Preface

In searching and trying many different IEM's for over a decade, I was given the impression that the best deals are the ones that are inexpensive, best bang for your buck. Scaling the ladder, and over the years I have accumulated and heard many IEM's and headphones. I even own many that impressed me over time. I ended up with a pile of IEM's that are ok but nothing that knocked my socks off. Well, after reading about Campfire Audio and the many positive reviews, I felt maybe it was time to end this journey, and I'm pleased I did.

Specifications:

10Hz–28 kHz Frequency Response
115 dB SPL/mW Sensitivity
12.8 Ohms @ 1kHz Impedance
Dual High Frequency Balanced Armature Drivers + T.A.E.C.
Single Mid Frequency Balanced Armature Driver
Dual Low Frequency Balanced Armature Drivers
Beryllium / Copper MMCX Connections
Machined Aluminum Shell
Tuned Acoustic Expansion Chamber™ (T.A.E.C.)


Package Details:

Andromeda Earphone
CA SPC Litz cable
Leather case
Comply TX-400 Tips
Foam earphone Tips
Silicone Earphone Tips
Earphone clearing tool (with magnetic holder)
Small CA branded broach



Campfire Audio Dark Leather Earphone Case is a nice leather and protects the Andromeda's very well. I did the "Case mod" which other have suggested (is easy) which means to cut and re-glue the case so it can open fully and makes it easier to store the IEM's with the cables.

The Campfire Audio Litz Cable – Silver Plated Copper Conductors with Beryllium Copper MMCX and 3.5mm Stereo Plug is also a great choice as it's well made and has held up very well.

Final Audio Tips (xs/s/m/l/xl) – Campfire Audio Earphone Tips(s/m/l) – Silicon Earphone Tips (s/m/l) – Campfire Audio Lapel Pin – Cleaning Tool. Interestingly, they include Final Audio's tips which tells you a lot about Final Audio, like what you ask? I have their products and their quality is also excellent and their tips are my preference.

Small Batch Production - Careful selection of each element of our earphones is just the start of the meticulous assembly of your earphone. Our close attention at every stage from design to production ensures your earphones will be a worthwhile and lasting product.

Custom Enhanced MMCX - Our custom Beryllium Copper MMCX eliminates the traditional shortcomings of the connection and harnesses all of its benefits. Beryllium Copper provides a robust mating mechanism; one that is typically made from soft brass. This selection of a harder material extends the life of component and the earphone.

Individually Inspected - Close attention to detail is critical to delivering you the superior musical experience from our earphones. We test and pair each individual earphone, Left and Right, to establish its conformity to our firmly established tuning and performance criteria. The result is a pair of earphones made for each other that you can feel good about.

So that is their perspective, so what is a real customers perspective? Let's see!

So I'll start off by summing the Andromeda's up in one word; Amazing! These are hard to beat for clarity and transparency and accuracy with a 3D effect, depending on the recording. The layering and depth is wonderful, they are clear and precise and timbre and tone is right on the money. If the music is recorded a particular way, good or bad, these will show it exactly the way it was recorded when an accurate DAC/DAP is used. Don't plug these into a iPhone or a Panasonic MP3 player that costs $30.00 you will do them a great injustice.

You've heard the saying that the best results are as good as the weakest link, and in audio that is more than true. The last chain in audio is the output of the speaker, and if that is not revealing eough, all else before that no matter how much it costs will be absolutely useless. Yes you can't change how a song is recorded if it's bad, but all other factors are important with decent to excellent recordings. Stay at or above 16/44 bit rates to preserve the layering and purity of the audio recording, I happen to prefer FLAC. On cheap setups most will tell you if you go that high or more is bitrates there is no difference, of course, because they can't hear it with low quality recordings and or gear that is not revealing enough.

Like any IEM, plug these into a bad source, not even the most expensive IEM or headphone will show their true ability. I had these paired with a Cowon P1 initially and they were impressive. These will pull out everything the source puts out so you will want to use these with a very high end revealing source or you are just throwing money away. This lead me to upgrade to the P2. More on that later, on to the sound.

Sound

Highs - The highs are a tad on the brighter/edge but not enough to be sibilant (it's due to bad recordings). Some will take this as clarity but I am sibilant sensitive. These with soft comply tips reduce that a lot and make them just right. Some people are more sensitive to it than others may say they are just very clear while another would say they are on the edge like me. I find when using different tips and are of a longer type (deeper insertion) the sibilance is completely gone. So it's not the IEM causing this, it's other factors.

Mids - The mids are clear and forward but never too much to override other frequencies. The mids are never muddy or overshadowed by any frequency above or below. The effect is that it sounds like the artist is really signing right in front of you. Amazing, and weird as that sounds it's true in very decent to good to more higher end or even live recordings. They depth and layering is what will amaze you. Nothing in the mids sound muddy or distant and never 2D but instead 3D. It's as if the artist is (depends on recording again) performing right around you or in front of you or just a few feet away. None of that front row or 3rd row sound here meaning it sounds distant. It's all there right in front of you which makes the realism creepily amazingly real. You won't hear this level of realism with 90% of what is out on the market. You need to get into the $800+ price range or more to start to get that realism and depth and layering.

Bass - The bass is clean and present, if the music has it recorded it in it will show itself. Bass is not added or reduced. These are just perfectly accurate and you can't blame them as they are reproducing exactly how the song was recorded. If you are bass crazy you can always add more from the source and these will take it easily. I don't mean just bass songs, I am talking Techmaster P.E.B. songs! I have other IEM's that with the same bass recording at high volumes and or with attenuated bass frequencies would distort or be muffled. These handle anything you throw at them added or not and accurately.

Update - A month later, the Cowon P2 was purchased with the Campfire balanced Litz cable. I was suspicious that the Andromeda's are able to do more with the right cable and DAP. I could just sense it. This is what prompted me to get the Cowon P2 that has a AK4997EQ DAC with Verita. This is a high end DAC and used it way more expensive desktop DAC's that for example Schiit Audio implements in their YGGDRASIL $2,400.00 multibit DAC. This prompted me to get the P2 and upgrade the Andromeda's cable to balanced MMCX.



With the P2 in balanced mode you can hear the difference between the P1 and the P2 and there is a significant improvement. Not huge, but enough to notice it. The layering, depth, immersion, and dimension of the instruments and artists presence went up a factor. Often it sounds (with a good recording of course) like the artist and instruments are all in front of you or a foot away or around you. The separation is wide and realistic. The P1 displayed this but on the P2 it's more noticable. Again this is a great example where the source makes the difference if the IEM is capable to reveal it and the Andromeda's do! Anything more would seem too in your face and unrealistic. Cowon's having a dead silent floor and a high SNR makes it's a great combination. The P1 which is now very affordable on Amazon since the P2 came out is a good match also as it's a Burr Brown DAC, very smooth and natural.

I have noted con's but they are completely addressable.

"Over the ear wire is annoying" - It's removable if done properly.
"Expensive" - Save up! don't waste time on other IEM's, ge these and be done.
"Treble is on edge peaky" - Others have advised go with the copper cable. You can also use comply tips with a filter guard to tame this.
"Nozzles are exposed to debris" - You can use comply foam tips with filter guard to protect the openings.

Graphs

Here are some comparisons to other IEM's. (Click to enlarge)

Andromeda's Frequency Response





Compared to Vega, Lyra, Dorado, Andromeda. Note the Dorada are no longer made and the new Atlas and Comet have taken its place. Also note how Lyra and Vega almost have the same curve as the Andromeda abouve 500Hz, but also know that graphs are not a way we process sound either as it's a mechanical measurement and there are other factors involved.

Summary

There is nothing the Andromeda's really do wrong. They look a little awkward but fit nicely and are comfortable and light. I went up the ladder of cheap 2-way and 3-way and even 5-way IEM's and finally bit the bullet and got these and have no remorse. They have ended my search once and for all.

https://campfireaudio.com/

I received the P2 yesterday and immediately compared it to the P1 with Campfire Audio Andromeda. Good news and bad news; depends how you look at it.

Settings on Both:
1. DAC filters set on: Slow since P1 does not have Super Slow like P2.
2. Volume matched; at listened at different levels from 90 to 116 with different music; Pop/Rock/Reggae/Vocals etc.
3. EQ/BBE/MP Off on both, all DSP turned off.
4. Single ended (SE) out used.
5. Set on earphone mode.
6. P1 owned for 2 years - Well broken in over 400+ hours. P2 fresh out of the box.
7. P1 Update V 2.20 latest at this time of post.
8. P2 Update V 1.11 latest at this time of post.

The Good:
- The P2 is not a HUGE difference from the P1.
- P2's major difference is two things, 1. It's soundstage is definitely wider and the midrange is definitely more forward about +2 to +3db more than the P1.
- You can get the same effect with EQ from the P1 to make the midrange forward sounding like the P2.
- Highs and lows are very closely sounding, nothing major noticed.
- Both sound smooth. P2 kind of still sounds like Burr Brown but tad more refined. P2 is musical and never tiring to listen to just like the P1. P2 maybe less analog sounding, maybe tad more realistic.
- Both act and behave the same loading etc - not surprising and that is good and welcome. Only major difference is the horizontal album browsing is pretty sensitive. Nothing like the P1. P1 was just perfect. The P2 you tilt 20-30 degrees and you are in horizontal album view. Hopefully an update will desensitize that setting. You can turn this off but I like to use it as it shows the album's larger than in any other view and you can quickly scroll thought it to find music.
- I don't feel like anything major is missing in details.
- The multi wheel is super handy though. Can be used for quick volume adjustments or switching different EQ presets.
- The P2 does give and have more ways to control playing music with the multi wheel which is awesome.
- Maybe the pairing with the Andromeda was not ideal. If you have an IEM that likes below .6 Ohm the P2 on SE is perfect.
- Plays while charging and NO noise while charging. P1 was the same.
- The text is larger to read on the EQ settings. I strained to read them on the P1.
- If you don't like EQ the P2 does sound better mids and width/soundstage.
- The P2's AKM DAC plays better with the Cowon's DSP and EQ as it does not sound as processed at higher values/settings like the P1. ie: BBE on 10 on the P1 does expand the sound but add sibilance big time as does the MP Enhance.
- Additional touch settable multi button. Not the wheel but on the screen at the bottom- very handy.
- The best is that this was all done on SE connection. I will be getting a balanced cable and see if that is where the P2 can set itself apart from the P1 (hopefully).

The Bad (?):
- If you have mid forward IEM's or headphones the P2 maybe a touch too thick/forward sounding in the midrange? Some may like this some may not.
- The DAC filters do not seem to make a HUGE difference as one would think. It's extremely hard to tell the difference if any between Super Slow and Sharp on 24bit FLAC. Maybe a dog or on higher resolution DSD it maybe more noticeable, but didn't test as most of my audio are CD rips.
- It would of been nice if the DAC filters had a more pronounced effect at different bitrates you can select?
- The screen resolution on the P2 is the same as the P1.
- If you like EQ you can make the P1 sound like the P2 midrange wise, but will need the DSP effects to get the same soundstage/width and it may sound too artificial and or processed.
- Maybe the pairing with the Andromeda was not ideal as on SE as the .6 Ohm is too low? The Andromeda is known to like and prefer 1 Ohm. If you have an IEM that likes below .6 Ohm the P2 on SE is perfect.

I will report more once I get the balanced cable for my Andromeda. Should you buy the P2 if you have the P1? If you are new to Cowon the P2 is a great place to start, money no object. It's not a blow your socks off difference though hence four stars. It's subtle and for many I would recommend better IEM's if you already have a P1, money better invested and more gained I feel. If you don't have a P1 then getting one that is cheaper now, is a bargain. If you like the latest and greatest and money is no issue and you like more controls and features, a larger sound stage and mid forward, the P2 is great. Will I keep it? Yes.

Update: 8/2/2017 Great News!

I can't tell which is the culprit but in using the combination of the balanced out on the P2 and the balanced Litz with the Andromeda it's a match made in heaven. I can't fathom audio sounding more full and realistic and 3-D like. Vocals are less harsh and fell like at times their positions are nose to nose with you and they are singing directly at you. Creepy and amazing at the same time. Instruments and musical artifacts and special effects are all detectable and can be pinpointed in their location in this imaginary field. Sibilance (if and when present due to the track recording not the P2) is not as prevalent and less harsh and a bit smother. Even poorly recorded songs have a new "sound" to them making them sound more realistic and forward and less harsh. I'm not sure which is contributing more to all this, the Cowon P2 using balanced mode or the Andromeda with a balanced cable but both play extremely well together and now all songs have a new life and effect to them.

All genre of music is now much more full and wide(r) and way much more addictive and realistic to listen to. I never thought balanced makes THAT much of a difference but apparently is does and it's a pretty drastic effect. It's almost like having a new audio tuning function of a setting like Width/BBE of 1 to 20 and it's set on 15.

Case: If you need a case to put your DAP in BIRUGEAR are perfect and just right. They are available on Amazon:

https://www.amazon.com/gp/product/B006WK8P3G/ref=s9_dcacsd_dcoop_bw_c_x_2_w

There are different variations/colors but if you stay with the same internal dimensions, these cases fit the Cowon P2 and even the P1 perfectly.

Update: 8/10/2017 Better News!

The P2 with more usage 5 hours last night overall 10 hours so far; I find it's extracting more and more out of music that I've owned for years. It's ability to separate, present, and layer instruments and people's voices and artifacts keeps getting better and better. The most amazing is how it extracts artifacts that were always there but masked and the takes that one further and layers and positions it in such a way that it sound so very realistic in making these items very distinguishable in left or right positions and very detailed in that position.

The major difference after usage/break in between the P1 and P2 is separation/layering/detail/width.

I can see now why Cowon abandoned the Burr Brown DAC and went with AK's.

Madddrop did an exclusive Final Audio Audio III which is a re-branded Heaven IV. Here is my review:

The only thing I don't like is how small the bore opening on the silicone tips are. They don't match the IEM's bore size. After a while of listening and adjusting I tried other wider bore tips and they sound even more open and spacious. These are never sibilant either and have just the right balance of bass in respect to the mid's and highs to never fatigue. Some may desire more bass but I think they are just right as the music calls for it.

The Havi B3 don't compare, nor the VDS3s. Even the famous Zero Audio Tenore everyone raved about was a giant IEM killer is a joke. The Heaven III are a true "Punch above their weight" for the price Massdrop did. These are my dear favorites now. I was able to listen 5 hours straight and enjoyed them and felt energized after. They are like an upgraded version of a RE-600 and Ostry KC06 but better in all ways where the other two lack in some areas.

If you read about the RE-600 you will get an idea what I'm reiterating what others have already described. I'm not a reviewer but I can best explain that the RE-600 is VERY VERY VERY Neutral. Everything is evenly balanced. I can say it's U shaped. Some say the highs are recessed but I like them as they are not sibilant or harsh unless it's a bad or old recording. The Heaven III are more sensitive it seems at the same volume levels and the mid's are more forward as are the highs.

The Heaven III has everything more than the RE-600, that's why I call the Heaven III a RE-600 on steroids. The flat cable is actually nice and no real noise (more so) than other cable styles. The flat cable is why they used it to eliminate any possible noise. Some have said the noise is there but when worn over the ears it's vastly better. I don't move around when listening to music anyways so I didn't feel it was anything that was horrible or noticeably a deal breaker.

One thing I can say is that the Heaven III is great except on higher volume levels. At higher volume levels they become shouty and harsh. Others have said that too and I agree but you have to crank it pretty good volume wise to see it. They are easy to drive so I don't see a need to go high volume but I wanted to see if what others said was true and it was.

The Heaven III are never sibilant and they have a fast sounding response to everything I throw at them. Every time I listen to them they just keep reminding me of the RE-600 but again they give more of what the RE-600 don't, bass, Mid's and highs. The RE-600's have one advantage that you can crank them and they always sound the same never shouty or harsh. I don't feel either are bad at normal listening levels but the RE-600's are just so very non-fatiguing they pull me into the music more, if neutral is your flavor. If you still like neutral but a little more than neutral then the Heaven III are it.

This was the best $69.00 I ever spent on an IEM that shocks me for how it performs overall.

Hope that helps.

This is a true Class A amp that is in a class of it's own! 
 
I have put in a good 5 hours of straight listening with the B1 with all types of music just using my Creative Aurvana 3. I used these on purpose on the high gain to see if it would make a difference as they are not the best but not the worst earphones I have. 
 
I used the high gain, and I have to say the B1 is quick, clean, powerful, and adds no coloration to the source and transfers over the source cleanly at all levels of listening, meaning it's clean and clear at low volume to full volume with 0% distortion. Some have said there is no background hiss. Well there is on high gain but it's extremely tiny and only detectable at more than 80% volume. Very very acceptable. Some have said it has a dark background, I agree 100%.  
 
What impressed me the most is how it keeps it's clarity at full volume with authority. I love that! I like to listen to some favorite songs louder than others. This is how I determine what a portable amp can or can not do. Other amps I that I have seem to struggle out or distort at higher levels. I even tested some very high end recordings from Techmaster P.E.B and they sound clean, and clear at all levels. The bass is super heavy on from this artist and the B1 controlled the bass again with authority and no distortion. I even tried to throw in some EQ to see if I can cause any distortion and that idea failed miserably. It handled the added 40 and 80hz cleanly and accurately! I am impressed again.  
 
The B1 makes me feel like I'm listening to my Asgard 2 which says a lot! I love the clarity and level of detail that it can produce. I have yet to really burn it in fully and I am already seeing this as my favorite next to my Cypherlabs and that was just out of my LG Optimus G Pro with ALAC and a line out! I can say this amp has made me end my search for a portable clean powerful amp.  
 
I am kinda scared what it can do with my other earphones and other sources!
 
Update: After some more time with the B1, I have to say that it's so very much similar sounding to my Ray Samuels P-51. The B1 having a larger current ability than the P-51 is evident in the oomp of the sound, but all else it matches the P-51 on all other aspects. That is pretty amazing considering the P-51 is/was $375.00!
 
- Update 3/11/2016: I have to say this amp is equivalent to my Cypherlabs which says a lot as that cost over $500.00 amp alone. I am impressed with this amp the more I use it. It's not just a Class A amp, it's in a class of A! It drives my Havi's well and accurately and anything else I have at it IEM wise. Again for the price you can't go wrong with this amp. It's my new best sounding, smallest amp I have. It's going to be really hard for someone to beat this at this price.

My Review: see link below: https://ae8f1decb12a1a7b7992e5798da6d3caca73de45.googledrive.com/host/0BxYhWX_uhcC3bWJYS0V1T3Q1bWc/index.html

I've been reading so many replies and reviews how the O2, Magni and Vali sound the same. After weeks of listening to all of them, (yes I have them all) they are all not exactly the same . I've been using the same music and all else in the system is the same and have only changed the amps. Started with O2, then went to Magni. Yes the Magni and O2 sound very close. The Magni does sound a tad processed and thin compared to O2 but the Magni does have more authority as it is more powerful in comparison even though they all seem to struggle reproducing the source. You can't compare a wall-wart amp to a full 110v powered amp. They don't compare and they should not. 
 
Then I went to the Vali. The Vali sounds nothing like the others. It's slightly more smoother and warmer, more of a natural sound but ever so slightly, and more realistic sounding. I was enjoying it very much for weeks. Then I decided to get the Asgard 2. Why? I read so much about it I just had to try it. The Vali also seem to struggle reproducing the source which makes sense as it's less powerful.
 
I have to say the Asgard 2 is is not like any of the others. Why have some said there is no difference? I'm suspecting what is happening is that people are not using high resolution (or not high enough resolution) tracks or headphones to distinguish the difference OR they just don't hear the difference due to their hearing biology. As a side note: I also did an electronic spectrum hearing test to verify my hearing at different frequencies to eliminate that factor, and I passed 100%. 
 
The Asgard 2; is in a whole other class. The Asgard 2 with the same headphones (HE-400) sound way more detailed, realistic, bassier, deeper, smoother and wider is the best way to explain it with all else in the system being the same. The Mids seem more forward and lush. The Asgard 2 does not appear to add any color to the sound, but I may say on a scale from 1-100% if I had to say how much I think it does add coloration, maybe 10-20% which is not relevant to be considered significant, it's a really tiny amount but pleasant. The gain is also contributing to the level of authority also as it does have more gain than all the others even though it's also rated at 32 ohms at 1.0W RMS. 
 
As for noise (hiss); No hiss at any volume level either on High or Low gain either connected or not connected to a source with HE-400, so if you have higher impedance headphones there should be no worries.
 
As for humming; it's there, but like others have stated, it's barely noticeable to non existent and that is a huge exaggeration even, at least for my model. My findings are this; you have to be in a dead silent room and paste your ear on the chassis right over the transformer to hear it and even then it's so tiny of a sound there is no way anyone can hear this humming unless they are intentionally trying to hear it. Even if you put your ear on top of the amp over the grill area or to the side where the transformer is located, you can't hear it still. If your ear is 1" away from the same location you just can't possibly hear it unless you are super human! Shiit has done an excellent job in resolving this issue as others have stated overall.
 
As for the volume knob getting warm, it's true but nothing unbearable or unsolvable. But here is a tip if it really bothers you or yours gets possibly hotter than you like. I have done this with all my Shiit amps but not due to heat issues but just ease of turning the volume knob. Get 3 O-rings that are a tad smaller in diameter than the volume knob and stretch them over the volume knob.  On the Asgard 2 it makes it easier to turn the volume knob also but the added advantage is you won't feel any heat off the knob. Plus it looks nice too!
 
My serial is 002026 so I would hope all higher models do not have any of these issues or that they don't creep back into production. So for anyone that is thinking about the Asgard 2, YES it's worth it. You WILL hear a difference with respect to what was mentioned above about headphones, music quality rate and biology. This amp just sound like an actual amp, it sounds "real" while the others mentioned sound like they're struggling to making an effort to process the sound, but the Asgard 2 seems to do it effortlessly with authority is another nice way to describe it. 
 
Equipment: IPOD 7th Gen. > Cypher Labs AlgoRhythem Solo -R > Asgard 2 > HE-400
 
I hope this helps anyone who maybe interested in the Asgard 2. 
 
 
Cheers.

I've been reading so many replies and reviews how the O2, Magni and Vali sound the same. After weeks of listening to all of them, (yes I have them all) they are all not exactly the same . I've been using the same music and all else in the system is the same and have only changed the amps. Started with O2, then went to Magni. Yes the Magni and O2 sound very close. The Magni does sound a tad processed and thin compared to O2 but the Magni does have more authority as it is more powerful in comparison even though they all seem to struggle reproducing the source. The O2 is a really nice amp but when compared to the Magni the O2 is better overall, but sound wise when compared to Vali in sound the Vali is a tad better.

I hope this helps anyone who maybe interested in the O2.
 
Update: I would recommend the Aune amp over the O2. Way more resolving, less distortion and is a true Class A amp.

I've been reading so many replies and reviews how the O2, Magni and Vali sound the same. After weeks of listening to all of them, (yes I have them all) they are all not exactly the same . I've been using the same music and all else in the system is the same and have only changed the amps. Started with O2, then went to Magni. Yes the Magni and O2 sound very close. The Magni does sound a tad processed and thin compared to O2 but the Magni does have more authority as it is more powerful in comparison even though they all seem to struggle reproducing the source.

Then I went to the Vali. The Vali sounds nothing like the others. It's slightly more smoother and warmer, more of a natural sound but ever so slightly, and more realistic sounding. I was enjoying it very much for weeks. Then I decided to get the Asgard 2. Why? I read so much about it I just had to try it. The Vali like the others also seem to struggle reproducing the source which makes sense as it's less powerful of them all.
 
BUT, the Vali does sound better than all of them in the form factor and price range.








 

I've been reading so many replies and reviews how the O2, Magni and Vali sound the same. After weeks of listening to all of them, (yes I have them all) they are all not exactly the same . I've been using the same music and all else in the system is the same and have only changed the amps. Started with O2, then went to Magni. Yes the Magni and O2 sound very close. The Magni does sound a tad processed and thin compared to O2 but the Magni does have more authority as it is more powerful in comparison even though they all seem to struggle reproducing the source.

Then I went to the Vali. The Vali sounds nothing like the others. It's slightly more smoother and warmer, more of a natural sound but ever so slightly, and more realistic sounding. I was enjoying it very much for weeks but the Vali also seem to struggle reproducing the source which makes sense as it's less powerful than the others.

As for noise (hiss); No hiss at any volume level connected to a source with HE-400, so if you have higher impedance headphones there should be no worries. It drives IEM's extremely well with no effort, but larger headphones it just seems like it's trying too hard.

I hope this helps anyone who maybe interested in the Magni.

I've been reading so many replies and reviews how the O2, Magni and Vali sound the same. After weeks of listening to all of them, (yes I have them all) they are all not exactly the same . I've been using the same music and all else in the system is the same and have only changed the amps. Started with O2, then went to Magni. Yes the Magni and O2 sound very close. The Magni does sound a tad processed and thin compared to O2 but the Magni does have more authority as it is more powerful in comparison even though they all seem to struggle reproducing the source.
 
Then I went to the Vali. The Vali sounds nothing like the others. It's slightly more smoother and warmer, more of a natural sound but ever so slightly, and more realistic sounding. I was enjoying it very much for weeks. Then I decided to get the Asgard 2. Why? I read so much about it I just had to try it. The Vali also seem to struggle reproducing the source which makes sense as it's less powerful.
 
I have to say the Asgard 2 is is not like any of the others. Why have some said there is no difference? I'm suspecting what is happening is that people are not using high resolution (or not high enough resolution) tracks or headphones to distinguish the difference OR they just don't hear the difference due to their hearing biology. As a side note: I also did an electronic spectrum hearing test to verify my hearing at different frequencies to eliminate that factor, and I passed 100%. 
 
The Asgard 2; is in a whole other class. The Asgard 2 with the same headphones (HE-400) sound way more detailed, realistic, bassier, deeper, smoother and wider is the best way to explain it with all else in the system being the same. The Mids seem more forward and lush. The Asgard 2 does not appear to add any color to the sound, but I may say on a scale from 1-100% if I had to say how much I think it does add coloration, maybe 10-20% which is not relevant to be considered significant, it's a really tiny amount but pleasant. The gain is also contributing to the level of authority also as it does have more gain than all the others even though it's also rated at 32 ohms at 1.0W RMS.
 
As for noise (hiss); No hiss at any volume level either on High or Low gain either connected or not connected to a source with HE-400, so if you have higher impedance headphones there should be no worries.
 
As for humming; it's there, but like others have stated, it's barely noticeable to non existent and that is an exaggeration even at least for my model. My findings are this; you have to be in a dead silent room and paste your ear on the chassis right over the transformer to hear it and even then it's so tiny of a sound there is no way anyone can hear this humming unless they are intentionally to try to hear it. Even if you put your ear on top of the amp over the grill area or to the side where the transformer is located, you can't hear it still. If your ear is one inch away from the same location you just can't possibly hear it unless you are super human! Shiit has done an excellent job in resolving this issue as others have stated overall.
 
As for the volume knob getting warm, it's so minor I can't say it's even an issue. But here is a tip if it really bothers you or yours gets possibly hotter than you like. I have done this with all my Shiit amps but not due to heat issues but just ease of turning the volume knob. Get 3 O-rings that are a tad smaller in diameter than the volume knob and place them over the volume knob.  On the Asgard 2 it makes it easier to turn the volume knob also but the added advantage is you won't feel any heat off the knob. Plus it looks nice too!
 
My serial is 002026 so I would hope all higher models do not have any of these issues or that they don't creep back into production. So for anyone that is thinking about the Asgard 2, YES it's worth it. You WILL hear a difference with respect to what was mentioned above about headphones, music quality rate and biology. This amp just sound like an actual amp, it sound "real" while the others mentioned sound like they're struggling to making an effort to process the sound, but the Asgard 2 seems to do it effortlessly with authority is another nice way to describe it. 
 
I hope this helps anyone who maybe interested in the Asgard 2. 
 
Cheers.