Hey, everyone! Effect Audio recently gave me the opportunity to check out their new Cleopatra II cable, including the ConX and TermX systems.
Covering the auxiliaries first, I found the packaging adequately lavish. There’s a lot more personality here than their old
Bespoke boxes, and the same goes for the cable’s accessories. I don’t know if it’s the power of suggestion, but I’m getting a feminine, Cleopatra-appropriate vibe from both the design and light-jade colouration of the case, and it’s made up of a nice veg leather as always. Moving onto the cable bit, it's standard
EA silk with some gorgeously-textured hardware on the side. I love how they've finished it, and I'd certainly welcome some more of this brushed metal in the future. Then, I’ve covered ConX in the past before, but TermX has really, really impressed me. It’s extremely easy to use, the notch-meets-indent system is very intuitive, and it hides
seamlessly in the cable’s barrel too. It’s a much sleeker design than DUNU’s or DITA’s systems in the past, and I hope it holds up as time passes.
Now, onto sound impressions!
Effect Audio’s Cleopatra II is an expressive, groovy, yet - to a degree- relaxed-sounding cable. It’s got verve and groove in its sub-bass and mids, and it opts for air over outright attack up top. Like one of my favorite Effect cables, the EVO 10, the Cleo II’s signature is rooted in an evocative, dynamic midrange with larger-than-average notes. Singers have this intimate, wide-spanning quality, versus being locked to a single point in space. The same goes for synths or keyboards, which have the ability to weave into each other and create walls of sound; spacier tracks like Snarky Puppy’s
Belmont, or anything off of Bonobo’s repertoire. Despite this, the Cleo II is capable of great separation still, thanks to its well-extended top-end. Its black backdrop and effortless imaging set the stage for its presentation, so this is all achieved with little compromise in the end.
Down low, the Cleo II imbues a strong, central thump with little bleed or bloom. Dynamic drivers gain control, but with kick left intact; even heightened. This is down to a tasteful sub-bass elevation, and it’s ideal if you want your in-ears to have a bit more low-end authority. Up top, I feel the Cleo II remains refined and relaxed around the low- to mid-treble. On the VE EXT, for example, I’m hearing less of those coarse, sandy overtones. It’s a more analog, smooth treble that isn’t as edgy or direct in attack. To compensate, the Cleo II’s upper-treble reaches far for a resolving, well-layered and open-sounding sig in spite of its relatively calmer peaks. So, as long as you don’t mind a high-end pushed further towards finesse, or, rather, you’re looking for a cable to turn intensity down a touch without compromising transient attack, the Cleo II is a strong pick.
Comparing it briefly to the original Cleo, I’m hearing a slightly more v-shaped sound out of the OG. Its midrange is flatter dynamically, as if it was limited or capped to a degree, and there’s a bit more bite to the top-end. It’s a crisper, more contrast-y sound to my ears, which may or may not be more to your liking. I personally prefer the ease, lushness and finesse of the Cleo II. There’s a soul and groove to it that I’d rather have over sheer transience, but YMMV. And, comparing the Cleo II to the Leo II, I’m hearing a flatter sig on the latter. There’s a more matter-of-fact, blasé vibe to it with instruments rarely stepping forward and projecting. It also has a
smidge more low-treble bite, but it's a less noticeable difference. So, I’d suggest the Cleo II if you’ve heard these two and want a bouncier, more evocative, less attacking - yet just as clear - sound instead.
'Thanks to Effect as always for the opportunity, and I hope you guys enjoy these impressions!