Reviews by Drewminus

Drewminus

New Head-Fier
Pros: Amazing detail, separation and articulation
Cons: Bit pricey (especially with poly), polys still needs some fine-tuning
Chord Mojo & Poly Review
So I admit that this is a little. Later than I had originally planned to have this review out, life getting in the way and all that, but finally here it is, my review of the Chord Mojo & Poly.

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I purchased these myself as a pack that also includes a case (more on that later), I was hoping that gofigure (the poly configuration app) would be out by the time it came to publishing this review, but as I understand it’s still stuck in approval limbo, so I’ll have to update this review after it is released, though for the most part it doesn’t affect my opinion of the Mojo-Poly combo.

Chord Mojo

The Mojo comes packed in a fairly small box, the box has a picture of the Mojo on it as well as the usual specifications, overall while full gloss colour its nothing too over the top.

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Inside the box you will find the Mojo held securely in place with some foam packaging and a very short USB cable……and that’s it, now I like minimalism as much as the next person but I do feel a manual could have been included, still I guess everyone has the internet and it’s hardly a difficult product to use.




Design

Onto the Mojo itself, its design, like 90% of dac/amps is a rectangle, though in this case it is a rounded rectangle and the volume and power controls are significantly different from anything else not made by chord, but more on that in a sec.



So on the top of the device you get three buttons, the leftmost button is the power switch and shows the source quality being played via a colour coding, next you have the volume up in the middle and volume down on the right, again using a spectrum of colours to show what the volume currently is. Adjustment of the volume is very easy, the increments are quite small so you can fine tune it for sensitive IEM’s, you can also hold both buttons in on power up to set the device to line out volume.



On one end of the device you have two 3.5mm headphone jacks, not sure why they decided to put two in but I guess you can share with a friend if your phones have similar sensitivity/impedance. On the other end there is a USB in, USB charging port, optical in, and coaxial in. Under the USB charging port there is a LED which shows the battery status, again using a colour code. The Mojo also has four rubber feet that keeps it in place on your desk.

Sound

The first thing that stood out compared to other DACs/AMPs/DAPs when listening to the Mojo was the superior separation and its presentation of micro-detail. The sound produced is incredibly articulate, its very easy to pick out the individual instruments and vocals in a track, the definition and detail is simply amazing.

In addition to the detail I was stuck by the crispness presented, the sound of cymbals is near perfect, they sit above the music, completely un-muffled and clear. This is potentially the Mojo’s strongest trait. Now I’ve harped on about detail so I should clarify, I wouldn’t describe the sound as analytical, the amplification section has a slightly warm feel to it, making the Mojo sound alive, not at all sterile.

While the Mojo is incredibly detailed, it thankfully isn’t too harsh on lower-quality sources. So stuff like Youtube still sounds quite good with the Mojo bringing out the best in it without ripping it to shreds. That said, there is a limit where bad is bad.

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My predominate listening to the Mojo has been with the Chord Poly as a source and my Campfire Audio Jupiter’s, which have a fairly laid-back sound, but offer incredible detail. I have also done a bit of listening with my Sennheiser HD650’s and more recently Campfire Audio Cascade’s (impressions with these will have to wait for later).

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I was not initially impressed with the pairing of the Mojo and the HD650’s but on further listing I’ve found the articulate crispness starting to come through. I can also hear much greater separation than I normally hear with Modi 2 – Vali 2 stack. The micro detail I heard on my Jupiters is there, but not nearly as obvious, the 650’s are simply not as resolving.

The soundstage on the Modi/Vali feels, if not better, more realistic than the Mojo, but the Mojos is preferable to the Opus #1′ so it might just be the Vali’s tube injecting a little more life into the music. I did however find the bass on the Mojo to be tighter and cleaner than either of the other two.

On the whole I really can’t fault the Mojo, there might be some features I’d like it to have and it could probably be slightly cheaper, but it’s really at the pinnacle of truly portable audio, I give it a 9/10.

Chord Poly

Just like its partner in crime the Poly comes in a reasonably sized gloss box. Inside the box you will find Poly packed in the same sort of foam as Mojo, however unlike Mojo Poly comes with an instruction manual (and rightly so, as its certainly less straightforward) as well as a configuration pin, a slightly longer yet thinner USB cable and, a Roon voucher for a two-month free trial.




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The Poly has the same rounded aluminium shape as the Mojo, but has no buttons save for a configuration pin hole and also has a plastic corner to allow for greater wireless reception.



On one end Poly has two male USB connectors and a couple of plastic pins to connect it to the Mojo, on the other end you get a USB charging port (this also charges the Mojo while its connected to Poly), a micro SD card slot, the small configuration pin hole, and a light-pipe and LED that shows the batter status of the Poly and Mojo (the Poly’s LED also shows its connection status, flashing if there’s no wireless connection).

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The Poly feels fairly solidly attached to the Mojo, but it doesn’t take much force to connect or disconnect, so if your planning to use them together on the move then you will probably need a case (which my pack came with, but more on that later). To use Poly all you need to do is power on your Mojo and the Poly will automatically power on shortly afterwards.

To set up the Poly you use a pin to push the configuration button on the end and then connect to its network, doing so opens up a web page where you can enter network details that Poly will then automatically connect to in the future. In this set up screen there are also some other options including setting your Poly to Roon mode. In future all of this will be replaced by the Gofigure App, the greatest benefit to this being the ability to easily swap between normal and Roon mode as well as being able to add networks on the fly, which currently is inconvenient to say the least.

Now to actually use the Poly you need a smartphone (or computer, but I think that defeats the purpose a little) and for Poly and your control device to be on the same network (I haven’t filled with it too much but there is also the possibility to stream to the Poly via Bluetooth as I understand it). Now there are a few options when it comes to playing music usingt he Poly, you can use it as a Roon endpoint, you can stream music from your device to it (I use an iPhone and as such stream to it via airplay, it currently does not have chrome cast support but hopefully will in the future), or you can access music on the internal SD card and either play this music on another device (the Poly acts as a DLNA server) or set Poly as the output and play directly through the Mojo. This last method is why I bought this combo as I thought this was a great idea, the ability to store and play music on a portable dac/amp but control it from my phone really appealed to me.

On usability I find for the most part its very reliable, I control Poly using Glider (there a few apps available that will control Poly, but this was the best one I found) which is fairly seamless and easy, but occasionally I simply run into an odd bug somewhere (Poly, Glider, the network? no real way to know) but even then it only means your playing of music takes 30 seconds longer than one would like, not massive in the scheme of things but slightly annoying.

I find the Mojo-Poly combo manages its 9ish hours of battery life quite comfortably, the bigger issue being the drain of power on my phone from being in hotspot mode (I should add, if your willing to sacrifice the ability to use the net, you can connect to the poly’s network instead which is probably a little kinder on your phones battery)




A further point on usability, a case to hold them really is essential to use them on the move. The one that was included as part of the combo is very nice, it’s made of a rubberised plastic of some sort, nice and solid and but nice to touch, and is lined with a kind of fabric to keep Mojo & Poly pristine. Chord also makes a leather one which looks really nice but has a price tag to match.

Conclusion

The Poly is an interesting device, it has more features than I’ll ever use and this is probably my main criticism. I feel a more focused and potentially cheaper device might have been a better choice, and I can’t help but worry about the reliance on 3rd party apps. That said it is a really impressive device and for me personally it does exactly what I want, its a bit useless to score it on its own so I give the Mojo-Poly combo 8.5/10.
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Drewminus

New Head-Fier
Pros: Great Bass, excellent fit and comfort, great value.
Cons: Sibilant and a bit too bright at times
Kinera H3 Review

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Introduction: I first encountered the H3 on this site and was curious what all the hype was about, I purchased it a few months back and thought I would share my experience of these excellent value IEM’s.

Specs (sponged off Penon):

· Driver: 2BA+1D

· Impedance: 48Ω

· Frequency Response: 20-20000HZ

· Sensitivity: 101DB

· L&R Channel Balance Sensitivity: <2DB

· Max Input Power: 10mW

· Cable Length: 1.2meter

· Wire Material: 6n single crystal copper silver-plated

· Plug material: 3.5mm golden plated

· Earphone interface: 2-pin (0.78mm )


About me: I have always enjoyed listening to music and for many years played in a wind orchestra. I have only recently, 6-9 months or so, entered into the “audiophile” world, though I’m already well and truly converted.

My music tastes are reasonably varied (in my opinion anyway) but in general I listen predominantly to some metal (mostly symphonic), rock, and classical. Although there’s also a bit of electronic and pop I regularly listen to. The list of music used predominantly for this review is below.
Rolling In The Deep Adele
I AM Arai Ken
BLISS Arai Ken
CREAM SODA Arai Ken
NEXT TO YOU Arai Ken
KILL THE PUPPETS Arai Ken
THE TRUTH Arai Ken
The View from the Afternoon Arctic Monkeys
While My Guitar Gently Weeps The Beatles
Eleanor Rigby The Beatles
A Day in the Life The Beatles
Adieu Cœur de pirate
Pilgrims On a Long Journey Cœur de pirate
Off to Sleep Cœur de pirate
A Favor House Atlantic Coheed and Cambria
Welcome Home Coheed and Cambria
No World For Tomorrow Coheed and Cambria
Key Entity Extraction I: Domino The Destitute Coheed and Cambria
The Running Free Coheed and Cambria
In Keeping Secrets Of Silent Earth: 3 Coheed and Cambria
Harder, Better, Faster, Stronger Daft Punk
Face to Face Daft Punk
Space Oddity David Bowie
Life On Mars? David Bowie
The Sound Of Silence Disturbed
Sex Changes Dresden Dolls
Coin-Operated Boy Dresden Dolls
Blank Infinity Epica
Mother of Light (A New Age Dawns, Part 2) Epica
Unleashed Epica
Burn to a Cinder Epica
Chasing the Dragon Epica
Sancta terra Epica
Tear Down Your Walls Epica
Ascension: Dream State Armageddon Epica
Sensorium Epica
Cry for the Moon "The Embrace That Smothers, Part IV" Epica
The Essence of Silence Epica
Unchain Utopia Epica
Canvas of Life Epica
Avalanche Epica
Storm the Sorrow Epica
Internal Warfare Epica
Immortal Melancholy Epica
COMPLEX Arai Ken
BLACK NAIL Arai Ken
Johnny Delusional F·F·S
Save Me From Myself F·F·S
Only If for a Night Florence + the Machine
Stand By Me Florence + The Machine
Wish That You Were Here Florence + The Machine
Sweet Nothing Florence + the Machine
Make Up Your Mind Florence + the Machine
Queen of Peace Florence + the Machine
Shake It Out Florence + the Machine
Take Me Out Franz Ferdinand
Love Illumination Franz Ferdinand
Darts of Pleasure Franz Ferdinand
Back to Black The Great Gatsby
Young and Beautiful The Great Gatsby
Cold Heart of the Klondike Tuomas Holopainen
A Lifetime of Adventure Tuomas Holopainen
Dance of Death Iron Maiden
Somebody Told Me The Killers
Andy, You’re a Star The Killers
When You Were Young The Killers
Summertime Sadness Lana Del Rey
Born To Die Lana Del Rey
Stairway to Heaven Led Zeppelin
Apocalypse Please Muse
Stockholm Syndrome Muse
Time Is Running Out Muse
Take a Bow Muse
Map of the Problematique Muse
Knights of Cydonia Muse
Assassin Muse
Uprising Muse
Plug In Baby Muse
BRYNHILDR IN THE DARKNESS -Ver. EJECTED- Nao Tokisawa
Beauty and the Beast Nightwish
The Phantom of the Opera Nightwish
Beauty of the Beast Nightwish
Bye Bye Beautiful Nightwish
Shudder Before the Beautiful Nightwish
My Walden Nightwish
Over the Hills and Far Away Nightwish
I Want My Tears Back Nightwish
Storytime Nightwish
Stargazers Nightwish
Passion and the Opera Nightwish
Wish I Had an Angel Nightwish
Nemo Nightwish
Planet Hell Nightwish
Ghost Love Score Nightwish
While Your Lips Are Still Red Nightwish
The Kinslayer Nightwish
Wishmaster Nightwish
Don't Stop Believin' Northern Kings
Take On Me Northern Kings
Hello Northern Kings
My Way Northern Kings
No One Knows Queens of the Stone Age
Go With The Flow Queens of the Stone Age
A Beautiful Song Keiichi Okabe, Keigo Hoashi, Kuniyuki Takahashi
Weight of the World Keiichi Okabe, Keigo Hoashi, Kuniyuki Takahashi
Bipolar Nightmare Keiichi Okabe, Keigo Hoashi, Kuniyuki Takahashi
Chop Suey! System of a Down
Toxicity System of a Down
Aerials / Arto System of a Down
That's Not My Name The Ting Tings
Let's Dance to Joy Division The Wombats
Heads Will Roll Yeah Yeah Yeahs
Semi no Waltz 9mm Parabellum Bullet
ハートに火をつけて (ALBUM Ver.) 9mm Parabellum Bullet
Finder 9mm Parabellum Bullet
Hangyaku no March 9mm Parabellum Bullet

Onto the Kinera H3

Disclaimer: I purchased these myself and present this review as unbiased.

Packaging/Build Quality: The packaging looks nice and gets the job done, nothing overly flashy but the magnetic clasped box is functional and the foam insert keeps the product and accessories safe during shipping.
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The build quality overall seems good, though I do worry about the longevity of some of the parts used. That said Kinera seems more than willing to fix any issues that do arise.
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Accessories & Cable: The provided cable is quite decent, it’s nice and sturdy as well as relatively tangle free. I have not experienced any microphonics from the cable moving and rubbing against stuff during use. I’m a big fan of the over ear guides used, finding them much better than the memory wire often used. In general I prefer right-angled headphone jacks on IEMs and I worry about the bulk of this jack hanging off a DAP in a pocket or bag, but to date I have had no issues with anything becoming loose. I have found that some discoloration has occurred on the cable, it may clean off, it hasn’t bothered me enough to try.
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On accessories you get a 6.35mm adaptor, an airline adaptor, a carry case and two sets (S,M,L) of silicone tips, one set similar to Sony hybrids and another normal set. The included case is a semi-hard zipped shell, it’s a little on the large size in my opinion, but it does have an elasticized pocket to keep things in place.

Fit and Comfort: One of the H3’s strongest elements is its excellent fit. I found using the included tips provided an excellent fit and a very good seal. Personally I didn’t experience any discomfort due to driver flex , but I understand that others have.

Comfort wise I find it quite easy to wear these for hours on end, they sit very nicely in your ear and with the provided cable stay in place even while moving. They do protrude slightly from my ears and so they’re not something I could wear lying down.

Sound: Most of my listening of the Kinera H3 has been with my Opus #1 though for the sake of comparison I did try them with my iPhone SE.

I found the iPhone to give the H3’s a much more V-shaped sound with recessed mids while the Opus produced a flatter more W-shaped sound. The sound from the Opus was much more pleasing though I would say both sources adequately drove the H3s.

The H3’s clarity is quite good and it has a decently deep and wide soundstage for an IEM. Separation is ok, I found the lower end let it down is this regard.

Bass: The bass is very good, punchy with decent rumble and sub-bass, probably the H3’s strongest aspect.

Mids: The upper mids are fairly decent, they’re forward and smooth, but I did notice that vocals in this region (especially females) can sound a little thin. The lower-mids aren’t as impressive and have a tendency to get lost amongst the upper-mids and bass.

Treble: I have a love-hate relationship with the H3’s treble, sometimes is beautifully airy with decent sparkle, other times its overly bright and harsh. Which you get seems to be largely song dependent but the vocals is this range are unfortunately fairly consistently sibilant.

Overall: I may have come over a bit harsh (hah) is that last part but I do feel these IEM’s are truly excellent value and I look forward to how Kinera will improve upon them in the future.

I give them a solid 3.75/5
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