Brief impressions EM10
(pic from EarSonics, but design is always black and gold symbols)
So I received the EM10 on Friday. Out of the box, the EM10 sounded very transparent, with nice body in the midrange, but rather cold. So I put the EM10 on to burn for two days, and the higher frequencies settled in revealing the EM10’s intended sound, which is very balanced, and especially beautiful.
The EM10 has a beautiful tone, with an emphasis on excitement and musicality. Yet, it’s very smooth, with some natural elements in its signature. Keywords here are ‘melodic’, or ‘euphonic’. It’s a joyous sound that enhances the upper mids, but doesn’t sound bright by any means. The key to its tuning lies in a lift in its upper mids/and lower treble, but essentially, followed by a dip in the mid treble region. As a result, the treble itself is very smooth. It’s a tuning that is close to the A18 (M20) in tone. In addition the EM10 has nice body in its vocals, resulting from a 1-3 KHz bump. Finally, it’s finished off with a punchy well-defined bass, with a linear relation between sub- and mid-bass. It’s a typical type of bass that we like to see – fun and engaging.
The EM10 has an exciting tuning that makes me want to spend more time with it than I currently have, due to the shootout. It’s signature is extremely pleasing, almost the very definition of musical (at least mine), and its transparency is well above average. If this all sounds too good to be true, it’s because the EM10 comes with a downside of its own – its stage leans towards intimate. It’s roughly the same as the S-EM9 in overall dimensions, but the EM10 follows a similar issue as the Samba and Flamenco. Both the S-EM9 and Samba have a smallish to average stage, but excel in separation because of their optimized relationship between the note thickness and stage dimensions. However, when you add more body to the sound with a similar-sized stage (as with the EM10 and Flamenco), the stage automatically feels smaller, and the separation is not as effortless.
However, this is me being critical as usual. Make no mistake, the EM10 is a truly fantastic-sounding ciem, and without a doubt, EarSonics’ best so far. It’s a melodious yet smooth tuning, that simply just sounds very good. I can see this becoming a personal favorite on short term.
This is what I would say it roughly looks like in a graph :