wualta
Orthodynamic Supremus
- Joined
- Sep 12, 2004
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After seeing Jude's exploded K340 diagram in an earlier thread, I started getting little signals from the far side of my brain. Using a Townes-Schawlow maser amplifier, these signals are now large enough to be examined, and my brain has decided that they are bits and pieces from old audio magazines doing their tests on the K340 when it came out in 1978. What I remember about the passives may shed some light on the mysterious midrange/headstage spell these old dinophones reportedly weave.
As I recall, basically they're windows that are open only in a certain range of frequencies. That means the 'phones behave as sealed 'phones where you want them to be sealed (in the bass) and are open-- acoustically transparent-- where you want them to be open (anywhere except the bass). My rough guess is that they're weighted to resonate around 1--2KHz, and the acoustic resistance behind them lowers the Q of this resonance and spreads the "window" over a larger range of frequencies. You can check my guess by listening at very close range to the 'phones playing on someone else's head. Do you hear mostly mids? Mids and highs?
Anyway, if I'm correct, owners should hear solid, non-phasey bass and nicely open and airy mids, the frequencies the brain mostly uses for localizing. A very clever design. Best of both worlds, don't you know.
I don't think the passives play a role in the crossover between the electret tweeter and the moving-coil diaphragm, which reportedly takes place up around 4KHz, which means the K340 is primarily a dynamic 'phone with an electrostatic clerestory, but I'm willing to listen to any good story, even one about a Zen panda.
As I recall, basically they're windows that are open only in a certain range of frequencies. That means the 'phones behave as sealed 'phones where you want them to be sealed (in the bass) and are open-- acoustically transparent-- where you want them to be open (anywhere except the bass). My rough guess is that they're weighted to resonate around 1--2KHz, and the acoustic resistance behind them lowers the Q of this resonance and spreads the "window" over a larger range of frequencies. You can check my guess by listening at very close range to the 'phones playing on someone else's head. Do you hear mostly mids? Mids and highs?
Anyway, if I'm correct, owners should hear solid, non-phasey bass and nicely open and airy mids, the frequencies the brain mostly uses for localizing. A very clever design. Best of both worlds, don't you know.
I don't think the passives play a role in the crossover between the electret tweeter and the moving-coil diaphragm, which reportedly takes place up around 4KHz, which means the K340 is primarily a dynamic 'phone with an electrostatic clerestory, but I'm willing to listen to any good story, even one about a Zen panda.