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So do you recommend a 100 buck DJ audio interface or audiophile DAC regarding to the soundquality?
Neither. I'd recommend an audio interface designed for use with a Digital Audio Workstation (DAW).
Ableton Live. Sonar, Pro Tools, Cubase, Logic - these are genuine pro applications. We have all bought music created and/or recorded using this software. Artists and Engineers will demand the highest standards for their own work in the studio. Plus this gear has to go on the road. So it needs to be reliable and hard wearing. If your interface screws up mid set or session you are not going to be happy. At all.
Look at it this way. What's the point in owning a DAC which is 'better' than the one used by the guy who recorded the sample in the first place?
It has never been cheaper to design and manufacture consumer electronics. It's the software that costs the big money to develope, maintain and, ultimately, purchase. So it makes sense for manufacturers to break the old semi cartel quality: price point structure. They get to sell a lot more $1,000+ software suites for which users will expect to pay for an upgrade every year or so.
So if you have followed the arguement so far and agree with the conclusion the remaining question is how little do you have to spend and still get pro quality - not simply sound quality, that's a given, but also reliability, driver stability, user support etc etc?
Among the brand names that regularly pop up RME, Apogee & DigiDesign all have devices suitable for domestic use which cost ~$500. $1,000 will get you state of the art top of the range gear. Focusrite, Presonus, TC-Electronic even E-MU all have excellent reputations and are generally even less expensive.
ed: spl