Welcome VALKYRIA, let's start from the end: CHAPEAU!
From the very first notes it surprises for his sensational aptitude in reproducing all music in a essentially perfect way.
I would say it's like when you travel in a top class car, built with no compromises: the route is the same, it is the journey that is very different.
A bit like the pleasure you get in the back seat of a Rolls-Royce, at a constant speed of 250 km per hour (in Germany, where you can
), with the exclusive sensation of travelling at the right speed and fully enjoying the comfort and any views.
With HER in your ears, every instrument is exactly where you expect it to be: up, down, right, left, above, below, forward, back ... enveloping the listening discreetly and without flaws, all according to the registration.
And when I write each instrument, I mean also those that in other listenings were difficult to identify, in the background, hidden, and that instead with HER are very present, with the exact importance that those who recorded the piece wanted to give them.
Beyond three-dimensionality.
Beyond the scene and the stage.
And there are no "Huh but ....".
Each frequency is masterfully reproduced at any volume (even if the right volume "is that of the event" as Maestro Andrea Ricci says).
It is the headphones for music, whatever it may be.
I drive it with AUDION HP1 30TH Anniversary Edition amplifier with 300B EAT tubes upgrade (listen to believe
), DAC R7HE + digital interface di20HE (Audio-gd), signal cables and power supply from TIGLON (top TPL 2000): a combination that also impressed Andrea (and I'm proud of it!).
My humble opinion not as a technician but as an enthusiastic headphones lover:
CHAPEAU VALCHYRIA,
CHAPEAU ANDREA RICCI,
CHAPEAU SPIRIT TORINO!
https://www.dropbox.com/s/x05pyyxxs2p0r1w/bb323ca7-bc49-4e29-b65b-43dd11e06b1c.jpg?dl=0