General Information

Muse HiFi East 6 is a brand-new single dynamic driver IEM that features a specially developed 10mm Tesla dynamic driver unit enclosed in a special dual-cavity semi-open shell design alongside a high-power dual-structure magnetic architecture. The MuseHiFi East 6 has a swappable nozzle design bringing two different sound signatures with a single set of IEMs.

Technical specs:
  • Impedance: 16Ω±15%.
  • Sensitivity: 123dB(Red Nozzle), 125dB(Black Nozzle).
  • THD+N: <0.5%.
  • Frequency Response: 10Hz-50kHz
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Latest reviews

Kindlefirehditaly

New Head-Fier
MUSE HIFI The East 6 : The Alien IEM
Pros: Great build quality
Quite good isolation
Extra-trippy packaging
Great stock accessories
Many nice, quality tips
Note Thickness
Layering
Enhanced Soundstage
Real Openback cavity
Quite easy to drive
Cons: Worst Comfort Fit due to extreme design and short nozzle (really bad fit)
Red nozzle sounds a little bit out of tone but adds trebles and soundstage
Price is high

Disclaimer:​


The MUSE HIFI East 6 was sent to me as a review sample from MUSE HIFI, for which I thank!

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I certainly won’t tell you about the history of the company but my interest in this brand was born with my advent into this hobby. Muse Hifi has the nicest ALC5686 dongle on the market. I’m talking about the Muse Hifi M1. For anyone new to this hobby, it is certainly the DAC that I recommend first.

Obviously, they make much more expensive products and I am extremely happy that, with my hobby, I can try so many products.


However, the review will still be 100% honest and, in no way, biased.


I’m not an audiophile; I’m just a guy that likes to test out different IEMs and DACs and spends a lot of time listening to music.


So I’m not going to use super-technical words to review it, but I will do my best to describe it.


Tech Specs:​

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  • Shell Material: CNC metal
  • Driver: 10mm dual cavity High-quality Single DD
  • Impedance: 16Ω±15%.
  • Sensitivity: 123 dB (Red Nozzle), 125 dB (Black Nozzle).
  • THD+N: <0.5%.
  • Frequency Response: 10Hz–50kHz
  • Cable: high-purity, pure silver
  • Weight: 15g x piece

Packaging:​


A packaging model already seen on another IEM, I must admit that the trip effect of the packaging already makes you think of something extremely particular. The care and standard equipment of the accessories are correct compared to the asking price.


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Inside, we find:

  • Hard case
  • Cable with 3.5mm termination
  • 8 pairs of tips: 3 different tips type (great)
  • 2 types of nozzle
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The equipment is excellent. We have three different types of tips: the 07, the wide bore, and the more classic ones, all of good quality, perhaps even better than other brands. The cable is honestly proportioned and does not add weight unnecessarily. The hard case where you store them is anonymous but it is always an extremely useful accessory.


Design/Build quality:​


The Muse Hifi East 6 is proof of extreme design. They are beautiful—so beautiful that personally, they win over all the others. None of them achieve such a particular design but unfortunately, there are some comfort and perhaps even design problems. As you can see from the photos, it is a metal block. The weight is there, but it does not create problems. The faceplate is truly open-back—much more open than the BGVP P05. I think they are one of the few to be so open-back. If you close the nozzle from the back of the IEM, you can hear the sound coming out. The nozzles that can be changed are also excellent, much better than the switches, but here we begin the first problems.

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As you will see from the photos, the nozzle is not very pronounced, which creates fit problems due to the extreme design. The angle of attack of the nozzle is reached with difficulty; without a perfect seal, you already know that you cannot listen to them. The choice of such an unhuman design led to significant fit problems. I had to use the largest tips ever in the included set; in my case, the wide bore ones are fine but the ideal are tips that lengthen the nozzle and create more positioning possibilities. This shape is vaguely reminiscent of the Hifiman TWS 800, which, however, has softer shapes and a more elongated structure. Here we also have the corners, which, if they press in the wrong places, create problems.


Tips Rolling?​


To continue the review, I had to go straight to the rolling tips section! Unfortunately, with the originals, unless your ears are a little particular, you will necessarily have to do some tips rolling. With the original L-size ones, I can have an optimal seal to enjoy the performance of the driver. However, the part opposite the nozzle of the shell takes an angle that goes inside the ear, pushing the edges and creating pain after half an hour. To solve the problem, I have to find tips that allow more movement of the IEM.


This time, I immediately discarded the Divinus Velvets, which are stiff.


  • Dunu S&S in sizes M or L are definitely an improvement over the stock ones; the nozzle is longer and there is slightly more ease in positioning.

  • Tri clarion in size L: Finally, we are 100%; more than that is difficult to get from this shell design. However, we can do even better with a tip mod.

  • Kz Starline “Reverse MOD”: Here we go beyond 100% as the reversed Starlines have absolute mobility. They are also the cheapest of all. With these, you can easily listen to them for hours.

Comfort/Fit:​

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The Muse Hifi East 6 is perhaps the most difficult IEM to wear after the Hifiman Svanar Wireless. Unfortunately, I can’t say that they are comfortable and perfect, even after changing tips. They went overboard with the design; they are as beautiful as they are uncomfortable. Hence the name “alien IEMs.”.


Initial sound impression:​


Starting to talk about sound, the Muse HIFI East 6 really sounds very good! Assuming you find the correct position and good sealing, you will enjoy very good audio quality. The driver used is certainly not cheap; I have no way of finding out whether the coil is Japanese, as stated but it certainly sounds good. Its open-back structure is probably part of its magic and it makes me cry to think that such a good-sounding set was put aside because of the fit.



Final sound impression:​


Equipment was used for the testing above…


Device:


  • iMac
  • Redmi Note 7 Snapdragon
  • Poco M4 Pro Mediatek

Software:


  • Foobar2000 24bit 192kHz (iMac)
  • Amazon music UHD 24bit 96kHz (Both)
  • Tidal Hifi Plus

DAC:


  • Moondrop Dawn Pro
  • Moondrop Dawn 4.4
  • Fosi SK02
  • Simgot Dew4x
  • iBasso DC04pro
  • EPZ TP20 3.5 mm (Dual Cirrus)
  • Hidizs S9 Pro Plus (ESS): Most Used
  • EPZ TP30 (ESS)

P.S. My impressions are given using non-original accessories (different tips).

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From the first moments with the Muse HIFI East 6, I liked them a lot. From what my ears hear, the set is extremely well done. The tuning is very pleasant, the detail is excellent, and the soundstage expands beyond the ears thanks to the open rear cavity. If only they had dared less with the design, this would have been completely different.


Let’s move on to a slightly more detailed analysis. At the moment I am writing it, I am using the reversed starlines and using the nozzles with black gaskets.


Bass​


The East 6 performs very well. It is neither an unnatural bass nor too covering but it has a certain body and thickness. I would define it as a naturally warm bass with excellent detail. The subbass has a slight push without being too dense. However, the push gives the sensation of moving air and honestly, this doesn’t happen with many IEMs.


Mids​


Extremely lustful and silky vocals. The note of warmth continues into the mids, creating a very pleasant mix. The female voices have depth and liveliness; even the singers’ breaths on some tracks are clearly audible. They sound quite natural on almost all tracks, maybe just a very slight nasal note but I think that’s due to the slightly warm and dampened tuning at the top.


Treble​


The highs are difficult to break down; it is practically impossible for them to be sibilant or harsh. There is an audible roll-off but honestly, there is a very good presence of macro details, even sparks where you expect them. All in all, even if not excessive, the air is present. I have to say that everything is very relaxed and pleasant, even on really long listens and honestly, it’s just missing a little more sparkle that you can get with the other nozzle but you lose something elsewhere.


The red filter slightly elevates the treble region, making listening slightly more tiring in the long run. Honestly, it doesn’t cause me any problems because I’m not extremely sensitive to the extra treble. In my opinion, the black filter has the most pleasant tone for the mass. The red on


Soundstage and Imaging:​


The soundstage, thanks to the open back cavity, is actually better than most DD singles on the market. With the red nozzle, the peak of this DD is reached and in my opinion, the image also acquires greater sharpness. There is some spicy peak but on the other side, you have the much more direct and less filtered single DD. It’s the first set where the difference is so audible.


Regarding the separation of sounds, it does very well.


Comparison:​


vs EPZ x Tipsy Star One

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Faceplates + Sun
For the same price, we can have the Star One, and certainly the fit is much more comfortable. The standard equipment is a bit poor for the cost and above all, a dongle is recommended due to the 64 OHM impedance. Exceptional vocal presentation, warm tone, and phenomenal bass quality. Read the full review!


vs EPZ Q5

EPZ Q5 opening

My first great love for EPZ will never be forgotten! It remains an IEM with absolute comfort; the sound for the price requested is crazy; I could say that it surprises more than the Star One. Equipped with better accessories but some better tips, the performance increases. I put them on a balanced cable and I always spend several hours on them.


vs Celest Plutus Beast

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Are you looking for something more exotic for a similar price? Celest is for you with the Plutus Beast! Great hybrid IEMs with an extremely fun sound and the BC driver adds depth to the bass. They have very high comfort, a good supply of tips (even if they were missing in my sample), excellent cable, and very low impedance, which make them also suitable for smartphones.


vs Rose Technics QuietSea

Rose Technics QuieSea
Metal & plastic
The QuietSea are perhaps the most well-equipped IEMs and the tone is also the most serious of those previously mentioned. The topology driver and the collaboration with IKKO have led to the development of an excellent IEM, even if, unlike the others, it is less particular.


Conclusion:​


The Muse HIFI East 6 would have been excellent IEMs but unfortunately, their extreme and angular design makes them absolutely unsuitable for many people. Having to get new tips to make up for a design problem shouldn’t be an obligation but in this case, you have to.

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On the audio side, they are definitely a solid 8.5/10 because they satisfy the ear and the nozzles work properly.


Unfortunately, I can only rate it a 3/10 in terms of comfort. My ears are also quite large, but the angle of the nozzle is not optimal, so I had to use reversed starlines, which significantly lengthen the attack of the nozzle.


I conclude by saying that I hope Muse Hifi collects feedback from the community and develops an IEM with an equally particular design but with a shape more suitable for human ears.


I give it a passing grade because, in the end, I was able to use them without pain and I also had fun. I will definitely continue to use them.

Where to buy?​


MUSE HiFi The East6 / East 6 IEMs
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nxnje

500+ Head-Fier
MuseHifi The East 6 - When sound doesn't meet shape and size halfway
Pros: - Very nice bass response, wide stage and non-fatiguing sound with the black filter
- Awesome build quality and unique design
- Nice stock cable
- Wide set of tips, even though one might need to buy an aftermarket set since these could not be enough to do some proper tip rolling
Cons: - The red filter makes the sound more vivid and detailed but also more fatiguing and bright
- The fit is awkward and many won’t find these comfortable or easy to place in the ears and the stock tips don't provide as much variety as one could expect
- The price is a bit on the higher side, especially considering the fact that they’re not technical monsters, they don’t offer anything unique or special in terms of signature and that the competition is very tough

Introduction​

MuseHifi isn’t among the most popular Chi-Fi IEMs’ manufacturers in the worldwide scene, but they are not unknown to those who have been in the hobby for some time. In fact, their most popular model is the MuseHifi Power, a planar IEM which wasn’t highlighted by many reviewers because of its supposedly wonky tuning that needed some more work.

Now, MuseHifi is back with another set but this time they went for a single Tesla Dynamic Driver IEM contained in a unique-looking glossy metal shell. Let’s see how it fares against the competition.

Disclaimer: the MuseHifi The East 6 were sent by HiFiGO free of charge in order to write a honest review. I do not represent HiFiGO or MuseHifi in any way and this is not promotional content.
At the time of the review, the MuseHifi The East 6 were on sale for 69,99$ at
Aliexpress, Shopify, Amazon Japan and Amazon US.

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Technical Specifications​

  • Driver Configuration → 1 x DD (Tesla Dynamic Driver)
  • Sensitivity → 123 dB (black filter) - 125 dB (red filter)
  • Impedance → 16 Ω ± 15%
  • Frequency Response → 10 Hz – 50000 Hz
  • Cable → 1,25m high purity sterling cable with 0.78mm 2-PIN connectors for the IEMs
  • Plug Type → L-shaped gold plated 3,5mm jack connector

Packaging​

The packaging is well designed and every piece of the hardware is separated from each other. It contains:
  • The MuseHifi The East 6
  • One pair of interchangeable tuning filters (one is already mounted on the IEMs)
  • The detachable 0.78mm 2-PIN cable
  • Three sets of tips (of which one consists in wide bore tips)
  • A carry case
  • User manual
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Design and Build Quality​

The East 6 surely look good and there’s no way to say it in a different manner. It really seems like they come from “The Mandalorian” series since the design is very “typical”, and the build quality is also impressive. The glossy shell is a sort of fingerprint magnet but overall this set feels premium in the hands.

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The filter is interchangeable, and while the IEMs come with the red filter already mounted, one can remove it and use the black one for a warmer and less fatiguing sound (but we’ll get to this later in the review).

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Cable​

The stock cable is of good quality, it has pretty soft pre-molded earhooks and there is a chin slider (which is something that every cable should have, in my opinion).

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Comfort and Isolation​

Comfort and isolation are something on which MuseHifi should really put some work.
The shell shape looks nice but it’s far from being comfortable or easy to fit. It’s also difficult to find the right tips and this leads to discomfort or low grip, thus making the IEMs difficult to keep in the ears (and the stock tips are not excellent).

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This also leads to isolation issues since if the IEMs aren’t properly worn, there’s a high chance that the seal won’t be good enough to insulate from external noises, and if we also add the fact that the MuseHifi The East 6 are designed to be a semi-open set, it’s also easy to find out why they are not great when used outside.

I understand the fact that a company would like their IEMs to be recognizable among the many available on the market right now, and I know this is very important in a crowded market like this. At the same time, though, comfort and fit are the most important aspects of an IEM (if an IEM sounds good but it’s difficult or uncomfortable to wear, one will not use it), so every earphones’ manufacturer should carefully select the right size and shapes for their products.

Sound​

GEAR USED FOR THE TEST
  • DAC: Topping E30
  • AMP: Topping L30
  • Mobile phones: Samsung Galaxy S7 Edge, Xiaomi Mi A3
  • Dongle: Apple Type-C dongle, Truthear SHIO
  • Portable DAPs: Benjie S8/AGPTEK M30B
  • Other sources: Presonus AudioBox iONE, ElGato Wave XLR

Do they need an amplifier?
The MuseHifi The East 6 don’t strictly need an amplifier.

Sound signature
The MuseHifi The East 6 come with a double signature since there are two tuning filters that lead to different frequency responses:
  • Black Filter: warmer presentation, more balanced highs and an overall smoother and less fatiguing sound
  • Red Filter: brighter response, more forward upper mids and lower treble
Lows:
  • Black filter: the sub-bass is right in quantity and extends pretty well, without exceeding its limits or going over the top. The bass is slightly prominent and it has surprisingly good weight and punch along with a decent amount of textures.
    It’s not “crazy basshead’s material” but the quantity and quality of the bass will satisfy most listeners in the majority of music genres.
  • Red filter: same as black filter more or less, but there is less perceived weight of the low-end due to the overall brighter signature
Mids:
  • Black filter: the midrange is recessed, but not crucially so. The lower mids are warm and they’re reproduced at a slightly lower level than the upper mids, so female vocals sound a bit more energetic than male ones and there isn’t any hint of sibilance. The overall instrument reproduction is kinda natural with a warm tinge to it.
    Instrument separation and layering are average.
  • Red filter: the midrange is perceived as slightly less recessed, with lower mids being a bit cleaner and a more forward upper midrange. Sometimes, female vocals can become hot, and in (very) rare cases a tiny touch of sibilance could hit.
    Instrument separation is a tiny bit better than on the black filter but nothing to write home about, whereas layering is pretty much on par with the black filter.
Highs:
  • Black filter: the treble is not fatiguing, the detail retrieval is decent and overall we have a nicely tuned upper range. Those who are usually very sensitive to treble will probably like the fact that this set is non-fatiguing but still retains a good amount of clarity without sounding dark or closed in.
  • Red filter: brighter, more fatiguing but also more open and detailed sound. Let’s say that treble sensitive people aren’t gonna like this filter.

Soundstage is slightly bigger with the black filter and it’s satisfying also with the red one, while imaging is a touch better with the red filter on even though not the best for the price.

The black filter comes up as the best choice as it sounds much more consistent and pleasant along the spectrum with no fatiguing peaks . The red filters offer some sound variations that make the filter “useful” but

Some comparisons​

MuseHifi The East 6 vs KBEAR Ink MKII​

This is the first comparison that came to my mind when I first listened to the MuseHifi The East 6.
Speaking about the black filter, which is the one that’s really worth using on the MuseHifi The East 6, the two sets definitely trade blows in the low-end. The Ink MKII are punchier but the MuseHifi IEMs can offer a more ample and deeper bass. The midrange is more recessed on the Ink MKII, and this also explains the slightly richer and warmer sound of The East 6. The highs are a tad less open on the MKII which instead do better in detail retrieval and in the lower midrange. Soundstage is bigger on the MuseHifi The East 6, while imaging is more precise on the Ink MKII.
The Red filter makes everything brighter and less pleasant on the MuseHifi, but it actually makes a noticeable difference: they become more energetic in the upper midrange, slightly less bassy and more detailed on top, increasing the tonal differences between them and the Ink MKII. Technicalities appear to vary a bit with a decrease of the perceived spatiality and a slightly better accuracy in imaging, even though the difference is not night and day.
Build quality is great on both sets and both come with great stock cables. Fit, comfort and isolation is where the Ink MKII really destroy the MuseHifi The East 6, since the latter cannot really compete due to the awkward shape and size of the IEMs.
Overall, the Ink MKII comes out as a technically superior set but they only have one (well-done). If you want some flexibility and could appreciate a brighter and more forward sounding set, then the MuseHifi The East 6 will sure offer a less refined and competent IEM but also a more versatile way to switch between tunings without the need of an EQ.

MuseHifi The East 6 vs Truthear HEXA​

These are around the same price but the approach is completely different.
The HEXA are technical, clinical and sterile for the most, giving much less listening enjoyment than MuseHifi’s set but also a noticeable superior resolution and technicalities.
The black filters goes towards the complete opposite side when compared to the HEXA, with a warm and bassy sound that flows through the highs with ease, while the red filter sacrifices some weight in the low-end in favour of more frontal vocals and a bit more details.
But nothing can overpass the driver ability of the HEXA, which truly shine in complicated and busy tracks in comparison to the MuseHifi The East 6. This does not mean that the latter are a bad set, but the technicalities are just better on the HEXA and there’s nothing that filters can do to compensate this difference.
What is good on the MuseHifi The East 6 is the soundstage, since the Hexa have good staging but it’s not as wide as on MuseHifi’s set, but the imaging, layering and instrument separation are inferior on The East 6.
The shells are made by very different materials (3D printed resin vs metal), so it’s difficult to compare them even though the MuseHifi The East 6 look more solid and durable, but the comfort, fit and isolation are a complete win for the HEXA. The stock cable of the HEXA, instead, is pretty bad, and in fact MuseHifi got their customers covered with a nice stock cable.
Overall, the choice depends on the type of listener: if one wants the best technical chops, a very analytical signature and a more accurate yet less musical timbre, then the HEXA are the ones to get; instead, if the listener wants to choose between two tunings (maybe because of the curiosity to try this kind of stuff) and is ok with a big shell, warm and thick bass, and a more coloured yet less technical sound, then the MuseHifi The East 6 could be something to consider.

Final Thoughts​

MuseHifi has made a step in the right direction, especially with the black filter: the tuning is warm, non fatiguing, and the weighty bass response will be loved by some. The red filter, on the other hand, could use some improvements since it has some hotness here and there that could annoy many listeners. If we also add the fact that the shape and size of the IEMs could lead to a very loose or uncomfortable fit for some listeners, then it’s also easy to suggest MuseHifi where should they focus for their next releases.

Being recognizable is very important in today’s market, especially because Chi-Fi is so crowded that there are many IEMs that look and sound the same, but there is a catch to this: comfort and fit should be on top on the priority list when making a pair of headphones/earphones.
Listening to music isn’t only about the sound, it’s also about wearing something that stays in the ears or on the head in a proper way. If you offer high sound quality and then you fall short on wearing, your listener will not use the product and will not use his/her time to enjoy the sound you’ve worked on, and this is a missed opportunity since it seems like this driver is of good quality.

To sum-up, the MuseHifi The East 6 are a solid set overall and the driver they’ve decided to use is also nice, but the fact that they don’t have a unique timbral/tonal approach, any technical “wow” factor and that they are also difficult to wear properly, does not make them something very easy to recommend since there are other choices for the same price that offer a higher value for the money.
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