface: Gold-plated 2P connector |
| Plug: 3.5mm black glue gold plated plug |
| Conductor/Cable: Ф2.8mm (40/0.05 oxygen-free copper+ 200D Kevlar) *4-core Black PU cable L=1.25m |
| Housing Color: Black Translucent |
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @Questyle M12, Luxury & Precision W2 Dongle DAC/AMP, Cayin RU6 R2R Dongle, @iFi audio Go Blu Dongle
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Tinhifi T3 Plus Sound Impressions in Short:
The BASS:
The Bass on the T3 plus comes with good details from sub-bass region and with good muscle & texture in the mid-bass … specially the instrument/drums attacks. The overall bass good muscle & texture and good amount of details for the price range with great bass performance. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can really enjoy the attack of the different instruments.
The MIDS:
The midrange is on the T3 plus is a bit recessed, but comes with good texture and muscle. The vocals are natural and both male and female vocals sound very smooth and natural. The midrange offers a quite laid back presentation of the instruments and vocals. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is quite wide on the T3 plus and significantly better than most IEMs in this price range. The staging has good height and depth also. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Separation however is not amongst the stronger traits of the T3 plus.
Imaging & Timbre:
The T3 plus also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
The Tinhifi T3 plus also comes in the same price category as the recently launched IKKO OH2 OPAL and also features a single dynamic driver and comfortable fit and being quite a hype in certain regions. Hence, comparing these 2 ,may help many people decide where to spend their money.
TINHIFI T3 PLUS vs IKKO OH2 OPAL:
Build & Comfort: Both of these IEMs are very lightweight and hence very comfortable and has great fit.
Bass: While both have very good Bass performances, the OH2 seemed better in terms of details retrieval and separation. Also, the depth is better in the OH2 which makes its overall bass performance slightly better. The T3 plus performance remains very commendable & enjoyable also.
Mids: While midrange is recessed for both IEMs, the T3 plus sounds a bit more smoother and fuller in the midrange while the OH2 has better details and bit forward vocal responses. Both IEMs fared some strengths & weaknesses and therefore there can be no clear winners.
Treble: The Treble performance seemed non-peaky and good in both IEMs. Not much to complain about really.
Soundstage & Separation: While the OH2 has more depth in staging the T3 plus has wider staging. However, when it came to separation the OH2 was slightly better than the T3 plus.
Conclusion :
The Tinhifi T3 Plus is a great performer given the price range and is quite worth of the hype. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Attachments
asifur
@iliketohideincloset Azla Sednafit
IKKO OH2 OPAL: Bliss for the Bassheads
Summary & Objective:
IKKO OH2 OPAL comes with a great new look & build and also comes with great sonic capabilities and performances of a single Dynamic Driver in the $80 range. It comes with a different looking nozzle and promises great performance specially for people who prefer a bit more bass.
Introduction:
The IKKO OH2 OPAL is the latest release by IKKO Audio in the below $100 price range and is considered to be a new flagship from IKKO - with a promise to deliver great quality sound. It comes with deposited carbon unit + IKKO patented SVAS(Separating Vector Acoustics System), OH2 achieves the precise volume output of sound in a limited space. The new metal cavity and ergonomic design brings the new experience in terms of sound quality and wearability.
The IKKO OH2 OPAL is priced at $79.
Disclaimer:
This unit was sent by IKKO Audio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Features:
IKKO OH2 OPAL has a nice new look to it with small transparent space from where you can see the board itself. As mentioned by IKKO on their website: "OH2 newly adopts a 24K immersion gold board to optimize microcurrent, plus ultra-low resistance FPC and unique cavity connection design improve the transmission rate more effectively". The shell itself is very lightweight and ergonomically built to provide great comfort and also comes with an oval shaped nozzle which is somewhat quite different from the other IEMs in the similar price ranges. I have found this new nozzle and their proprietary ear tips to provide great isolation and comfort throughout the listening sessions.
New Ear-tips:
The IKKO OH2 comes with it's own proprietary ear-tips to match it's oval shaped nozzle which are also oval in shape. they come in 5 different sizes to match different fit preferences.
Specifications:
The IKKO OH2 OPAL comes with $79 price tag and the specifications are as below:
https://www.ikkoaudio.com/products/earphone-ikko-oh2
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @Questyle M12, Luxury & Precision W2 Dongle DAC/AMP, Cayin RU6 R2R Dongle, @iFi audio Go Blu Dongle
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
IKKO OH2 OPAL Sound Impressions in Short:
The BASS:
The Bass on the OH2 comes with good details from sub-bass region and with good depth in the mid-bass … specially the instrument/drums attacks. The overall bass good muscle & texture and good amount of details for the price range with deep bass response. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The tumps and slams are very enjoyable specially for people who appreciate a bit more bass.
The MIDS:
Owing to the U shaped tuning of the OH2 - though the midrange is a bit recessed, the vocals seemed a bit forward and comes with good separation. Though recessed, the midrange comes with good texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like OH2 could use a bit more width. The staging has good depth and just felt a bit shorter in terms of width. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Separation however is amongst the stronger traits of the OH2.
Imaging & Timbre:
The OH2 also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
The recently launched Tinhifi T3 plus also comes in the same price category as the IKKO OH2 OPAL and also features a single dynamic driver and comfortable fit and being quite a hype in certain regions. Hence, comparing these 2 ,may help many people decide where to spend their money.
IKKO OH2 OPAL vs TINHIFI T3 PLUS:
Build & Comfort: Both of these IEMs are very lightweight and hence very comfortable and has great fit.
Bass: While both have very good Bass performances, the OH2 seemed better in terms of details retrieval and separation. Also, the depth is better in the OH2 which makes its overall bass performance slightly better. The T3 plus performance remains very commendable & enjoyable also.
Mids: While midrange is recessed for both IEMs, the T3 plus sounds a bit more smoother and fuller in the midrange while the OH2 has better details and bit forward vocal responses. Both IEMs fared some strengths & weaknesses and therefore there can be no clear winners.
Treble: The Treble performance seemed non-peaky and good in both IEMs. Not much to complain about really.
Soundstage & Separation: While the OH2 has more depth in staging the T3 plus has wider staging. However, when it came to separation the OH2 was slightly better than the T3 plus.
Conclusion :
The IKKO OH2 OPAL is a great performer given the price range specially for people who appreciate a bit more bass. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Summary & Objective:
IKKO OH2 OPAL comes with a great new look & build and also comes with great sonic capabilities and performances of a single Dynamic Driver in the $80 range. It comes with a different looking nozzle and promises great performance specially for people who prefer a bit more bass.
Introduction:
The IKKO OH2 OPAL is the latest release by IKKO Audio in the below $100 price range and is considered to be a new flagship from IKKO - with a promise to deliver great quality sound. It comes with deposited carbon unit + IKKO patented SVAS(Separating Vector Acoustics System), OH2 achieves the precise volume output of sound in a limited space. The new metal cavity and ergonomic design brings the new experience in terms of sound quality and wearability.
The IKKO OH2 OPAL is priced at $79.
Disclaimer:
This unit was sent by IKKO Audio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Features:
IKKO OH2 OPAL has a nice new look to it with small transparent space from where you can see the board itself. As mentioned by IKKO on their website: "OH2 newly adopts a 24K immersion gold board to optimize microcurrent, plus ultra-low resistance FPC and unique cavity connection design improve the transmission rate more effectively". The shell itself is very lightweight and ergonomically built to provide great comfort and also comes with an oval shaped nozzle which is somewhat quite different from the other IEMs in the similar price ranges. I have found this new nozzle and their proprietary ear tips to provide great isolation and comfort throughout the listening sessions.
New Ear-tips:
The IKKO OH2 comes with it's own proprietary ear-tips to match it's oval shaped nozzle which are also oval in shape. they come in 5 different sizes to match different fit preferences.
Specifications:
The IKKO OH2 OPAL comes with $79 price tag and the specifications are as below:
https://www.ikkoaudio.com/products/earphone-ikko-oh2
| MODEL | IKKO OH2 |
|---|---|
| Compatibility | MMCX |
| Sensitivity | 100dB |
| Impedance | 32 Ω |
| Dynamic driver | deposited carbon nano diaphragm |
| material | metallic+High-transparent polycarbonate |
| Frequency | 20Hz-20KHz |
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @Questyle M12, Luxury & Precision W2 Dongle DAC/AMP, Cayin RU6 R2R Dongle, @iFi audio Go Blu Dongle
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
IKKO OH2 OPAL Sound Impressions in Short:
The BASS:
The Bass on the OH2 comes with good details from sub-bass region and with good depth in the mid-bass … specially the instrument/drums attacks. The overall bass good muscle & texture and good amount of details for the price range with deep bass response. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the deep attack of the different instruments with just enough details. The tumps and slams are very enjoyable specially for people who appreciate a bit more bass.
The MIDS:
Owing to the U shaped tuning of the OH2 - though the midrange is a bit recessed, the vocals seemed a bit forward and comes with good separation. Though recessed, the midrange comes with good texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like OH2 could use a bit more width. The staging has good depth and just felt a bit shorter in terms of width. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. Separation however is amongst the stronger traits of the OH2.
Imaging & Timbre:
The OH2 also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
The recently launched Tinhifi T3 plus also comes in the same price category as the IKKO OH2 OPAL and also features a single dynamic driver and comfortable fit and being quite a hype in certain regions. Hence, comparing these 2 ,may help many people decide where to spend their money.
IKKO OH2 OPAL vs TINHIFI T3 PLUS:
Build & Comfort: Both of these IEMs are very lightweight and hence very comfortable and has great fit.
Bass: While both have very good Bass performances, the OH2 seemed better in terms of details retrieval and separation. Also, the depth is better in the OH2 which makes its overall bass performance slightly better. The T3 plus performance remains very commendable & enjoyable also.
Mids: While midrange is recessed for both IEMs, the T3 plus sounds a bit more smoother and fuller in the midrange while the OH2 has better details and bit forward vocal responses. Both IEMs fared some strengths & weaknesses and therefore there can be no clear winners.
Treble: The Treble performance seemed non-peaky and good in both IEMs. Not much to complain about really.
Soundstage & Separation: While the OH2 has more depth in staging the T3 plus has wider staging. However, when it came to separation the OH2 was slightly better than the T3 plus.
Conclusion :
The IKKO OH2 OPAL is a great performer given the price range specially for people who appreciate a bit more bass. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Moondrop KATO : Easy Listening Experience!
Summary & Objective:
@MOONDROP KATO comes with great build and premium looks and also comes with great sonic capabilities and performances of a single Dynamic Driver in the $200 range. It comes with 2 different nozzles that provide different type of sound appropriate for different genres and addresses some of the sound preference differences amongst the audiophile crowd.
Introduction:
@MOONDROP KATO is the latest release of Moondrop in the below $200 price range with a promise to deliver great quality sound with 2 different tuning options. The cable this time around seemed much improved and through the launch of this IEM, MOONDROP also launched their new Ear-tips "SPARKS".
The MOONDROP KATO is priced at $189.99.
Disclaimer:
This unit was sent by @shenzhenaudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Features:
Mirror Silver vs Matt Grey Versions:
I've got the chance to try out both the glossy Mirror Silver version as well as the Matt Grey version... Though at different points of time, but I myself preferring the the Matt version much more due to the following reasons:
The @MOONDROP KATO brings 2 new features into the picture:
1. Interchangeable Nozzles
2. New SPARKS Ear-tips
1. Interchangeable Nozzles:
KATO comes with 2 interchangeable nozzles: Default Stainless Steel & the Brass.
The Brass version seemed to improve upon the mid-bass slightly but at the cost or narrower staging.
2. New SPARKS Ear-tips:
SPARKS is the new silicon based ear-tips launched by Moondrop alongside the KATO. This new ear-tips seemed much softer while maintaining good shape and according to MOONDROP has some sonic impact also.
Design & Build Quality:
MOONDROP KATO is a newer generation of 10mm flagship dynamic driver after KXXS, to greatly improve the linear dynamic range and achieve full-frequency nonlinear distortion comparable to higher end headphones. KXXS had gained much international complements since released for its accurate timbre and excellent resolution. The KATO takes up the challenge to upgrade over KXXS in all areas.
Specifications:
The @MOONDROP KATO comes with $189.99 price tag and the specifications are as below:
https://shenzhenaudio.com/products/...-with-detachable-cable?variant=41120632242327
OR
https://www.moondroplab.com/kato
Name: KATO flagship advanced technology dynamic in-ear earplug
Driver: 10mm-ULT dynamic driver
Diaphragm: the 3rd generation DLC composite diaphragm
Socket: 0.78-2Pin sunken design
Housing: MIM stainless steel
Nozzle: stainless steel *2, brass *2
Cable plug: 3.5mm stereo single-ended plug
Frequency response range: 10Hz-45kHz (IEC61094, Free Field)
Effective frequency response range: 20Hz-20kHz (IEC60318-4, -3dB)
Impedance: 32Ω±15% (@1KHz)
Sensitivity: 123dB/Nrms (@1KHz)
Distortion: < 0.15% (@1khz, AES17 20khz, A-weight)
Manufacturer: MOONDROP Technology Co., Ltd.
Accessories:
KATO comes with the following accessories in a nice package:
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, Cayin IHA-6 Amplifier
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Ear Tips:
Though the Moondrop SPARKS ear-tips are indeed quite good and comfortable - I somehow preferred the Final E series Black tips over those.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
MOONDROP KATO Sound Impressions in Short:
The BASS:
The Bass on the KATO comes with good details from sub-bass region but mid-bass not very prominent. Though overall bass has some muscle & texture and good amount of details for the price range - The thump & slam of the mid-bass seemed a bit tamed down. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the attack of the different instruments with enough details. However, The thump & slam of the mid-bass felt like a miss. The Brass nozzle seems to be able to solve it somewhat.
The MIDS:
Despite the slight V shaped tuning of the KATO - the midrange is amongst it's stronger traits and feels very enjoyable. It is smooth & musical & comes with good texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like KATO could use a bit more of it. Though the default stainless steel nozzle gives good amount of width for the price range, it lacks somewhat in height & depth departments. The KATO staging is quite well defined for the price range. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. However, Instrument separation was amongst the weaker traits of this IEM.
Imaging & Timbre:
The KATO also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Quite a few IEMs had been launched recently by different brands having inter-changeable nozzle/tuning systems and new Dynamic Driver systems. Apart from the @MOONDROP KATO, there is BQEYZ AUTUMN and DUNU Falcon PRO. Though the prices are ever so slightly different - the KATO MRP being $189 and BQEYZ AUTUMN being $199, DUNU Falcon PRO being $219 - it just felt necessary to compare as they come with similar tech architectures.
MOONDROP KATO vs DUNU FALCON PRO vs BQEYZ AUTUMN:
Bass: While both the KATO & Falcon PRO had more good amount of details in the bass, the AUTUMN just seemed to have better Bass performance both in terms of sub-bass & mid-bass. Hence for the Bass I would have the following preference.... AUTUMN>Falcon PRO > KATO.
Mids: As all of the 3 IEMs had slight V shaped tuning - Midrange is amongst the stronger traits of the KATO specially. Having said that - I found the the AUTUMN was not lagging in midrange either. However, the Falcon Pro seemed the least impressive in this department due to some mid-bass bleed into the midrange in some cases.
Treble: The Treble performance seemed non-peaky and good in all 3 of the IEMs. While all 3 IEMs shine in this area, I quite liked the KATO performance here.
Soundstage & Separation: Both Falcon PRO & AUTUMN have very good staging and KATO not lagging behind either. in terms of separation though all 3 of them are good for the price range - I would personally prefer the AUTUMN due to much better separation than the other 2 IEMs.
Conclusion :
The MOONDROP KATO is a great performer given the price range and comes with great new upgrades for the audiophiles. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Summary & Objective:
@MOONDROP KATO comes with great build and premium looks and also comes with great sonic capabilities and performances of a single Dynamic Driver in the $200 range. It comes with 2 different nozzles that provide different type of sound appropriate for different genres and addresses some of the sound preference differences amongst the audiophile crowd.
Introduction:
@MOONDROP KATO is the latest release of Moondrop in the below $200 price range with a promise to deliver great quality sound with 2 different tuning options. The cable this time around seemed much improved and through the launch of this IEM, MOONDROP also launched their new Ear-tips "SPARKS".
The MOONDROP KATO is priced at $189.99.
Disclaimer:
This unit was sent by @shenzhenaudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Design, Build & Features:
Mirror Silver vs Matt Grey Versions:
I've got the chance to try out both the glossy Mirror Silver version as well as the Matt Grey version... Though at different points of time, but I myself preferring the the Matt version much more due to the following reasons:
- Same great build quality
- Not a fingerprint magnet
- Not as scratch prone as the glossy version
The @MOONDROP KATO brings 2 new features into the picture:
1. Interchangeable Nozzles
2. New SPARKS Ear-tips
1. Interchangeable Nozzles:
KATO comes with 2 interchangeable nozzles: Default Stainless Steel & the Brass.
The Brass version seemed to improve upon the mid-bass slightly but at the cost or narrower staging.
2. New SPARKS Ear-tips:
SPARKS is the new silicon based ear-tips launched by Moondrop alongside the KATO. This new ear-tips seemed much softer while maintaining good shape and according to MOONDROP has some sonic impact also.
Design & Build Quality:
MOONDROP KATO is a newer generation of 10mm flagship dynamic driver after KXXS, to greatly improve the linear dynamic range and achieve full-frequency nonlinear distortion comparable to higher end headphones. KXXS had gained much international complements since released for its accurate timbre and excellent resolution. The KATO takes up the challenge to upgrade over KXXS in all areas.
Specifications:
The @MOONDROP KATO comes with $189.99 price tag and the specifications are as below:
https://shenzhenaudio.com/products/...-with-detachable-cable?variant=41120632242327
OR
https://www.moondroplab.com/kato
Name: KATO flagship advanced technology dynamic in-ear earplug
Driver: 10mm-ULT dynamic driver
Diaphragm: the 3rd generation DLC composite diaphragm
Socket: 0.78-2Pin sunken design
Housing: MIM stainless steel
Nozzle: stainless steel *2, brass *2
Cable plug: 3.5mm stereo single-ended plug
Frequency response range: 10Hz-45kHz (IEC61094, Free Field)
Effective frequency response range: 20Hz-20kHz (IEC60318-4, -3dB)
Impedance: 32Ω±15% (@1KHz)
Sensitivity: 123dB/Nrms (@1KHz)
Distortion: < 0.15% (@1khz, AES17 20khz, A-weight)
Manufacturer: MOONDROP Technology Co., Ltd.
Accessories:
KATO comes with the following accessories in a nice package:
- BLUE case.
- Ear-tips
- 3 pairs of SPARKS
- 3 pairs of Foam tips
- 4 core cable with high-purity copper plated with thick silver
- 1 cleaning brush.
- Steel plate holding the 2 nozzles
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, Cayin IHA-6 Amplifier
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Ear Tips:
Though the Moondrop SPARKS ear-tips are indeed quite good and comfortable - I somehow preferred the Final E series Black tips over those.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
MOONDROP KATO Sound Impressions in Short:
The BASS:
The Bass on the KATO comes with good details from sub-bass region but mid-bass not very prominent. Though overall bass has some muscle & texture and good amount of details for the price range - The thump & slam of the mid-bass seemed a bit tamed down. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "Dreams (2001 Remaster) – Fleetwood Mac" you can feel the the attack of the different instruments with enough details. However, The thump & slam of the mid-bass felt like a miss. The Brass nozzle seems to be able to solve it somewhat.
The MIDS:
Despite the slight V shaped tuning of the KATO - the midrange is amongst it's stronger traits and feels very enjoyable. It is smooth & musical & comes with good texture and muscle. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Anchor - Trace Bundy" and "Ruby Tuesday - Franco Battiato" while you will love the overall midrange specially transients of the guitars, violins etc... instruments and the vocals.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like KATO could use a bit more of it. Though the default stainless steel nozzle gives good amount of width for the price range, it lacks somewhat in height & depth departments. The KATO staging is quite well defined for the price range. Tracks like: “ She Don't Know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. However, Instrument separation was amongst the weaker traits of this IEM.
Imaging & Timbre:
The KATO also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Paradise Circus - Massive Attack” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Quite a few IEMs had been launched recently by different brands having inter-changeable nozzle/tuning systems and new Dynamic Driver systems. Apart from the @MOONDROP KATO, there is BQEYZ AUTUMN and DUNU Falcon PRO. Though the prices are ever so slightly different - the KATO MRP being $189 and BQEYZ AUTUMN being $199, DUNU Falcon PRO being $219 - it just felt necessary to compare as they come with similar tech architectures.
MOONDROP KATO vs DUNU FALCON PRO vs BQEYZ AUTUMN:
Bass: While both the KATO & Falcon PRO had more good amount of details in the bass, the AUTUMN just seemed to have better Bass performance both in terms of sub-bass & mid-bass. Hence for the Bass I would have the following preference.... AUTUMN>Falcon PRO > KATO.
Mids: As all of the 3 IEMs had slight V shaped tuning - Midrange is amongst the stronger traits of the KATO specially. Having said that - I found the the AUTUMN was not lagging in midrange either. However, the Falcon Pro seemed the least impressive in this department due to some mid-bass bleed into the midrange in some cases.
Treble: The Treble performance seemed non-peaky and good in all 3 of the IEMs. While all 3 IEMs shine in this area, I quite liked the KATO performance here.
Soundstage & Separation: Both Falcon PRO & AUTUMN have very good staging and KATO not lagging behind either. in terms of separation though all 3 of them are good for the price range - I would personally prefer the AUTUMN due to much better separation than the other 2 IEMs.
Conclusion :
The MOONDROP KATO is a great performer given the price range and comes with great new upgrades for the audiophiles. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Riyan
Nice review 
shenzhenaudio
Thanks for review!
Tinhifi P2 Plus: Improved Planar Performance!
Summary & Objective:
Tinhifi P2 Plus builds over their previous generation planar based IEMs, the P2. The P2 Plus comes with great build and premium looks and also comes with better planar performances than its predecessors. It comes with their proprietary modular interchangeable plug systems and Japan Mogami cable. Though the Planar driver this time around sounds better than the previous ones (from memory) it does require a hell lot of power to reach good performance and works best with Desktop grade amplifiers.
Introduction:
The Tinhifi P2 Plus is the newest addition of planar based IEM from the house of Tinhifi who are better known for their budget grade IEMs. These come at a much premium price unlike other Tinhifi IEMs and have quite a few differentiated features such as: interchangeable plug system, better cable, better accessories, etc.
The Tinhifi P2 Plus is priced at $620.
Design & Build Quality:
The Tinhifi P2 Plus comes with great premium looks with a 18K gold electroplated shells, durable and not easy to oxidize. The shells are quite reasonable in size and are very light and comfortable. I found it very comfortable throughout the duration of the review.
Specifications:
Notice：
1. The phone cannot drive TINHIFI P2 PLUS normally, even if the volume is adjusted to 100%.
2. P2 PLUS is a product that requires a professional audio player, with sufficient thrust, 500WM normal drive, 1W, 2W, 3W to achieve the best results.
3. P2 PLUS high restoration caused problems, and some songs were not recorded well. Change song test.
4. The latitude of P2 PLUS is very good, and the audio details are still preserved at very high frequencies.
5. It is not difficult to drive P2 PLUS, and enough power is needed to drive P2 perfectly.
Accessories:
Tinhifi P2 Plus comes with the following accessories in a nice package:
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, Topping A90
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Amp-ing Requirements:
The P2 Plus requires at least a 4 Watt+ amplifier to power it properly. I have tried it with the @iFi audio Micro iDSD Signature and also the Topping A90 amplifier and found best performance from the Topping A90 .
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Black, Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC spiral dot tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Tinhifi P2 Plus Sound Impressions in Short:
The BASS:
The Bass on the P2 Plus is mid-bass centric and doesn't come with much details from the sub-bass region. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can feel the the intense attacks in the the mid-bass area from the different instruments but lacking details.
The MIDS:
The midrange is the stronger trai of the P2 plus - specially due to it's Planar driver. The midrange is quite resolving and has enough muscle to it. Vocals and quite enjoyable and the transients specially are very enjoyable coming from the planar driver. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange and you will just love the transients of the guitars, violins etc... instruments.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is very wide but with good height and depth also. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. However, this is not amongst the strongest trait of this IEM.
Imaging & Timbre:
The P2 Plus also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
A review is not complete without comparisons. So, here we are comparing the Tinhifi P2 Plus with the @CampfireAudio Holocene.
Though both IEMs have very different architectures with the P2 Plus being Planar based while the Holocene is fully BA driver based IEM - the similarity is mainly in the price range with both IEM in the $650 range.
Tinhifi P2 Plus vs Campfire Audio Holocene:
While both IEMs cost similar amount of money - their experiences are completely different and some people may choose one over the other based on the differentiated sound preferences.
Bass: This is where the Campfire Audio Holocene shines over the P2 plus despite being a all BA IEM. it brings in much more details from the sub-bass region while maintaining a good thump & slam from the mid-bass. The P2 plus has more intense mid-bass but just not enough details.
Mids: This is where both IEMs perform great. While the Holocene brings in much more details in the percussions of the instruments - it lacks in the transients section due it's faster BA based decay. This is where the P2 plus is strong and transients feel quite life-like coming from it and also the overall midrange a bit more resolving than the Holocene.
Treble: Both of these IEMs come with non-peaky and enjoyable treble with the Holocene having slight edge due to better details retrieval.
Soundstage & Timbre: Despite the P2 plus being a planar driver based IEM - the Holocene seemed to have better staging, imaging capabilities. Both IEms have good and enjoyable timbre.
Conclusion :
The Tinhifi P2 Plus is amongst the few Planar driver based IEMs and can be a good performer when powered adequately. It can be ideal for people with Desktop grade setup and prefer the planar sound signature.
Summary & Objective:
Tinhifi P2 Plus builds over their previous generation planar based IEMs, the P2. The P2 Plus comes with great build and premium looks and also comes with better planar performances than its predecessors. It comes with their proprietary modular interchangeable plug systems and Japan Mogami cable. Though the Planar driver this time around sounds better than the previous ones (from memory) it does require a hell lot of power to reach good performance and works best with Desktop grade amplifiers.
Introduction:
The Tinhifi P2 Plus is the newest addition of planar based IEM from the house of Tinhifi who are better known for their budget grade IEMs. These come at a much premium price unlike other Tinhifi IEMs and have quite a few differentiated features such as: interchangeable plug system, better cable, better accessories, etc.
The Tinhifi P2 Plus is priced at $620.
Design & Build Quality:
The Tinhifi P2 Plus comes with great premium looks with a 18K gold electroplated shells, durable and not easy to oxidize. The shells are quite reasonable in size and are very light and comfortable. I found it very comfortable throughout the duration of the review.
Specifications:
| Brand Name: TINHIFI | Style: In-ear |
| Certification: CE | Certification: FCC |
| Certification: RoHS | Vocalism Principle: Orthodynamic |
| Origin: CN(Origin) | Control Button: No |
| Active Noise-Cancellation: No | Communication: Wired |
| Volume Control: No | Is wireless: Yes |
| Max Output: 5mW | Line Length: 1.2m |
| Function: Monitor Headphone | Function: HiFi Headphone |
| Number Of Drivers: 2 | Plug Type: L Bending |
| Package List: User Manual | Package List: Carrying Bag |
| Package List: 3.5mm Jack Adapter | Package List: Replaceable Pads Set |
| Package List: Detachable Audio Cable | Impedance Range: from 33 to 100 Ω |
| Connectors: 2.5mm | Model Number: P2 PLUS |
| Driver Diameter: 12mm | Waterproof: No |
| Frequency Response Range: 7 - 400000Hz | With Microphone: No |
| Features: Detachable Cable |
Notice：
1. The phone cannot drive TINHIFI P2 PLUS normally, even if the volume is adjusted to 100%.
2. P2 PLUS is a product that requires a professional audio player, with sufficient thrust, 500WM normal drive, 1W, 2W, 3W to achieve the best results.
3. P2 PLUS high restoration caused problems, and some songs were not recorded well. Change song test.
4. The latitude of P2 PLUS is very good, and the audio details are still preserved at very high frequencies.
5. It is not difficult to drive P2 PLUS, and enough power is needed to drive P2 perfectly.
Accessories:
Tinhifi P2 Plus comes with the following accessories in a nice package:
- Light Brown leather case.
- Ear-tips
- 3 pairs of silicone tips
- 1 pairs of @SpinFit Eartip CP100 tips
- 3 pairs of Foam tips
- Cable with interchangeable plugs: 2.5/3.5/4.4mm
- 1 cleaning brush.
- 1 tweezer
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, Topping A90
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Amp-ing Requirements:
The P2 Plus requires at least a 4 Watt+ amplifier to power it properly. I have tried it with the @iFi audio Micro iDSD Signature and also the Topping A90 amplifier and found best performance from the Topping A90 .
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Black, Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC spiral dot tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Tinhifi P2 Plus Sound Impressions in Short:
The BASS:
The Bass on the P2 Plus is mid-bass centric and doesn't come with much details from the sub-bass region. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can feel the the intense attacks in the the mid-bass area from the different instruments but lacking details.
The MIDS:
The midrange is the stronger trai of the P2 plus - specially due to it's Planar driver. The midrange is quite resolving and has enough muscle to it. Vocals and quite enjoyable and the transients specially are very enjoyable coming from the planar driver. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange and you will just love the transients of the guitars, violins etc... instruments.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is very wide but with good height and depth also. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. However, this is not amongst the strongest trait of this IEM.
Imaging & Timbre:
The P2 Plus also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
A review is not complete without comparisons. So, here we are comparing the Tinhifi P2 Plus with the @CampfireAudio Holocene.
Though both IEMs have very different architectures with the P2 Plus being Planar based while the Holocene is fully BA driver based IEM - the similarity is mainly in the price range with both IEM in the $650 range.
Tinhifi P2 Plus vs Campfire Audio Holocene:
While both IEMs cost similar amount of money - their experiences are completely different and some people may choose one over the other based on the differentiated sound preferences.
Bass: This is where the Campfire Audio Holocene shines over the P2 plus despite being a all BA IEM. it brings in much more details from the sub-bass region while maintaining a good thump & slam from the mid-bass. The P2 plus has more intense mid-bass but just not enough details.
Mids: This is where both IEMs perform great. While the Holocene brings in much more details in the percussions of the instruments - it lacks in the transients section due it's faster BA based decay. This is where the P2 plus is strong and transients feel quite life-like coming from it and also the overall midrange a bit more resolving than the Holocene.
Treble: Both of these IEMs come with non-peaky and enjoyable treble with the Holocene having slight edge due to better details retrieval.
Soundstage & Timbre: Despite the P2 plus being a planar driver based IEM - the Holocene seemed to have better staging, imaging capabilities. Both IEms have good and enjoyable timbre.
Conclusion :
The Tinhifi P2 Plus is amongst the few Planar driver based IEMs and can be a good performer when powered adequately. It can be ideal for people with Desktop grade setup and prefer the planar sound signature.
Vision Ears EXT: Totally Amazing Experience!
Summary:
The @Vision Ears EXT is had been launched as an upgrade to their already great performing Elysium. I have found it to be a totally amazing performing IEM – likely amongst the very best that I’ve tried till date, and I have tried a good number of IEMs at $1000+ category but not really in the $3000 bracket where the EXT comes in. It has excellent pairing with all of the sources that I was able to test it with – be it dongles, DAC/AMPs or DAPs.
From the details of the sub bass region to the excellent texture, percussions & transients in the midrange not to forget excellent reproduction of the vocals and airy & elated superb treble performances that is likely unmatched. Staging, imaging and Timbre is also just superb. Not to forget the exquisite build quality of this IEM by the manufacturers. Overall, I have found it to be worth every penny of the high price tag that it comes with.
Introduction:
Vison Ears is a boutique German IEM & CIEM manufacturer. They have been considered to be very high-quality manufacturers and likely amongst the best ones globally. The Elysium had been their hybrid custom IEM which had been very successful in 2019 and won many awards since launch. In 2021, Vision Ears decided to launch upgrade and successor to their already very successful flagship Elysium. Thus, the EXT came into the picture.
Listening to the EXT will bring you closer to a very realistic sound experience. The 4 electrostatic drivers create a wide-open landscape of lush details that never feel exaggerated. In combination with a 9.2mm dynamic driver, with loads of power in the very low end and a 6mm driver for the mids, the EXT is just an uncompromising performer for any music with high levels of accuracy.
The Vision Ears EXT is priced at $2960.
Design & Tech Details:
The most captivating element of the Vision Ears EXT is its purple machined faceplate with the prominent and magnificent X design. The elegant deep purple color just looks lush & premium. A vacuum metalized mesh is elegantly sparkling underneath the open structure of the X design makes the IEM very lightweight while allowing the Dynamic Drivers to breathe. Apart from the aluminum faceplate, the shell is made of solid black acrylic in a semi-custom shape. A black transparent area is allowing a discreet peek on the green HALC and the four electrostatic drivers while being very lightweight and comfortable to wear. You can easily use this IEM for longer listening sessions and I found them very comfortable during a 3hrs+ listing spree I went through during the review.
The EXT is based on the idea of the ELYSIUM but more. More lows that make you feel the rumble. More mids that vividly embrace you. And more highs to bring an airy and elated experience. The 2 Dynamic drivers and 4 EST drivers make sure that the experience is superb but doesn’t come at the cost of power hungriness. An easy lightness surrounds the IEM, airy, silk-like notes gather around your head, musical areas you never recognized will unfold before your closed eyes, a truly amazing experience.
Specifications:
The Vision Ears EXT comes at $2960 price tag and the specifications are as below:
https://vision-ears.de/premiumline_en/ext
https://shop.musicteck.com/collecti...ion-ears-ext-universal?variant=39551552028734
The Cable, Case & Accessories:
The Case:
The EXT design is prominently covering the finely machined aluminum case. A striking and unmistakable look, showing the remarkable design of the EXT. The inside walls are all covered with a rubber inlay, so that the earphone is always protected when you are on the go. A premium leather pocket holds the earphones in place, preventing them to collide during transport.
The Cable:
The EXT comes with a premium 8 wire spc 28AWG cable with a balanced 2.5mm connector as a standard. With the all new VE Adapter you can simply change the termination from 2.5mm to 4.4mm. This premium adapter comes with a gold-plated phosphor bronze conductor and an audio grade POM insulation. I have tried the EXT with a number of 3rd party upgrade cables but found the default cable to be much higher quality than any 3rd party ones.
The Accessories:
The EXT comes with 2 brands of ear-tips: Azla Sedna Crystal & @SpinFit Eartip CP500 with 4 pairs of each of different sizes. Apart from these there’s a leather pouch holding the EXT warranty card and a leather key ring. There’s also a leather pouch for holding the shells in the case.
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP & Dongles: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, @iFi audio Go Blu
DAP/Source : Cayin N6 Mk2 with R2R motherboard, Cayin N3 PRO with both tube & digital outputs
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips such as: Final E series red & black ones, JVC Spiral dots, Spiral Dots+, Spinfit CP100+, CP145 and the ones that came with the EXT – Azla Sedna Crystal & @SpinFit Eartip CP500. Out of all of these I have found the CP500 to be the best fit for my ears in terms of overall fit, isolation & comfort.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Pairing Performance with different sources:
The EXT pairs really well with each of the sources mentioned above starting from the cheapest dongle @iFi audio Go Blu to the Micro iDSD Signature and Cayin N6ii R2R.
Though the W2 dongle & the Micro iDSD Signature seemed more resolving in the beginning, after pairing with the Cayin N6ii R2R motherboard – the pairing just seemed excellent and there was no turning back from there really. Like they say – once you have heard the difference, it’s hard to go back.
Vision Ears EXT Sound Impressions in Short:
The BASS:
The Bass of the Vision Ears EXT is just superb starting from the small micro details coming from the sub-bass region to the meatier mid-bass but in no way is it overwhelming by any means. In tracks like: "Dreams (2001 Remastered) – Fleetwood Mac" and "Chocolate Chip Trip - Tool" you can hear each instrument percussion separately; you can really feel the drums and their attack - with ample transients and details. I think the Bass is amongst the stronger traits of the Vision Ears EXT and comes with good depth in the thump & slams.
The MIDS:
The Dynamic driver-based midrange of the EXT comes with ample texture, muscle and transients. It is smooth & musical and the vocals are very immersive and both male and female vocals come with ample amount of details and feel very real. Instruments felt very natural and real with high accuracy. In tracks like: "Anchor - Trace Bundy", "A dog named Freedom – Kinky Friedman" and "Ruby Tuesday – Franco Battiato" it’s really easy to get lost into the music as it comes with ample detailed transients, texture, excellent vocals and details.
The TREBLE:
The treble feels airy and elated. The EST based treble is just superb and Cymbals sound very life-like and real in tracks like “Chocolate Chip Trip – Tool”.
Treble in tracks like: "Paradise Circus – Massive Attack", "Mambo for Roy – Roy Hargrove” and "Saints and Angels – Sharon Shannon" feel smooth & creamy with the right amount of air and texture and just feels very buttery smooth.
The SOUNDSTAGE:
The Staging capabilities of the Vision Ears EXT is the best I’ve come across till date. It comes with the right amount of width, height, depth and is well defined and just as much as the track requires. Tracks like: “The Secret Drawer – Bela Fleck and the Flecktones” or “She Don’t know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound amazing & enjoyable. This is amongst the strongest trait of this IEM.
Imaging & Timbre:
The Imaging on the EXT is superb with very accurate sense of direction and life-like natural Timbre performance. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
No review is complete without comparisons. So here we are - with the @UniqueMelody MEST MKII and Campfire Audio Dorado 2020.
Vision Ears EXT vs UM MEST MKII vs CA Dorado 2020:
I don’t have a comparable IEM that comes close to the Vision Ears EXT in terms of price. I have compared the EXT with the Unique Melody MEST MKII which comes at $1499 and the Campfire Audio Dorado 2020 which comes at $1100. While the Vision Ears EXT is a hybrid with 2 DD & 4 EST, the MEST MKII is a Quadbrid with DD+BA+EST+BC drivers and the Campfire Dorado 2020 is also a hybrid with 1DD + 1BA architecture.
Bass: While the Dorado 2020 definitely has more punch & slam than the other 2 – the MEST MKII has more details in the sub bass but the mid bass is slightly dimmer. The EXT seems to have the right amount of details with excellent texture and slam and hence is far ahead of both of the other IEMs
Mids: Though tuning of the MEST MKII might suggest that it will likely be better of the 3 as the Dorado 2020 has slightly recessed midrange. However, the Dynamic driver-based midrange on the EXT seems to be superior compared to the MEST MKII - let alone the Dorado 2020. There is much better texture, muscle, instrument separation, vocals, transients, etc. on the EXT.
Treble: though both MEST MKII and the EXT has EST based treble which is buttery smooth – the treble on the EXT seems like a notch upwards compared to the MEST MKII with a more airy & elated presentation. It’s hard to explain the differences but you will definitely notice it without fail.
Soundstage & Timbre: Though the Dorado 2020 and the MEST MKII both have great staging capabilities – but when compared to the EXT they somehow seem to fall short or otherwise the EXT just seems better & more accurate representation of the real-world.
Imaging: This is where the EXT just blows the other 2 out of water. The instrument separation and the sense of positioning is significantly better than the other 2 IEMs.
Conclusion:
The @Vision Ears EXT is a stellar performer and in my opinion amongst the very best of the Vision Ears line-up. It is very easy to drive and performs well with just any combination. It is quite comfortable to wear through long listening sessions and that's what makes it an ideal daily driver for people who just want to hear superb sound performances all day, every day.
Summary:
The @Vision Ears EXT is had been launched as an upgrade to their already great performing Elysium. I have found it to be a totally amazing performing IEM – likely amongst the very best that I’ve tried till date, and I have tried a good number of IEMs at $1000+ category but not really in the $3000 bracket where the EXT comes in. It has excellent pairing with all of the sources that I was able to test it with – be it dongles, DAC/AMPs or DAPs.
From the details of the sub bass region to the excellent texture, percussions & transients in the midrange not to forget excellent reproduction of the vocals and airy & elated superb treble performances that is likely unmatched. Staging, imaging and Timbre is also just superb. Not to forget the exquisite build quality of this IEM by the manufacturers. Overall, I have found it to be worth every penny of the high price tag that it comes with.
Introduction:
Vison Ears is a boutique German IEM & CIEM manufacturer. They have been considered to be very high-quality manufacturers and likely amongst the best ones globally. The Elysium had been their hybrid custom IEM which had been very successful in 2019 and won many awards since launch. In 2021, Vision Ears decided to launch upgrade and successor to their already very successful flagship Elysium. Thus, the EXT came into the picture.
Listening to the EXT will bring you closer to a very realistic sound experience. The 4 electrostatic drivers create a wide-open landscape of lush details that never feel exaggerated. In combination with a 9.2mm dynamic driver, with loads of power in the very low end and a 6mm driver for the mids, the EXT is just an uncompromising performer for any music with high levels of accuracy.
The Vision Ears EXT is priced at $2960.
Design & Tech Details:
The most captivating element of the Vision Ears EXT is its purple machined faceplate with the prominent and magnificent X design. The elegant deep purple color just looks lush & premium. A vacuum metalized mesh is elegantly sparkling underneath the open structure of the X design makes the IEM very lightweight while allowing the Dynamic Drivers to breathe. Apart from the aluminum faceplate, the shell is made of solid black acrylic in a semi-custom shape. A black transparent area is allowing a discreet peek on the green HALC and the four electrostatic drivers while being very lightweight and comfortable to wear. You can easily use this IEM for longer listening sessions and I found them very comfortable during a 3hrs+ listing spree I went through during the review.
The EXT is based on the idea of the ELYSIUM but more. More lows that make you feel the rumble. More mids that vividly embrace you. And more highs to bring an airy and elated experience. The 2 Dynamic drivers and 4 EST drivers make sure that the experience is superb but doesn’t come at the cost of power hungriness. An easy lightness surrounds the IEM, airy, silk-like notes gather around your head, musical areas you never recognized will unfold before your closed eyes, a truly amazing experience.
Specifications:
The Vision Ears EXT comes at $2960 price tag and the specifications are as below:
https://vision-ears.de/premiumline_en/ext
https://shop.musicteck.com/collecti...ion-ears-ext-universal?variant=39551552028734
- 3-way crossover
- 1 x 9.2mm Dynamic Driver
- 1 x 6 mm Dynamic Driver
- 4 x Est, Electrostatic Tweeter
- Impedance: 10Ω @ 1KHz
- Sensitivity 1mW: 108.5 dB SPL @ 1KHz (100mV)
The Cable, Case & Accessories:
The Case:
The EXT design is prominently covering the finely machined aluminum case. A striking and unmistakable look, showing the remarkable design of the EXT. The inside walls are all covered with a rubber inlay, so that the earphone is always protected when you are on the go. A premium leather pocket holds the earphones in place, preventing them to collide during transport.
The Cable:
The EXT comes with a premium 8 wire spc 28AWG cable with a balanced 2.5mm connector as a standard. With the all new VE Adapter you can simply change the termination from 2.5mm to 4.4mm. This premium adapter comes with a gold-plated phosphor bronze conductor and an audio grade POM insulation. I have tried the EXT with a number of 3rd party upgrade cables but found the default cable to be much higher quality than any 3rd party ones.
The Accessories:
The EXT comes with 2 brands of ear-tips: Azla Sedna Crystal & @SpinFit Eartip CP500 with 4 pairs of each of different sizes. Apart from these there’s a leather pouch holding the EXT warranty card and a leather key ring. There’s also a leather pouch for holding the shells in the case.
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP & Dongles: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP, @iFi audio Go Blu
DAP/Source : Cayin N6 Mk2 with R2R motherboard, Cayin N3 PRO with both tube & digital outputs
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips such as: Final E series red & black ones, JVC Spiral dots, Spiral Dots+, Spinfit CP100+, CP145 and the ones that came with the EXT – Azla Sedna Crystal & @SpinFit Eartip CP500. Out of all of these I have found the CP500 to be the best fit for my ears in terms of overall fit, isolation & comfort.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews...
Pairing Performance with different sources:
The EXT pairs really well with each of the sources mentioned above starting from the cheapest dongle @iFi audio Go Blu to the Micro iDSD Signature and Cayin N6ii R2R.
Though the W2 dongle & the Micro iDSD Signature seemed more resolving in the beginning, after pairing with the Cayin N6ii R2R motherboard – the pairing just seemed excellent and there was no turning back from there really. Like they say – once you have heard the difference, it’s hard to go back.
Vision Ears EXT Sound Impressions in Short:
The BASS:
The Bass of the Vision Ears EXT is just superb starting from the small micro details coming from the sub-bass region to the meatier mid-bass but in no way is it overwhelming by any means. In tracks like: "Dreams (2001 Remastered) – Fleetwood Mac" and "Chocolate Chip Trip - Tool" you can hear each instrument percussion separately; you can really feel the drums and their attack - with ample transients and details. I think the Bass is amongst the stronger traits of the Vision Ears EXT and comes with good depth in the thump & slams.
The MIDS:
The Dynamic driver-based midrange of the EXT comes with ample texture, muscle and transients. It is smooth & musical and the vocals are very immersive and both male and female vocals come with ample amount of details and feel very real. Instruments felt very natural and real with high accuracy. In tracks like: "Anchor - Trace Bundy", "A dog named Freedom – Kinky Friedman" and "Ruby Tuesday – Franco Battiato" it’s really easy to get lost into the music as it comes with ample detailed transients, texture, excellent vocals and details.
The TREBLE:
The treble feels airy and elated. The EST based treble is just superb and Cymbals sound very life-like and real in tracks like “Chocolate Chip Trip – Tool”.
Treble in tracks like: "Paradise Circus – Massive Attack", "Mambo for Roy – Roy Hargrove” and "Saints and Angels – Sharon Shannon" feel smooth & creamy with the right amount of air and texture and just feels very buttery smooth.
The SOUNDSTAGE:
The Staging capabilities of the Vision Ears EXT is the best I’ve come across till date. It comes with the right amount of width, height, depth and is well defined and just as much as the track requires. Tracks like: “The Secret Drawer – Bela Fleck and the Flecktones” or “She Don’t know – Melody Gardot” or “Bohemian Rhapsody (live aid) – Queen” sound amazing & enjoyable. This is amongst the strongest trait of this IEM.
Imaging & Timbre:
The Imaging on the EXT is superb with very accurate sense of direction and life-like natural Timbre performance. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
No review is complete without comparisons. So here we are - with the @UniqueMelody MEST MKII and Campfire Audio Dorado 2020.
Vision Ears EXT vs UM MEST MKII vs CA Dorado 2020:
I don’t have a comparable IEM that comes close to the Vision Ears EXT in terms of price. I have compared the EXT with the Unique Melody MEST MKII which comes at $1499 and the Campfire Audio Dorado 2020 which comes at $1100. While the Vision Ears EXT is a hybrid with 2 DD & 4 EST, the MEST MKII is a Quadbrid with DD+BA+EST+BC drivers and the Campfire Dorado 2020 is also a hybrid with 1DD + 1BA architecture.
Bass: While the Dorado 2020 definitely has more punch & slam than the other 2 – the MEST MKII has more details in the sub bass but the mid bass is slightly dimmer. The EXT seems to have the right amount of details with excellent texture and slam and hence is far ahead of both of the other IEMs
Mids: Though tuning of the MEST MKII might suggest that it will likely be better of the 3 as the Dorado 2020 has slightly recessed midrange. However, the Dynamic driver-based midrange on the EXT seems to be superior compared to the MEST MKII - let alone the Dorado 2020. There is much better texture, muscle, instrument separation, vocals, transients, etc. on the EXT.
Treble: though both MEST MKII and the EXT has EST based treble which is buttery smooth – the treble on the EXT seems like a notch upwards compared to the MEST MKII with a more airy & elated presentation. It’s hard to explain the differences but you will definitely notice it without fail.
Soundstage & Timbre: Though the Dorado 2020 and the MEST MKII both have great staging capabilities – but when compared to the EXT they somehow seem to fall short or otherwise the EXT just seems better & more accurate representation of the real-world.
Imaging: This is where the EXT just blows the other 2 out of water. The instrument separation and the sense of positioning is significantly better than the other 2 IEMs.
Conclusion:
The @Vision Ears EXT is a stellar performer and in my opinion amongst the very best of the Vision Ears line-up. It is very easy to drive and performs well with just any combination. It is quite comfortable to wear through long listening sessions and that's what makes it an ideal daily driver for people who just want to hear superb sound performances all day, every day.
ruffandruff
Excellent review mate
ucrags84
Excellent review! I have the Elys and EXT. ended up selling the Elys as I personally prefer the Ext bass. Elys did have magical mids.
The stock silicone tips and other included with the Ext aren’t working well for me. What other eartips would you recommend?
The stock silicone tips and other included with the Ext aren’t working well for me. What other eartips would you recommend?
DUNU FALCON PRO :: ECLIPSE for the Affordable Range!
Summary & Objective:
Through the @DUNU-Topsound Falcon Pro - DUNU has made their ECLIPSE technology for Dynamic drivers available for the affordable range to the masses.
DUNU Falcon Pro comes with great build and premium looks and also comes with great sonic capabilities and performances. They have also made their popular modular connection cable technology available to the more affordable range through the Falcon Pro. It also comes with 3 different nozzles that provide different type of sound appropriate for different genres and addresses some of the sound preference differences amongst the audiophile crowd.
Introduction:
The @DUNU-Topsound Falcon PRO is the newest addition of DUNU in its ECLIPSE technology based drivers and coming at a more affordable range than ever before. It also comes with interchangeable nozzles and new Q-Lite modular cable system which allows people to have different experiences across different genres and also enables pairing easily across a variety of devices and sources.
The DUNU FALCON PRO is priced at $219.99.
Disclaimer:
This review unit was sent by @DUNU-Topsound for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Tech Features:
The DUNU FALCON PRO brings 3 types of new & different technical features into the picture:
1. The ECLIPSE Driver
2. Interchangeable Nozzles
3. Q-LOCK LITE modular cable connector system
1. ECLIPSE Driver:
Falcon Pro comes with DUNU proprietary 10 mm ECLIPSE Driver with Amorphous Diamond-Like Carbon Dome, Fully Independent Suspension Surround, and 1.6 T Magnet System which is explained by DUNU in the picture below:
2. Interchangeable Nozzles:
Falcon Pro comes with 3 interchangeable nozzles: Transparency, reference, & Atmospheric Immersion
3. Q-Lock Lite modular cable connection system:
Q-Lock LITE is a brand new modular plug system from DUNU.
Designed from the ground up for robust reliability without breaking the bank, Q-Lock LITE retains the best conveniences of our renowned Q-Lock PLUS quick-switch modular plug system and improves on cost effectiveness.
FALCON PRO is bundled with a full set of 2.5 mm TRRS balanced, 3.5 mm TRS single-ended, and 4.4 mm TRRRS balanced terminations, each fully compatible with the Q-Lock LITE system.
Design & Build Quality:
The DUNU Falcon Pro comes with great premium looks with a polished stainless steel shell with DUNU logo etched across the edges. The dual chambered anti-resonance shell design facilitates the space for interchangeable tuning nozzles which bring in more flexibility for people who would want it. The shell being made of stainless steel though heavy but makes a comfortable fit in the ears. However, this extra weight can become bothersome for some very long listening sessions for some people. I however found it quite comfortable throughout the duration of the review.
Specifications:
The DUNU Falcon PRO comes with $219.99 price tag and the specifications are as below:
https://www.dunu-topsound.com/falcon-pro
BRAND: DUNU
MODEL: FALCON PRO
NET WEIGHT: 19 g
FREQUENCY RESPONSE: 5 Hz – 40 kHz
SENSITIVITY: 112 ± 1 dB at 1 kHz
IMPEDANCE: 26 Ω at 1 kHz
TOTAL HARMONIC DISTORTION: < 0.3% at 1 kHz
ECLIPSE DRIVE MODULE
HOUSING
LENGTH: 1.2 ± 0.1 m
MATERIAL: 6N silver-plated OCC copper
CABLE CONNECTOR: Patented Catch-Hold® MMCX Connector
PLUG CONNECTOR: DUNU Quick-Switch Modular Plug System (NEW)
INCLUDED PLUG TERMINATION(S):
Accessories:
DUNU falcon Pro comes with the following accessories in a nice package:
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Black, Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC spiral dot tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
DUNU FALCON PRO Sound Impressions in Short:
Story of the 3 Nozzles:
When it comes to sound performance, the different nozzles make some difference in the sound experience.
The 3 nozzles as follows: Transparency, Balanced & Atmospheric Immersion
My experiences with the nozzles are as follows :
The BASS:
The Bass on the Falcon Pro comes with good intensity of attacks but not very prominent. Bass has some muscle & texture and goos amount of details for the price range - thanks to the ECLIPSE driver. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can feel the the attack of the different instruments with enough details. I think the Bass is amongst the stronger traits of the Falcon pro with just enough depth. However, some may fell the want fot deeper and more prominent bass and intensified thump & slam. they can use the Atmospheric Nozzle in that case.
The MIDS:
Despite the slight V shaped tuning of the Falcon Pro - the midrange is doesn't feel significantly recessed and feels very enjoyable. It is smooth & musical & comes with good texture but felt lacking muscle a tad bit. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange and you will just love the transients of the guitars, violins etc... instruments.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like Falcon Pro could use a bit more of it. Though the reference nozzle gives good amount of width & depth for the price range, IEMs of slightly higher price like the Campfire Auido Honeydew felt having much better staging than the Falcon Pro. The Falcon Pro staging is well defined for the price range. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. However, this is not amongst the strongest trait of this IEM. Instrument separation on the other hand was good considering the price range.
Imaging & Timbre:
The Falcon Pro also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Quite a few IEMs had been launched recently by different brands having inter-changeable nozzle systems and new Dynamic Driver systems. Apart from DUNU Falcon PRO there is the @MOONDROP KATO and @FiiO FD3 PRO. Though the prices are different - the KATO MRP being $189 and FD3 PRO being $149, both of which are lower than the Falcon Pro - it just felt necessary to compare as they come with similar tech architectures.
DUNU FALCON PRO vs MOONDROP KATO vs FIIO FD3 PRO:
The DUNU Falcon Pro comes at a slightly higher price than both the Moondrop Kato and the FiiO FD3 Pro. As all 3 of these IEMs come with Single dynamic driver and interchangeable nozzle architecture - for the simplicity of the comparison I've used the default nozzles for the below comparative experience.
Bass: While both the KATO & FD3 PRO had more intense attacks and more prominent thump & slam in the bass, the Falcon pro simply had more more details and texture in its Bass response. Hence for the Bass I would have the following preference.... Falcon PRO > KATO > FD3 PRO.
Mids: As all of the 3 IEMs had V shaped tuning - mids were slightly less prominent in all of them. Having said that - I found the KATO mids performance to be the least recessed and pleasing. However, the Falcon Pro had better muscle & texture which were somewhat missing in the KATO. the FD3 Pro were the least impressive.
Treble: The FD3 Pro seemed to have a slightly peaky upper mids & treble (which gets solved through the other nozzle) which were not the case for the other 2 IEMs. Here both Falcon Pro & KATO seemed to fare good with smooth treble performance despite a very slight peak in the KATO.
Soundstage & Timbre: Staging is where the Falcone Pro secures a big win over the others. The staging on the Falcone pro is more balanced with good width, depth & height while the KATO seems to lack in width and FD3 seemed to lack in depth. Instrument separation on the Falcon Pro was also better than the other 2 IEMs.
Conclusion :
The DUNU Falcon Pro is a great performer given the price range and comes with many differentiated features which give more flexibility of use to the consumer - in this case the audiophile. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Summary & Objective:
Through the @DUNU-Topsound Falcon Pro - DUNU has made their ECLIPSE technology for Dynamic drivers available for the affordable range to the masses.
DUNU Falcon Pro comes with great build and premium looks and also comes with great sonic capabilities and performances. They have also made their popular modular connection cable technology available to the more affordable range through the Falcon Pro. It also comes with 3 different nozzles that provide different type of sound appropriate for different genres and addresses some of the sound preference differences amongst the audiophile crowd.
Introduction:
The @DUNU-Topsound Falcon PRO is the newest addition of DUNU in its ECLIPSE technology based drivers and coming at a more affordable range than ever before. It also comes with interchangeable nozzles and new Q-Lite modular cable system which allows people to have different experiences across different genres and also enables pairing easily across a variety of devices and sources.
The DUNU FALCON PRO is priced at $219.99.
Disclaimer:
This review unit was sent by @DUNU-Topsound for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Tech Features:
The DUNU FALCON PRO brings 3 types of new & different technical features into the picture:
1. The ECLIPSE Driver
2. Interchangeable Nozzles
3. Q-LOCK LITE modular cable connector system
1. ECLIPSE Driver:
Falcon Pro comes with DUNU proprietary 10 mm ECLIPSE Driver with Amorphous Diamond-Like Carbon Dome, Fully Independent Suspension Surround, and 1.6 T Magnet System which is explained by DUNU in the picture below:
2. Interchangeable Nozzles:
Falcon Pro comes with 3 interchangeable nozzles: Transparency, reference, & Atmospheric Immersion
3. Q-Lock Lite modular cable connection system:
Q-Lock LITE is a brand new modular plug system from DUNU.
Designed from the ground up for robust reliability without breaking the bank, Q-Lock LITE retains the best conveniences of our renowned Q-Lock PLUS quick-switch modular plug system and improves on cost effectiveness.
FALCON PRO is bundled with a full set of 2.5 mm TRRS balanced, 3.5 mm TRS single-ended, and 4.4 mm TRRRS balanced terminations, each fully compatible with the Q-Lock LITE system.
Design & Build Quality:
The DUNU Falcon Pro comes with great premium looks with a polished stainless steel shell with DUNU logo etched across the edges. The dual chambered anti-resonance shell design facilitates the space for interchangeable tuning nozzles which bring in more flexibility for people who would want it. The shell being made of stainless steel though heavy but makes a comfortable fit in the ears. However, this extra weight can become bothersome for some very long listening sessions for some people. I however found it quite comfortable throughout the duration of the review.
Specifications:
The DUNU Falcon PRO comes with $219.99 price tag and the specifications are as below:
https://www.dunu-topsound.com/falcon-pro
BRAND: DUNU
MODEL: FALCON PRO
NET WEIGHT: 19 g
FREQUENCY RESPONSE: 5 Hz – 40 kHz
SENSITIVITY: 112 ± 1 dB at 1 kHz
IMPEDANCE: 26 Ω at 1 kHz
TOTAL HARMONIC DISTORTION: < 0.3% at 1 kHz
ECLIPSE DRIVE MODULE
- DIAPHRAGM: 10 mm diaphragm with amorphous diamond-like carbon dome and fully independent suspension surround
- MAGNET ASSEMBLY: > 1.6 T External Ring-Type Neodymium Magnet
HOUSING
- MATERIAL: Stainless Steel
- INTEGRATION(S):
- Dual chambered, anti-resonance shell design
- Interchangeable tuning nozzles (Atmospheric Immersion, Reference, Transparency)
LENGTH: 1.2 ± 0.1 m
MATERIAL: 6N silver-plated OCC copper
CABLE CONNECTOR: Patented Catch-Hold® MMCX Connector
PLUG CONNECTOR: DUNU Quick-Switch Modular Plug System (NEW)
INCLUDED PLUG TERMINATION(S):
- 4.4 mm TRRRS Balanced
- 3.5 mm TRS Single-Ended
- 2.5 mm TRRS Balanced
Accessories:
DUNU falcon Pro comes with the following accessories in a nice package:
- Brown pouch to hold the shells.
- Green zippered case.
- Ear-tips
- 3 pairs of clear grey silicone tips
- 3 pairs of black silicone tips
- 3 pairs of black translucent silicone tips
- 3 pairs of grey translucent silicone tips
- Cable with Q-Lock Lite system
- 1 cleaning brush.
- Steel plate holding the 3 nozzles
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxury & Precision W2 Dongle DAC/AMP
DAP/Source : Cayin N6 Mk2 with R01 motherboard, Cayin N3 Pro
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Black, Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC spiral dot tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
DUNU FALCON PRO Sound Impressions in Short:
Story of the 3 Nozzles:
When it comes to sound performance, the different nozzles make some difference in the sound experience.
The 3 nozzles as follows: Transparency, Balanced & Atmospheric Immersion
My experiences with the nozzles are as follows :
- TRANSPARENCY : widest staging, lower depth in staging, but less prominent mid bass
- REFERENCE : very balanced sound with great staging with balanced width, height & depth. Bass slightly more pronounced.
- ATMOSPHERIC IMMERSION : Deep staging however width of the stage have shrunk a bit. Mid bass more prominent
The BASS:
The Bass on the Falcon Pro comes with good intensity of attacks but not very prominent. Bass has some muscle & texture and goos amount of details for the price range - thanks to the ECLIPSE driver. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can feel the the attack of the different instruments with enough details. I think the Bass is amongst the stronger traits of the Falcon pro with just enough depth. However, some may fell the want fot deeper and more prominent bass and intensified thump & slam. they can use the Atmospheric Nozzle in that case.
The MIDS:
Despite the slight V shaped tuning of the Falcon Pro - the midrange is doesn't feel significantly recessed and feels very enjoyable. It is smooth & musical & comes with good texture but felt lacking muscle a tad bit. The vocals are natural and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange and you will just love the transients of the guitars, violins etc... instruments.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is quite commendable for the price.
STAGING & SEPARATION:
The Staging is where it felt like Falcon Pro could use a bit more of it. Though the reference nozzle gives good amount of width & depth for the price range, IEMs of slightly higher price like the Campfire Auido Honeydew felt having much better staging than the Falcon Pro. The Falcon Pro staging is well defined for the price range. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. However, this is not amongst the strongest trait of this IEM. Instrument separation on the other hand was good considering the price range.
Imaging & Timbre:
The Falcon Pro also comes with just good sense of positioning and imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” seemed quite enjoyable with good imaging & natural timbre.
Comparisons:
Quite a few IEMs had been launched recently by different brands having inter-changeable nozzle systems and new Dynamic Driver systems. Apart from DUNU Falcon PRO there is the @MOONDROP KATO and @FiiO FD3 PRO. Though the prices are different - the KATO MRP being $189 and FD3 PRO being $149, both of which are lower than the Falcon Pro - it just felt necessary to compare as they come with similar tech architectures.
DUNU FALCON PRO vs MOONDROP KATO vs FIIO FD3 PRO:
The DUNU Falcon Pro comes at a slightly higher price than both the Moondrop Kato and the FiiO FD3 Pro. As all 3 of these IEMs come with Single dynamic driver and interchangeable nozzle architecture - for the simplicity of the comparison I've used the default nozzles for the below comparative experience.
Bass: While both the KATO & FD3 PRO had more intense attacks and more prominent thump & slam in the bass, the Falcon pro simply had more more details and texture in its Bass response. Hence for the Bass I would have the following preference.... Falcon PRO > KATO > FD3 PRO.
Mids: As all of the 3 IEMs had V shaped tuning - mids were slightly less prominent in all of them. Having said that - I found the KATO mids performance to be the least recessed and pleasing. However, the Falcon Pro had better muscle & texture which were somewhat missing in the KATO. the FD3 Pro were the least impressive.
Treble: The FD3 Pro seemed to have a slightly peaky upper mids & treble (which gets solved through the other nozzle) which were not the case for the other 2 IEMs. Here both Falcon Pro & KATO seemed to fare good with smooth treble performance despite a very slight peak in the KATO.
Soundstage & Timbre: Staging is where the Falcone Pro secures a big win over the others. The staging on the Falcone pro is more balanced with good width, depth & height while the KATO seems to lack in width and FD3 seemed to lack in depth. Instrument separation on the Falcon Pro was also better than the other 2 IEMs.
Conclusion :
The DUNU Falcon Pro is a great performer given the price range and comes with many differentiated features which give more flexibility of use to the consumer - in this case the audiophile. It is quite easy to drive and performs well with just any combination. It's overall good performance makes it easily recommendable for the price range.
Campfire Audio Solaris 2020 :: Best of Campfire Audio Yet!
Summary & Objective:
You have already come across many reviews of the @CampfireAudio Solaris 2020 which focuses on it's technical capabilities & sound performance details.
This review is not that kind of a review. I will be skipping most of the features and details and getting directly into sound impressions and comparisons with other IEMs in similar price categories. This review is based on the many requests I have received from many people and would want to cover comparison with the other most sought after IEM in this price range.
If you are looking for a detailed review of the Solaris 2020 technical features & technicalities - would highly recommend that you go through the other reviews here... Many of them are quite extensive and contain much more details on the tech capabilities & features.
Introduction:
Campfire Audio launched the original Solaris in October 2018 and since then the Solaris had become favorite IEM of many audio enthusiasts. The Solaris 2020 is a reengineered version of the Solaris and was launched in May 2020 with the aim to provide even better sound experience. Though I don't have the original Solaris, from my experience with the Solaris 2020 I can vouch that it's a great sounding IEM for sure.
The Solaris 2020 is priced at $1499.
Specifications:
The Campfire Audio Solaris 2020 comes with $1499 price tag and the specifications are as below:
https://campfireaudio.com/shop/solaris-2020/
Accessories:
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new cork material carry-case inside of which you will find the Dorado 2020 and the SPC Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches the IO and is as follows:
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxry & Precision W2 Dongle DAC/AMP
DAP/Source : Cayin N6 Mk2 with T01 & R01 motherboards, iPad
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Black, Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC spiral dot tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Solaris 2020 Sound Impressions in Short:
The BASS:
The Bass of the Solaris 2020 is just great with ample details of the sub base region and perfect percussions. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can really feel the drums and their attack with ample transients and details. I think the Bass is amongst the stronger traits of the Solaris 2020 and comes with good depth in the thump & slams.
The MIDS:
Despite the V shaped tuning of the Solaris 2020 - the midrange is quite open and detailed and very enjoyable. It is smooth & musical & comes with good amount of texture & muscle. The vocals are very immersive and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange and you will just love the transients of the guitars, violins etc... instruments.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is very commendable for the price.
The SOUNDSTAGE:
The Solaris 2020 has superb staging capabilities with massive width & great height and adequate depth also. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. This is amongst the strongest trait of this IEM.
Imaging & Timbre:
The Solaris 2020 also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
This is the key differentiator of this review and done based on requests coming from many people around the world.
CA Solaris 2020 vs UM MEST MKII :
The Campfire Audio Solaris & the Unique Melody MEST MKII comes at the same price point of $1499. While the Solaris 2020 is a hybrid with 4 BA & 1DD the MEST MKII is a Quadbrid with DD+BA+EST+BC drivers.
Bass: The Solaris has more punchy bass with more intense attacks while the bass might be a bit less intense on the MEST MKII it more than makes up for it though better details and imaging. the direction and details of the drum beats seemed slightly more detailed on the MEST MKII while the Solaris 2020 had much better punch & slam. Both IEMs are great performers and in the end it really depends on the type of bass response one prefers.
Mids: The tuning of the MEST MKII specially in the midrange is quite opposite to the Solaris 2020. While the midrange is not as prominent as the bass in the Solaris 2020 - the midrange of the MEST MKII is slightly fuller. In terms of experience, it just translates into slightly more texture & muscle in the midrange. A tad bit better transients and vocals. Not that the Solaris 2020 is bad by any means. Just that the MEST MKII has more micro details and texture.
Treble: The Treble on both the IEMs are just great and very very enjoyable with ample details. Having said that, I somehow tend to prefer the EST based Treble of the MEST MKII due to smoother experience.
Soundstage & Timbre: This is where the Solaris 2020 gets ahead in terms of width & height. The MEST MKII soundstage is also stellar but the Solaris 2020 just has a tad bit better width which some people may prefer more. Both IEMs have stellar timbre performances and everything sounds very natural & real.
Imaging: This is where the MEST MKII excels slightly I found. The sense of direction and the directional details seemed more prominent and instrument separation is a tad bit better on the MEST MKII but the Solaris also performs well and not lagging behind too much.
Conclusion :
The Campfire Audio Solaris 2020 is a stellar performer and in my opinion amongst the very best of the Campfire Audio line-up. It is very easy to drive and performs well with just any combination. It is quite comfortable to wear through long listening sessions and that's what makes it an ideal daily driver for people who just want to hear great sound performances all day, every day.
Summary & Objective:
You have already come across many reviews of the @CampfireAudio Solaris 2020 which focuses on it's technical capabilities & sound performance details.
This review is not that kind of a review. I will be skipping most of the features and details and getting directly into sound impressions and comparisons with other IEMs in similar price categories. This review is based on the many requests I have received from many people and would want to cover comparison with the other most sought after IEM in this price range.
If you are looking for a detailed review of the Solaris 2020 technical features & technicalities - would highly recommend that you go through the other reviews here... Many of them are quite extensive and contain much more details on the tech capabilities & features.
Introduction:
Campfire Audio launched the original Solaris in October 2018 and since then the Solaris had become favorite IEM of many audio enthusiasts. The Solaris 2020 is a reengineered version of the Solaris and was launched in May 2020 with the aim to provide even better sound experience. Though I don't have the original Solaris, from my experience with the Solaris 2020 I can vouch that it's a great sounding IEM for sure.
The Solaris 2020 is priced at $1499.
Specifications:
The Campfire Audio Solaris 2020 comes with $1499 price tag and the specifications are as below:
https://campfireaudio.com/shop/solaris-2020/
- 5Hz–20 kHz Frequency Response
- 94 dB SPL @ 1kHz: 6.54 mVrms
- 15.5 Ohms @ 1kHz Impedance
- Less than 1% Total Harmonic Distortion
- Durable Black PVD Finished Body
- Dual Custom Balanced Armature Drivers + T.A.E.C. (High)
- Single Updated Custom Balanced Armature Driver (Mid)
- Specially Tuned 10mm Dynamic Driver (Mid + Low)
- Plasma enhanced Chemical Vapor Depostion (C.V.D.) Amorphous Diamond Like Carbon (A.D.L.C.) Diaphragm.
- Beryllium / Copper MMCX Connections
- Stainless Steel Spout
Accessories:
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new cork material carry-case inside of which you will find the Dorado 2020 and the SPC Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches the IO and is as follows:
- Final e-tips (xs/s/m/l/xl)
- Foam Marshmallow tips S/M/L
- Silicone single-bore tips S/M/L
- 3 x cushioned pockets (for the monitors and foam tips)
- Cleaning brush/pick
- Campfire Audio Sustainable Cork Earphone Case
- Campfire Audio Super Smoky Litz Cable
- Campfire Audio pin badge
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxry & Precision W2 Dongle DAC/AMP
DAP/Source : Cayin N6 Mk2 with T01 & R01 motherboards, iPad
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Black, Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC spiral dot tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Solaris 2020 Sound Impressions in Short:
The BASS:
The Bass of the Solaris 2020 is just great with ample details of the sub base region and perfect percussions. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can really feel the drums and their attack with ample transients and details. I think the Bass is amongst the stronger traits of the Solaris 2020 and comes with good depth in the thump & slams.
The MIDS:
Despite the V shaped tuning of the Solaris 2020 - the midrange is quite open and detailed and very enjoyable. It is smooth & musical & comes with good amount of texture & muscle. The vocals are very immersive and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange and you will just love the transients of the guitars, violins etc... instruments.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is very commendable for the price.
The SOUNDSTAGE:
The Solaris 2020 has superb staging capabilities with massive width & great height and adequate depth also. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable. This is amongst the strongest trait of this IEM.
Imaging & Timbre:
The Solaris 2020 also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
This is the key differentiator of this review and done based on requests coming from many people around the world.
CA Solaris 2020 vs UM MEST MKII :
The Campfire Audio Solaris & the Unique Melody MEST MKII comes at the same price point of $1499. While the Solaris 2020 is a hybrid with 4 BA & 1DD the MEST MKII is a Quadbrid with DD+BA+EST+BC drivers.
Bass: The Solaris has more punchy bass with more intense attacks while the bass might be a bit less intense on the MEST MKII it more than makes up for it though better details and imaging. the direction and details of the drum beats seemed slightly more detailed on the MEST MKII while the Solaris 2020 had much better punch & slam. Both IEMs are great performers and in the end it really depends on the type of bass response one prefers.
Mids: The tuning of the MEST MKII specially in the midrange is quite opposite to the Solaris 2020. While the midrange is not as prominent as the bass in the Solaris 2020 - the midrange of the MEST MKII is slightly fuller. In terms of experience, it just translates into slightly more texture & muscle in the midrange. A tad bit better transients and vocals. Not that the Solaris 2020 is bad by any means. Just that the MEST MKII has more micro details and texture.
Treble: The Treble on both the IEMs are just great and very very enjoyable with ample details. Having said that, I somehow tend to prefer the EST based Treble of the MEST MKII due to smoother experience.
Soundstage & Timbre: This is where the Solaris 2020 gets ahead in terms of width & height. The MEST MKII soundstage is also stellar but the Solaris 2020 just has a tad bit better width which some people may prefer more. Both IEMs have stellar timbre performances and everything sounds very natural & real.
Imaging: This is where the MEST MKII excels slightly I found. The sense of direction and the directional details seemed more prominent and instrument separation is a tad bit better on the MEST MKII but the Solaris also performs well and not lagging behind too much.
Conclusion :
The Campfire Audio Solaris 2020 is a stellar performer and in my opinion amongst the very best of the Campfire Audio line-up. It is very easy to drive and performs well with just any combination. It is quite comfortable to wear through long listening sessions and that's what makes it an ideal daily driver for people who just want to hear great sound performances all day, every day.
Attachments
Rcr
Nice review indeed
Jimmyblues1959
Excellent review and I like the mini Superbird car too! 
DUNU SA6 :: A Comparative Review
Summary & Objective:
You have already come across many reviews of @DUNU-Topsound SA6 which focuses on it's technical capabilities & sound performance details.
This review is not that kind of a review. I will be skipping most of the features and details and getting directly into comparisons with other IEMs in similar or slightly higher price categories. This review is based on request I have received from many people and would want to cover few of the requested comparisons.
If you are looking for a detailed review of the SA6 technical features & technicalities - would highly recommend that you read the review in the link below by Mr. @kmmbd as that is well written review to which I agree for most of the parts.
https://www.head-fi.org/showcase/dunu-studio-sa6.24665/review/25633/
Disclaimer:
This review unit was not supplied by @DUNU-Topsound and I do not own the SA6 either.
I had loaned this SA6 unit from a friend for the purpose of an honest comparative review.
Everything mentioned in this review are purely my own based on my experiences with the IEM .
Specifications:
The DUNU SA6 comes with $549 price tag and the specifications are as below:
https://www.dunu-topsound.com/sa6-detail
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxry & Precision W2 Dongle DAC/AMP
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21), @FiiO M3 PRO
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found Final E series tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
SA6 Sound Impressions in Short:
The BASS:
The Bass of the SA6 comes with good attack & Intensity and are quite dense for a BA. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can really feel the drums and their attack - however you will also feel that there are not enough transients like you would get from a Dynamic driver based Bass. Though the SA6 bass is amongst the best all BA bass in the price range - it is not comparable to a good performing Dynamic driver bass in terms of details retrieval & transients.
The MIDS:
Midrange is where the SA6 is great and very enjoyable. It is smooth & musical & comes with enough texture & muscle. The vocals are very immersive and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange - you will also miss some of the transients of guitar plucks and other instrument percussions. Overall it has amongst the best midrange performance for the price range.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is very commendable for the price.
The SOUNDSTAGE:
The SA6 has an above average Soundstage with a slightly lower width& height emphasis but good depth. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable whilst I personally would prefer a slightly better staging like the CA Mammoth.
Imaging & Timbre:
The SA6 also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
This is the key differentiator of this review and this is where many other IEMs of similar price range gets compared to the SA6 in no particular order.
DUNU SA6 vs TRI Starshine vs UM 3DT:
The DUNU SA6 comes at a slightly higher price than both the TRI Starshine ($450) and the UM 3DT ($350). While the SA6 is all BA IEM, the Starshine is a hybrid and the 3DT comes with 3 DD architecture. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON on the DUNU SA6 .
Bass: The TRI Starshine has a punchier bass which I personally prefer while the DUNU SA6 comes with better detailed and textured Bass performance.
I much prefer Dynamic Driver based Bass of the 3DT here none of these two IEMs have.
Mids: The DUNU SA6 has much better and textured mids. more detailed and vocals sound a tad but better. But the Starshine is just great too while falling behind the SA6 here. Hoever, both Starshine and the 3DT lacks in terms of details when compared to the SA6 here.
Treble: I think in this department the Starshine has a smoother Treble performance while the SA6 is just great with details and texture. 3DT also does ok.
Soundstage & Timbre: In terms of soundstage the TRI Starshine beats the SA6 & 3DT quite handsomely both in terms of width and depth. The SA6 seems to have better imaging while Starshine seems to have equally good timbre. the 3DT is the winner in terms of timbre.
DUNU SA6 vs CA Mammoth vs Kinera NORN:
All 3 of the IEMs come at approx. $500 price range - with DUNU SA6 & CA Mammoth at $549 while NORN comes at $509.
Both Mammoth & NORN are hybrids with DD+ BA architecture while the SA6 is an all BA IEM. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON on the DUNU SA6 .
Bass: The Mammoth comes with a much detailed and punchier bass response than both NORN & SA6 while the NORN comes with very deep bass thumps & slam.
The BA based bass of the SA6 has a good balance but is just not as enjoyable.
Mids: The midrange on the SA6 is significantly better than both the Mammoth & the NORN. The NORN comes with forward vocals which a niche segment may prefer but is not desired by all. While the SA6 reigns supreme in the midrange the Mammoth is preferable over the NORN.
Treble: The Treble on the SA6 is more balanced and enjoyable than the other 2 but Mammoth is not far behind also. The NORN has non-fatiguing treble also but not nrealy as detailed as the other two.
Soundstage & Timbre: This is where the Mammoth just reigns supreme. both in terms of staging & imaging. It has a massive stage with great width, height & depth and also very good sense of direction. The timbre of the Mammoth is the best of the 3 and hence in this category the Mammoth is clearly ahead.
DUNU SA6 vs CA Holocene:
Its hard to find another all BA IEM in the $549 range and the Campfire Audio Holocene is the closest competitor in that category coming at slightly higher price of $649. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON for the SA6 - as it enhances bass and the Holocene is a great performer in that department.
Bass: The SA6 is a good balanced performer when it comes to bass specially with the "Atmospheric Immersion mode" to ON. Despite that, the Holocene bass seemed to have equal performance in terms of density & richness but the attack & slam & thumps seemed better on the Holocene with better depth also.
Mids & Treble: The SA6 has a great midrange and treble performance for the price range as it is tuned closer to the Harman Curve. However, Despite the not-so-harman-friendly tuning of the Holocene - the midrange is quite enjoyable with richness texture and vocals also sound great. having said that, the upper mids of Holocene are slightly recessed while the upper treble is quite elevated. I found it quite enjoyable despite that.
Soundstage & Timbre: This is where the Holocene shines much brighter as the SA6 staging though good but is narrower than the Holocene in terms of both width & height. Also, depth sense on the Holocene seemed better. Imaging & timbre seemed equally good on both and not much of difference there.
Conclusion :
The DUNU SA6 is a truly balanced performer and likely amongst the best performing IEMs in the $500 or lower price range. It's really hard to find an overall better performer in that category. It is a great value-for-money and highly recommended for people who seek a balanced performance with a great tuning.
Summary & Objective:
You have already come across many reviews of @DUNU-Topsound SA6 which focuses on it's technical capabilities & sound performance details.
This review is not that kind of a review. I will be skipping most of the features and details and getting directly into comparisons with other IEMs in similar or slightly higher price categories. This review is based on request I have received from many people and would want to cover few of the requested comparisons.
If you are looking for a detailed review of the SA6 technical features & technicalities - would highly recommend that you read the review in the link below by Mr. @kmmbd as that is well written review to which I agree for most of the parts.
https://www.head-fi.org/showcase/dunu-studio-sa6.24665/review/25633/
Disclaimer:
This review unit was not supplied by @DUNU-Topsound and I do not own the SA6 either.
I had loaned this SA6 unit from a friend for the purpose of an honest comparative review.
Everything mentioned in this review are purely my own based on my experiences with the IEM .
Specifications:
The DUNU SA6 comes with $549 price tag and the specifications are as below:
https://www.dunu-topsound.com/sa6-detail
- BRAND: DUNU
- MODEL: Studio SA6
- NET WEIGHT: 11 g
- FREQUENCY RESPONSE: 5 Hz - 40 kHz
- SENSITIVITY: 113 ± 1 dB at 1 kHz
- IMPEDANCE: 60 Ω at 1 kHz
- TOTAL HARMONIC DISTORTION: < 0.5% at 1 kHz
- BALANCED ARMATURE DRIVER CONFIGURATION:
- BASS [2]: Sonion AcuPass Vented Dual Woofer
- MIDRANGE [2]: Knowles Custom Midrange Driver (×2)
- TREBLE [2]: Knowles Custom Dual Tweeter
- TUNING MODES:
- Default Signature (Switch Position ‘I’)
- Atmospheric Immersion (Switch Position ‘ON’)
- HOUSING MATERIAL:
- SHELL: German Nice-Fit Hand-Poured UV Acrylic Resin
- FACEPLATE: High-Grade Stabilized Wood
- CABLE LENGTH: 1.2 ± 0.1 m
- CABLE CONNECTOR: 2-Pin (0.78 mm)
- WIRE MATERIAL:
- 8 Core, High-Purity, Monocrystalline, Silver-Plated Copper
- PLUG CONNECTOR:
- Patented DUNU Quick-Switch Modular Plug System
- INCLUDED PLUG TERMINATION(S):
- 4.4 mm TRRRS Balanced,
- 3.5 mm TRS Single-Ended
- 2.5 mm TRRS Balanced
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature, Luxry & Precision W2 Dongle DAC/AMP
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21), @FiiO M3 PRO
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found Final E series tips to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
SA6 Sound Impressions in Short:
The BASS:
The Bass of the SA6 comes with good attack & Intensity and are quite dense for a BA. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can really feel the drums and their attack - however you will also feel that there are not enough transients like you would get from a Dynamic driver based Bass. Though the SA6 bass is amongst the best all BA bass in the price range - it is not comparable to a good performing Dynamic driver bass in terms of details retrieval & transients.
The MIDS:
Midrange is where the SA6 is great and very enjoyable. It is smooth & musical & comes with enough texture & muscle. The vocals are very immersive and both male and female vocals come with good amount of details. Instruments sounded natural. In tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" while you will enjoy the overall midrange - you will also miss some of the transients of guitar plucks and other instrument percussions. Overall it has amongst the best midrange performance for the price range.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture and is very commendable for the price.
The SOUNDSTAGE:
The SA6 has an above average Soundstage with a slightly lower width& height emphasis but good depth. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” sound good & enjoyable whilst I personally would prefer a slightly better staging like the CA Mammoth.
Imaging & Timbre:
The SA6 also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
This is the key differentiator of this review and this is where many other IEMs of similar price range gets compared to the SA6 in no particular order.
DUNU SA6 vs TRI Starshine vs UM 3DT:
The DUNU SA6 comes at a slightly higher price than both the TRI Starshine ($450) and the UM 3DT ($350). While the SA6 is all BA IEM, the Starshine is a hybrid and the 3DT comes with 3 DD architecture. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON on the DUNU SA6 .
Bass: The TRI Starshine has a punchier bass which I personally prefer while the DUNU SA6 comes with better detailed and textured Bass performance.
I much prefer Dynamic Driver based Bass of the 3DT here none of these two IEMs have.
Mids: The DUNU SA6 has much better and textured mids. more detailed and vocals sound a tad but better. But the Starshine is just great too while falling behind the SA6 here. Hoever, both Starshine and the 3DT lacks in terms of details when compared to the SA6 here.
Treble: I think in this department the Starshine has a smoother Treble performance while the SA6 is just great with details and texture. 3DT also does ok.
Soundstage & Timbre: In terms of soundstage the TRI Starshine beats the SA6 & 3DT quite handsomely both in terms of width and depth. The SA6 seems to have better imaging while Starshine seems to have equally good timbre. the 3DT is the winner in terms of timbre.
DUNU SA6 vs CA Mammoth vs Kinera NORN:
All 3 of the IEMs come at approx. $500 price range - with DUNU SA6 & CA Mammoth at $549 while NORN comes at $509.
Both Mammoth & NORN are hybrids with DD+ BA architecture while the SA6 is an all BA IEM. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON on the DUNU SA6 .
Bass: The Mammoth comes with a much detailed and punchier bass response than both NORN & SA6 while the NORN comes with very deep bass thumps & slam.
The BA based bass of the SA6 has a good balance but is just not as enjoyable.
Mids: The midrange on the SA6 is significantly better than both the Mammoth & the NORN. The NORN comes with forward vocals which a niche segment may prefer but is not desired by all. While the SA6 reigns supreme in the midrange the Mammoth is preferable over the NORN.
Treble: The Treble on the SA6 is more balanced and enjoyable than the other 2 but Mammoth is not far behind also. The NORN has non-fatiguing treble also but not nrealy as detailed as the other two.
Soundstage & Timbre: This is where the Mammoth just reigns supreme. both in terms of staging & imaging. It has a massive stage with great width, height & depth and also very good sense of direction. The timbre of the Mammoth is the best of the 3 and hence in this category the Mammoth is clearly ahead.
DUNU SA6 vs CA Holocene:
Its hard to find another all BA IEM in the $549 range and the Campfire Audio Holocene is the closest competitor in that category coming at slightly higher price of $649. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON for the SA6 - as it enhances bass and the Holocene is a great performer in that department.
Bass: The SA6 is a good balanced performer when it comes to bass specially with the "Atmospheric Immersion mode" to ON. Despite that, the Holocene bass seemed to have equal performance in terms of density & richness but the attack & slam & thumps seemed better on the Holocene with better depth also.
Mids & Treble: The SA6 has a great midrange and treble performance for the price range as it is tuned closer to the Harman Curve. However, Despite the not-so-harman-friendly tuning of the Holocene - the midrange is quite enjoyable with richness texture and vocals also sound great. having said that, the upper mids of Holocene are slightly recessed while the upper treble is quite elevated. I found it quite enjoyable despite that.
Soundstage & Timbre: This is where the Holocene shines much brighter as the SA6 staging though good but is narrower than the Holocene in terms of both width & height. Also, depth sense on the Holocene seemed better. Imaging & timbre seemed equally good on both and not much of difference there.
Conclusion :
The DUNU SA6 is a truly balanced performer and likely amongst the best performing IEMs in the $500 or lower price range. It's really hard to find an overall better performer in that category. It is a great value-for-money and highly recommended for people who seek a balanced performance with a great tuning.
Attachments
Riyan
Nice & Detailed comparison.
Next Target will be Dunu SA6
Next Target will be Dunu SA6
Kinera Imperial NORN : The Bass King!
Summary:
Kinera Imperial NORN seemed quite enjoyable with Deep energetic Bass and forward Vocals & midrange. It is likely to appeal to the younger people who enjoy the deep thump & slam of a club dance-floor or enjoy live performances - but are stuck at home during these COVID days.
Disclaimer:
This review unit was sent by Kinera for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
In March 2021, Kinera launched their new Imperial Line of IEMs and NORN is amongst the few IEMs of that lineup.
Kinera Norn is the latest hybrid pair of in-ear monitors from the brand with great looking shells.
The shells look nice with a glossy finish and hand-painted design.
It houses a 1DD + 4 BA setup tuned to provide a great sound performance to the targeted crowd.
I will refer to it as the NORN in rest of the review.
The Kinera Imperial NORN is priced at $509
Specifications:
Specifications are as below:
https://www.kineraaudio.com/product/kinera-imperial-norn
Features:
Design & Build Quality:
I think the NORN comes with great looks, lightweight and ergonomic. the hand-painted shells look premium and feels great in hand too.
In terms of build quality & comfort - the NORN is great for the given price range.
Packaging & Accessories:
The NORN with a great looking box in the red & black combination and quite good looking. The box is filled with ample amount of goodies including leather case, 3.5mm and 4.4mm adapters, Final E series ear tips and other ear-tips, etc.
Just one thing I would like to mention here is that I found the 4.4mm adapter not working properly which Kinera replaced immediately.
Package Contents:
The Stock Cable:
The NORN is bundled with a premium audio cable to provide an interruption-free sound signal to the earpieces. Imported 26AWG coaxial wire is used as the conductor with PVC outer insulation. It consists of 8 wires of 192 strands of silver-plated copper alloy in spiral weaving. The cable has universal 0.78mm 2-pin connectors and a balanced 2.5mm termination plug..
The Frequency Graph:
The frequency graph as per Kinera website is below and clearly shows the very slight V shaped signature that it carries.
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21)
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC Spiral Dots to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass is the strongest trait of the NORN. It is very deep, dense, rich and muscular. The deep thump & slam can be experienced in tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and “Chocolate Chip Trip – Tool” - whereby you can actually feel the deep thump & slam of the Drum attack followed by good transients and decay. It's like you're in a club and the deep bass you can actually feel like standing close to a sub-woofer. Very enjoyable experience.
The MIDS:
Midrange is where the NORN strives to be different from many others – The overall midrange and specially the Vocals are quite forward. This gives a quite immersive experience and the mids are dense, rich & muscular. Instruments sounded natural. Guitar plucks are followed by great transients in tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" to make it enjoyable. However, this rare tuning comes at the cost of losing much details of the drums and lower clarity due to the prominence of the midrange.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture. Overall treble performance is commendable. However having said that - detail retrieval could have been better.
The SOUNDSTAGE:
The NORN has a slightly narrower Soundstage but with great depth. It is as good for tracks that require intimate or on stage listening. However, not so good for live concerts. Tracks like: “Bohemian Rhapsody (live aid) – Queen” sounded like it was happening in a big hall rather than the wide stadium effect.
Imaging & Timbre:
The NORN also comes with good timbre performance. However, when it comes to instrument separation, details retrieval or clarity - I found it to be quite average. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” though having natural timbre suffered from lower clarity & separation.
Comparisons:
Kinera Imperial NORN vs CA Mammoth vs DUNU SA6:
The DUNU SA6 and Campfire Audio Mammoth both come at very similar price of $549 and while the Mammoth is a hybrid with a 1 DD + 2 BA architecture - the SA6 is an all BA IEM. The NORN being a hybrid comes with higher number of BAs than the Mammoth and also a dynamic driver based bass that is missing on the SA6.
Bass:
While the DUNU SA6 has good details and clarity, the Mammoth comes with detailed clear & bass with lot's of texture & good amount of depth and density.
However, the NORN just comes with a much deeper and dense bass than either of the above and while some may prefer the clear & detailed bass of the Mammoth with good depth - many others including myself may prefer the very deep bass performance of the NORN.
Mids & Treble:
The midrange & treble is just a DUNU SA6 strong trait. While the forward midrange of the NORN is not recessed, it does have much lower clarity & details. Thought the Mammoth comes with enough details and separation - the midrange itself is a bit recessed. So, it's a mixed experience here obviously led by the SA6 but many youngsters may prefer the forward vocals of the NORN also.
Soundstage & Timbre:
This is where the Mammoth shines bright with massive staging in terms of width, height & depth. Clarity & details retrieval are great for the price. Separation is also great with a great sense of direction. The NORN is a wider stage than the SA6 but in terms of clarity & details retrieval and separation the SA6 is much better performer. The Mammoth takes the crown here.
The above comparison felt like comparing Burgers with Pizza & Steak. Each has it's own perks and appeals to a different crowd.
Conclusion :
The Kinera Imperial NORN is an enjoyable IEM and I'm sure would appeal to many people and youngsters who prefer this specific tuning and sound signature.
but, it is not everyone's cup of tea. It will be popular in certain genres like I mentioned above in many cases and people of certain regions will prefer this sound signature. It's just not fully my type though I have enjoyed this experience thoroughly.
Summary:
Kinera Imperial NORN seemed quite enjoyable with Deep energetic Bass and forward Vocals & midrange. It is likely to appeal to the younger people who enjoy the deep thump & slam of a club dance-floor or enjoy live performances - but are stuck at home during these COVID days.
Disclaimer:
This review unit was sent by Kinera for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
In March 2021, Kinera launched their new Imperial Line of IEMs and NORN is amongst the few IEMs of that lineup.
Kinera Norn is the latest hybrid pair of in-ear monitors from the brand with great looking shells.
The shells look nice with a glossy finish and hand-painted design.
It houses a 1DD + 4 BA setup tuned to provide a great sound performance to the targeted crowd.
I will refer to it as the NORN in rest of the review.
The Kinera Imperial NORN is priced at $509
Specifications:
Specifications are as below:
https://www.kineraaudio.com/product/kinera-imperial-norn
Features:
- Premium Five Driver Setup (1DD+4BA).
- Titanium-plated PU composite high-poly fiber diaphragm.
- Front cavity 3-tube crossover.
- Reflective Mirror finish back cavity.
- Beautiful Hand-Painted design.
- Outstanding acoustic performance.
- Universal 0.78mm 2-pin connectors.
- High-purity cable.
- Impedance: 32 Ohms.
- Sensitivity: 110dB.
- Rated Power: 3mW.
- Distortion: <3%.
- Frequency Response Range: 5Hz-40kHz.
- Cable Length: 1.2m.
- Plug: 2.5mm Balanced.
Design & Build Quality:
I think the NORN comes with great looks, lightweight and ergonomic. the hand-painted shells look premium and feels great in hand too.
In terms of build quality & comfort - the NORN is great for the given price range.
Packaging & Accessories:
The NORN with a great looking box in the red & black combination and quite good looking. The box is filled with ample amount of goodies including leather case, 3.5mm and 4.4mm adapters, Final E series ear tips and other ear-tips, etc.
Just one thing I would like to mention here is that I found the 4.4mm adapter not working properly which Kinera replaced immediately.
Package Contents:
- One pair Kinera Norn IEMs.
- One silver-plated copper cable.
- Six sets of Silicone ear tips.
- One set of Foam ear tips.
- One unit of 2.5mm to 4.4mm connector.
- One unit of 2.5mm to 3.5mm connector.
- One earphone carry case.
- One user guide.
The Stock Cable:
The NORN is bundled with a premium audio cable to provide an interruption-free sound signal to the earpieces. Imported 26AWG coaxial wire is used as the conductor with PVC outer insulation. It consists of 8 wires of 192 strands of silver-plated copper alloy in spiral weaving. The cable has universal 0.78mm 2-pin connectors and a balanced 2.5mm termination plug..
The Frequency Graph:
The frequency graph as per Kinera website is below and clearly shows the very slight V shaped signature that it carries.
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21)
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC Spiral Dots to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass is the strongest trait of the NORN. It is very deep, dense, rich and muscular. The deep thump & slam can be experienced in tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and “Chocolate Chip Trip – Tool” - whereby you can actually feel the deep thump & slam of the Drum attack followed by good transients and decay. It's like you're in a club and the deep bass you can actually feel like standing close to a sub-woofer. Very enjoyable experience.
The MIDS:
Midrange is where the NORN strives to be different from many others – The overall midrange and specially the Vocals are quite forward. This gives a quite immersive experience and the mids are dense, rich & muscular. Instruments sounded natural. Guitar plucks are followed by great transients in tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" to make it enjoyable. However, this rare tuning comes at the cost of losing much details of the drums and lower clarity due to the prominence of the midrange.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture. Overall treble performance is commendable. However having said that - detail retrieval could have been better.
The SOUNDSTAGE:
The NORN has a slightly narrower Soundstage but with great depth. It is as good for tracks that require intimate or on stage listening. However, not so good for live concerts. Tracks like: “Bohemian Rhapsody (live aid) – Queen” sounded like it was happening in a big hall rather than the wide stadium effect.
Imaging & Timbre:
The NORN also comes with good timbre performance. However, when it comes to instrument separation, details retrieval or clarity - I found it to be quite average. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” though having natural timbre suffered from lower clarity & separation.
Comparisons:
Kinera Imperial NORN vs CA Mammoth vs DUNU SA6:
The DUNU SA6 and Campfire Audio Mammoth both come at very similar price of $549 and while the Mammoth is a hybrid with a 1 DD + 2 BA architecture - the SA6 is an all BA IEM. The NORN being a hybrid comes with higher number of BAs than the Mammoth and also a dynamic driver based bass that is missing on the SA6.
Bass:
While the DUNU SA6 has good details and clarity, the Mammoth comes with detailed clear & bass with lot's of texture & good amount of depth and density.
However, the NORN just comes with a much deeper and dense bass than either of the above and while some may prefer the clear & detailed bass of the Mammoth with good depth - many others including myself may prefer the very deep bass performance of the NORN.
Mids & Treble:
The midrange & treble is just a DUNU SA6 strong trait. While the forward midrange of the NORN is not recessed, it does have much lower clarity & details. Thought the Mammoth comes with enough details and separation - the midrange itself is a bit recessed. So, it's a mixed experience here obviously led by the SA6 but many youngsters may prefer the forward vocals of the NORN also.
Soundstage & Timbre:
This is where the Mammoth shines bright with massive staging in terms of width, height & depth. Clarity & details retrieval are great for the price. Separation is also great with a great sense of direction. The NORN is a wider stage than the SA6 but in terms of clarity & details retrieval and separation the SA6 is much better performer. The Mammoth takes the crown here.
The above comparison felt like comparing Burgers with Pizza & Steak. Each has it's own perks and appeals to a different crowd.
Conclusion :
The Kinera Imperial NORN is an enjoyable IEM and I'm sure would appeal to many people and youngsters who prefer this specific tuning and sound signature.
but, it is not everyone's cup of tea. It will be popular in certain genres like I mentioned above in many cases and people of certain regions will prefer this sound signature. It's just not fully my type though I have enjoyed this experience thoroughly.
Campfire Audio Mammoth : Truly Mammoth Experience!
Disclaimer:
This review unit was sent by @CampfireAudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
In July 2021, Campfire Audio launched 2 new IEMs: Holocene & Mammoth. Mammoth is a Hybrid IEM with 1 10mm Bio-Cellulose Diaphragm Dynamic Driver & 2 Balanced Armatures . Mammoth’s bold and vibrant sound offers a surprising combination of visceral fun and technical brawn. Despite the V shaped tuning of the Mammoth - I have found myself going back to it again and again as the sound was fun and enjoyable.
The Mammoth is priced at $549
Tech Features:
Mammoth features 1DD + 2 BA architecture: 1 custom BA for highs, 1 custom BA for mids, and a new custom 10mm bio-cellulose diaphragm dynamic driver. This dynamic driver has an old-school sound and bass hits to holographic realism.
Specifications:
Specifications are as below:
https://campfireaudio.com/shop/mammoth/
Design & Build Quality:
I think the Mammoth comes with good looks, that’s both striking and ergonomic. The machined aluminum shell looks awesome & very premium. The shape of the IEM is nice & very light-weight that and provides a comfortable fit for long listening sessions.
In terms of build quality & comfort - the Mammoth is amongst the best that I've come across so far in the given price range.
Packaging & Accessories:
The Holocene continues the typical packaging styling Campfire Audio has been using since 2020.The theme is back to a brown box with the customary collage of colors and the Holocene itself on the front label.
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new Campfire Audio ‘Epoch’ SEAQUAL® YARN Earphone carry-case inside of which you will find the Holocene and the Smokey Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches other Campfire IEMs of 2020:
The Stock Cable:
The cable is the Campfire Audio Smokey Litz Cable – Silver Plated Copper Conductors with Beryllium Copper MMCX and 3.5mm plug which is good sound wise and also looks wise. Really nothing to complain about here - all good.
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21)
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC Spiral Dots to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass of the Mammoth comes with excellent details and depth. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can really feel the drums and their attack with ample transients and natural decay. I would say that the Bass on the mammoth is amongst it's stronger traits. It has muscle, texture, good amount of details coming from sub-bass region and good depth in the thump & slams. it is more than satisfactory for the price range that this falls into.
The MIDS:
Midrange is where the Mammoth strives a bit – mainly due to the it's V shaped tuning, but despite that seemed very open . The midrange on Mammoth has ample muscle & texture. The vocals are very immersive and both male and female vocals come with good amount of details. Instruments sounded natural. Guitar plucks were not followed by enough transients in tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" to make it enjoyable. Being recessed it was just missing the extra finesse of the midrange of something like the SA6 or Holocene. Otherwise, midrange seemed above average if compared to other V shaped IEMs.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture however, there is slight roll off effect in the upper treble - but that is rare. Overall treble performance is commendable and better than many V shaped IEMs at similar price.
The SOUNDSTAGE:
The Mammoth has a massive Soundstage with a great width & height emphasis and also great depth – much better than most other IEMs of similar price range. It is as great for acoustic based track as it is for Rock or Pop genres. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” just sound awesome due to the great staging capabilities.
Imaging & Timbre:
The Mammoth also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
CA Mammoth vs DUNU SA6:
The DUNU SA6 comes at exactly same price of $549 but is an ALL BA IEM. It is a great all-rounder IEM and very balanced performance in all departments . However, not to forget that the Campfire Audio Mammoth is a beast when it comes to technical performance and enjoyable sound. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON on the DUNU SA6 - as it enhances bass and the Mammoth is a great performer in that department.
Bass:
The DUNU SA6 is a good balanced performer when it comes to bass specially with the "Atmospheric Immersion mode" to ON. Despite that, the Mammoth bass seemed much better with better density, depth and transients. The drum percussions were much better felt on the Mammoth than the SA6.
Mids & Treble:
The DUNU SA6 has a great midrange and treble performance for the price range as it is tuned closer to the Harman Curve. This is the weaker side of Mammoth and due to the recessed Midrange compared to the SA6 - despite the open-ness and good details and texture, this is where the Mammoth loses out. The SA6 seemed to have more finesse both in mids & treble - however I felt the Mammoth treble slightly more enjoyable.
Soundstage & Timbre:
This is where the Mammoth wins hands down as the SA6 staging though good but is much narrower than the mammoth in every single aspect. Imaging and Timbre seemed equally good on both the IEMs but Mammoth just gets the brownie points for better staging here.
Conclusion :
The Campfire Audio Mammoth is part of the new era - and era of enjoyable music with glow-in-the-dark accessories which makes them easier to find at night while enjoying music in the dark. Both the Holocene & the Mammoth comes with this special feature. I think the younger crowd will welcome this new change. Meanwhile, in terms of raw sound performance - this is just a great IEM for enjoyable music and is great for the price point it comes in. I would recommend this IEM to people who like a bit more bass with enjoyable music.
Disclaimer:
This review unit was sent by @CampfireAudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
In July 2021, Campfire Audio launched 2 new IEMs: Holocene & Mammoth. Mammoth is a Hybrid IEM with 1 10mm Bio-Cellulose Diaphragm Dynamic Driver & 2 Balanced Armatures . Mammoth’s bold and vibrant sound offers a surprising combination of visceral fun and technical brawn. Despite the V shaped tuning of the Mammoth - I have found myself going back to it again and again as the sound was fun and enjoyable.
The Mammoth is priced at $549
Tech Features:
Mammoth features 1DD + 2 BA architecture: 1 custom BA for highs, 1 custom BA for mids, and a new custom 10mm bio-cellulose diaphragm dynamic driver. This dynamic driver has an old-school sound and bass hits to holographic realism.
Specifications:
Specifications are as below:
https://campfireaudio.com/shop/mammoth/
- 5Hz–20 kHz Frequency Response
- 94 dB SPL @ 1kHz: 18.16 mVrms
- 8.1 Ohms @ 1kHz Impedance
- Machined Aluminum Body
- ‘Frozen Tundra’ Anodized Finish
- Single Custom Balanced Armature (High)
- Single Custom Balanced Armature (Mid)
- Single Custom 10mm Bio-Cellulose Diaphragm Dynamic Driver
- Custom Beryllium / Copper MMCX Connections
- Black PVD Finished Stainless Steel Spout
- ‘Smoky Glow’ Silver Plated Copper Litz Cable – 3.5mm Stereo to MMCX connectors
Design & Build Quality:
I think the Mammoth comes with good looks, that’s both striking and ergonomic. The machined aluminum shell looks awesome & very premium. The shape of the IEM is nice & very light-weight that and provides a comfortable fit for long listening sessions.
In terms of build quality & comfort - the Mammoth is amongst the best that I've come across so far in the given price range.
Packaging & Accessories:
The Holocene continues the typical packaging styling Campfire Audio has been using since 2020.The theme is back to a brown box with the customary collage of colors and the Holocene itself on the front label.
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new Campfire Audio ‘Epoch’ SEAQUAL® YARN Earphone carry-case inside of which you will find the Holocene and the Smokey Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches other Campfire IEMs of 2020:
- Final e-tips (xs/s/m/l/xl)
- Foam Marshmallow tips S/M/L
- Silicone single-bore tips S/M/L
- 3 x cushioned pockets (for the monitors and foam tips)
- Cleaning brush/pick
- Campfire Audio ‘All Seeing Eye’ SEAQUAL® YARN Earphone Case
- Campfire Audio Smoky Glow Litz Cable – Silver Plated Copper Conductors and 3.5mm Plug
- Campfire Audio pin badge
The Stock Cable:
The cable is the Campfire Audio Smokey Litz Cable – Silver Plated Copper Conductors with Beryllium Copper MMCX and 3.5mm plug which is good sound wise and also looks wise. Really nothing to complain about here - all good.
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21)
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series Transparent Red, @SpinFit Eartip CP145 and JVC Spiral Dots. I've found JVC Spiral Dots to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass of the Mammoth comes with excellent details and depth. In tracks like : "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can really feel the drums and their attack with ample transients and natural decay. I would say that the Bass on the mammoth is amongst it's stronger traits. It has muscle, texture, good amount of details coming from sub-bass region and good depth in the thump & slams. it is more than satisfactory for the price range that this falls into.
The MIDS:
Midrange is where the Mammoth strives a bit – mainly due to the it's V shaped tuning, but despite that seemed very open . The midrange on Mammoth has ample muscle & texture. The vocals are very immersive and both male and female vocals come with good amount of details. Instruments sounded natural. Guitar plucks were not followed by enough transients in tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges" to make it enjoyable. Being recessed it was just missing the extra finesse of the midrange of something like the SA6 or Holocene. Otherwise, midrange seemed above average if compared to other V shaped IEMs.
The TREBLE:
Treble is quite enjoyable and non-fatiguing. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounded great and the track was very enjoyable.
The treble has enough details and texture however, there is slight roll off effect in the upper treble - but that is rare. Overall treble performance is commendable and better than many V shaped IEMs at similar price.
The SOUNDSTAGE:
The Mammoth has a massive Soundstage with a great width & height emphasis and also great depth – much better than most other IEMs of similar price range. It is as great for acoustic based track as it is for Rock or Pop genres. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” just sound awesome due to the great staging capabilities.
Imaging & Timbre:
The Mammoth also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre.
Comparisons:
CA Mammoth vs DUNU SA6:
The DUNU SA6 comes at exactly same price of $549 but is an ALL BA IEM. It is a great all-rounder IEM and very balanced performance in all departments . However, not to forget that the Campfire Audio Mammoth is a beast when it comes to technical performance and enjoyable sound. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON on the DUNU SA6 - as it enhances bass and the Mammoth is a great performer in that department.
Bass:
The DUNU SA6 is a good balanced performer when it comes to bass specially with the "Atmospheric Immersion mode" to ON. Despite that, the Mammoth bass seemed much better with better density, depth and transients. The drum percussions were much better felt on the Mammoth than the SA6.
Mids & Treble:
The DUNU SA6 has a great midrange and treble performance for the price range as it is tuned closer to the Harman Curve. This is the weaker side of Mammoth and due to the recessed Midrange compared to the SA6 - despite the open-ness and good details and texture, this is where the Mammoth loses out. The SA6 seemed to have more finesse both in mids & treble - however I felt the Mammoth treble slightly more enjoyable.
Soundstage & Timbre:
This is where the Mammoth wins hands down as the SA6 staging though good but is much narrower than the mammoth in every single aspect. Imaging and Timbre seemed equally good on both the IEMs but Mammoth just gets the brownie points for better staging here.
Conclusion :
The Campfire Audio Mammoth is part of the new era - and era of enjoyable music with glow-in-the-dark accessories which makes them easier to find at night while enjoying music in the dark. Both the Holocene & the Mammoth comes with this special feature. I think the younger crowd will welcome this new change. Meanwhile, in terms of raw sound performance - this is just a great IEM for enjoyable music and is great for the price point it comes in. I would recommend this IEM to people who like a bit more bass with enjoyable music.
AudioticPritish
How did u post that spotify playlist? It looks cool. @asifur
asifur
@AudioticPritish I just paste the Spotify playlist link... rest is taken care by this amazing site.
Thieaudio Legacy 2 : Budget IEM?
Disclaimer:
This unit was supplied to me by @Linsoul Audio for the purpose of an honest review. Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
The Thieaudio Legacy 2 is Linsoul's attempt to enter into the entry level IEM zone with their successful well known brand Thieaudio. According to Linsoul "The Legacy series capitalizes on Thieaudio’s engineering capabilities to merge the latest driver innovations, creating a lineup of the ultimate high-performance hybrid in-ear monitors. Geared towards the discerning audiophile and music enthusiast, the Legacy series re-envisions the qualities that make up high-fidelity audio to present a unique combination of enjoyable tuning that also excels in technical performance."
Thieaudio Legacy 2 is priced at $99
Specifications:
Specifications are as below:
https://www.linsoul.com/products/thieaudio-legacy-2
Package:
Following items are found in the package:
Design & Build Quality:
The Thieaudio Legacy 2 comes with blue resin shell. very light and nice looking. lower part of the shells are semi-transparent and the drivers inside can be seen somewhat. It is quite comfortable and has a good fit in the ears. it is also ideal for longer listening sessions being lightweight and comfortable. The shell houses the New Proprietary Closed-back 10mm Beryllium Dynamic Driver & Knowles ED29689 Balanced Armature drivers. It is also said to have very good tuning. However, to me good performance is based on the quality of sound that hits my ears.
The Stock Cable:
The cable that comes with it appears to be nice with good weaving and sound-wise it seemed quite good also.
Amp-ing Requirements:
I have found that this IEM cannot perform well without any amp-ing at all while being directly connected to devices such as: iPad, iPhone, etc..
Hence , a good DAC/AMP is quite necessary and one can say as mandatory also.
NOW LET'S TALK ABOUT THE SOUND....
Items used for this review:
DAC/AMP: IFI Micro IDSD Black Label Signature
DAP/Source : @Shanling M6 PRO (21) & Q1, Laptop & iPad
Streaming Source: QOBUZ
Ear Tips: Final E Series Black ear tips
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
While the intensity of the Bass is quite good, it's not really the kind of bass that is enjoyable. The sub-bass lacks details and there is lack of depth in the bass responses also. In tracks like: "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can feel the attack of the Drums but then... that's about it - there's much lack of further detailed nuances & transients. Not the kind of bass that is enjoyable at least to my ears.
The MIDS:
Midrange is not recessed despite the V shape in the tuning of this IEM.
The Mids seem to have good amount of details throughout - However it lacks muscle & texture in the midrange.
This may be due to the BA based sound in the midrange. Guitar plucks were not followed by enough transients in tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges"
The Treble:
The Treble seemed smooth and inoffensive. Has enough details and coherence that is expected from the price range. But, just like the mids it lacked in terms of texture. While the Cymbals sounded good however some part of the upper treble region seemed a bit rolled off and boring. Tracks like: "Chocolate Chip Trip - TOOL" did not sound as good.
The SOUNDSTAGE:
Soundstage seemed quite wide for the price bracket. But it lacks in height & depth.
Imaging & Timbre:
Sense of direction is quite good and the sound is quite natural hence I would say that this IEM has good imaging for the price.
There is scope to improve when it comes to timbre compared to other IEMs in the [price bracket.
Comparisons :
Thieaudio Legacy 2 vs Moondrop Aria :
The Moondrop Aria though has a Single Dynamic driver architecture - becomes a direct competitor of the Legacy 2 in terms of price coming at slightly lower price of $79.
Build & Comfort:
Though both IEMs have very different materials in their shells - they are both lightweight and comfortable, Nothing to complain - both at par.
Bass:
The Aria does not come with the high intensity of bass like Legacy 2. However, it makes up for it through details and depth - which are missing on the Legacy2.
Overall I preferred the Aria bass performance as it has much better details and depth in the bass.
Mids:
Both IEMs come with good details in the mids but the Aria again has the edge due to better texture and transients from instruments such as guitar, violin, banjo, etc..
Treble:
Not much to say about treble here either. I think both are at par in terms of treble.
Soundstage & Timbre:
Though the Aria seemed to have slightly less width in the soundstage, it makes up for it with better depth & height. The legacy2 though having wider soundtage sounds flatter.
Conclusion :
The legacy 2 comes at a very competitive price range of $99 and at a time when the Moondrop Aria is being called the best performer below $100 range.
Though, It may not be as good as the Aria - it may appeal to people who want a better tuning and non-fatiguing treble.
Disclaimer:
This unit was supplied to me by @Linsoul Audio for the purpose of an honest review. Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
The Thieaudio Legacy 2 is Linsoul's attempt to enter into the entry level IEM zone with their successful well known brand Thieaudio. According to Linsoul "The Legacy series capitalizes on Thieaudio’s engineering capabilities to merge the latest driver innovations, creating a lineup of the ultimate high-performance hybrid in-ear monitors. Geared towards the discerning audiophile and music enthusiast, the Legacy series re-envisions the qualities that make up high-fidelity audio to present a unique combination of enjoyable tuning that also excels in technical performance."
Thieaudio Legacy 2 is priced at $99
Specifications:
Specifications are as below:
https://www.linsoul.com/products/thieaudio-legacy-2
- Sensitivity (1KHz): 108dB
- Frequency range: 20Hz-20KHz
- Impedance (1KHz): 32Ω
- Driver: Knowles 29689 + 10mm Beryllium
- Noise Isolation: 26dB
- Earphone connector: 0.78 2pin
- Plug: 3.5mm
- Cable: 1.2m
Package:
Following items are found in the package:
- IEM x1
- Leather bag x 1
- Original eartips x 6 pairs
- Stock cable x 1
- User manual
Design & Build Quality:
The Thieaudio Legacy 2 comes with blue resin shell. very light and nice looking. lower part of the shells are semi-transparent and the drivers inside can be seen somewhat. It is quite comfortable and has a good fit in the ears. it is also ideal for longer listening sessions being lightweight and comfortable. The shell houses the New Proprietary Closed-back 10mm Beryllium Dynamic Driver & Knowles ED29689 Balanced Armature drivers. It is also said to have very good tuning. However, to me good performance is based on the quality of sound that hits my ears.
The Stock Cable:
The cable that comes with it appears to be nice with good weaving and sound-wise it seemed quite good also.
Amp-ing Requirements:
I have found that this IEM cannot perform well without any amp-ing at all while being directly connected to devices such as: iPad, iPhone, etc..
Hence , a good DAC/AMP is quite necessary and one can say as mandatory also.
NOW LET'S TALK ABOUT THE SOUND....
Items used for this review:
DAC/AMP: IFI Micro IDSD Black Label Signature
DAP/Source : @Shanling M6 PRO (21) & Q1, Laptop & iPad
Streaming Source: QOBUZ
Ear Tips: Final E Series Black ear tips
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
While the intensity of the Bass is quite good, it's not really the kind of bass that is enjoyable. The sub-bass lacks details and there is lack of depth in the bass responses also. In tracks like: "Anna R. Chie (Remastered) - Konstantin Wecker" and "My Queen Is Ada Eastman - Sons Of Kemet" you can feel the attack of the Drums but then... that's about it - there's much lack of further detailed nuances & transients. Not the kind of bass that is enjoyable at least to my ears.
The MIDS:
Midrange is not recessed despite the V shape in the tuning of this IEM.
The Mids seem to have good amount of details throughout - However it lacks muscle & texture in the midrange.
This may be due to the BA based sound in the midrange. Guitar plucks were not followed by enough transients in tracks like: "Porch Swing - Trace Bundy" and "Rickover's Dream - Michael hedges"
The Treble:
The Treble seemed smooth and inoffensive. Has enough details and coherence that is expected from the price range. But, just like the mids it lacked in terms of texture. While the Cymbals sounded good however some part of the upper treble region seemed a bit rolled off and boring. Tracks like: "Chocolate Chip Trip - TOOL" did not sound as good.
The SOUNDSTAGE:
Soundstage seemed quite wide for the price bracket. But it lacks in height & depth.
Imaging & Timbre:
Sense of direction is quite good and the sound is quite natural hence I would say that this IEM has good imaging for the price.
There is scope to improve when it comes to timbre compared to other IEMs in the [price bracket.
Comparisons :
Thieaudio Legacy 2 vs Moondrop Aria :
The Moondrop Aria though has a Single Dynamic driver architecture - becomes a direct competitor of the Legacy 2 in terms of price coming at slightly lower price of $79.
Build & Comfort:
Though both IEMs have very different materials in their shells - they are both lightweight and comfortable, Nothing to complain - both at par.
Bass:
The Aria does not come with the high intensity of bass like Legacy 2. However, it makes up for it through details and depth - which are missing on the Legacy2.
Overall I preferred the Aria bass performance as it has much better details and depth in the bass.
Mids:
Both IEMs come with good details in the mids but the Aria again has the edge due to better texture and transients from instruments such as guitar, violin, banjo, etc..
Treble:
Not much to say about treble here either. I think both are at par in terms of treble.
Soundstage & Timbre:
Though the Aria seemed to have slightly less width in the soundstage, it makes up for it with better depth & height. The legacy2 though having wider soundtage sounds flatter.
Conclusion :
The legacy 2 comes at a very competitive price range of $99 and at a time when the Moondrop Aria is being called the best performer below $100 range.
Though, It may not be as good as the Aria - it may appeal to people who want a better tuning and non-fatiguing treble.
Attachments
Riyan
Thanks for the nice & detailed review. It helps a lot to choose Aria over The legacy 2.
Campfire Audio Holocene : Leader of "Glow in the Dark" Era
Disclaimer:
This review unit was sent by @CampfireAudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
In July 2021, Campfire Audio launched 2 new IEMs: Holocene & Mammoth. Holocene is an all BA IEM. Holocene’s sound is fast and layered with rich, inviting detail, channeling that spirit of explosive expansion. Holocene’s remarkably even, and balanced frequency response curve conceals the speed and resolution of a true audiophile’s reference earphone.
The Holocene is priced at $649
Tech Features:
Holocene features 3 custom BAs: 1 for highs and 2 covering mids and lows. These drivers are combined and optimized with our signature 3D printing acoustic chamber design. This harmony of driver and design elevates the musical experience of Holocene.
Specifications:
Specifications are as below:
https://campfireaudio.com/shop/holocene/
Design & Build Quality:
I think the Holocene comes with good looks, that’s both striking and ergonomic. The machined aluminum shell looks awesome & very premium. The shape of the IEM is nice & very light-weight that and provides a comfortable fit for long listening sessions.
In terms of build quality & comfort - the Holocene is amongst the best that I've come across so far in the given price range.
Packaging & Accessories:
The Holocene continues the typical packaging styling Campfire Audio has been using since 2020.The theme is back to a brown box with the customary collage of colors and the Holocene itself on the front label.
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new Campfire Audio ‘Epoch’ SEAQUAL® YARN Earphone carry-case inside of which you will find the Holocene and the Smokey Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches other Campfire IEMs of 2020:
The Stock Cable:
The cable is the Campfire Audio Smokey Litz Cable – Silver Plated Copper Conductors with Beryllium Copper MMCX and 3.5mm plug which is good sound wise and also looks wise. Really nothing to complain about here - all good.
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21)
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series (both Transparent Red & Black ones), @SpinFit Eartip CP360 and JVC Spiral. I've found JVC spiral to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass on the Holocene comes with good and clear bass as well as some thump & slam with it. It is well defined and natural sounding. There's good layering and texture all across. There is good density in the bass also. In the given price range, I would say this is amongst the best all BA bass reproduction I’ve come across so far. The track “Dreams - Fleetwood Mac” sounds just awesome with good bass quantity, attack & decay.
The MIDS:
Midrange is where the Holocene shines – despite the upper mids being recessed somewhat. The midrange is full of muscle and texture and layering. Piano, violin, guitar and other instruments sound great with good amount of transients and natural decay. The vocals are very immersive and both male and female vocals come with ample amount of layering and texture. Every instrument can be identified individually and the sound is very coherent also - which is a rare case in a multi-driver architecture. Guitar plucking sounds in tracks such as: “ Jano Mori - Vlatko Stefanovski” sounded good with good transient & decay despite this being all BA IEM.
The TREBLE:
Treble is likely the weaker trait compared to the bass & mids as this has some elevated upper treble. Despite that, the treble is non-fatiguing and sounds good though some sparkle & splash are there in the upper zone – makes it more enjoyable in certain cases. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounds great.
The SOUNDSTAGE:
The Holocene has a great Soundstage with a good width & height emphasis and also depth – much better than the all BA IEMs of similar price range. It is as great for acoustic based track as it is for Rock or Pop genres. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” just sound awesome due to the great staging capabilities.
Imaging & Timbre:
The Holocene also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre. However, typical BA timbre can be felt occasionally though those are very rare occasions.
Comparisons:
CA Holocene vs DUNU SA6:
The DUNU SA6 comes at slightly lower price of $549 and is also an ALL BA IEM. It is a great all-rounder IEM and very balanced performance in all departments . However, not to forget that the Campfire Audio Holocene is also comes with great technical capabilities & performance. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON as it enhances bass and the Holocene is a great performer in that department.
Bass:
The DUNU SA6 is a good balanced performer when it comes to bass specially with the "Atmospheric Immersion mode" to ON. Despite that, the Holocene bass seemed to have equal performance in terms of density & richness but the attack & slam & thumps seemed better on the Holocene with better depth also.
Mids & Treble:
The DUNU SA6 has a great midrange and treble performance for the price range as it is tuned closer to the Harman Curve. However, Despite the not-so-harman-friendly tuning of the Holocene - the midrange is quite enjoyable with richness texture and vocals also sound great. having said that, the upper mids of Holocene are slightly recessed while the upper treble is quite elevated. I found it quite enjoyable despite that.
Soundstage & Timbre:
This is where the Holocene shines much brighter as the SA6 staging though good but is narrower than the Holocene in terms of both width & height. Also, depth sense on the Holocene seemed better. Imaging & timbre seemed equally good on both and not much of difference there.
Conclusion :
The Campfire Audio Holocene starts a new era - and era of enjoyable music with glow-in-the-dark accessories which makes them easier to find at night while enjoying music in the dark. I think the younger crowd will welcome this new change. Meanwhile, in terms of raw sound performance - this is just a great IEM for enjoyable music and is great for the price point it comes in. I would recommend this IEM to people who like fun sounding IEMs.
Disclaimer:
This review unit was sent by @CampfireAudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
In July 2021, Campfire Audio launched 2 new IEMs: Holocene & Mammoth. Holocene is an all BA IEM. Holocene’s sound is fast and layered with rich, inviting detail, channeling that spirit of explosive expansion. Holocene’s remarkably even, and balanced frequency response curve conceals the speed and resolution of a true audiophile’s reference earphone.
The Holocene is priced at $649
Tech Features:
Holocene features 3 custom BAs: 1 for highs and 2 covering mids and lows. These drivers are combined and optimized with our signature 3D printing acoustic chamber design. This harmony of driver and design elevates the musical experience of Holocene.
Specifications:
Specifications are as below:
https://campfireaudio.com/shop/holocene/
- 5Hz–20 kHz Frequency Response
- 94 dB SPL @ 1kHz: 6.99 mVrms
- 5.4 Ohms @ 1kHz Impedance
- Machined Aluminum Body
- ‘Umber’ Anodized Finish
- Single Custom Balanced Armature (High)
- Single Custom Balanced Armature (Mid/Low)
- Single Custom Balanced Armature (Mid/Low)
- Custom Beryllium / Copper MMCX Connections
- Black PVD Finished Stainless Steel Spout
- ‘Smoky Glow’ Silver Plated Copper Litz Cable – 3.5mm Stereo to MMCX connectors
Design & Build Quality:
I think the Holocene comes with good looks, that’s both striking and ergonomic. The machined aluminum shell looks awesome & very premium. The shape of the IEM is nice & very light-weight that and provides a comfortable fit for long listening sessions.
In terms of build quality & comfort - the Holocene is amongst the best that I've come across so far in the given price range.
Packaging & Accessories:
The Holocene continues the typical packaging styling Campfire Audio has been using since 2020.The theme is back to a brown box with the customary collage of colors and the Holocene itself on the front label.
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new Campfire Audio ‘Epoch’ SEAQUAL® YARN Earphone carry-case inside of which you will find the Holocene and the Smokey Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches other Campfire IEMs of 2020:
- Final e-tips (xs/s/m/l/xl)
- Foam Marshmallow tips S/M/L
- Silicone single-bore tips S/M/L
- 3 x cushioned pockets (for the monitors and foam tips)
- Cleaning brush/pick
- Campfire Audio ‘Epoch’ SEAQUAL® YARN Earphone Case
- SPC Litz cable
- Campfire Audio pin badge
The Stock Cable:
The cable is the Campfire Audio Smokey Litz Cable – Silver Plated Copper Conductors with Beryllium Copper MMCX and 3.5mm plug which is good sound wise and also looks wise. Really nothing to complain about here - all good.
NOW LET'S TALK ABOUT THE SOUND....
Items Used for this Review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with T01 motherboard, @Shanling M6 PRO (Ver 21)
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series (both Transparent Red & Black ones), @SpinFit Eartip CP360 and JVC Spiral. I've found JVC spiral to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass on the Holocene comes with good and clear bass as well as some thump & slam with it. It is well defined and natural sounding. There's good layering and texture all across. There is good density in the bass also. In the given price range, I would say this is amongst the best all BA bass reproduction I’ve come across so far. The track “Dreams - Fleetwood Mac” sounds just awesome with good bass quantity, attack & decay.
The MIDS:
Midrange is where the Holocene shines – despite the upper mids being recessed somewhat. The midrange is full of muscle and texture and layering. Piano, violin, guitar and other instruments sound great with good amount of transients and natural decay. The vocals are very immersive and both male and female vocals come with ample amount of layering and texture. Every instrument can be identified individually and the sound is very coherent also - which is a rare case in a multi-driver architecture. Guitar plucking sounds in tracks such as: “ Jano Mori - Vlatko Stefanovski” sounded good with good transient & decay despite this being all BA IEM.
The TREBLE:
Treble is likely the weaker trait compared to the bass & mids as this has some elevated upper treble. Despite that, the treble is non-fatiguing and sounds good though some sparkle & splash are there in the upper zone – makes it more enjoyable in certain cases. Cymbals sound natural and tracks like “Chocolate Chip Trip – Tool” sounds great.
The SOUNDSTAGE:
The Holocene has a great Soundstage with a good width & height emphasis and also depth – much better than the all BA IEMs of similar price range. It is as great for acoustic based track as it is for Rock or Pop genres. It is well defined and just as much as the track requires. Tracks like: “ The Secret Drawer – Bela Fleck and the Flecktones” or “Bohemian Rhapsody (live aid) – Queen” just sound awesome due to the great staging capabilities.
Imaging & Timbre:
The Holocene also comes with just great Imaging & timbre performances. Tracks like: “Rotterdam (Or Anywhere) - The Beautiful South “or “Hello Again - Howard Carpendale & The Royal Philharmonic Orchestra” just shine through due to the great separation & sense of positioning and timbre. However, typical BA timbre can be felt occasionally though those are very rare occasions.
Comparisons:
CA Holocene vs DUNU SA6:
The DUNU SA6 comes at slightly lower price of $549 and is also an ALL BA IEM. It is a great all-rounder IEM and very balanced performance in all departments . However, not to forget that the Campfire Audio Holocene is also comes with great technical capabilities & performance. For the purpose of this comparison, I have kept the "Atmospheric Immersion mode" to ON as it enhances bass and the Holocene is a great performer in that department.
Bass:
The DUNU SA6 is a good balanced performer when it comes to bass specially with the "Atmospheric Immersion mode" to ON. Despite that, the Holocene bass seemed to have equal performance in terms of density & richness but the attack & slam & thumps seemed better on the Holocene with better depth also.
Mids & Treble:
The DUNU SA6 has a great midrange and treble performance for the price range as it is tuned closer to the Harman Curve. However, Despite the not-so-harman-friendly tuning of the Holocene - the midrange is quite enjoyable with richness texture and vocals also sound great. having said that, the upper mids of Holocene are slightly recessed while the upper treble is quite elevated. I found it quite enjoyable despite that.
Soundstage & Timbre:
This is where the Holocene shines much brighter as the SA6 staging though good but is narrower than the Holocene in terms of both width & height. Also, depth sense on the Holocene seemed better. Imaging & timbre seemed equally good on both and not much of difference there.
Conclusion :
The Campfire Audio Holocene starts a new era - and era of enjoyable music with glow-in-the-dark accessories which makes them easier to find at night while enjoying music in the dark. I think the younger crowd will welcome this new change. Meanwhile, in terms of raw sound performance - this is just a great IEM for enjoyable music and is great for the price point it comes in. I would recommend this IEM to people who like fun sounding IEMs.
Attachments
Riyan
Another Nice Review
"Glow-in-the-dark" feature is pretty impressive by the way.
"Glow-in-the-dark" feature is pretty impressive by the way.
Moondrop Aria : The below $100 Champ?
Disclaimer:
This unit was supplied to me by @shenzhenaudio for the purpose of an honest review. Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
The Moondrop Aria is a revival of their earlier discontinued Aria and is supposed to be an upgrade of the Starfield. The Aria is an affordable single 10mm LCP diaphragm and CCAW voice coil dynamic driver universal IEM.
Moondrop Aria is priced at $79.99
https://shenzhenaudio.com/products/...diaphragm-dynamic-driver-iems-in-ear-earphone
Specifications:
Specifications are as below:
https://www.moondroplab.com/aria
Package:
Following items are found in the package:
Design & Build Quality:
The Aria sports and all new design. It forgoes the glossy appearance of a lot of Moondrop IEMs, and stick to a matte-style metal. The solid black with golden streaks makes for a classy design. The shell shape feels like the perfect size, and the cavity is ergonomic with a thin spout. Any size tips should fit right on its nozzle. it is quite light-weighted and comfortable and easy to wear. It is suitable for long hours of listening.
The Stock Cable:
The cable that comes with it appears to be nice with good weaving but can be quite tangle-prone. Sound-wise it seemed quite good.
Amp-ing Requirements:
I have found that this IEM can perform well without any amp-ing at all while being directly connected to devices such as: iPad, iPhone, etc..
However, this IEM shines quite a bit when paired with a good and powerful DAC/AMP.
NOW LET'S TALK ABOUT THE SOUND....
Items used for this review:
DAC/AMP: IFI Micro IDSD Black Label Signature
DAP/Source : @Shanling M6 PRO (21) & Q1, Laptop & iPad
Streaming Source: QOBUZ
Ear Tips: @SpinFit Eartip CP145
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
Bass is quite prominent with some deep thump & slam in the Plume. These is good texture & air in the bass. the punch & thump is there with a good amount of muscle but not too overwhelming. Overall good performance in Bass I would say.
The MIDS:
Midrange is not recessed despite the very slight V in the tuning of this IEM. Only the lower Mids can be considered as recessed somewhat.
Rest of the Midrange comes with ample texture and layering and acoustic instruments like guitars, harp, violin, etc.. have very good transients
Both Male and female vocals come with ample texture. I felt there might've been slight sacrifices made in terms of details retrieval and clarity but that is expected given the price range.
The Treble:
The Treble seemed smooth and inoffensive. But it is not boring in any way. The treble though comes with ample texture lacks some of the air and also has some early roll off effect in some cases.
The SOUNDSTAGE:
Soundstage has average width but lacks in terms of depth - but given the price I would say it's quite decent.
Imaging & Timbre:
Sense of direction is quite good and the sound is quite natural hence I would say that this IEM has good imaging & timbre for the price.
However, in terms of micro details retrieval - I found this IEM is to be a bit lacking.
Comparisons :
Moondrop Aria vs Ikko OH10 :
I don't have many IEMs in this price range and most of the IEMs I have is above $200 range. However, for the sake of comparison - I have included the Ikko OH10 priced at $150 which is almost 2 times the price of the Aria. That being said, I don't feel that the Aria is a less of a performer in the category.
Build & Comfort:
The Ikko OH10 comes with a much heavier steel shell - while making it look more premium is quite big and heavy on the ears.
Whereas, the Aria is much smaller & lighter. Hence, in terms of comfort it is much more preferable. I would give the edge to the Aria here.
Bass:
When it comes to bass, the Aria and OH10 has quite extensive competition - the OH10 seemed to have more depth in the Thump & slams and seemed more Bassy while the Aria seemed more balanced. I'm not in favor of overwhelming bass and therefore I would give the edge to the Aria for being more balanced with the Bass.
Mids:
The OH10 comes with significantly more recessed Mids than the Aria and in terms of sheer performance of the midrange loses to the Aria. The Aria has more texture and details and is more enjoyable.
Treble:
This is where both OH10 and Aria does well while the OH10 has more details and sparkle than the Aria - it also has rare peaks. I would call this a tie.
Soundstage & Timbre:
In terms of width & height I felt both IEMs have similar soundstage width - the differentiating factor is the depth where the OH10 has an edge mainly due to it's bass driven V-shaped tuning. Timbre is good & natural on both. I'd give the edge to the OH10 here.
Conclusion :
The Aria is a super performer in it's own price range and can also give some other IEMs like the OH10 a run for the money which is almost twice priced.
I found the Aria performance to be closely matching but slightly short of the $200 price bracket. hence I can easily call the Aria a steal for the price. Highly recommended to people who are looking for a balanced performance within $100 price range.
Disclaimer:
This unit was supplied to me by @shenzhenaudio for the purpose of an honest review. Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
The Moondrop Aria is a revival of their earlier discontinued Aria and is supposed to be an upgrade of the Starfield. The Aria is an affordable single 10mm LCP diaphragm and CCAW voice coil dynamic driver universal IEM.
Moondrop Aria is priced at $79.99
https://shenzhenaudio.com/products/...diaphragm-dynamic-driver-iems-in-ear-earphone
Specifications:
Specifications are as below:
https://www.moondroplab.com/aria
- Product name: Aria
- Driver Unit : LCP liquid crystal diaphragm -10mm diameter double cavity magnetic Diaphragm Dynamic unit.
- Headphone Socket : 0.78pin
- Sensitivity: 122dB/Vrms (@1kHz)
- Impedance: 32Ω±15% (@1kHz)
- Frequency response : 5Hz-36000Hz
- Effective frequency response: 20Hz-20000Hz
Package:
Following items are found in the package:
- IEM x1
- Leather bag x 1
- Original eartips x 5 pairs
- Stock cable x 1
- User manual
Design & Build Quality:
The Aria sports and all new design. It forgoes the glossy appearance of a lot of Moondrop IEMs, and stick to a matte-style metal. The solid black with golden streaks makes for a classy design. The shell shape feels like the perfect size, and the cavity is ergonomic with a thin spout. Any size tips should fit right on its nozzle. it is quite light-weighted and comfortable and easy to wear. It is suitable for long hours of listening.
The Stock Cable:
The cable that comes with it appears to be nice with good weaving but can be quite tangle-prone. Sound-wise it seemed quite good.
Amp-ing Requirements:
I have found that this IEM can perform well without any amp-ing at all while being directly connected to devices such as: iPad, iPhone, etc..
However, this IEM shines quite a bit when paired with a good and powerful DAC/AMP.
NOW LET'S TALK ABOUT THE SOUND....
Items used for this review:
DAC/AMP: IFI Micro IDSD Black Label Signature
DAP/Source : @Shanling M6 PRO (21) & Q1, Laptop & iPad
Streaming Source: QOBUZ
Ear Tips: @SpinFit Eartip CP145
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
Bass is quite prominent with some deep thump & slam in the Plume. These is good texture & air in the bass. the punch & thump is there with a good amount of muscle but not too overwhelming. Overall good performance in Bass I would say.
The MIDS:
Midrange is not recessed despite the very slight V in the tuning of this IEM. Only the lower Mids can be considered as recessed somewhat.
Rest of the Midrange comes with ample texture and layering and acoustic instruments like guitars, harp, violin, etc.. have very good transients
Both Male and female vocals come with ample texture. I felt there might've been slight sacrifices made in terms of details retrieval and clarity but that is expected given the price range.
The Treble:
The Treble seemed smooth and inoffensive. But it is not boring in any way. The treble though comes with ample texture lacks some of the air and also has some early roll off effect in some cases.
The SOUNDSTAGE:
Soundstage has average width but lacks in terms of depth - but given the price I would say it's quite decent.
Imaging & Timbre:
Sense of direction is quite good and the sound is quite natural hence I would say that this IEM has good imaging & timbre for the price.
However, in terms of micro details retrieval - I found this IEM is to be a bit lacking.
Comparisons :
Moondrop Aria vs Ikko OH10 :
I don't have many IEMs in this price range and most of the IEMs I have is above $200 range. However, for the sake of comparison - I have included the Ikko OH10 priced at $150 which is almost 2 times the price of the Aria. That being said, I don't feel that the Aria is a less of a performer in the category.
Build & Comfort:
The Ikko OH10 comes with a much heavier steel shell - while making it look more premium is quite big and heavy on the ears.
Whereas, the Aria is much smaller & lighter. Hence, in terms of comfort it is much more preferable. I would give the edge to the Aria here.
Bass:
When it comes to bass, the Aria and OH10 has quite extensive competition - the OH10 seemed to have more depth in the Thump & slams and seemed more Bassy while the Aria seemed more balanced. I'm not in favor of overwhelming bass and therefore I would give the edge to the Aria for being more balanced with the Bass.
Mids:
The OH10 comes with significantly more recessed Mids than the Aria and in terms of sheer performance of the midrange loses to the Aria. The Aria has more texture and details and is more enjoyable.
Treble:
This is where both OH10 and Aria does well while the OH10 has more details and sparkle than the Aria - it also has rare peaks. I would call this a tie.
Soundstage & Timbre:
In terms of width & height I felt both IEMs have similar soundstage width - the differentiating factor is the depth where the OH10 has an edge mainly due to it's bass driven V-shaped tuning. Timbre is good & natural on both. I'd give the edge to the OH10 here.
Conclusion :
The Aria is a super performer in it's own price range and can also give some other IEMs like the OH10 a run for the money which is almost twice priced.
I found the Aria performance to be closely matching but slightly short of the $200 price bracket. hence I can easily call the Aria a steal for the price. Highly recommended to people who are looking for a balanced performance within $100 price range.
Attachments
Riyan
Another Nice review 
. Hopefully I will buy Aria soon.
. Hopefully I will buy Aria soon.
Samin Zaman
Insane Value For The Money
CCZ Plume: The Golden Bass Queen
Disclaimer:
This unit was supplied to me by KEEPHIFI for the purpose of an honest review. Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
CCZ is a new manufacturer at their first attempt into the mid-range market where there are already a lot of established competitors.
We will need to see how CCZ performs against the IEMs in similar price range and that will basically define their success.
CCZ Plume is priced at $199
Specifications:
Specifications are as below:
https://keephifi.com/products/ccz-plume
Package:
Following items are found in the package:
Design & Build Quality:
These come with very glittery Golden colors and with good shape. Though the size of the shells are slightly on the bigger side, they are not uncomfortable and not heavy either. They can continue through long listening sessions easily.
The Stock Cable:
The cable that comes with it amongst the nicest of the cables both in terms of looks and sound. Also, it comes with 2.5mm plug as default and also has extra 3.5mm and 4.4mm adapters.
Amp-ing Requirements:
I have found that this IEM can perform well without any amp-ing at all while being directly connected to devices such as: iPad, iPhone, etc..
However, this IEM really shines when paired with a good and powerful DAC/AMP.
NOW LET'S TALK ABOUT THE SOUND....
Items used for this review:
DAC/AMP: IFI Micro IDSD Black Label Signature
DAP/Source : @Shanling M6 PRO (21), Laptop & iPad
Streaming Source: QOBUZ
Ear Tips: Final E series black tips
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
Bass is quite prominent with some deep thump & slam in the Plume. These is good texture & air in the bass. the punch & thump is there with a good amount of muscle which can become a bit overwhelming depending on track & source pairing. Overall good performance in Bass I would say.
The MIDS:
Midrange is quite recessed due to the V-shaped sound of this IEM. Nevertheless, it's not like anything is missing.
Mids however are quite detailed and comes with good amount of texture. Vocals sound natural for both Male & female.
However, micro details in the mids section seemed somewhat less pronounced. This is likely due to the some of the bass bleeding into the mids.
The Treble:
Treble is also very good and detailed. good layering amongst the instruments. Treble is enjoyable and non-fatiguing.
The SOUNDSTAGE:
Soundstage has average width but depth is quite good and can be considered as slightly above average for the price.
Imaging & Timbre:
Sense of direction is quite good and the sound is quite natural hence I would say that this IEM has good imaging & timbre for the price.
However, in terms of micro details retrieval - I found this IEM is to be a bit lacking.
Comparisons :
CCZ Plume vs Campfire Audio Satsuma :
The Campfire Audio Satsuma comes at exactly the same price of $199 but with a single BA architecture instead of 4BA + 1DD hybrid architecture of the CCZ Plume.
The same price point is what makes these 2 IEMs comparable directly.
Build & Comfort:
The Campfire Audio Satsuma comes with a more Candy-type looks compared to the glittery gold looks the CCZ Plume.
However, the Satsuma is much smaller & lighter. Hence, in terms of comfort it is much more preferable. I would give the edge to the Satsuma here.
Bass:
When it comes to bass, the CCZ Plume excels with its Bass heavy tuning and DD based bass depth and its very deep thump & slams. The Satsuma on the other hand felt lacking in the bass specifically though it had slightly more details than the CCZ Plume.
In terms of bass the CCZ wins hands down.
Mids:
I found the Mids to be more prominent and detailed on the Satsuma. There is good amount of details and separation. the vocals sound natural with good separation overall. The CCZ Plume with it's recessed mids seem lacking in this area and hence the win goes to the Satsuma.
Treble:
This is where things get very interesting - while the Satsuma has more details and clarity, the CCZ Plume seems to have more texture and layering while the Satsuma sounded slightly thinner. Both seemed smooth and non-fatiguing and quite enjoyable. I would call this a tie.
Soundstage & Timbre:
Though the CCZ Plume soundstage is quite deep, the width and height is better on the Satsuma. So, it's a matter of preference.
In terms of Imaging & timbre, it felt like Satsuma had slightly better sense of positioning and more clear sound while the CCZ also has good imaging and timbre for the price. hence this can be considered a tie also.
Conclusion :
Having said all that - both IEMs have their goods and bad and each excels in their own area of strength. The CCZ Plume seemed like a better choice for genres like rock, R&B, EDM, Pop, etc.. where the bass is necessary and a bit more just makes it more fun.
Disclaimer:
This unit was supplied to me by KEEPHIFI for the purpose of an honest review. Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
CCZ is a new manufacturer at their first attempt into the mid-range market where there are already a lot of established competitors.
We will need to see how CCZ performs against the IEMs in similar price range and that will basically define their success.
CCZ Plume is priced at $199
Specifications:
Specifications are as below:
https://keephifi.com/products/ccz-plume
- Brand: CCZ
- Model: Plume
- Color: Golden
- Interface/Connector：2Pin (0.78mm)
- Plug type: 2.5mm (original)/3.5mm/4.4mm
- Impedance: 16±2Ω
- Sensitivity: 110±2dB
- Frequency response: 20-20kHZ
- Driver units: single side- 1 dual magnetic DD + 2 BA ( CCZ-IF-A for mid-high frequency )+ 2 BA ( CCZ-HI-A for high frequency ）
- Wearing type: In-Ear
- Whether with cable: Yes
- Whether with mic: No mic
- Cable length: 1.2m
- Cable material: Single Crystal Copper
- Whether can replacement cable: Yes
Package:
Following items are found in the package:
- Leather bag x 1
- Adapter x 2
- Original eartips x 3 pairs
- KBEAR 07 eartips x 5 pairs
- 6N OCC cable x 1
- Cleaning cloth x 1
- Cleaning brush x 1
- User manual
Design & Build Quality:
These come with very glittery Golden colors and with good shape. Though the size of the shells are slightly on the bigger side, they are not uncomfortable and not heavy either. They can continue through long listening sessions easily.
The Stock Cable:
The cable that comes with it amongst the nicest of the cables both in terms of looks and sound. Also, it comes with 2.5mm plug as default and also has extra 3.5mm and 4.4mm adapters.
Amp-ing Requirements:
I have found that this IEM can perform well without any amp-ing at all while being directly connected to devices such as: iPad, iPhone, etc..
However, this IEM really shines when paired with a good and powerful DAC/AMP.
NOW LET'S TALK ABOUT THE SOUND....
Items used for this review:
DAC/AMP: IFI Micro IDSD Black Label Signature
DAP/Source : @Shanling M6 PRO (21), Laptop & iPad
Streaming Source: QOBUZ
Ear Tips: Final E series black tips
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
Bass is quite prominent with some deep thump & slam in the Plume. These is good texture & air in the bass. the punch & thump is there with a good amount of muscle which can become a bit overwhelming depending on track & source pairing. Overall good performance in Bass I would say.
The MIDS:
Midrange is quite recessed due to the V-shaped sound of this IEM. Nevertheless, it's not like anything is missing.
Mids however are quite detailed and comes with good amount of texture. Vocals sound natural for both Male & female.
However, micro details in the mids section seemed somewhat less pronounced. This is likely due to the some of the bass bleeding into the mids.
The Treble:
Treble is also very good and detailed. good layering amongst the instruments. Treble is enjoyable and non-fatiguing.
The SOUNDSTAGE:
Soundstage has average width but depth is quite good and can be considered as slightly above average for the price.
Imaging & Timbre:
Sense of direction is quite good and the sound is quite natural hence I would say that this IEM has good imaging & timbre for the price.
However, in terms of micro details retrieval - I found this IEM is to be a bit lacking.
Comparisons :
CCZ Plume vs Campfire Audio Satsuma :
The Campfire Audio Satsuma comes at exactly the same price of $199 but with a single BA architecture instead of 4BA + 1DD hybrid architecture of the CCZ Plume.
The same price point is what makes these 2 IEMs comparable directly.
Build & Comfort:
The Campfire Audio Satsuma comes with a more Candy-type looks compared to the glittery gold looks the CCZ Plume.
However, the Satsuma is much smaller & lighter. Hence, in terms of comfort it is much more preferable. I would give the edge to the Satsuma here.
Bass:
When it comes to bass, the CCZ Plume excels with its Bass heavy tuning and DD based bass depth and its very deep thump & slams. The Satsuma on the other hand felt lacking in the bass specifically though it had slightly more details than the CCZ Plume.
In terms of bass the CCZ wins hands down.
Mids:
I found the Mids to be more prominent and detailed on the Satsuma. There is good amount of details and separation. the vocals sound natural with good separation overall. The CCZ Plume with it's recessed mids seem lacking in this area and hence the win goes to the Satsuma.
Treble:
This is where things get very interesting - while the Satsuma has more details and clarity, the CCZ Plume seems to have more texture and layering while the Satsuma sounded slightly thinner. Both seemed smooth and non-fatiguing and quite enjoyable. I would call this a tie.
Soundstage & Timbre:
Though the CCZ Plume soundstage is quite deep, the width and height is better on the Satsuma. So, it's a matter of preference.
In terms of Imaging & timbre, it felt like Satsuma had slightly better sense of positioning and more clear sound while the CCZ also has good imaging and timbre for the price. hence this can be considered a tie also.
Conclusion :
Having said all that - both IEMs have their goods and bad and each excels in their own area of strength. The CCZ Plume seemed like a better choice for genres like rock, R&B, EDM, Pop, etc.. where the bass is necessary and a bit more just makes it more fun.
alexandros a
Very nice review,thanks for the info....
Campfire Audio DORADO 2020 : Bass is fun!
Disclaimer:
This review unit was sent by @CampfireAudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
Since 2016, Dorado’s original release, Campfire Audio has developed a remarkable series of high-fidelity hybrid IEMs that have gone from niche to popularized as some of the very best in the world. Dorado 2020 breathes new life into the name and the legacy of their first hybrid - The Original Dorado, with a fresh take on its classic hybrid design. One balanced armature and one dynamic driver. No cross-over, no complications. They claim that the distilled pairings reproduce sound more faithfully, with improved resolution and cohesion than those with over-complicated cross-over schemes.
Dorado 2020 was launched in Oct 2020 by Campfire Audio.
The Dorado 2020 is priced at $1099.
Tech Features:
The Dorado is a hybrid universal monitor. It comes with 1DD & 1BA drivers on each side.
A single balanced armature augments the custom-tuned 10mm A.D.L.C. diaphragm dynamic driver.
Leaving the sparkling highs to the B.A., this dynamic driver is afforded the space to dig in a bit deeper, reach a bit lower, and deliver rich and satisfying bass.
Its vocal delivery is precise and pronounced. Dorado 2020 is very much a hybrid high fidelity earphone.
Specifications:
Specifications are as below (as found on the website):
https://campfireaudio.com/shop/dorado-2020/
Design & Build Quality:
Though I had never come across the original Dorado, but from what i have seen in the pictures - it seems that the Dorado 2020 has got quite a bit of facelift. Instead of the silver, aluminum style, the body is made from high-density ceramic that forms a single solid piece. The Dorado is one of Campfire’s more ear-friendly shaped bodies, and that architecture is brought over to the new model. Dorado 2020 comes with a slimmer spout which makes the best use out of all the different ear tip selections. It’s made up of an all-black PVD finish, creating a glossier aesthetic. A thinner nozzle also usually means there won’t be any added pressure when inserting the IEM into the ear. The fit is just great - and there was rarely a need for any significant adjustments or tip-switching during my listening sessions. I felt that the Dorado 2020 proved to be one of Campfire’s more seamless fits, and it might even attract more people to this series.
Packaging & Accessories:
The Dorado 2020 continues the new packaging styling Campfire Audio has been using since Polaris 2.
The packaging unfolds like a colorful piece of origami - then you can see the multi-compartment cardboard box box inside.
Inside that cardboard box, there is another smaller box that contains all the ear tips and cleaning tool. and there is that Campfire special case tat holds the IEM inside with the cable.
Accessories:
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new cork material carry-case inside of which you will find the Dorado 2020 and the SPC Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches the IO and is as follows:
The Case:
The case is an exotic Orange case which Campfire calls: ‘Diver Orange” Upcycled Marine Plastic Zipper Case..
The Stock Cable:
The cable is the Campfire Audio Litz Cable – Silver Plated Copper Conductors with Beryllium Copper MMCX and 3.5mm plug which is good sound-wise and also looks wise. Really nothing to complain about here - all good.
Amp-ing Requirements:
Due to it's vert low impedance levels, this IEM requires does not any sort of amp-ing at all. Howver, it shines quite a bit when paired with a good & powerful source.
NOW LET'S TALK ABOUT THE SOUND IMPRESSIONS....
Used for this review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with E02 motherboard, Laptop & iPad
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series (both Transparent Red & Black ones), @SpinFit Eartip CP360 and JVC Spiral.
I've found JVC spiral to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass on the Dorado 2020 comes with a detailed presentation with good amount of density. The bass response is one of the most aggressively neutral responses we can get . It may not satisfy everyone, but the balancing and dynamics were quite impressive. the drums percussions are clear and separation is really great between the instruments and there is good amount of depth in the thump and slam.
The MIDS:
Midrange is quite open despite that fact that due to the V-shaped tonality it is bit recessed. There is exceptional clarity and definition here, and it rivals some of the best out there currently on the market. Lower mids get a touch of boost making the sound more lively & fun. Acoustic guitars have the breath that is articulating and percussions such as: like plucking strings, and fret straining just feels amazing. Vocals are as expressive & natural - lively and full of texture. Upper mids also show great detail and demonstrate a top-end emphasis on certain instrumental tonalities..
The Treble:
The Treble is no exception when it comes to details and separation. Every sound comes with great clarity and good amount of thick & muscular texture. There's a bit of sparkle in the treble but it makes the sound more enjoyable and also the treble is non-fatiguing.
The SOUNDSTAGE:
The Dorado 2020 has a massive Soundstage with a good width & height emphasis and also depth. it offers a more wide & balanced stage. Not artificially driven - but just the right amount of staging that the track requires. It is just superb for enjoying acoustic instruments and also great for all genres mostly.
Imaging & Timbre:
There is a beautiful solidity and balance to how the Dorado 2020 delivers instrumental notes yet the staging in the mids is open enough to ensure neither vocal nor instrument is competing for the same space. You get a what I would call a classic hi-fidelity stereo presentation from the Dorado 2020 with perfect positioning sense of each item.
The Timbre of the Dorado 2020 is amongst the best I've experienced so far whereby The Drums, & guyitars just sound amazing and fun. The vocals are natural and open and the cymbals sound great too.
But the review is not complete without comparisons....
CA Dorado 2020 vs DUNU ZEN :
The DUNU ZEN though lower priced than the Dorado 2020 comes with a similar sound signature and a Single Dynamic driver architecture.
DUNU claims the ECLIPSE Dynamic drivers to be amongst their very best. I'm including the ZEN also has ample amount of details and expansive soundstage just like the Dorado 2020 . However, the DUNU ZEN comes at a much lower price tag of $699 compared to the Dorado 2020's $1099
This has been a very interesting comparison though not really based on similarities or price range but more on traits.
Bass:
This is the DUNU ZENs strongest traits with ample amount micro nuances and details. it also has the thump that is enjoyable and comes with good layering and texture. But it just isn't enough to beat the Dorado 2020. The bass in Dorado 2020 is a lot more detailed and textured and there is better depth than the Zen. hence, the Dorado 2020 wins this round hands down.
Mids & Treble:
The DUNU ZEN has a slight peak in its upper mids which may become bothersome for some people. The Dorado 2020 has more recessed mids than DUNU ZEN. However, the Dorado 2020 Mids seemed more open and resolving with better clarity and separation. The ZEN here is not far behind in terms of clarity or texture but loses mainly due to it's peak in the upper mids.
Soundstage & Timbre:
Both of the IEMs come with superb staging and imaging capabilities - but having said that, I felt that the Dorado 2020 has slightly better width and height while the DUNU ZEN had slightly more depth. I would call this a tie.
CA Dorado 2020 vs CA Ara :
The Ara is slightly higher priced at $1299 with an all BA architecture compared to the Dorado 2020's hybrid architecture. The Andromeda would've been the perfact match in terms of pricing - but the Ara is the closest priced IEM I have with me.
Bass:
This is the Dorado 2020 wins hands down due to it's dynamic driver timbre and bass focused tuning. The Ara though neutral sounding has great amount of details ins the bass region. But I just love the energetic deep thump and slam of the dorado and the details are also there though not as much as the Ara.
Mids & Treble:
The Dorado 2020 has somewhat recessed Mids but the midrange is quite open. Also, there is some fun & sparkle in the Trebl with good clarity. Mids & treble is where the Ara excels and exceeds the Dorado 2020 in terms of layering and texture. The Ara is also slightly more resolving and the mids & treble are very enjoyable on the Ara. This is where Ara wins handily.
Soundstage & Timbre:
I never thought that any ALL BA IEM would be able to match the massive soundstage of the Dorado 2020. The Ara comes very very close though.
The Ara also comes with an almost equally wide soundstage and positioning details are slightly better on the Ara. However, there's that BA timbre in the Ara though rare - and this is where the Dorado 2020 excels. I would call it a tie here.
Conclusion :
Having said all that - The Campfire Audio Dorado 2020 is just what the doctor ordered if you like a bit more Bass with fun sounding music.
The amount of details, clarity, separation, staging and overall finesse that the Dorado 2020 provides makes it worth every penny of the price tag that it comes with. I have thoroughly enjoyed reviewing it and would highly recommend it to others.
Disclaimer:
This review unit was sent by @CampfireAudio for the purpose of an honest review.
Everything mentioned in this review are purely my own based on my experiences with the IEM.
Introduction:
Since 2016, Dorado’s original release, Campfire Audio has developed a remarkable series of high-fidelity hybrid IEMs that have gone from niche to popularized as some of the very best in the world. Dorado 2020 breathes new life into the name and the legacy of their first hybrid - The Original Dorado, with a fresh take on its classic hybrid design. One balanced armature and one dynamic driver. No cross-over, no complications. They claim that the distilled pairings reproduce sound more faithfully, with improved resolution and cohesion than those with over-complicated cross-over schemes.
Dorado 2020 was launched in Oct 2020 by Campfire Audio.
The Dorado 2020 is priced at $1099.
Tech Features:
The Dorado is a hybrid universal monitor. It comes with 1DD & 1BA drivers on each side.
A single balanced armature augments the custom-tuned 10mm A.D.L.C. diaphragm dynamic driver.
Leaving the sparkling highs to the B.A., this dynamic driver is afforded the space to dig in a bit deeper, reach a bit lower, and deliver rich and satisfying bass.
Its vocal delivery is precise and pronounced. Dorado 2020 is very much a hybrid high fidelity earphone.
Specifications:
Specifications are as below (as found on the website):
https://campfireaudio.com/shop/dorado-2020/
- 5 Hz – 22 kHz Frequency Response
- 94 dB SPL @ 1kHz: 18.52 mVrs
- 10 Ohm @ 1kHz Impedance
- Black Ceramic Shell
- Single Custom Balanced Armature (High)
- 10mm A.D.L.C. Diaphragm Dynamic Driver (Mid+Low)
- Oversized Neodymium Rare Earth Magnet
- Custom Beryllium / Copper MMCX Connections
- Brass Spout with ‘Midnight Grey’ PVD finish
Design & Build Quality:
Though I had never come across the original Dorado, but from what i have seen in the pictures - it seems that the Dorado 2020 has got quite a bit of facelift. Instead of the silver, aluminum style, the body is made from high-density ceramic that forms a single solid piece. The Dorado is one of Campfire’s more ear-friendly shaped bodies, and that architecture is brought over to the new model. Dorado 2020 comes with a slimmer spout which makes the best use out of all the different ear tip selections. It’s made up of an all-black PVD finish, creating a glossier aesthetic. A thinner nozzle also usually means there won’t be any added pressure when inserting the IEM into the ear. The fit is just great - and there was rarely a need for any significant adjustments or tip-switching during my listening sessions. I felt that the Dorado 2020 proved to be one of Campfire’s more seamless fits, and it might even attract more people to this series.
Packaging & Accessories:
The Dorado 2020 continues the new packaging styling Campfire Audio has been using since Polaris 2.
The packaging unfolds like a colorful piece of origami - then you can see the multi-compartment cardboard box box inside.
Inside that cardboard box, there is another smaller box that contains all the ear tips and cleaning tool. and there is that Campfire special case tat holds the IEM inside with the cable.
Accessories:
Flip the box lid and inside you have the accessories inside a similarly colored cardboard tube and an all-new cork material carry-case inside of which you will find the Dorado 2020 and the SPC Litz cable. As always with Campfire, the accessory line-up is just beautiful as well as plentiful.
The full lineup of accessories closely matches the IO and is as follows:
- Final e-tips (xs/s/m/l/xl)
- Foam Marshmallow tips S/M/L
- Silicone single-bore tips S/M/L
- 3 x cushioned pockets (for the monitors and foam tips)
- Cleaning brush/pick
- ‘Diver Orange” Case.
- SPC Litz cable
- Campfire Audio pin badge
The Case:
The case is an exotic Orange case which Campfire calls: ‘Diver Orange” Upcycled Marine Plastic Zipper Case..
The Stock Cable:
The cable is the Campfire Audio Litz Cable – Silver Plated Copper Conductors with Beryllium Copper MMCX and 3.5mm plug which is good sound-wise and also looks wise. Really nothing to complain about here - all good.
Amp-ing Requirements:
Due to it's vert low impedance levels, this IEM requires does not any sort of amp-ing at all. Howver, it shines quite a bit when paired with a good & powerful source.
NOW LET'S TALK ABOUT THE SOUND IMPRESSIONS....
Used for this review:
DAC/AMP: @iFi audio Micro iDSD Signature,
DAP/Source : Cayin N6 Mk2 with E02 motherboard, Laptop & iPad
Streaming Source: QOBUZ
Ear Tips:
I've tried tip-rolling with a variety of tips including Final Audio E Series (both Transparent Red & Black ones), @SpinFit Eartip CP360 and JVC Spiral.
I've found JVC spiral to suit me preferences best and have used that mostly.
Tracks Used:
The tracks I have used can be found from the below playlist that I have used and generally use for most reviews... I would like to thank @Otto Motor for his contribution here.
Let's now talk about the quality of Sound....
The BASS:
The Bass on the Dorado 2020 comes with a detailed presentation with good amount of density. The bass response is one of the most aggressively neutral responses we can get . It may not satisfy everyone, but the balancing and dynamics were quite impressive. the drums percussions are clear and separation is really great between the instruments and there is good amount of depth in the thump and slam.
The MIDS:
Midrange is quite open despite that fact that due to the V-shaped tonality it is bit recessed. There is exceptional clarity and definition here, and it rivals some of the best out there currently on the market. Lower mids get a touch of boost making the sound more lively & fun. Acoustic guitars have the breath that is articulating and percussions such as: like plucking strings, and fret straining just feels amazing. Vocals are as expressive & natural - lively and full of texture. Upper mids also show great detail and demonstrate a top-end emphasis on certain instrumental tonalities..
The Treble:
The Treble is no exception when it comes to details and separation. Every sound comes with great clarity and good amount of thick & muscular texture. There's a bit of sparkle in the treble but it makes the sound more enjoyable and also the treble is non-fatiguing.
The SOUNDSTAGE:
The Dorado 2020 has a massive Soundstage with a good width & height emphasis and also depth. it offers a more wide & balanced stage. Not artificially driven - but just the right amount of staging that the track requires. It is just superb for enjoying acoustic instruments and also great for all genres mostly.
Imaging & Timbre:
There is a beautiful solidity and balance to how the Dorado 2020 delivers instrumental notes yet the staging in the mids is open enough to ensure neither vocal nor instrument is competing for the same space. You get a what I would call a classic hi-fidelity stereo presentation from the Dorado 2020 with perfect positioning sense of each item.
The Timbre of the Dorado 2020 is amongst the best I've experienced so far whereby The Drums, & guyitars just sound amazing and fun. The vocals are natural and open and the cymbals sound great too.
But the review is not complete without comparisons....
CA Dorado 2020 vs DUNU ZEN :
The DUNU ZEN though lower priced than the Dorado 2020 comes with a similar sound signature and a Single Dynamic driver architecture.
DUNU claims the ECLIPSE Dynamic drivers to be amongst their very best. I'm including the ZEN also has ample amount of details and expansive soundstage just like the Dorado 2020 . However, the DUNU ZEN comes at a much lower price tag of $699 compared to the Dorado 2020's $1099
This has been a very interesting comparison though not really based on similarities or price range but more on traits.
Bass:
This is the DUNU ZENs strongest traits with ample amount micro nuances and details. it also has the thump that is enjoyable and comes with good layering and texture. But it just isn't enough to beat the Dorado 2020. The bass in Dorado 2020 is a lot more detailed and textured and there is better depth than the Zen. hence, the Dorado 2020 wins this round hands down.
Mids & Treble:
The DUNU ZEN has a slight peak in its upper mids which may become bothersome for some people. The Dorado 2020 has more recessed mids than DUNU ZEN. However, the Dorado 2020 Mids seemed more open and resolving with better clarity and separation. The ZEN here is not far behind in terms of clarity or texture but loses mainly due to it's peak in the upper mids.
Soundstage & Timbre:
Both of the IEMs come with superb staging and imaging capabilities - but having said that, I felt that the Dorado 2020 has slightly better width and height while the DUNU ZEN had slightly more depth. I would call this a tie.
CA Dorado 2020 vs CA Ara :
The Ara is slightly higher priced at $1299 with an all BA architecture compared to the Dorado 2020's hybrid architecture. The Andromeda would've been the perfact match in terms of pricing - but the Ara is the closest priced IEM I have with me.
Bass:
This is the Dorado 2020 wins hands down due to it's dynamic driver timbre and bass focused tuning. The Ara though neutral sounding has great amount of details ins the bass region. But I just love the energetic deep thump and slam of the dorado and the details are also there though not as much as the Ara.
Mids & Treble:
The Dorado 2020 has somewhat recessed Mids but the midrange is quite open. Also, there is some fun & sparkle in the Trebl with good clarity. Mids & treble is where the Ara excels and exceeds the Dorado 2020 in terms of layering and texture. The Ara is also slightly more resolving and the mids & treble are very enjoyable on the Ara. This is where Ara wins handily.
Soundstage & Timbre:
I never thought that any ALL BA IEM would be able to match the massive soundstage of the Dorado 2020. The Ara comes very very close though.
The Ara also comes with an almost equally wide soundstage and positioning details are slightly better on the Ara. However, there's that BA timbre in the Ara though rare - and this is where the Dorado 2020 excels. I would call it a tie here.
Conclusion :
Having said all that - The Campfire Audio Dorado 2020 is just what the doctor ordered if you like a bit more Bass with fun sounding music.
The amount of details, clarity, separation, staging and overall finesse that the Dorado 2020 provides makes it worth every penny of the price tag that it comes with. I have thoroughly enjoyed reviewing it and would highly recommend it to others.
Antick Dhar
Wonderful bhai
rev92
Great review buddy
Just added in my Wishlist