Reviews by NZheadcase

NZheadcase

500+ Head-Fier
Pros: Beautiful finish; great balanced sound;
Cons: Needs a bit more soundstage, needs a bit more 'extra' considering the price
Sunday 22 March 2015, Auckland New Zealand --- On Friday, the Met service here in Hobbit land announced that we were going to have another great, sunny, summer weekend. So, as any sane Head-fier would, I decided to do what most made sense on this glorious weekend. 
 
I locked myself in my room and listened to music. Specifically, with these beauties. My aim? To get a personal measure of what the PM3 is really all about.
 

 

 

 

 

 
Please note that the following is not a formal review by any stretch of the word. This is more my personal observations about the looks, the sonics, and the usage scenarios that I have subjected these headphones to. Much of what will follow is with the the intention of understanding what the Oppo PM-3 brings to the table. I will be mentioning other headphones here and there which are not pictured above, but have also been used to evaluate the PM3. 
 
Hopefully, some of you can form a general idea of what it will be like to own the PM3, and how it would fit into your (audio) lifestyle.
 
Gear Used: 
 
Oppo PM3; Fostex TH900; LCD 2.2, Alpha Dogs, ATH M50, Shure SE215, RHA MA750; Centrance HiFi-M8; Oppo HA2; Burson Soloist; NAD M51
 
PM3 and Fostex TH900
 
Let’s get the obvious out of the way. This is not a fair comparison, nor does it make much sense as it is Planar to Dynamic. The price difference is also very wide. The only things they share in common is that they are both closed, and both look good. However, l decided to have a go anyway. 
 
The leather on both is synthetic. They are both luxurious to the touch and luxurious to wear. The leather on the PM3s look slightly more attractive though, and look more leather-like than do the TH900. The TH900s look classier, and more like a lux product mainly due to the cups, but the PM3 is no slouch. I would describe the PM3 as a gentleman’s headphone. It is stylish, but not garish. Fetching, but not striking. The design is tasteful and will not look out of place even if you are wearing a business suit.
 
The biggest difference is that the Fostex has better soundstage. It is cavernous compared to the PM3s. The bass is far more exciting, and kicks harder, though that is not revelatory in any way. I consider the bass on the TH900 to be the best in class for all the dynamics I have listened to. However, the PM3’s sound is more natural, more organic. It is more balanced hence I enjoy the midrange better on the PM3’s. The TH900 has quite an obvious V-shaped presentation that it is the more exciting listen, but sometimes fatiguing. I love it, but I won’t listen to it for more than a couple of hours. I have used the PM3s for 4.5 hours at the longest stretch.
 
Noise isolation and leakage is also better on the PM3. Less comes out, less comes in, which means that it is the better phone for the office. On the go, it’s the PM3 as well. I would never use the TH900 while walking, for fear of them falling off and damaging the beautiful cups. They are quite easy to knock off your head as the clamp is light. I’m getting a panic attack just thinking about it right now.
 
The TH900 is the overall better headphones for enjoyment at home. Better resolution, more excitement, more detail. However, the PM3 is the more versatile headphone, owing to its noise isolation and portability.  It is beautiful in its own right, and is not left behind in audio quality, as the TH900 is nowhere near three times the better headphone as the price would suggest.
 
PM3 and LCD 2.2
 
This is an easy one. For this one, I will state my conclusion right off the bat. The LCD 2.2 is the better headphone in every way except portability and isolation.
I apologize to those who were hoping the PM3 is a closed LCD 2. It is not. The soundstage, bass, midrange, detail retrieval, and the looks (personal and subjective) all go to the venerable LCDs. They are more natural, and overall the better listen.
 
They are clearly a step or two above the PM3…when comparing side by side at home.
 
I took the LCDs and the PM3 to work the other day (and paired both to the M8). My office is relatively quiet, though it is a big open space there is just a bit of a murmur at any given time. Even then, the LCDs just didn’t work. They are so open that any sudden decibel spike in the area takes away from the overall experience. The immersion is broken quite often, when you are not in isolation, and that is pretty annoying. The LCDs let through Annalisa’s annoying cackling laughter from the corner and I tell ya it is worse that a cat scratching a chalk board! (**shudder**)
 
Earlier I mentioned that the PM3 is not a closed LCD 2. It may not be, but you could say it is a junior LCD2 - that was made closed. Basically take all that the LCD is, compress the soundstage a bit, dial all the other bits a bit, and make it a closed headphone. It is not as simple as that but the description works in my head. The PM3 out-LCDs the LCDs when on the go or in a public space. LCDs are not ideal while walking down the street, no matter how many celebrities do it.
 
PM3 and Alpha Dog
 
I purchased the Alpha Dog with the intent of using them at work. They’ve served me well in that role for about ten months now. I wanted the Planar Magnetic sound at work because my first two experiences with Planars was so powerful – the LCD 2.2 and then after while the HE500. They did not disappoint.
 
That is why I also spent a bit more for the PM3 than I wanted. A planar that is closed back, portable, costs less than an Alpha Dog and doesn’t make me feel awkward while walking? Shut up and take my money! The prospect was too good that I took the plunge even without very many write ups on them. They were good looking enough that I surmised I might attract non audiophile buyers and recoup my cash by selling them online - should they disappoint. They didn’t.
 
So here were my two choices for “Work” headphones. What is the verdict? Let’s talk about some details first.
 
The Alpha Dogs are not ugly ducklings. To me they evoke a certain retro charm – whilst in your hands.
 
On your head, well, awkward is a kind word. Oh yeah, yeah, we only care about the sound, blah, blah, blah.  Remember that I got them for the office, not the house. It would matter not one bit if my main use for the dogs is in my listening room. At work, you will often get the quizzical look that says, “really?” If I were single, the Dogs would have ensured I got exactly nowhere with any of the hotties at work. On the street, let’s not go there. People can be mean. Seriously. If you ever went through highschool, you’ll know what I meant.  And besides, it makes it more difficult to be an advocate of good sound, when your headphones look uhm, strange.
 
Case in point, a colleague of mine passes by the front of my desk every single day en route to the coffee machine. No interest in the Alpha Dogs whatsoever. First day with the PM3s? “Hey! Cool headphones! Can I have a listen?” After ten minutes, I offered him the Alphas, and he goes “Sure.” Obviously I have the world’s most judgmental officemates, and this only happens to me, and nowhere else.   
 
Sorry, I’ve rambled on. Back to the important stuff.
 
The AD and the PM3 isolate equally well. The ADs feel more sumptuous on the head owing to the thicker, more lux pads. The angled pads lift up the drivers and that gives the illusion of better soundstage. I say illusion because even though the Alpha Dogs evoke a spacious stage, they are a bit flawed. The PM3, HE500, and LCD 2.2 wrap you in a 360-degree sphere of sound. While the size of this sphere is not TH900 and T1 level, within it, you get the solid, sumptuous planar magnetic sound sig. The ADs seem to me to have this gap in the front and back of about 10-degree wedge. So you have two bubbles of sound on your left and on your right, but nothing in between. I would say this is in about 20% of the recordings that I listen to. Not a big amount, but significant enough.
 
The PM3’s bass is hands down better than the AD, whilst the AD has better treble extension. Mids are about the same to my ears.  The PM3s are also quicker and more visceral. You feel the snap of the snare drums more, and the bass is more impactful. The PM3 also sounds more natural and organic. Of all four Planars I have on hand, the AD sounds the least realistic i.e. sounding like the “real thing”. Sounds really good, but conveys the least degree of the “sense of being there”.
 
This leaves me in a bit of a quandary. I can tell that the ADs have now lost their main role, and will surely lose headtime to the PM3s – to a serious degree. There are still some tracks where I think the ADs perform well above the PM3’s but is that enough justification to keep them? I don’t  know. This coming week, will test further and use my most favorite amp for the ADs, the Pan Am. I did not have this amp charged as I’ve left the charger at work. If I still feel the same way after extensive listening, I may have to let the ADs go.
 
All sonic characteristics considered, the PM3s are at least equal of the ADs. They are more aligned to my tastes than the AD though, and that might be the clincher. Plus they look far sexier and are the more versatile pair.
 
On The Go and Final Thoughts
 
I never expected the PM3 to be so excellent when on the go. I had high hopes as a transportable phone, and one that can be used in public areas like a café and such, but while walking down a relatively busy road? Never expected anything much.
 
The headphones that I mainly use when walking around are my IEMs (Shure SE215le and RHA M750) and the V Moda M80. These are really, really good. And while nowhere near desktop setup good, they were good enough. I could live with that. Enter the PM3. I can no longer say as much. With the PM3, the HiFi M8 or the HA2, I perceive that I am getting as close to my home setup as I can possibly go while hitting the pavement.
 
It is uncanny how the PM3s soundstage seems to float around you while you are walking. Perfect instrument placements, natural timbre, a sense of defined space – all while you are moving in space yourself. It was exhilarating and slightly panic-inducing the first time I did it. I had to stop every so often simply to focus my entire attention to enjoying the music.   I had to make sure I was not in the middle of the road, and that’s where the panic comes in. None of my other (portable) sets come close. Good sound, good soundstage, enjoyable presentation, yes - but not to the PM3’s level.
 
Any negatives? Yes. As I said before, the soundstage is not as good as the ADs. The ear cups feel a little too small even for my smallish ears. Maybe the AD’s cups have spoiled me too much. The lack of soundstage makes the PM3s sound congested on some tracks. It does well with male and female vocals, jazz in intimate settings, acoustic, pop, a bit of slow rock.  This is not a set for classical, orchestral or epic Hollywood type music.
 
I also can’t shake the feeling that Oppo could have done better, could have squeezed more performance out of it. Maybe it is because I’ve been comparing it to the wrong headphones. Maybe if I compare it to other closed backs in the same price range I won’t feel this way. Hmmm…maybe. For the price, I think they are fair, but Oppo could have given a bit more. That 1.2 M cable for us here in NZ would have done nicely. Or replaceable pads with bigger pad options.  
 
Overall, I am very happy with the PM3. It holds its own with the big boys, and even displaces some mainstays from their role. Great sound, great versatility. Winner all around. 
NZheadcase
NZheadcase
Thanks @tuatara. Yeah I got the call too. :) Very happy with this development.  
Chefano
Chefano
I have an TH900 and I love it, put a smile on my face everytime. But as you said, they are bulky, fragile and leak a lot of sound.
Im looking for a commuting th900 and came to a PM3 and a Momentum 2. 
Have you listened to the Momentum 2?
 
Regards!
masterfuu
masterfuu
great review, in market for PM3s also used to own TH900 agree with your point of view a very expensive headphone but slightly lacking in sound refinement for asking price.

NZheadcase

500+ Head-Fier
 
[size=11pt]This review was done at the request of fellow newbie Head-Fier Chgm.[/size]
 
[size=11pt]Finally, after a long burn-in period and long listening sessions with both amps, I'm ready to give my impressions. This is specifically to test out the Schiit Lyr and the Alo Pan Am with the LCD 2 Rev.2. and songs that CHGM specifically requested (plus a few of my own additions as well).[/size]
 
[size=11pt]Let’s start with the LCD 2 first. When I first put it on the first thing that popped into my head (as with most people) was “what a dark sound!”, and I do mean dark to the point where I took them off and scratched my head thinking, “did I just pay $1000K for these?”[/size]
 
[size=11pt]However, remembering how the sound on my ATH-M50 got better as time went by (I did not know about Head-fi at the time), and how I thought I overspent when I first got the Sennheiser HD598, I persisted. Those two cans became better as they got more use, and I felt this even without reading about the concept of burn-in. The only concept I had about burn-in was to let my computer components run continuously under stress for at least 48 hours to weed out any lemons amongst the components.  Around six weeks after purchasing the HD598, I discovered head-fi as I was researching new music to listen to.[/size]
 
[size=11pt]So armed, I kept listening and as the LCD 2 got more head time, the sound became clearer, the highs extended more, and the feel became airy-er. The highs were no longer dry-ish, and the dark sound started to brighten up bit by bit. It is still dark compared to my HD598 and Grado SR80i, but I find I now prefer the LCD 2 as I can wear it for hours on end without rest. It is non-fatiguing at all. The only issue is the occasional neck pain I feel after long sessions.   [/size]
 
[size=11pt]A note on the sound of the LCD 2:[/size]
[size=11pt]The sound of the LCD 2 is like a thick wall of air supersaturated with sound waves slamming into you, permeating your whole being. Have you seen the first Fantastic Four movie? That scene where the four heroes were bombarded by that cosmic storm...that’s how I imagine the sound of the LCD 2![/size]
 
[size=11pt]In comparison, my second best headphone, the HD598 feels like a slight breeze (albeit a great sounding breeze). Think lowest setting on an electric fan – that is the HD598, while the LCD is on setting number 3.[/size]
 
[size=11pt]The Setup:[/size]
[size=11pt]Fairly utilitarian. No high end, summit-fi material here. I was asked to do this review because CHGM wanted to get either the Lyr or the Pan Am, and just so happened to find I owned both.[/size]
[size=11pt]Shiit Lyr with Schiit Bifrost DAC and GE Tubes. The Schiit stack is connected via Optical to a first generation Macbook unibody. The Alo Pan Am is paired with a set of Siemens Tubes I ordered with it. It is connected via the Pan Am USB to the same Macbook. I used the built-in DAC on the Pan Am. Where applicable, FLAC files are played with Amarra, without any EQ. I do mess with EQ, but decided against it for this comparison. Why? Two amps, two sound sigs – I would have spent half my time fiddling with the EQ per song! So yeah, I was kinda lazy. Sorry.[/size]
 
[size=11pt]A note on the files:[/size]
[size=11pt]I have no LPs. I have a limited number of CDs. Please note, the majority of the songs I listened to for this review were Spotify 320 HQ streams (cached in my HDD). Some are in FLAC 16bit 44.1. I will let you know which ones are which as we go along the list.  [/size]
 
[size=10pt]The [/size][size=11pt]listening tests were conducted in the following way:[/size]
[size=10pt]·         [/size][size=11pt]Per-album basis rather than per song (where applicable)[/size]
[size=10pt]·         [/size][size=11pt]Per song basis, LYR first, then Pan Am, then vice versa[/size]
[size=10pt]·         [/size][size=11pt]Specific sections of a track that I am most familiar with, first the LYR, then Pan Am, then vice versa[/size]
 
[size=11pt]Listening tests were conducted throughout a three-week period. [/size]
 
[size=11pt]The Songs and my impressions: [/size][size=11pt](again these are songs requested by CHGM with a few additions from me) [/size]
 
[size=11pt]Offspring - Dirty Magic[/size][size=11pt] (FLAC)[/size][size=11pt]- This was fantastic on both amps. Both possessed great bass impact that was both tangibly physical and musical. It is not simply a booming sound, but actual pedal-to-drum-skin accurate and the accompanying push of the air that comes with it. I feel the Lyr reproduced the bass and snare drum with a little more accurately than the Pan Am. They fared equally well on the Bass and electric guitar.[/size]
 
[size=11pt]The vocals are very clear on both, and I would say perform equally well at the loudness I listen to. It has to be said that I listen to the Lyr at 10:00, and the Pan Am at Low Gain at 12:00. I felt low gain to be enough for the Pan Am, and felt the bass to be a little more to my taste this setting. High gain made it boom-ier, but at an ever so slight loss of bass clarity.[/size]
 
[size=11pt]The main difference I felt was the slightly better bass and bigger, more extended soundstage on the Lyr. You can more easily home-in on an instrument on the Shiit Lyr. Whether this is an effect of the Bifrost DAC, I don’t know, as I did not test the Lyr without a DAC. That would not have been fair, because the Pan Am has a built in DAC that I could not bypass for this reveiw.[/size]
 
[size=11pt]Imagine Dragons – Continued Silence (Spotify 320kbps) [/size][size=11pt]and [/size][size=11pt]Fun. – Some Nights  (Spotify 320kbps)[/size]
[size=11pt]These were my two favorite albums on the ATH-M50 + FiiO e17 (Bass + 4, Treble +2). It was even better on the Schiit Asgard+Bifrost+HD598. The HD598 seemed too bass-anemic to me on the FiiO, and anything over bass+6 on it is not to my liking. The Bifrost+Asgard+HD598 had the perfect synergy with this album methinks…until the Lyr, and Pan Am and LCD 2 arrived.[/size]
 
[size=11pt]The Lyr and Pan Am both delivered crisp highs that were never fatiguing. I never felt the urge, not once, to clench my jaws in anticipation of the slight ear-piecing note that sometimes accompany my Asgard+Bifrost+HD598 setup. Many times, I braced myself for the pain that never came, and realised on the LCD 2, that will not happen again (at least I hope).[/size]
 
[size=11pt]The difference again is the bass. The quality is the same, but the impact is different. On these albums, the Lyr actually made the whole LCD 2 headphone vibrate. The LCD 2 is solid. The most solid, and heaviest headphone in my possession, yet the Lyr literally shook them (ok “shook” would be an exaggeration) while on my head. Disclaimer: I have a smallish head. I have it on three steps on the telescopic adjuster prongs. Maybe that had something to do with it.   [/size]
 
[size=11pt]Damian ‘Jr. Gong’ Marley – Me Name Jr. Gong [/size][size=11pt]– I must admit that this wa not my cup of tea in terms of music – the key word there being “was”. With these amps and the LCD 2, I thoroughly enjoyed this track.[/size]
 
[size=11pt]Bass is veeeery crisp, solid, and impactful. But more than the bass though, it’s all the accompanying sounds that caught my earbuds. The details sounded delightfully tasty. The background singers, and those clinking, snapping, sharp instruments that I can’t name. (Somebody please help me out here).[/size]
 
[size=11pt]Everything was exquisite on both on Lyr and Pan Am, but the Pan Am delivered a very closer knit sound via its slightly smaller soundstage and it was good. Why is that good? Well, imagination is part of how I enjoy music. For this track I imagined I was on a beach resort listening to a reggae band in a makeshift stage sipping a pinacolada. And you know what? It works! The Lyr’s bigger music space did not work for me on this track. Although it felt verily the same quality, it didn’t feel quite authentic, as it did not jive with the picture and imagery I had in my head. The Pan Am for this type of music for me.   [/size]
 
[size=11pt]Assassin’s Creed Revelations Main Theme – Lorne Balfe with London Philharmonic Orchestra (Spotify 320kbps)[/size]
[size=11pt]This track is a very haunting one. The singer’s voice conveys such pain and sadness that it makes the soul ache. The accompanying orchestral instruments, choir sections, and other electronically added garnishing simply frame the melodic vocals. Note that the singer is not singing a song, just using her voice to make melodies.[/size]
 
[size=11pt]Here the Pan Am presented the vocals much closer to the listener making it a more intimate experience. The Lyr presented the vocals further away, and although not taking away from the clarity overall, it left the listener a little disconnected to the emotion of the song. Score for Pan Am.[/size]
 
[size=11pt]Master Assassin and Desmond Miles – Jesper Kyd (Spotify 320kbps)[/size]
[size=11pt]Master Assassin was perfect on the Lyr. If you’ve played the game (Assassin’s creed) you can easily imagine Ezio running atop roofs and dodging and fighting enemy soldiers and templars. [/size]
 
[size=11pt]Though not that much more exceptional sonically than the Pan Am on this track, the added space and air between the instruments made it a more convincing listen. This track was from an open sandbox game, and the Lyr certainly made it feel like that. The space the Lyr conveyed was expansive, and thus the instruments are more easily picked out. The melodic background vocals were more absorbing as well.[/size]
 
[size=11pt]I think I would have been perfectly happy with how the Pan Am presented it had I not played the game or knew about the background of the game, but I did, and my poor impressionable brain liked the way it was done on the Lyr better.[/size]
 
[size=11pt]All above comments about Master Assassin apply to the track Desmond Miles as well.[/size]
 
[size=11pt]Quiet Nights + Este Seu Olhar – Diana Krall (Flac)[/size]
[size=11pt]Quiet nights was uhm...meh. Sorry to all the Diana Krall fans out there, but this just didn’t register with me sonically and emotionally. Neither the Lyr nor the Pan Am gave me a reason to change my mind.[/size]
 
[size=11pt]Este Seu Olhar – this at least I liked. The detailed instrumentation of the track, the raspy, sultry voice of Ms. Krall mixed well with the bass and the guitar and it was especially lovely that I could pick out the sliding of the fingers on the frets. The percussion was also spot on; suitably gentle and not overly snappy. This track was enjoyable on both Pan Am and Lyr. Somehow the Lyr managed to be both spacious and yet intimate in this track. Detail is amazing on both. Tie.[/size]
 
[size=11pt]Metallica - Enter Sandman (1000 kbps FLAC) –[/size]
[size=11pt]This was a tough call but I preferred going back to this track on the Lyr. The Lyr I thought, delivered more “Bite” overall (Considering the overall tone and theme of the song). The vocals had the suitable amount of highs, the snare drum had a mean overbite and the better ‘snap!’, the bass, all had the right impact for the song.[/size]
 
[size=11pt]And at the end….Booooo!!! Which always makes me say to my Lyr, “Yeah, Yeah!!!”[/size]
 
[size=11pt]Metallica with SFSO Live - Enter Sandman (1000 kbps FLAC) –[/size]
[size=11pt]This track was a mess and an unlistenable cacophony of noise on my Asgard+Bifrost+HD598. It was, for lack of a better word, terrible. That, I guess, was due more to the nature of SS on a naturally bass light, treble tilted pair of cans. The HD598 is still one of my favs, and it is detailed as hell, but this track was just too busy and too complicated for it. Imagine full rock band in the foreground and full symphonic orchestra in the background. Wow. One is already a handful (especially since it’s Metallica), but together? This will be a stern test for any headphone.[/size]
 
[size=11pt]And yes it WAS a stern test – that the Lyr and the Pan Am passed with flying colors. More so the Lyr + Bifrost with its spacing and detail. On some passages, the Pan Am didn’t quite articulate the combined rock and symphony combination as well as the Lyr + Bifrost. The Pan Am showed a more Rock centric focus, whereas the Lyr, while still rock centric, managed to keep me aware of all the gyrations of the symphonic accompaniment.[/size]
 
[size=11pt]Again…Booo! Yeah, yeah![/size]
 
[size=11pt]I apologize to Chgm, as I was unable to find the other tracks he requested. If you could send me a FLAC disc of said tracks, I could do a follow-up comparison. [/size]
 
On the actual Amps:
The Pan Am I was able to get during the black Friday sale. Got me a mean deal for all that I got, and had I purchased every component, I would have easily spent more tha 50% more than I actually did. Alo Audio also took good care of me from the very first email to the thank you note when I told them I had recieved the product.
 
The Schiit Lyr was my third Schiit product from Addicted to Audio (Schiit’s Australian distributors). Addicted to Audio (www.addictedtoaudio.com.au) are a bang to deal with. Got majority of my products almost overnight, considering they’re on a totall difference country. Jason Stoddard of Schiit Audio has replied to each and every enquiry I sent him.
 
And before you get any ideas, no I did not receive compesation. Just giving kudos where kudos is due.
Value for money, I think the Pan Am trumps the Lyr+Bifrost combo IF all you need is a USB DAC. It is a whole lotta Amp-DAC for the price.
 
If you need a whole slew of digital inputs, then Lyr+Bifrost is the clear winner.
 
Portability wise, the Pan Am of course is the winner. Let’s not mince words, the Schiits are heavy and need to be plugged in. I got the Pan Am with the passport and it has now replaced my FiiO e17 as my transportable setup. I don’t do mobile listening, I plunk onto a desk, work, and enjoy. If I did listen while on the go, I think I would prefer my iPhone 4S+FiiO overall.
 
At home, I do find myself plugging-in to the Lyr more often than the Pan Am. My poor - yet still beloved Asgard – has been relegated to a platform for the Lyr. (http://www.head-fi.org/g/i/736999/the-corner-audio-station/sort/display_order/). At the office, when plugged into the Pan Am, never do I think “Gosh I wish I had my Lyr.” That is high praise I think.
 
As for which amp do I prefer? I say get both! Sorry about your wallet.
 
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HoukaiAmplifier
HoukaiAmplifier
Cool review!
gamerfry
gamerfry
This was EXTREMELY useful. Thank you!
J
JoshNEP
Thanks a lot for this. 

NZheadcase

500+ Head-Fier
 
[size=11.0pt]This review was done at the request of fellow newbie Head-Fier Chgm. [/size]
 
[size=11.0pt]Finally, after a long burn-in period and long listening sessions with both amps, I'm ready to give my impressions. This is specifically to test out the Schiit Lyr and the Alo Pan Am with the LCD 2 Rev.2. and songs that CHGM specifically requested (plus a few of my own additions as well).[/size]
 
[size=11.0pt]Let’s start with the LCD 2 first. When I first put it on the first thing that popped into my head (as with most people) was “what a dark sound!”, and I do mean dark to the point where I took them off and scratched my head thinking, “did I just pay $1000K for these?”[/size]
 
[size=11.0pt]However, remembering how the sound on my ATH-M50 got better as time went by (I did not know about Head-fi at the time), and how I thought I overspent when I first got the Sennheiser HD598, I persisted. Those two cans became better as they got more use, and I felt this even without reading about the concept of burn-in. The only concept I had about burn-in was to let my computer components run continuously under stress for at least 48 hours to weed out any lemons amongst the components.  Around six weeks after purchasing the HD598, I discovered head-fi as I was researching new music to listen to.[/size]
 
[size=11.0pt]So armed, I kept listening and as the LCD 2 got more head time, the sound became clearer, the highs extended more, and the feel became airy-er. The highs were no longer dry-ish, and the dark sound started to brighten up bit by bit. It is still dark compared to my HD598 and Grado SR80i, but I find I now prefer the LCD 2 as I can wear it for hours on end without rest. It is non-fatiguing at all. The only issue is the occasional neck pain I feel after long sessions.   [/size]
 
[size=11.0pt]A note on the sound of the LCD 2:[/size]
[size=11.0pt]The sound of the LCD 2 is like a thick wall of air supersaturated with sound waves slamming into you, permeating your whole being. Have you seen the first Fantastic Four movie? That scene where the four heroes were bombarded by that cosmic storm...that’s how I imagine the sound of the LCD 2! [/size]
 
[size=11.0pt]In comparison, my second best headphone, the HD598 feels like a slight breeze (albeit a great sounding breeze). Think lowest setting on an electric fan – that is the HD598, while the LCD is on setting number 3.[/size]
 
[size=11.0pt]The Setup: [/size]
[size=11.0pt]Fairly utilitarian. No high end, summit-fi material here. I was asked to do this review because CHGM wanted to get either the Lyr or the Pan Am, and just so happened to find I owned both. [/size]
[size=11.0pt]Shiit Lyr with Schiit Bifrost DAC and GE Tubes. The Schiit stack is connected via Optical to a first generation Macbook unibody. The Alo Pan Am is paired with a set of Siemens Tubes I ordered with it. It is connected via the Pan Am USB to the same Macbook. I used the built-in DAC on the Pan Am. Where applicable, FLAC files are played with Amarra, without any EQ. I do mess with EQ, but decided against it for this comparison. Why? Two amps, two sound sigs – I would have spent half my time fiddling with the EQ per song! So yeah, I was kinda lazy. Sorry. [/size]
 
[size=11.0pt]A note on the files:[/size]
[size=11.0pt]I have no LPs. I have a limited number of CDs. Please note, the majority of the songs I listened to for this review were Spotify 320 HQ streams (cached in my HDD). Some are in FLAC 16bit 44.1. I will let you know which ones are which as we go along the list.  [/size]
 
[size=10.0pt]The [/size][size=11.0pt]listening tests were conducted in the following way:[/size]
[size=10.0pt]·         [/size][size=11.0pt]Per-album basis rather than per song (where applicable)[/size]
[size=10.0pt]·         [/size][size=11.0pt]Per song basis, LYR first, then Pan Am, then vice versa[/size]
[size=10.0pt]·         [/size][size=11.0pt]Specific sections of a track that I am most familiar with, first the LYR, then Pan Am, then vice versa[/size]
 
[size=11.0pt]Listening tests were conducted throughout a three-week period. [/size]
 
[size=11.0pt]The Songs and my impressions: [/size][size=11.0pt](again these are songs requested by CHGM with a few additions from me) [/size]
 
[size=11.0pt]Offspring - Dirty Magic[/size][size=11.0pt] (FLAC)[/size][size=11.0pt]- This was fantastic on both amps. Both possessed great bass impact that was both tangibly physical and musical. It is not simply a booming sound, but actual pedal-to-drum-skin accurate and the accompanying push of the air that comes with it. I feel the Lyr reproduced the bass and snare drum with a little more accurately than the Pan Am. They fared equally well on the Bass and electric guitar.[/size]
 
[size=11.0pt]The vocals are very clear on both, and I would say perform equally well at the loudness I listen to. It has to be said that I listen to the Lyr at 10:00, and the Pan Am at Low Gain at 12:00. I felt low gain to be enough for the Pan Am, and felt the bass to be a little more to my taste this setting. High gain made it boom-ier, but at an ever so slight loss of bass clarity.[/size]
 
[size=11.0pt]The main difference I felt was the slightly better bass and bigger, more extended soundstage on the Lyr. You can more easily home-in on an instrument on the Shiit Lyr. Whether this is an effect of the Bifrost DAC, I don’t know, as I did not test the Lyr without a DAC. That would not have been fair, because the Pan Am has a built in DAC that I could not bypass for this reveiw.[/size]
 
[size=11.0pt]Imagine Dragons – Continued Silence (Spotify 320kbps) [/size][size=11.0pt]and [/size][size=11.0pt]Fun. – Some Nights  (Spotify 320kbps)[/size]
[size=11.0pt]These were my two favorite albums on the ATH-M50 + FiiO e17 (Bass + 4, Treble +2). It was even better on the Schiit Asgard+Bifrost+HD598. The HD598 seemed too bass-anemic to me on the FiiO, and anything over bass+6 on it is not to my liking. The Bifrost+Asgard+HD598 had the perfect synergy with this album methinks…until the Lyr, and Pan Am and LCD 2 arrived.[/size]
 
[size=11.0pt]The Lyr and Pan Am both delivered crisp highs that were never fatiguing. I never felt the urge, not once, to clench my jaws in anticipation of the slight ear-piecing note that sometimes accompany my Asgard+Bifrost+HD598 setup. Many times, I braced myself for the pain that never came, and realised on the LCD 2, that will not happen again (at least I hope). [/size]
 
[size=11.0pt]The difference again is the bass. The quality is the same, but the impact is different. On these albums, the Lyr actually made the whole LCD 2 headphone vibrate. The LCD 2 is solid. The most solid, and heaviest headphone in my possession, yet the Lyr literally shook them (ok “shook” would be an exaggeration) while on my head. Disclaimer: I have a smallish head. I have it on three steps on the telescopic adjuster prongs. Maybe that had something to do with it.   [/size]
 
[size=11.0pt]Damian ‘Jr. Gong’ Marley – Me Name Jr. Gong [/size][size=11.0pt]– I must admit that this wa not my cup of tea in terms of music – the key word there being “was”. With these amps and the LCD 2, I thoroughly enjoyed this track.[/size]
 
[size=11.0pt]Bass is veeeery crisp, solid, and impactful. But more than the bass though, it’s all the accompanying sounds that caught my earbuds. The details sounded delightfully tasty. The background singers, and those clinking, snapping, sharp instruments that I can’t name. (Somebody please help me out here).[/size]
 
[size=11.0pt]Everything was exquisite on both on Lyr and Pan Am, but the Pan Am delivered a very closer knit sound via its slightly smaller soundstage and it was good. Why is that good? Well, imagination is part of how I enjoy music. For this track I imagined I was on a beach resort listening to a reggae band in a makeshift stage sipping a pinacolada. And you know what? It works! The Lyr’s bigger music space did not work for me on this track. Although it felt verily the same quality, it didn’t feel quite authentic, as it did not jive with the picture and imagery I had in my head. The Pan Am for this type of music for me.   [/size]
 
[size=11.0pt]Assassin’s Creed Revelations Main Theme – Lorne Balfe with London Philharmonic Orchestra (Spotify 320kbps)[/size]
[size=11.0pt]This track is a very haunting one. The singer’s voice conveys such pain and sadness that it makes the soul ache. The accompanying orchestral instruments, choir sections, and other electronically added garnishing simply frame the melodic vocals. Note that the singer is not singing a song, just using her voice to make melodies.[/size]
 
[size=11.0pt]Here the Pan Am presented the vocals much closer to the listener making it a more intimate experience. The Lyr presented the vocals further away, and although not taking away from the clarity overall, it left the listener a little disconnected to the emotion of the song. Score for Pan Am.[/size]
 
[size=11.0pt]Master Assassin and Desmond Miles – Jesper Kyd (Spotify 320kbps)[/size]
[size=11.0pt]Master Assassin was perfect on the Lyr. If you’ve played the game (Assassin’s creed) you can easily imagine Ezio running atop roofs and dodging and fighting enemy soldiers and templars. [/size]
 
[size=11.0pt]Though not that much more exceptional sonically than the Pan Am on this track, the added space and air between the instruments made it a more convincing listen. This track was from an open sandbox game, and the Lyr certainly made it feel like that. The space the Lyr conveyed was expansive, and thus the instruments are more easily picked out. The melodic background vocals were more absorbing as well.[/size]
 
[size=11.0pt]I think I would have been perfectly happy with how the Pan Am presented it had I not played the game or knew about the background of the game, but I did, and my poor impressionable brain liked the way it was done on the Lyr better.[/size]
 
[size=11.0pt]All above comments about Master Assassin apply to the track Desmond Miles as well.[/size]
 
[size=11.0pt]Quiet Nights + Este Seu Olhar – Diana Krall (Flac)[/size]
[size=11.0pt]Quiet nights was uhm...meh. Sorry to all the Diana Krall fans out there, but this just didn’t register with me sonically and emotionally. Neither the Lyr nor the Pan Am gave me a reason to change my mind.[/size]
 
[size=11.0pt]Este Seu Olhar – this at least I liked. The detailed instrumentation of the track, the raspy, sultry voice of Ms. Krall mixed well with the bass and the guitar and it was especially lovely that I could pick out the sliding of the fingers on the frets. The percussion was also spot on; suitably gentle and not overly snappy. This track was enjoyable on both Pan Am and Lyr. Somehow the Lyr managed to be both spacious and yet intimate in this track. Detail is amazing on both. Tie.[/size]
 
[size=11.0pt]Metallica - Enter Sandman (1000 kbps FLAC) –[/size]
[size=11.0pt]This was a tough call but I preferred going back to this track on the Lyr. The Lyr I thought, delivered more “Bite” overall (Considering the overall tone and theme of the song). The vocals had the suitable amount of highs, the snare drum had a mean overbite and the better ‘snap!’, the bass, all had the right impact for the song.[/size]
 
[size=11.0pt]And at the end….Booooo!!! Which always makes me say to my Lyr, “Yeah, Yeah!!!”[/size]
 
[size=11.0pt]Metallica with SFSO Live - Enter Sandman (1000 kbps FLAC) –[/size]
[size=11.0pt]This track was a mess and an unlistenable cacophony of noise on my Asgard+Bifrost+HD598. It was, for lack of a better word, terrible. That, I guess, was due more to the nature of SS on a naturally bass light, treble tilted pair of cans. The HD598 is still one of my favs, and it is detailed as hell, but this track was just too busy and too complicated for it. Imagine full rock band in the foreground and full symphonic orchestra in the background. Wow. One is already a handful (especially since it’s Metallica), but together? This will be a stern test for any headphone.[/size]
 
[size=11.0pt]And yes it WAS a stern test – that the Lyr and the Pan Am passed with flying colors. More so the Lyr + Bifrost with its spacing and detail. On some passages, the Pan Am didn’t quite articulate the combined rock and symphony combination as well as the Lyr + Bifrost. The Pan Am showed a more Rock centric focus, whereas the Lyr, while still rock centric, managed to keep me aware of all the gyrations of the symphonic accompaniment.[/size]
 
[size=11.0pt]Again…Booo! Yeah, yeah![/size]
 
[size=11.0pt]I apologize to Chgm, as I was unable to find the other tracks he requested. If you could send me a FLAC disc of said tracks, I could do a follow-up comparison. [/size]
 
On the actual Amps:
The Pan Am I was able to get during the black Friday sale. Got me a mean deal for all that I got, and had I purchased every component, I would have easily spent more tha 50% more than I actually did. Alo Audio also took good care of me from the very first email to the thank you note when I told them I had recieved the product.
 
The Schiit Lyr was my third Schiit product from Addicted to Audio (Schiit’s Australian distributors). Addicted to Audio (www.addictedtoaudio.com.au) are a bang to deal with. Got majority of my products almost overnight, considering they’re on a totall difference country. Jason Stoddard of Schiit Audio has replied to each and every enquiry I sent him.
 
And before you get any ideas, no I did not receive compesation. Just giving kudos where kudos is due.
Value for money, I think the Pan Am trumps the Lyr+Bifrost combo IF all you need is a USB DAC. It is a whole lotta Amp-DAC for the price.
 
If you need a whole slew of digital inputs, then Lyr+Bifrost is the clear winner.
 
Portability wise, the Pan Am of course is the winner. Let’s not mince words, the Schiits are heavy and need to be plugged in. I got the Pan Am with the passport and it has now replaced my FiiO e17 as my transportable setup. I don’t do mobile listening, I plunk onto a desk, work, and enjoy. If I did listen while on the go, I think I would prefer my iPhone 4S+FiiO overall.
 
At home, I do find myself plugging-in to the Lyr more often than the Pan Am. My poor - yet still beloved Asgard – has been relegated to a platform for the Lyr. (http://www.head-fi.org/g/i/736999/the-corner-audio-station/sort/display_order/). At the office, when plugged into the Pan Am, never do I think “Gosh I wish I had my Lyr.” That is high praise I think.
 
As for which amp do I prefer? I say get both! Sorry about your wallet.
 
 
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