BMF,
Looks like all the drivers, even older white ones have same writings on the diaphragm..
Indeed, T50s damper looks like T20s damper split in half parallel to the surface.
You said that T20RP requires a different approach to modding. I guess that the main difference is the damper, and the cups can easily be brought to some common denominator? And if one replaces the damper, then there is no serious difference?
A few days ago a thought occured to me. Why does the Sennheiser HD800 has a huge scene, as said by many people? There must be something to it. What makes it different? Ring driver. How it is different with regards to scene?
A common driver has large radiating surface and large run differences between ear-center point of driver and ear-side of driver. Same for any other point of pinna.
An bass-lensed driver has reduced radiation from sides and so is closer to a point source. However, it is a point source near the ear, and has high run length differences between it and different points of pinna, so the full sound waveform at ear canal entrance is still not correct.
An ring driver has its radiating surface right against the pinna, so there is less run length difference between inner and outer parts of pinna, hence it appears as a more remote source, hence the more correct full waveform at ear canal.
This is just a speculation, but seems plausible to me.
So I have tried to 'emulate' a ring driver using an reverse reflex dot of self-adhesive felt on ear side of the driver. My rig is pathetic, so I can't really say if there was any noticeable difference, but seems that scene has indeed improved somewhat. At least on pair vocal records, I can now hear that one is closer, one is a bit away, one is to the left, other is to the right. Before, they were in different places, but it was hard to say where.
Treble has increased a bit. Seems that 11kHz peak has been tamed by that dot. Can't still understand what's changed with treble over 16kHz.
Bass has reduced, though. And my pair is somewhat bass-shy now, EQing up by~3db/octave below 300 Hz produces a much more lush, PRaTty and involving sound. I'm thinking about combining the reverse dot with a bass lens for more bass, but that's not today.
Overall.. Hard to make a conclusion, it's a bit too subtle a difference.