DUNU DaVinci

Gear used:

Qudelix 5k
/
Ifi ZEN CAN Signature
Ifi ZEN ONE Signature

Eartips used:
Dunu Stage&Studio Medium(on the DaVinci)
Spinfit W1 Medium(S8 & Oracle)
Tangzu Sancai(Tanchjim Bass Enhancing tips)
Softear UltraClear(Galileo)


Introduction:
The Dunu x Gizaudio is one of the main hyped IEM sets at the moment, along with the Dusk, Pilgrim, and Hype 4. These 4 IEMs are what people look at when shopping around the 300 to 500 price bracket, and the DaVinci is the cheapest one of the bunch.

In this review, I'll be comparing the DaVinci to the other IEMs I currently own, which are: Thieaudio Oracle(OG), Moondrop S8, Letshuoer Galileo, Letshuoer S12 Pro

Unboxing and Using the DaVinci





























































I'll be quick with this. The accessories included with the DaVinci are top notch. The cable is good, perhaps a tiny bit stiff, but it's good. The case is smaller than the Thieaudio case you see in the picture, but it's still useable. The little holding strap does seem a bit unnecessary for me though, and the net is VERY tight, which makes it unusable as it can't even fit my q5k.

Tip rolling on the DaVinci was hell on earth for me, now, I am not what you would call mobile, and I am clumsy too, but man. It took me 20 minutes to get the eartips on. Besides that.. fit and comfort of the DaVinci is excellent. Despite the large shell, it fits very nicely and I can wear it for long periods with no issues. Although, ignoring pressure, the Moondrop S8(it has no pressure relief vents) still has a more comfortable fit for me personally.

This is a pictue comparing it to the already chonky, Oracle, which is less comfortable for me, than the DaVinci.

Now then, onto the sound.

Initial Impressions of the DaVinci

When I first put them into my ears and played a song, of course, I played something with a little bass in it, as everyone was screaming about how good the bass was, which made me curious. ( Whisper Whisper Whisper｜來-Ray- (cover) )

And man, this has to be the best bass I've heard in an IEM. Period. And that is simple, because all the other IEM's I've tried never really had the bass as a standout feature. When I say that, I mean IEMs like the Moondrop Blessing series, and the Aria.

That being said, for really bassy songs, I put on a lowshelf filter just for fun, because I felt like something was missing. (lowshelf filter, 200hz, 0.8q, +5db gain) and oh boy did it tickle my ears.

It was impactful, it rumbled, it was quick, it was simply, good. I have a limit on what I can say on bass, because I don't really have anything with bass that I can compare it to.. But I can see anyone liking the bass on this, unless they prefer a more neutral signature.

Now, what personally stood out to me besides the bass, was the fact that the mids were unbothered by it, and even more, the mids sounded extremely natural and smooth, and lastly, the treble and uppermids, had like this weird.. shimmery timbre, which I can see being a dealbreaker for some people.

The full sound spectrum

Bass:

Now that I have more time with the DaVinci, the amount of bass is honestly almost perfect for me personally. It is never too much, but for the bassy tracks, it is perhaps sometimes too little. There's a basshead, deep inside you, it will not die, it will fight back - Optimus Prime or whatever. idk

Without an extra bass boost through EQ, at least, on the songs I listened to, it lacked a bit of rumble which instantly made me turn on PeaceAPO and whack on a lowshelf filter, which then it satisfied me and my ears.

Mids:

Now then, the mids, along with the bass, this is probably the best thing about this IEM.

Everything has its proper note weight. Everything sounds natural as it should, it sounds balanced and almost unaffected by bass or treble. I am honestly very impressed, that this was achieved at this price point. I don't have much else to say, or well, I'll say more about it in the comparisons.

Treble:
Now here is the ****y part, this is where I think, Dunu hit a ceiling because of the price point. What I assume is, the 300 buck mark, was just too little to get some good BA's for the treble, or this is some strange tuning decision to make good technicalities happen.

Anyways, the treble, has some weird shimmery, glassy timbre, which immediately reminded me of my S8, except the S8's had just a more normal BA timbre but across the entire frequency range. This treble characteristic of the DaVinci had the potential to ruin some songs with female vocals for me in it, and it did, sometimes. But that was only on some particular voices like Tsukuyomi.

And to my ears, there are a couple of peaks, which I can't exactly pinpoint unfortunately, but this occasionally makes me turn down the volume or fatigued.. that being said, that depends on what I'm listening to.

Technicalities:
Now then, something you want out of a good IEM around this price point, are probably good techs. Stage, Imaging, Separation, Layering, Detail retrieval

The DaVinci is honestly, despite it's balanced sound profile, pretty resolving, at least, compared to my other IEMs. Detail retrieval is there, micro nuances are there. You don't feel like you're missing out on anything.

And when it comes to Imaging and Separation, the DaVinci sounds like it just has things coming out of every individual driver, now that depends on the track, but on multiple I've just received this feeling that I could pinpoint which exact driver was playing what. Although, I do like that. It sounds funny to my ears and just make things more clear and easy to notice for me.

In the pros and cons, I said the stage sounded "normal". Now, by that I don't mean average, but for media consumption, and music listening, everything just sounded like it was supposed to. Perhaps natural is the better word.. and is probably a good one to describe most of this IEM.




Now, on to the comparisons, I'll start with the Galileo.

We're going to ignore the bass with this, as I had already established that the DaVinci had the best bass I have heard thus far.

The Galileo is Gizaudio's first collaboration, IEM. And it is my 2nd favorite IEM of all time. It is tuned uniquely. The sound signature is very different from the DaVinci. It is more neutral, it is much less resolving, much less detailed, but the treble sounds more natural, making me prefer the Galileo over the DaVinci when it comes to Female Vocals.

But that is what I personally think. I can easily see 9/10 people picking the DaVinci over the Galileo, because besides the more natural treble of the Galileo, the DaVinci is higher resolution, more resolving, more bass, more lower mids and comes with better accessories.

That being said, I don't think I prefer either over each other, I may need more time to decide if I prefer it over one another.



Now, the Moondrop S8

The S8 is the most resolving and detailed IEM that I've heard personally, and that still stands to this day. Like Super Review pointed out in his video, the stereo imaging of the S8 is wider, and before watching his video on it, I had already confirmed that the S8 immediately just sounded wider.

Although, the S8 is tuned pretty well, it's still an all BA set, and an ancient one by IEM standards. It has that amazing BA timbre we all know and love. Which I am perfectly fine with. Unlike DaVinci, it doesn't make the treble or uppermids sound harsh or just straight up bad. It's just a characteristic of the IEM instead of being a fault.

That being said, I think I prefer the DaVinci over the S8, because I only grab the S8 when I just want something detailed. The S8 is also more comfortable for me personally, and your mileage may vary. It fits me like a CIEM.

The DaVinci just sounds more engaging than the S8, more full and lively, and to top it all off, the DaVinci has more natural sounding mids and bass, meanwhile the S8 has BA characteristics all over like I mentioned.



Thieaudio Oracle

I've seen some people asking if the Oracle and Davinci sound similar, and here is my answer.

No.
They are different. The mids on the Oracle are just beautiful, the bass is tasteful, and the treble is smooth and natural, doesn't get in the way of anything.

That being said, for male vocals, the DaVinci is better. And you may prefer the DaVinci for its note weight, better resolution and better techs. The Oracle wraps around your head more, it's more immersive than the DaVinci. It gives this soulful feeling. Which makes the Oracle still stand at the top for me, as my favourite IEM.

Also, the Oracle is less comfortable than the DaVinci.

For the DaVinci, it sounds more like a horizontal line instead of the wrap around your head immersive experience the Oracle gives you. The mids come close to the Oracle, but if you were a nitpicky audiophile, you could easily choose one or the other depending on what you prefer.

Letshuoer S12 Pro

Now, we all know there's a bunch of cheap planar IEMs out there, like the Artti T10, Nicehck something something and a bunch of others, which all use the S12 driver for some reason, which is also the same driver as the S12 Pro.

But the value gained here from these cheap planar IEMs is honestly immense, as you can eq them drastically to change the sound profile. Now, I won't be comparing it EQ'd, but I'm just going to say this.

The S12 has similar detail retrieval but shoves it in your face, but has a metallic planar timbre to the entire frequency range.
It has good resolution, some may perceive it to be better or equal to DaVinci due to the planar timbre. I personally think the Davinci has higher res. Bass can't really be compared because honestly, planar bass sucks imo.

Conclusion

The DaVinci is a great deal at its price point, and it may be perfect for you, or it may be something you don't like depending on your preferences and how nitpicky you are. It has excellent bass, good natural sounding mids, with great imaging but a bit disappointing treble. And to top it all off, it comes with great accessories.

Buy binky

Introduction​

Hey everyone, the DUNU DaVinci finally arrived, and I wanted to share my review. This IEM is packed with a 6-driver configuration: 1 10mm dynamic driver for sub-bass, 1 8mm for mid-bass, 2 drivers for mid-range, 1 for mid-high frequencies, and 1 for ultra-high frequencies. This detailed setup promises a lot, and DUNU has delivered on many fronts with this model.

Design and Build Quality​

The build quality of the DUNU DaVinci IEM is exemplary, showcasing DUNU’s commitment to craftsmanship and durability. The ear shells are made from high-quality materials, ensuring a robust and premium feel. The wooden faceplates add a touch of elegance and sophistication, making the DaVinci not only a high-performing IEM but also a visually stunning piece of audio equipment. Despite their somewhat chunky size, the ear shells are ergonomically designed to provide an excellent fit and comfort for long listening sessions. The attention to detail in the construction is evident, with smooth edges and a flawless finish that speaks to the meticulous engineering behind these IEMs.

The DaVinci’s design also includes recessed 2-pin connectors, which enhance the durability and longevity of the earphones. This feature prevents accidental disconnections and protects the pins from damage, ensuring a secure and stable connection at all times. The overall build quality is solid, instilling confidence that the DaVinci IEMs can withstand regular use and the rigors of daily life.



One of the standout features of the DaVinci is its high-quality interchangeable termination cable. The cable is both flexible and non-microphonic, allowing for a hassle-free listening experience. The interchangeable terminations are a practical addition, providing versatility and compatibility with various devices. Whether you prefer a 3.5mm, 2.5mm, or 4.4mm balanced output, the DaVinci’s cable has you covered, making it easy to switch between different audio sources.

The cable is designed with a straight-angled jack, which offers added durability and ease of use. It’s crafted from premium materials that ensure longevity and performance. Additionally, the cable’s flexibility and lack of microphonics contribute to a more enjoyable listening experience, free from unwanted noise and tangles.

Accessories

The DUNU DaVinci comes with a comprehensive set of accessories, including three different sets of ear tips, with my favorite being the DUNU S&S. The high-quality interchangeable termination cable is a highlight, featuring straight-angled jacks that are both flexible and non-microphonic. The recessed 2-pins add to the durability and usability of the cable.

What's in the box:

1 x DUNU DaVinci IEM
1 x Modular, Q-Lock mini quick switch cable
1 x 3.5mm TRS single-ended plug
1 x 4.4mm TRRRS balanced plug
1 x Set of silicon ear tips (S,M,L)
1 x Set of candy silicone ear tips (S,M,L)
1 x Set of DUNU S&S ear tips (S,M,L,XL)
1 x Cleaning brush
1 x Carrying case

Sound Quality​

Bass​

The bass performance of the DUNU DaVinci IEM is undoubtedly one of its standout features. With a dedicated 10mm dynamic driver for sub-bass and an 8mm driver for mid-bass, the DaVinci delivers a bass experience that is both powerful and precise. The sub-bass extends deeply, providing a satisfying rumble that is especially noticeable in genres like electronic dance music, hip-hop, and orchestral pieces with heavy percussion. This sub-bass response adds a layer of depth to the music, making it feel more immersive and engaging.

One of the key characteristics of the DaVinci’s bass is its tactile nature. It’s not just about hearing the bass; you can feel it. This tactile quality is a result of the drivers' capability to move air efficiently, creating a physical sensation that complements the auditory experience. The bass is punchy and impactful, giving each beat a strong presence. This is particularly evident in tracks with pronounced basslines or kick drums, where the DaVinci’s bass adds a satisfying thump and slam.

Despite the strong bass presence, the DaVinci manages to avoid bass bleed into the mid-range. This is likely due to the sophisticated 5-way crossover and multiple acoustic tubes that DUNU has employed. These design elements ensure that each frequency band is handled by the appropriate driver, maintaining clarity and separation across the spectrum. As a result, the bass remains controlled and well-defined, without overwhelming the other frequencies.

However, it’s worth noting that the mid-bass might be a few decibels higher than some listeners' preferences. While this adds to the overall richness and warmth of the sound, it can occasionally be a bit much, especially during extended listening sessions. For those who prefer a more neutral bass response, slight EQ adjustments can help tame the mid-bass, making it more in line with personal tastes.

In terms of versatility, the DaVinci’s bass performs admirably across various genres. Whether it's the deep electronic beats of EDM, the thumping basslines of hip-hop, or the rich, resonant bass of acoustic and classical music, the DaVinci handles it all with aplomb. The bass is not just about power; it also brings out the nuances and textures of low-frequency instruments, adding to the overall musicality and enjoyment of the IEM.

Mid-Range​

The mid-range performance of the DUNU DaVinci IEM is another area where this IEM excels. Featuring two dedicated drivers for the mid-range frequencies, the DaVinci offers a rich and detailed presentation that brings vocals and instruments to life. The lower mid-range has a touch of warmth, adding to the overall musicality and making instruments sound full-bodied and natural.

One of the most notable aspects of the mid-range is its meaty and substantial quality. Instruments like pianos, guitars, and strings have a robust presence, with each note rendered with clarity and precision. This full-bodied sound is particularly enjoyable in genres like classical, jazz, and rock, where the mid-range is critical for conveying the nuances of the music. For example, listening to a piano concerto, the DaVinci captures the weight and resonance of each piano note, making the performance feel more lifelike and engaging.

Vocals, both male and female, are well-balanced in the DaVinci’s mid-range. They are neither recessed nor overly forward, sitting comfortably within the mix. This balance ensures that vocals are clear and intelligible without overshadowing the instruments. Female vocals, in particular, benefit from the DaVinci’s detailed mid-range. They are extended and airy without sounding thick or husky, allowing the natural timbre and emotion of the singer’s voice to come through beautifully.

The mid-range also excels in terms of detail retrieval and separation. Each instrument and vocal can be distinctly heard, even in complex and busy tracks. This separation is crucial for genres like symphonic metal or progressive rock, where multiple layers of sound need to be distinguished clearly. The DaVinci’s ability to maintain clarity and definition in the mid-range ensures that every element of the music is presented accurately.



In terms of tonality, the mid-range of the DaVinci is natural and realistic. This natural tonality, combined with the warmth and fullness of the mid-range, makes for a highly enjoyable listening experience. Whether it’s the soulful tones of a saxophone or the delicate strumming of an acoustic guitar, the DaVinci captures the essence of each instrument with finesse.

One of the challenges for any IEM is to maintain a cohesive transition between the bass, mid-range, and treble. The DaVinci handles this transition seamlessly, ensuring that the mid-range is well-integrated with the other frequency bands. This cohesion adds to the overall balance and harmony of the sound, making the DaVinci a versatile performer across various musical genres.

Treble​

The treble performance of the DUNU DaVinci IEM is characterized by excellent extension, smoothness, and detail. With a dedicated driver for mid-high frequencies and another for ultra-high frequencies, the DaVinci ensures that the treble is well-represented and free from harshness or sibilance. This makes the DaVinci a great choice for listeners who appreciate detailed and articulate treble without the fatigue that can come from overly bright IEMs.

One of the standout features of the DaVinci’s treble is its smoothness. The treble is extended, reaching into the higher frequencies with ease, but it does so in a way that is gentle on the ears. This smoothness prevents any sharpness or piercing quality, making the treble sound natural and easy to listen to. Cymbals, high hats, and other high-frequency instruments are rendered with a realistic shimmer and sparkle, adding to the overall detail and clarity of the music.

Detail retrieval in the treble is another area where the DaVinci excels. The high frequencies are presented with a high level of precision, allowing you to hear the subtle nuances and textures in the music. This is particularly enjoyable in genres like classical and jazz, where the intricacies of the music can be fully appreciated. The DaVinci’s treble brings out the micro-details, making each instrument and note stand out clearly.

In terms of treble tonality, the DaVinci offers a natural and accurate presentation. It avoids any artificial brightness, providing a treble that is true to the source material. This natural tonality ensures that high-frequency sounds are reproduced faithfully, making the listening experience more authentic. The treble also maintains good separation from the mid-range and bass, ensuring that each frequency band is distinct and well-defined.

The treble performance also contributes to the overall soundstage and imaging of the DaVinci. The extended and detailed treble helps create a wide and spacious soundstage, giving the music a sense of depth and dimension. Imaging is precise, with instruments and vocals accurately placed within the sound field. This spatial accuracy enhances the listening experience, making it easier to pick out individual elements in the music.

While the treble is smooth and detailed, it may not have the same level of upper treble extension as some other high-end IEMs. For example, the Blessing 2 Dusk, with its micro planar tweeters, offers a different and more extended treble presentation. However, the DaVinci’s treble still holds its own, providing a balanced and enjoyable listening experience.

Comparison​

Moondrop x Crinacle DUSK 2​

When compared to the Blessing 3 Dusk 2 also known as the Moondrop x Crinacle DUSK 2, the DaVinci has a more satisfying bass response with meatier mid-range and smoother treble. The Dusk 2 excels in upper treble extension due to its micro planar tweeters, providing a more realistic treble presentation. Resolution and technicalities are very similar, but the DaVinci edges out in overall enjoyment due to its better bass, mid-range, and soundstage.

DUNU SA6 Ultra and SA6 MK II​

The DUNU SA6 series has smaller earpieces and offers more comfort and isolation due to their shape. They excel in resolution, clarity, and detail retrieval, with better upper treble extension. However, the DaVinci provides better sub-bass and mid-bass. The SA6 is an upgrade due to its superior detail, but the DaVinci’s bass and overall balanced sound make it more versatile for genres that have a lot of bass content like EDM, hip-hop, pop, and rock.

​

Elysian Pilgrim​

The Elysian Pilgrim IEM has better sub-bass rumble and more resolution and detail but less mid-bass compared to the DaVinci. The Pilgrim is smoother with excellent clarity, making it suitable for long listening sessions. While the Pilgrim excels in sub-bass, the DaVinci offers a thicker, richer sound that is enjoyable across various genres. The Elysian Pilgrim is an upgrade in sound quality to my ears. The DaVinci has a higher quantity of bass, while the Pilgrim has a higher quality bass.

Personal Preferences​

For my personal listening preferences and musical tastes, I find the mid-bass on the DaVinci to be a few dBs higher than ideal. After extended listening, I occasionally prefer something slightly less bass-heavy. However, the bass adds a pleasing thickness to male vocals and makes instruments sound full-bodied and rich.

For instance, listening to Johnny Cash's "Hurt," the natural thickness in his voice, combined with the excellent imaging and instrument separation, sounded marvelous. The acoustic guitar strums moved with clarity from left to right, and his voice sounded rich and full.

Conclusion​

Congratulations to DUNU and Gizaudio for hitting a home run with the DaVinci. It is an excellent and well-tuned IEM that stands out in the competitive market. While it may not be the absolute best under $500, it is certainly among the top contenders according to my preferences. The DaVinci's balanced sound, tactile bass, and superb imaging make it a highly enjoyable IEM for a wide range of music genres. If you appreciate a bit more bass and a warm, full-bodied sound, the DUNU DaVinci could be an excellent addition to your collection.