General Information

Aful performer 5 is a new upcoming five-driver hybrid set of in-ear monitors designed with a custom dynamic driver and four balanced armature drivers on each side. According to the brand, they have done deep acoustic research and development for years creating innovative technologies such as EnvisionTEC 3D Printed Acoustic Tube Structure, RLC Network Frequency Division, etc.

Here's some technical information on the pair:-
Driver Count: Five drivers each side.
Driver Configuration: 1DD+4BA.
Impedance: 35Ω.
Sensitvitiy: 110dB@1kHz.
Frequency Response Range: 5Hz-35kHz.
Passive Noise Reduction: 26dB.
Connectors: 0.78mm 2-pin.
Termination: 3.5mm/4.4mm

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Latest reviews

arifgraphy

New Head-Fier
AFUL Performer 5: A true performer
Pros: • Balanced sound signature
• Nice Bass response
• Enjoyable mids
• Clear & detailed treble
• Minimal coloration from the BA drivers
• Scales up well with volume
• Light weight & Comfortable to wear
• Nice & tangle free Cable with choice of 3.5mm & 4.4mm plug
Cons: • Bass is not boomy (sorry bass heads!)
• Slightly safe treble for some
• Average detail retrieval
• Almost non usable basic ear tips
• A bit power hungry (not much)
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Context:
My second set from the brand AFUL, the first one is MagicOne. In my first audition, I felt the urge to have it in my collection. It’s a very beautiful looking IEM, especially the face plate. I enjoyed some numbers of my favorite artist Mark Knopfler on my first day of having it. I can clearly hear every nuance when Knopfler pluck on guitar with his pick and move his fingers through the fretboard. So nice, right?

I used the cable supplied (mine is 4.4mm balanced version), which is very good but not those stock tips. As I’m a big fan of cable swapping & tip rolling, I always use pure copper cable with it. And after some experiment with Dunu S&S, Penon Orange, Spinfit Omni, W1 & Divinus Velvet, I choose the Spinfit Omni for its seal & comfort. My go to set-up is P5+Copper cable+Omni, and I’m good to go!

Have Cowon Planue R2 & ifi Hip DAC 2 in my possession, I enjoy music mostly with them. And sometimes with Hiby R3 from a friend of mine. I found that Performer 5 shines with Planue R2. And with Hip DAC 2? Oh man, they’ve got married to each other from the very moment. And I don’t need to turn on the ‘X-Bass’ to enjoy the body of bass!

Disclaimer:
This is not a review unit and I purchased the AFUL Performer 5 with my own money and own interest. There is no monitory transaction between me & AFUL Acoustic. And this review is totally unbiased and upon my listening experience over last one month or so.

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Technical Specification:
 Driver: 1 DD (8mm) & 4 BA driver on each side
 Impedance: 35Ω
 Sensitivity: 110dB @1kHz
 Frequency response: 5Hz – 35kHz
 Passive noise reduction: 26dB
 Connectors: 2-Pin 0.78mm
 Termination: 3.5mm/ 4.4mm

What’s in the box:
 IEM themselves
 Nicely braided multi color cable with 3.5mm/4.4mm termination
 3 pairs of ear tips with blue, red & black bore (S,M,L for each color)
 User manual (really, man!) & Warranty card

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Unboxing Experience:

The AFUL Performer 5 unboxing experience is fairly standard. The IEMs themselves come nestled in a foam insert within a compact cardboard box. AFUL includes the essentials: a detachable cable with a 0.78mm two-pin connection, a selection of silicone ear tips in various sizes, and a simple carrying pouch. While the pouch might feel a touch lightweight, the overall impression is one of a well-organized and functional package that prioritizes protecting the IEMs themselves.


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Build Quality:

The AFUL Performer 5 boasts a build quality that prioritizes comfort and functionality over luxurious aesthetics. The IEMs themselves are constructed from a lightweight resin material that feels sturdy enough for everyday use. While they might not exude the same premium feel as some metal-bodied IEMs, the smooth finish and comfortable design ensure a pleasant user experience. The included cable feels reassuringly secure with its two-pin connection and braided design. Overall, the AFUL Performer 5 strikes a balance between practicality and functionality, delivering a build that feels well-suited for daily listening adventures.


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Fit & Comfort:

The AFUL Performer 5 is a very comfortable IEM even for long listening sessions. They've got a lightweight design that feels practically weightless in your ears. The true comfort star, however, is the selection of your ear tips (as I found the Spinfit Omni got the best fit & comfort). The right choice of ear tips allows you to find the perfect fit for your ears, ensuring a secure seal for optimal sound isolation and, most importantly, comfort during extended listening sessions. Whether you're a marathoner or a casual listener, the AFUL Performer 5 promises a fatigue-free experience. Personally, I didn’t feel any pain or pressure even in longer listening sessions like 5-6 hours straight. And the ear hook on the cable doesn’t give any pressure and never let you feel like something is sit upon your ears. The total experience is really comfortable.


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Sound impressions:

Before we start digging deep, let us read carefully about AFUL’s statement of their specially developed ‘EnvisionTEC High-Precision 3D Printed Acoutic Tube Structure’ – “Using high-quality 3D printing technology, AFUL Acoustics has designed a precise 3D printed acoustic tube structure for the Performer 5. They have named it EnvisionTEC acoustic tube structure. This features a 60mm ultra-long and ultra-thin bass tube with a 30mm mid-bass duct structure for a powerful, slamming bass response. It helps maintain a proper phase correction between different frequencies.” And they also claimed an “unmatched sound performance” with their five-driver hybrid configuration.

Are they really unmatched? Ok, below my very own experience & thoughts on the sound impression by listening to different genres of music. Here we go…

Sub-Bass:

Punchy over earth-shaking - that's the mantra for the sub-bass on the AFUL Performer 5. Bass heads seeking bone-rattling lows might find it a touch tame. Sure, there's sub-bass presence, but it leans towards a tight and controlled presentation. This focus on balance keeps the sound clean and avoids muddying the mids. Electronica and hip-hop genres that typically rely heavily on sub-bass might not have the same visceral impact. However, the Performer 5 delivers a satisfying punch in tracks like Bassnectar's "Immurement." The kick drum maintains its tightness and presence without bleeding into the intricate electronic soundscapes. the Performer 5 shines on genres like rock. Tracks like Led Zeppelin's "Immigrant Song" for instance - the kick drum hits with authority and impact, keeping the driving rhythm precise and engaging.

Ultimately, whether the sub-bass is enough depends on your personal preference. If you crave the deepest of lows, look elsewhere. But for most listeners who appreciate a balanced sound with a controlled sub-bass presence that complements the overall musicality, the Performer 5 punches above its weight.

Mid-Bass:

The sub-bass performance of the AFUL Performer 5 is nothing short of exceptional, offering a deeply immersive experience that perfectly complements a range of classic tracks I use to listen. The low-end extension reaches impressively deep, providing a solid foundation without overwhelming the midrange. On Pink Floyd's "Another Brick in the Wall", the sub-bass rumble is felt with good depth, enhancing the track's atmospheric tension. Similarly, the bass line in Michael Jackson's "Billie Jean" comes through with both power and precision, delivering that iconic groove with authority. Moving into Nirvana's "Smells Like Teen Spirit", where the sub-bass adds a robust underpinning to the grunge anthem’s raw energy.

Overall, the mid-bass performance is a clear winner for the Performer 5, ensuring a clear and engaging listening experience for a wide range of genres, particularly those that rely on a well-defined and punchy low-end.

Male vocal:

Male vocals take center stage with the AFUL Performer 5, ensuring a clear and detailed presentation for my favorite singers. The midrange is finely tuned, allowing male vocals to shine with a sense of presence and richness. Listening to Freddie Mercury's powerful delivery in Queen's "Bohemian Rhapsody," the AFUL Performer 5 captures every nuance of his dynamic range, from the gentle falsettos to the soaring crescendos. Bruce Springsteen’s gritty, heartfelt vocals in "Born to Run" are rendered with exceptional texture and emotional depth, making you feel every word. Likewise, the soulful intensity of Seal's voice in "Kiss from a Rose" is conveyed with remarkable detail and intimacy, highlighting the IEM's ability to handle both subtlety and power.

Throughout my music library, contains tracks from classic era, the Performer 5 maintains a balanced and engaging midrange, ensuring that male vocals are always front and center, rich with character and true to the artist's intent.

Female vocal:

The AFUL Performer 5 handles female vocals with a touch of finesse, offering clarity and a hint of brightness. This combination allows you to appreciate the nuances in a singer's voice without any harshness. On Fleetwood Mac's "Dreams," Stevie Nicks' ethereal voice is rendered with exquisite detail and a haunting presence that draws you in completely. Whitney Houston's powerful and soulful performance in "I Will Always Love You" is delivered with stunning fidelity, capturing every subtle inflection and dynamic shift in her voice. Similarly, the expressive range of Annie Lennox in Eurythmics' "Sweet Dreams (Are Made of This)" is handled with precision, highlighting the rich texture and emotive power of her vocals.

The Performer 5 ensures that female vocals are always articulate and nuanced, providing an intimate listening experience that honors the artistry and passion of these legendary performances.

Treble:

The treble performance of the AFUL Performer 5 is exemplary, delivering a clear, detailed, and airy top end that enhances the listening experience across various genres. The shimmering cymbals in Led Zeppelin's "Stairway to Heaven" are reproduced with remarkable clarity and finesse, allowing each crash and sizzle to resonate naturally without any harshness. In Michael Jackson's "Thriller," the high-pitched synths and intricate percussions are well-articulated, adding a layer of excitement and sparkle to the track. Madonna's "Like a Prayer" benefits from the AFUL Performer 5's precise treble, with the background vocals and high notes soaring effortlessly above the mix. The delicate acoustic guitar strums in Simon & Garfunkel's "The Sound of Silence" are rendered with a crispness that highlights their subtleties and nuances.

Overall, the treble is smooth yet energetic, providing a sense of openness and airiness that enhances the overall soundstage and allows each high-frequency element to shine with its own distinct character.

Instruments:

The AFUL Performer 5 delivers an outstanding performance across the entire frequency spectrum, handling a variety of instruments with remarkable clarity and precision. The bass guitar in The Rolling Stones' "Gimme Shelter" comes through with a deep, resonant punch, while the kick drum maintains a solid, impactful thump that anchors the rhythm section effectively. In Dire Straits' "Sultans of Swing," Mark Knopfler's intricate guitar work is presented with superb detail and separation, allowing each note to sparkle without any hint of muddiness. The midrange shines in tracks like Elton John's "Rocket Man," where the piano chords are rich and full-bodied, blending seamlessly with the other elements. High-frequency instruments, such as cymbals and hi-hats in Phil Collins' "In the Air Tonight," are crisp and well-articulated, avoiding harshness while preserving their shimmering presence.

The Performer 5 also excels with classical music, faithfully reproducing the grandeur of Beethoven's symphonies, where the strings are lush and the brass is bold and powerful. Mozart's delicate woodwinds and intricate orchestral arrangements are handled with finesse, ensuring that every instrument is heard distinctly within the complex tapestry of sound. This versatility makes the AFUL Performer 5 a truly exceptional IEM for any genre, offering a balanced and immersive listening experience that captures the essence of both modern classics and timeless masterpieces.


Soundstage & Instruments separation:

The AFUL Performer 5 delivers a competent, if not class-leading, soundstage performance. It prioritizes clarity and separation over expansive width. The rich soundstage allows for a spacious and almost three-dimensional presentation, making you feel as if you're right in the middle of a live performance. In Pink Floyd's "Wish You Were Here," the guitar strums and vocals are distinctly placed, creating a sense of space and depth that envelops you. The complex layers of Queen's "Bohemian Rhapsody" are handled with precision, with each instrument and vocal track maintaining its own place within the mix, allowing you to pick out individual elements with ease. Fleetwood Mac's "Go Your Own Way" showcases the Performer 5's ability to keep the drums, bass, and guitar clearly separated, even during the more intense parts of the song. In U2's "With or Without You," the separation between Bono's vocals and the instrumental background is crisp and well-defined, adding to the emotional impact of the track.

Overall, the Performer 5 excels at instrument separation and clarity within a focused sonic space, making it a great choice for appreciating the intricacies of complex musical arrangements in classic rock, orchestral pieces, and even modern genres with layered instrumentation.


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Cable & Tip rolling:

As I mentioned earlier in this review, I’m a huge fan of cable swapping & tips rolling. For that I always try to collect my preferred cables & favorite tips. With Aful Performer 5, the delivered stock cable sounds nice. But while using a pure copper cable, it feels a bit warmer with thicker mid notes and meaty vocals, which I like obviously. When it comes to tip rolling, my top choice is Spinfit Omni. The first reason is Omni’s comfort and fit. And surprisingly, Omni fits well with the Performer 5 and creates a good seal. And for that, the sound becomes a bit fuller throughout the frequency.

You may have your own preferences but I will recommend a pure copper with this IEM for thicker tune and Spinfit Omni for good seal & comfort.

Conclusion:

The AFUL Performer 5 stands out as a remarkable in-ear monitor that excels in both sound quality and design. Its deep, impactful bass, rich midrange, and clear, detailed treble come together to create a balanced and enjoyable listening experience across all genres. The expansive soundstage and excellent instrument separation add depth and dimension to your favorite tracks, making you feel immersed in the music. With its comfortable fit and stunning aesthetic, the Performer 5 is not only a pleasure to listen to but also a joy to look at. Whether you're a music enthusiast or an audiophile, the AFUL Performer 5 delivers a level of performance that is sure to impress.

Who should get the AFUL Performer 5:

Comfort Seekers: Lightweight design and multiple ear tip options ensure fatigue-free listening sessions.
Budget-Minded Audiophiles: Crystal clear and detailed sound that delivers great value for the price.
Genre Hoppers: Well-balanced sound signature that shines across a variety of musical styles.
Vocal Enthusiasts: Clear and detailed presentation of both male and female vocals.

Maybe look elsewhere if:

You Crave Bone-Shaking Bass: The Performer 5 prioritizes a controlled and tight low-end, not earth-shattering sub-bass.
Wide Soundstage is Your Priority: Performer 5 focuses on clarity and separation within a focused space, not a vast and airy soundscape.
Aggressive Treble is Your Preference: The Performer 5 offers a clear and detailed treble, but some might find it a touch too safe for genres like metal.
 Luxury Materials Matter: While well-built, the materials used might not feel as premium as some high-end IEMs.

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GoneToPlaid
GoneToPlaid
I really enjoyed reading your review. Amazing photos! I also like your recommends for who should get the Performer 5 and for who should look elsewhere. I am a Genre Hopper.
arifgraphy
arifgraphy
@GoneToPlaid then you should give it a try, If you haven't done so yet.

happy listening
arifgraphy
arifgraphy

MD Rohit

New Head-Fier
Aful Performer 5
Pros: *Good looking face plate

*Lightweight and comfortable

*No treble sharpness

*Good bass response

*Good looking cable

*Excellent Mids

*The shell is not that big

*Good neutral sound
Cons: •Not good tips

•Average pouch

•sound stage is average
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Tchnical Specifications:-
•Impedance: 35Ω.
•Sensitivity: 110dB@1kHz.
•Frequency Response Range: 5Hz-35kHz.
•Passive Noise Reduction: 26dB.
•Connectors: 2-pin 0.78mm.
•Termination: 3.5mm
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BOX CONTENT
What will you get:
•1x AFUL Performer 5
•6x Pair Silicone Eartips
•1x Stock Cable
•1x Round Metallic Carry Case

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•Design and build quality
AFUL Performer 5 are a marvel of engineering, packing a five-driver hybrid configuration into a surprisingly compact and streamlined shell. The black resin construction not only gives it a robust feel but also contributes to its featherlight presence in the ear. Each unit is adorned with magma-styled face covers, giving it a fiery and individualistic character that echoes the esteemed aesthetics of the Thieaudio Monarch MK2.

The standard 2-pin connectors ensure compatibility with a wide range of 0.78mm 2-pin cables, offering versatility and ease of use. The accompanying stock cable is a testament to the thoughtfulness put into every aspect of the design—lightweight and unobtrusive, it complements the IEMs’ ergonomic build.

The beauty of the AFUL Performer 5 lies not just in its visual appeal but also in its practical ergonomics. The design is not only aesthetically pleasing but also intuitively comfortable, making it a perfect fusion of form and function. It’s a creation that speaks to the connoisseur of fine audio gear, promising an experience that’s as pleasing to the touch as it is to the ear.
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The Aful P5 are designed with fit and comfort in mind. Their lightweight resin construction and ergonomic shape ensure a snug and secure fit for a wide range of ear sizes. The nozzles are neither too large nor too small, contributing to a comfortable experience without causing ear fatigue, even during extended listening sessions. This focus on comfort, combined with a universal design, makes the P5 suitable for long periods of use, providing a pleasant listening experience for all users.
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•Cable
•Dual-tone design: The cable features a stylish black and silver color scheme.

•8-core structure: Ensures durability and quality sound transmission.

•4.4mm balanced version: Offers a superior audio experience with less noise.

•Low memory: The cable is flexible and doesn’t tangle easily.

•Lightweight: Comfortable for long listening sessions without adding weight to the earphones.

•Good build construction: The cable is well-made and reliable.

•Value for price:
As a stock cable, it provides good quality for its cost.

AFUL has delivered a cable that is both aesthetically pleasing and functionally impressive, enhancing the overall experience with the Performer 5.
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Stock tips are basic. And it doesn't seem so soft to me.If you have good aftermarket tips you can get better output out of it. I have found the pairing of the Spinfit Omni very good with this one. .I wrote the review based on the sound I got using these tips.
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Pouch
It is a basic pouch not much to say about it. Round aluminum pouch. Covering the inside with cloth. It can be said TRN's seam pouch but name change.

Tested with
•Questyle M15
•cayin ru7
•Shanling h5
•Cowon Plenue R2
•Astell & kern sp1000m
•Fiio btr7
•hiby r3 ii
•Ddhifi tc44c
•FOSI AUDIO DS1
•Moondrop dawn pro
•Lg v60
•Asus zenfone 10
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The Mids
The Aful Performer 5 shines in vocal range. The male vocals have a good amount of weight, resonating with a richness that adds depth to the tracks. Whether it’s the baritone timbre of a blues singer or the gritty edge of a rock vocalist, the Performer 5 handle each note with precision.

The P5 handle female vocals beautifully. High notes come through clear and strong, standing out in the music without any sharp or hissing sounds. They capture every part of a woman's singing, from the softest murmur to the strongest, most powerful notes. It's like the singer is right there with you, every whisper and every powerful note feels real and alive.

Instrument clarity is another highlight of these set. Each strum, pluck, and hit is articulated with an impressive level of detail. The midrange, often referred to as the heart of the frequency spectrum, is where the Performer 5 truly excels. The great detail in this range brings forward the emotional essence of the music, making every listening session an intimate experience

The ability to distinguish between the layers of complex compositions is remarkable. You can hear the individual strings in a guitar chord, the subtle breaths between flute notes, and even the softest tap on a cymbal. overall p5 is great for vocal and instrument clarity.
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Bass
Sub-Bass
The sub-bass is where the Performer 5 truly excels. There’s a palpable rumble that you can feel, adding depth and dimension to every track. The sub-bass detail is remarkable, capturing the essence of each note with precision. It’s a controlled power that resonates with clarity.

Mid-Bass
Moving on to the mid-bass, it’s punchy and full of life. The Performer 5 handles the speed of the bass with finesse, ensuring that it’s quick enough to keep up with fast-paced tracks but not so fast that it loses its impact. The kick drums sound incredibly lively, and the IEMs exhibit a perfect speed for double pedal work, making them ideal for genres that thrive on a strong rhythmic foundation.

Bass Guitar
For the bass guitar, the Performer 5 provides a tight and well-controlled performance. The bass lines in busy songs are held with authority, ensuring that the groove is always present and never lost in the mix. The bass is well-behaved, with no bleed into the midrange, allowing for a clean and articulate sound.

In conclusion, the Aful Performer 5 IEMs offer a bass experience that’s both powerful and refined. Whether you’re a fan of deep electronic beats or the natural sound of a bass guitar, these IEMs deliver a bass that’s rich, detailed. Performer 5 is quite versatile, complementing a wide range of music genres well. While those who prefer heavy bass might desire more, I believe its bass level will support most listeners adequately. The quality and quantity of the bass are just right for me, striking a perfect balance.
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The Treble
P5 excel in delivering a treble that is both sparkling and smooth, providing a detailed and airy sound that enhances the overall listening experience. The treble detail is impressive, allowing for a nuanced appreciation of high-frequency instruments. High hats, crash, and ride cymbals are reproduced with a lifelike presence. This clarity and openness in the treble prevent any sense of congestion, even in complex musical passages.

The treble smoothness is a key factor in avoiding listener fatigue, a common issue with many earphones that can present too much brightness in the higher frequencies. The Performer 5 manages to maintain a detailed treble without ever becoming harsh, ensuring that the music remains enjoyable over long listening sessions.

Additionally, the sparkle in the treble adds an element of excitement to the music. It brings forward the texture of instruments, the crispness of a snare drum, and the shimmer of a cymbal’s sustain, contributing to a dynamic and engaging sound profile. This makes the Performer 5 suitable for a wide range of genres, from classical to contemporary pop.

in summary, the Performer 5’s treble performance stands out for its ability to deliver a crisp, detailed, and lively sound without compromising on smoothness or comfort.
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•𝗧𝗲𝗰𝗵𝗻𝗶𝗰𝗮𝗹𝗶𝘁𝗶𝗲𝘀​
Aful P5 have garnered attention for their soundstage and imaging capabilities. While they may not boast the widest soundstage, they compensate with good depth and precise imaging, creating a well-defined three-dimensional listening experience. The layering is another strong point, allowing listeners to discern the subtle nuances between instruments and vocals, which contributes to a more immersive audio experience.

However, some reviews suggest that the soundstage can feel somewhat compressed, particularly in terms of width, which might limit the sense of spaciousness in the music. Despite this, the Performer 5’s ability to maintain clear separation between sounds ensures that each element in a track can be heard without muddling, even in complex compositions3.

In summary, the Aful Performer 5 offer a soundstage that is intimate rather than expansive, with a focus on depth and precision. The imaging and layering are well-executed, allowing for a detailed and nuanced listening experience that highlights the separation and clarity of each musical element
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In conclusion, the Aful Performer 5 emerge as a stellar choice for those who value vocal clarity, instrumental precision, and a balanced sound signature. The midrange performance is exceptional, with both male and female vocals rendered with a lifelike presence that breathes life into every track. The nuanced detail in the midrange ensures that each instrument is heard distinctly, offering an intimate and emotional listening experience.

The bass response is both powerful and controlled, with the sub-bass providing a satisfying depth and the mid-bass delivering a punchy, rhythmic foundation. The bass guitar tones are tight and authoritative, ensuring that the groove of the music is always felt without overpowering the midrange.

The treble is crisp and smooth, adding sparkle to the high frequencies without inducing listener fatigue. This makes the Performer 5 suitable for extended listening sessions, allowing for a detailed appreciation of high-frequency instruments and complex musical passages.

Given the versatility of the Performer 5, they are recommended for a wide array of genres, satisfying listeners who seek a rich, detailed bass as well as those who enjoy the subtleties of well-rendered vocals and instruments. While they may not cater to those who prefer an extremely heavy bass, they strike an excellent balance that will please most audiophiles.
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GoneToPlaid
GoneToPlaid
Nice review and photos! The P5 is my favorite IEM. It sounds much more natural than the Quintet.
arifgraphy
arifgraphy
This is one of my top favourite IEM right now. Sounds so pleasant to my ear. Right amount of everything without over powering lows, mids or highs!

And thanx for you detailed review. People who are interested to buy, they will get a clear understanding about this nice IEM.

DunninLA

100+ Head-Fier
OK with EQ, but otherwise this is a no-go
Pros: -responsive to EQ
-Shell design
-cable is pliable with good feel
Cons: -Tips: little to choose from, like an afterthought
-Bass driver is 8mm, and can't deliver much other than thump, thump
-Vocals are slightly muddy and moved back on the stage
-Higher mid and lower treble wonkiness... too little energy at 2k (vocal veiling), too much at 5k-7k (tizziness)
I realize I put my impression in the wrong section, so reposting her in Reviews. --

Back to report my experience with the P5. I am going to copy most of my thoughts from my youtube comments under Honest Audiophile's video on these.

First, I drive them off of an iPhone dongle or MB Air headphone jack. I also tried them out of a very old Portaphile amp, good quality, and the sound signature didn't change.

My scores reflect the sound with the eartips I found that provide the best seal (wide bore)... Still, an 8mm ordinary driver for a $220 DD/BA earphone? No tip rolling will fix that. I suspect these are designed for a narrow bore tip, such as the one supplies... it just didn't work for me. I have Final E tips on the way which are narrow-ish, and that might completely change the 5k-7k tizziness of the P5 when used with wide bore tips.

Second, before I start, I have to correct somebody's mistake in the specifications. There is no "60mm" bass tube. 60mm is 2.4 inches. It is the length of a medium size thumb. Really? Plus hifry on youtube has broken these open, and there simply is no such tube. I think what they meant is 6mm tube.

OK, now to the sound.

1) Tips: 1/5 The red and blue are identical., but the small are narrower bore, while medium and large are larger bore... but not quite true wide bore. Anybody who posted that blue are narrow bore and red are wide bore simply made an assumption... I've measure both, and red/blue are identical. I suppose you could use a red for right and blue for left. I couldn't use them. The small were too small, and the medium didn't fit right. I just couldn't get a seal so the bass was anemic. I ended up using a Final E medium which are wide bore, which fit great and the bass came alive. I should also mention that the EQing I talk about at 8k below might be a result of the eartip that worked for me. Maybe if the medium supplied tips had worked, 8k EQing might not have been needed. The 250 and 2k Eqing i did have nothing to do with eartips.

2) Bass: 3/5 It's good most of the time but on bass heavy tracks I think it distorts a little. I have to disagree with a poster above who wrote that AFUL chose quality drivers. My guess as to why the bass shows difficulty on some tracks ... there is only so much you can get from an 8mm standard driver. This to me is the primary weakness of this set... underspec'd, cheapo bass driver. The opposite of "quality drivers". 8mm, really???

3) Mids: 3.5/5 Didn't like the mids without Eqing -- thought they were slightly muddy and pulled back, so to fix that I added 1db at 125, took out 1.7 db at 250, and added 1.7db at 2k in macEQ. Cleaned it up and the vocalist stepped forward. Some reviewers mention BA timbre. Again, as with the bass driver, AFUL didn't use quality mid drivers like Sonion, so this is to expected. BA timbre is an imbalance in tuning, and it is possible that cheap BAs are only so tunable. They really spec'd the parts for these P5 on the cheap.

4) Treble: 4/5 I eq'd 8k down 1.7 db (this is to reduce the unwanted tizziness in the 5k-7k region). I am using slightly wider bore tips than those supplied, so that could be a reason I felt the need to eq those at 8k.. but about half the reviewers of this IEM mention the same tizziness using supplied tips. I will say that listening without throttling back the 8k was OK, I could live with it, but refining it just felt more relaxed to me. The eqing down of the trebles could possibly also affect my perception of the vocals stepping more forward, just a hunch, b/c as we know changing any area of the frequency spectrum changes perception of all the other areas.

I'm keeping them. With my minor EQing to (possibly) suit the wide bore eartips I chose they sound good. I'm not a basshead, so the tiny bass driver doesn't affect my library much. I do notice the thunkiness, but can live with it. These do give me some much appreciated upper treble energy (air, more realistic cymbal strikes) that I don't get from the single DD Olina SE. Actually I don't think any singe DD can provide a sense of air.

My advise to AFUL would be threefold:

1) use a high quality 10mm bass driver. That $2 dollar cost 8mm unspecified driver (IOW probably not beryllium, or DLC or any other quality driver) are an embarrassment on any IEM above $15. It can't deliver and such an under performing driver might be found in a KZ IEM from 3 years ago. Notice how nowhere in the specs or marketing does AFUL say what the driver is? This 8mm driver cannot be fixed with any kind of EQ or eartip rolling.

2) Use quality mid and high freq BAs. The whole price point per quality has fallen in the past 18 months, and Sonion drivers are what would be expected at the +200 price level IEM, not no-name cheapo BAs.

3) Tune so that 2k is not underrepresented, and 5k-7k is not overblown. The recessed, muddy vocals can be fixed with prober 2k energy, and the tizziness/splashiness that is immediately evident in these after hearing better tuned IEMs would disappear. All of this is clearly seen in their graph and easily heard within two seconds of starting any song using these. I suspect that this is the best AFUL could do with cheapo BAs.

I would like to get the Hype2 at some point (which does use Sonion BAs for both mids and highs), or even the KiwiEars Quintet, which i suspect are different enough that I might keep both styles, so that should be a fun adventure.
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Comments

dorisisaway

New Head-Fier
Just had Hifigo confirm the price will be $999 on release. Wow. They are going to have to be very good to justify that. Early reviews were speculating $200-$500.
 

AmericanSpirit

Member of the Trade: Night Oblivion
Who are the BA drivers from? I assume cheap Bellsing right?
Not likely from the impressions from reviews and more objectively, Mangird Tea uses Sonionx4for mid, 2xknowles fir treble and 1DD for bass, a solid high-end 6BA+1DD for $239. I will be highly surprised if anyone trying to throw bellsing 4BA+1 at $220. More over Truthear could offer high-end 3BA+1LCP Dusk with a better bass for $79, even considering Truthear is an ODM’s private brand, I feel AFUL P5’s offering is still bit overpriced, to me $120 is a fair offer on this competitive market of 2022-11, if AFUL is taking a cost-initiatives strategy, not product differentiation ones which a small shop may apply because they lack of capital to invest in their competitive advantage.

Just a random 2 cents from someone in automotive manufacturing.
 
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GoneToPlaid

Head-Fier
A bit late to the party, are there any EQ settings for the AFUL P5? I really want to tone down the bass a bit but don't know how to properly do it, so I figured I could ask on here.
How much do you want to tone down the bass? If you want to tone down the bass by only 1 dB to 2 dB, then I suggest that you try using TRI Clarion eartips. Eartips which have wide inner bores tend to reduce bass and tend to enhance the details in the upper midrange and the treble. Presently, I am using Azla SednaEarFit Light eartips with my Performer 5 IEMs. These eartips do tone down the bass, yet the TRI Clarion eartips tone down the bass slightly more. I am a very slight bass head. This made me settle on the Azla eartips. If I was not a very slight bass head, then I would settle on using the Clarion eartips. In other words, I am suggesting that you might try tweaking the sound of the Performer 5 by trying either of these eartips. If you still want to reduce the base further, then EQ will be required.

So if you want to use EQ, what is your setup in terms of the equipment that you use to listen to the Performer 5? Are you using your computer in conjunction with a desktop headphone amplifier? If so, do you have Equalizer APO installed on your computer? If the answer is a Yes, then I can create Equalizer APO config files for you to try out. Then you can see if they work, or which one works the best, or then you can tell me how you want me to further tweak the bass response.

I already have an Equalizer APO file which tweaks the bass response, particularly in order to slightly reduce the sub bass response and to slightly correct the upper midrange response for the Performer 5. All of the EQ adjustments fall within +/- 2,5 dB. This is a pretty tight dB range for tweaks. This speaks to how good the stock tuning of the Performer 5 actually is. Yet my EQ tweaks for the Performer 5's overall frequency response are quite noticeable and take the Performer 5 to another level. The slick thing is that the Performer 5 takes to EQ really well since the factory tuning is really good and since Aful chose to use really good DD and BA drivers which Aful implemented very well.
 

DunninLA

100+ Head-Fier
How much do you want to tone down the bass? If you want to tone down the bass by only 1 dB to 2 dB, then I suggest that you try using TRI Clarion eartips. Eartips which have wide inner bores tend to reduce bass and tend to enhance the details in the upper midrange and the treble. Presently, I am using Azla SednaEarFit Light eartips with my Performer 5 IEMs. These eartips do tone down the bass, yet the TRI Clarion eartips tone down the bass slightly more. I am a very slight bass head. This made me settle on the Azla eartips. If I was not a very slight bass head, then I would settle on using the Clarion eartips. In other words, I am suggesting that you might try tweaking the sound of the Performer 5 by trying either of these eartips. If you still want to reduce the base further, then EQ will be required.

So if you want to use EQ, what is your setup in terms of the equipment that you use to listen to the Performer 5? Are you using your computer in conjunction with a desktop headphone amplifier? If so, do you have Equalizer APO installed on your computer? If the answer is a Yes, then I can create Equalizer APO config files for you to try out. Then you can see if they work, or which one works the best, or then you can tell me how you want me to further tweak the bass response.

I already have an Equalizer APO file which tweaks the bass response, particularly in order to slightly reduce the sub bass response and to slightly correct the upper midrange response for the Performer 5. All of the EQ adjustments fall within +/- 2,5 dB. This is a pretty tight dB range for tweaks. This speaks to how good the stock tuning of the Performer 5 actually is. Yet my EQ tweaks for the Performer 5's overall frequency response are quite noticeable and take the Performer 5 to another level. The slick thing is that the Performer 5 takes to EQ really well since the factory tuning is really good and since Aful chose to use really good DD and BA drivers which Aful implemented very well.
GTP -- I will be receiving my P5 next week. I have a macbook air with an equalizer called MacEq. Very simple, bands at 32, 64, 125, 250, 500, 1k, 2k. 4k, 8k, 16k. No ability to shape the width or slope of the correction.

From reading dozens of impressions, also studying the published graphs, I would think reducing 64k by 2db would be good, as well as increasing 4k by 2db. Is that about what you are describing in your post?
 

GoneToPlaid

Head-Fier
From reading dozens of impressions, also studying the published graphs, I would think reducing 64k by 2db would be good, as well as increasing 4k by 2db. Is that about what you are describing in your post?

Not really. At least MacEq is a 10 band EQ which has EQ frequency adjustments which probably do have some overlap such that you can achieve a bit of a somewhat parametric EQ by tweaking a primary slider and the adjacent sliders. The bass and lower midrange should be easy to tweak using MacEQ. The upper midrange region between 2 kHz to 8 kHz probably will be the region where you will focus on for tweaking.

Have fun listening to the P5 and getting used to its overall sound signature. I suggest at least a couple of days in order to transition from a previous IEM to the new IEM. And then start to have fun using MacEQ, as needed, to tweak the overall sound signature to float your boat.
 

DunninLA

100+ Head-Fier
thanks. Current IEM Olina. Olina SE arriving today as well. In the past have tried L3, Timeless 7Hz OG, a few others. My P5 already burned in so I should be able to have a good first impression,.
 

DunninLA

100+ Head-Fier
Back to report my experience with the P5. I am going to copy most of my thoughts from my youtube comments under Honest Audiophile's video on these.

First, I drive them off of an iPhone dongle or MB Air headphone jack. I also tried them out of a very old Portaphile amp, good quality, and the sound signature didn't change.

1) Tips: The red and blue are identical., but the small are narrower bore, with medium and large a larger bore... but not quite true wide bore. I suppose you could use a red for right and blue for left. I couldn't use them. The small were too small, and the medium didn't fit right. I just couldn't get a seal so the bass was anemic. I ended up using a Final E medium which are wide bore, which fit great and the bass came alive. I should also mention that the EQing I talk about below might be a result of the eartip that worked for me. Maybe if the medium supplied tips had worked, EQing might not have been needed.

2) Bass: It's good most of the time but on bass heavy tracks I think it distorts a little. I have to disagree with a poster above who wrote that AFUL chose quality drivers. My guess as to why the bass shows difficulty on some tracks ... there is only so much you can get from an 8mm standard driver. This to me is the primary weakness of this set... underspec'd, cheapo bass driver. The opposite of "quality drivers". 8mm, really???

3) Mids: Didn't like the mids without Eqing -- thought they were slightly muddy and pulled back, so to fix that I added 1db at 125, took out 1.7 db at 250, and added 1db at 1k and 1.7db at 2k in macEQ. Cleaned it up and the vocalist stepped forward. Some reviewers mention BA timbre. Again, as with the bass driver, AFUL didn't use quality mid drivers like Sonion, so this is to expected. They really spec'd the parts for these P5 on the cheap.

4) Treble: I eq'd 8k down 1.7 db. I am using slightly wider bore tips than those supplied, so that could be a reason I felt the need to eq those at 8k.. or it could just be my ear. I will say that listening without throttling back the 8k was OK, I could live with it, but refining it just felt more relaxed to me. The eqing down of the trebles could possibly also affect my perception of the vocals stepping more forward, just a hunch, b/c as we know changing any area of the frequency spectrum changes perception of all the other areas.

I'm keeping them. With my minor EQing to suit the wide bore eartips I chose they sound fantastic. I'm not a basshead, so the tiny bass driver doesn't affect my library much. These do give me some much appreciated upper treble energy (air, more realistic cymbal strikes) that I don't get from the single DD Olina SE. Actually I don't think any singe DD can provide a sense of air.

I would like to get the Hype2 at some point (which does use Sonion BAs for both mids and highs), or even the KiwiEars Quintet, which i suspect are different enough that I might keep both styles, so that should be a fun adventure.
 
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